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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1503279 Composed by Hugo Madera. 21st Century,A Cappella,Contest,Festival. 15 pages. Hugo Madera #1078765. Published by Hugo Madera (A0.1503279). This choral setting of Christopher Marlowe's The Passionate Shepherd to His Love brings to life one of the most celebrated pastoral poems of the English Renaissance. Marlowe's work, penned in the late 16th century, captures the idyllic and romantic imagery of the countryside, as a shepherd entreats his beloved to join him in a life of simple pleasures amidst nature’s beauty. The text is characterized by its gentle and persuasive tone, as the shepherd promises a life filled with joy, comfort, and the delights of nature, adorned with flowers, wool, and gold. This piece serves as both an homage to Marlowe’s poetic genius and a celebration of the enduring themes of love, nature, and the simple pleasures of life. As you listen, allow yourself to be transported to the shepherd’s world, where love is pure, nature is bountiful, and every moment is a gift to be shared with someone special.
Pastoral
Chorale SATB

$2.99 2.55 € Chorale SATB PDF SheetMusicPlus

Bass Guitar - Level 4 - Digital Download SKU: A0.950672 By No Doubt. By Gwen Stefani and Thomas Dumont. Arranged by Daniel Roberts. 20th Century,Latin,Pop,Rock. Score. 6 pages. Daniel P Roberts #556397. Published by Daniel P Roberts (A0.950672). Arranged for 4 string bass in Drop D tuning with TAB Take this pink ribbon off my eyes I'm exposed and it's no big surprise Don't you think I know exactly where I stand? This world is forcing me to hold your hand 'Cause I'm just a girl, oh, little old me Well, don't let me out of your sight Oh, I'm just a girl, all pretty and petite So don't let me have any rights Oh, I've had it up to here The moment that I step outside So many reasons for me to run and hide I can't do the little things I hold so dear 'Cause it's all those little things that I fear 'Cause I'm just a girl, I'd rather not be 'Cause they won't let me drive late at night Oh, I'm just a girl, guess I'm some kind of freak 'Cause they all sit and stare with their eyes Oh, I'm just a girl, take a good look at me Just your typical prototype Oh, I've had it up to here Oh, am I making myself clear? I'm just a girl I'm just a girl in the world That's all that you'll let me be Oh, I'm just a girl, living in captivity Your rule of thumb makes me worrisome Oh, I'm just a girl, what's my destiny? What I've succumbed to is making me numb Oh, I'm just a girl, my apologies What I've become is so burdensome Oh, I'm just a girl, lucky me Twiddle-dum, there's no comparison Oh, I've had it up to Oh, I've had it up to Oh, I've had it up to here.
Just A Girl
Basse electrique
No Doubt
$4.99 4.26 € Basse electrique PDF SheetMusicPlus

Tuba Solo - Level 5 - Digital Download SKU: A0.991806 Composed by Jason Allie. Romantic Period,World. Individual part. 14 pages. Joaba LLC #3129601. Published by Joaba LLC (A0.991806). Description Total Duration: 11 minutes. A vigorous, advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills.  In an enjoyable and delightful manner, tubists will build dexterity, endurance, expressiveness, effective volume and range (going up to D/C# above the staff). This work will charm, captivate, and rouse/impress audiences.  A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba in whole or in part.  Please send feedback, praises and more to contact@joaba.com. Performance Notes from the Composer Édesen Édesen translates to sweetly in Hungarian, and is this movement’s purpose: to be a centering, calming moment before the following tumult.The first 10 bars serve as an introduction to warm up to the melody. The melody has three contrasting articulations that must be respected: staccato, legato, and normal.  The melody easily leads to high and low range notes-excellent for beginner/intermediate tubists to expand and solidify their range.  Give more air for the range’s extremities so pitches don’t become too thin or muddled. The second theme in the dominant (E major) should be played with luscious legato and bright staccato. LassanLassan translates to slowly in Hungarian usually conveying stateliness or seriousness.  This argumentative movement breaks the former’s idyll and sets the case for the next movement’s defiance and victory.The first section is to be played serious and strong.  Increase air support for the higher pitches.  Make the descending scales resound and bounce off the lowest notes.  The second theme starting at 81 should be played with great charm and ease. For the solo passages, show-off but slow the tempo into the fermatas: (m77-80, m102-103, and m132-133). Friska Friska translates to fresh in Hungarian and in this case, it’s a duality of turbulence and final elation.Start the piece fast, but not too boisterous-embellishments are added in the repeat demanding boisterousness.  Epitomizing the turbulence, the con moto sections (at m161 & m260) emphasize a 1 beat per measure feel-accelerate the tempo as is comfortable.  The digressionary, crab-like sections (at m176 & m275) should be played as light as possible to help build up to the elated sections.  The first elated section (m188) should be played as if gleefully discovered but not yet won; the second elated section (m291), with a victorious finality that cannot be diminished or tarnished.
Unaccompanied Tuba Suite #3: Rhapsody in A
Tuba

$12.99 11.08 € Tuba PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
Chorus and Aria from Ariadne auf Naxos
Guitare

$7.00 5.97 € Guitare PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1349649 By Antonio Vivaldi and Flavio Regis Cunha. By Antonio Vivaldi. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score. 4 pages. Flavio Regis Cunha #934417. Published by Flavio Regis Cunha (A0.1349649). Antonio Vivaldi: Largo from Winter Concerto No. 4 in F minor, Op. 8 RV 297 L' inverno (for Piano)Intermediate level.Fomat: Concert 12 x 9 inches.4 pages.Duration: 2:00 min.PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.🎶 Unlock the Emotion: Dive into Vivaldi's Winter on Your Piano! 🎹Dear Pianists, both seasoned maestros and passionate enthusiasts,Embark on a musical journey that transcends time and space with our exquisite sheet music – Largo from Four Seasons (Winter) by the legendary Antonio Vivaldi. ðŸŒ¬ï¸ Immerse yourself in the breathtaking beauty of this masterpiece, meticulously transcribed for piano, and let your fingers dance across the keys, echoing the soul-stirring melodies of the original concerto.🌟 What makes our sheet music a must-have for your repertoire?1. **Precision in Every Note:** We have arranged and captured the essence of Vivaldi's composition with unparalleled accuracy. Each note resonates with the same passion and intensity as the original, ensuring an authentic musical experience.2. **Expressive Dynamics:** Feel the power of the music as you navigate through the expressive dynamics meticulously notated in our sheet music. From the delicate pianissimos to the thunderous fortissimos, every nuance is at your fingertips.3. **Versatility for All Skill Levels:** Whether you're a seasoned professional or just starting your musical journey, our sheet music is tailored to suit all skill levels. Unleash your creativity and bring the magic of Vivaldi to life, no matter your proficiency.4. **Immersive Learning Experience:** Dive into the historical and artistic context with our insightful annotations. Gain a deeper understanding of the composition and let your performance resonate with the emotions intended by the great Vivaldi.🌈 Elevate your piano playing to new heights and let the evocative strains of Largo from Four Seasons (Winter) captivate your audience. 🌬ï¸ðŸŽ‰ **Perfect Occasions to Showcase Your Mastery:**1. **Wedding Celebrations:** Set the stage for festive gatherings and wedding celebrations with the enchanting sounds of Vivaldi's Winter. Create a magical ambiance that complements the joyous spirit of the season.2. **Romantic Evenings:** Ignite the flames of passion with a romantic piano serenade. Let the expressive melodies of Largo create an intimate and memorable atmosphere for special evenings with your loved one.3. **Concert Performances:** Showcase your musical prowess on the grand stage. Whether you're part of a classical ensemble or performing solo, let Vivaldi's Winter be the highlight of your repertoire, leaving a lasting impression on your audience.4. **Educational Settings:** Inspire and educate aspiring musicians. Use our sheet music to teach the art of interpretation, dynamics, and expression, fostering a deeper appreciation for classical music in students of all ages.🎼 Let Vivaldi's Winter be your muse, and let your piano be the canvas where emotions come to life. Order your sheet music today and make every occasion a moment to remember! 🎹
Antonio Vivaldi: Largo from "Winter" Concerto No. 4 in F minor, Op. 8 RV 297 L' inverno (for Piano)
Piano seul
Antonio Vivaldi and Flavio Regis Cunha
$4.99 4.26 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1495487 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1072004. Published by Damien Gauci (A0.1495487). Her name is Pippin, and, much to Whiskers’ surprise, she’s just like him—same colour, same cautious yet curious nature. It’s almost as if fate brought them together in this old, abandoned house.As they slowly approach each other, any lingering fears melt away, replaced by the joy of meeting someone so similar. Both curious and cautious, it’s no wonder these two found each other in such an unusual place. Before long, Whiskers and Pippin start to play, their trust in each other growing with every moment. They share stories, laugh, and explore the corners of the house together, learning more about one another with each step.Excitement builds as they realise there’s so much more to discover outside these walls. With a shared eagerness to show off their homes, they decide to leave the abandoned house behind. Whiskers leads the way, Pippin by his side, as they venture into the woods, ready to explore each other’s worlds and embark on new adventures together.
Her Name Was Pippin
Piano seul
Damien Gauci
$6.00 5.12 € Piano seul PDF SheetMusicPlus

Guitar - Level 2 - Digital Download SKU: A0.1486610 By Lord Huron. By Ben Schnieder. Arranged by Brian Streckfus. Contemporary,Country,Folk,Pop. Chords/Lyrics. 10 pages. Brian Streckfus #1063675. Published by Brian Streckfus (A0.1486610). Key: F# minor Concert pitch (Fake E minor capo key) Pages: 5 + 5 (Two versions, with and without capo)Features:1. Chord diagrams2. Harmony takes in to consideration difficulty, main melody, style, and part writing.3. Guitar TAB4. Section markers5. Transposed to an easier guitar keyHistory:1. **Release Date**: The Night We Met was released on April 7, 2015, as part of Lord Huron's second studio album, *Strange Trails*.2. **Album**: *Strange Trails* features a mix of folk, rock, and indie sounds. The album was well-received for its cohesive narrative and cinematic quality.3. **Song Theme**: The Night We Met is a melancholic song about longing, regret, and the pain of lost love. The lyrics reflect a desire to return to a pivotal moment in the past.4. **Popular Culture**: The song gained widespread recognition after being featured in the Netflix series *13 Reasons Why* in 2017. It played during a significant dance scene in the series, which helped boost its popularity.5. **Chart Performance**: Following its feature in *13 Reasons Why*, The Night We Met saw a surge in popularity, charting on the Billboard Hot 100 and reaching high positions on various streaming platforms.6. **Live Performances**: The Night We Met is a staple in Lord Huron's live performances. The band often plays it as a highlight of their concerts, with fans responding strongly to its emotional impact.7. **Critical Acclaim**: Critics have praised the song for its emotional depth, haunting melody, and Schneider's evocative vocals. It is considered one of Lord Huron's standout tracks.Thoughts:1. I wonder which version people like better? The capo version seems to be easier to make sophisticated.2. I wonder if this site will ever allow me to offer .midi and .xml? It's nice how some sites offer the ability to transpose to any key.Social Media:https://allmylinks.com/brianstreckfushttps://www.facebook.com/profile.php?id=100078682133421https://www.patreon.com/brianstreckfushttps://www.brianstreckfus.comhttps://www.facebook.com/classicalguitar2015/https://twitter.com/BrianStreckfushttps://www.instagram.com/brianstreckfus/https://www.youtube.com/user/woodenboxengineerhttps://www.facebook.com/Doppelganger-106026062029620/https://www.linkedin.com/in/brian-streckfus-9b334a92/https://steemit.com/@boxengineerhttps://d.tube/#!/c/brian0streckfus0guitarhttps://www.sheetmusicdirect.com/en-US/Search.aspx?query=Brian%2BStreckfushttps://www.sheetmusicplus.com/publishers/brian-streckfus-sheet-music/3027331https://belairmusicstudios.com/product/brian-streckfus/https://soundcloud.com/streckfusclassicalguitar.
The Night We Met
Lord Huron
$2.99 2.55 € PDF SheetMusicPlus

Flute Duet Flute - Level 3 - Digital Download SKU: A0.1491741 Composed by Erik Satie. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical,Film/TV. Score. 2 pages. Japan Duo Notes #1068415. Published by Japan Duo Notes (A0.1491741). Title: Gymnopédie No. 1 by Erik Satie – Flute Duet ArrangementDescription:Discover the tranquil beauty of Erik Satie’s Gymnopédie No. 1 in this elegant flute duet arrangement. Originally composed in 1888, Gymnopédie No. 1 is one of Satie’s most famous pieces, known for its serene, atmospheric melodies and gentle rhythms. This arrangement for two flutes captures the minimalist charm and meditative qualities of the original piano work, offering a unique experience for flute players and audiences alike.Key Features:Composer: Erik SatieArrangement: Flute DuetDifficulty Level: IntermediateFormat: Digital Sheet Music PDFPages: Score: 2 pagesThis flute duet version of Gymnopédie No. 1 allows both players to engage in the flowing, dreamy phrases that characterize Satie’s composition. The subtle harmonies and lyrical lines make it an excellent choice for creating a reflective and calming atmosphere during recitals or performances.Why Choose This Arrangement?Iconic Minimalist Piece: Enjoy one of Erik Satie’s most beloved works in a beautifully arranged flute duet format.Versatile and Expressive: Ideal for concerts, recitals, and special events, adding a peaceful and introspective moment to your performance program.Lyrical and Accessible: Suitable for intermediate flutists, allowing performers to explore expressive phrasing and tone control while maintaining the piece’s simplicity.Enhance your flute duet repertoire with this thoughtful arrangement of Gymnopédie No. 1. Its calming beauty and timeless melody will captivate both performers and listeners, making it a perfect choice for any occasion.Keywords: Erik Satie, Gymnopédie No. 1, flute duet, flute sheet music, classical music, minimalist music, Satie arrangements, intermediate flute music, relaxing flute duet, recital music, lyrical flute duet.
Gymnopédie No. 1 / Erik Satie
2 Flûtes traversières (duo)

$4.99 4.26 € 2 Flûtes traversières (duo) PDF SheetMusicPlus

Piano,Violin - Level 2 - Digital Download SKU: A0.1343422 Composed by Alan Bergman, Marilyn Bergman, and Michel Legrand. Arranged by Midnight Symphony. 19th Century,Film/TV,Folk,Multicultural,New Age,World. 4 pages. Midnight Symphony #928948. Published by Midnight Symphony (A0.1343422). Embrace the poignant beauty of Michel Legrand's timeless classic, The Windmills of Your Mind, in this captivating arrangement for violin and piano.Weaving lyrical violin melodies with a delicately supportive piano accompaniment, this duet captures the song's essence in a new and expressive light.Here's why you'll love it: Faithful yet fresh: Honors the original's emotional core while adding unique flourishes and harmonic depth. Skillful interplay: Violin and piano share the spotlight, creating a seamless dialogue of soaring melody and rhythmic pulse. Accessible for intermediate players: Enjoyable for both experienced musicians and those seeking a challenge. Versatile performance: Ideal for recitals, concerts, weddings, or simply sharing a musical moment with another. This arrangement is more than just sheet music; it's a journey into the heart of the song. [Contact]https://www.midnightsymphony.com/[Youtube Channel]youtube.midnightsymphony.com
The Windmills Of Your Mind
Violon et Piano

$6.99 5.96 € Violon et Piano PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
Overture from Ariadne auf Naxos
Guitare

$7.00 5.97 € Guitare PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.1460862 By Ost (original Soundtrack). By Charles Bernstein. Arranged by Patrick Jillett. 20th Century,Contemporary,Film/TV,Halloween,Holiday. 35 pages. Patrick Jillett #1039765. Published by Patrick Jillett (A0.1460862). A Haunting Ode to Terror: The Theme from A Nightmare on Elm Street”The iconic theme from A Nightmare on Elm Street, composed by Charles Bernstein, is a masterclass in building tension and suspense. This eerie melody has become synonymous with the horror genre and the terror that Freddy Krueger embodies. The moment the notes begin to play, you know you're in for a ride into your nightmares. The theme's foundation is a slow, pulsing rhythm that conjures an unsettling sense of unease. As the melody unfolds, it becomes increasingly dissonant and unsettling, creating an otherworldly atmosphere that's both mesmerizing and terrifying. The way the texture weaves together creates a sense of chaos and disorder. It’s an audible representation of the chaos and panic that ensues when Freddy invades your dreams. The notes seem to shatter and reform into a soundscape of terror. This theme has become an integral part of horror movie history, evoking fear and dread in listeners worldwide. It's a testament to Bernstein's mastery of atmosphere and tension that this music can still send shivers down your spine even decades after its release.Rating: 9/10 - A must-listen for horror fans and anyone who loves a good scare!
Nightmare On Elm Street - Main Title
Orchestre d'harmonie
Ost (original Soundtrack)
$49.99 42.64 € Orchestre d'harmonie PDF SheetMusicPlus

Flute Duet Flute - Level 3 - Digital Download SKU: A0.1493298 Composed by Claude Debussy. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical. Score. 4 pages. Japan Duo Notes #1069956. Published by Japan Duo Notes (A0.1493298). Title: En Bateau by Claude Debussy – Flute Duet ArrangementDescription:Immerse yourself in the serene beauty of Claude Debussy’s En Bateau with this exquisite flute duet arrangement. Originally part of Debussy’s Petite Suite, En Bateau evokes the gentle motion of a boat gliding over calm waters, showcasing Debussy's mastery of Impressionist music.Key Features:Composer: Claude DebussyArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 4 pagesThis arrangement captures the delicate, flowing melodies and rich harmonic textures of the original piano piece, adapted perfectly for two flutes. The duet allows both players to explore Debussy’s lyrical phrasing and nuanced dynamics, creating a captivating performance experience.Why Choose This Arrangement?Impressionist Masterpiece: Experience Debussy's Impressionist style in a duet format, ideal for flutists who appreciate expressive, atmospheric music.Balanced Parts: Both flute parts share the melodic and harmonic elements, offering a well-balanced and engaging performance for both players.Versatile Performance Piece: Suitable for recitals, concerts, or casual performances, this duet provides a beautiful, reflective moment in any program.Keywords: Debussy En Bateau flute duet, Impressionist flute music, Debussy flute arrangement, intermediate flute duet, classical flute duo, En Bateau sheet music, Debussy Petite Suite flute arrangement, flute chamber music.
En Bateau / Claude Debussy
2 Flûtes traversières (duo)

$5.99 5.11 € 2 Flûtes traversières (duo) PDF SheetMusicPlus

B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549608 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3513629. Published by jmsgu3 (A0.549608). Tchaikovsky composed Swan Lake in 1875-76. The ballet failed to attract a positive reception. Over time, however, it became one of the most popular of all of Tchaikovsky's works. The ballet was first performed by the Bolshoi Ballet in Moscow.Swan Lake is a romantic ballet in four acts, with Pyotr Ilyich Tchaikovsky's music. Scene 10, also known as the finale, is a tragic and iconic moment in the ballet. It features the death of the main characters, Prince Siegfried and Odette, the white swan, and the ultimate triumph of good over evil. The ballet's music is one of Tchaikovsky's most valuable works, and it is known for its technically and emotionally challenging nature. The dual role of Odette, the innocent white swan, and Odile, the malevolent black swan, is typically performed by one dancer, although some avant-garde productions use two dancers for the two swans. The ballet's score is famous for its beautiful and emotional melodies, making it a quintessential piece in the ballet repertoire.
Tchaikovsky: Scene 10 from Swan Lake for Trumpet & Piano
Trompette, Piano

$32.95 28.1 € Trompette, Piano PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1241593 By Anne Murray. By Bob House and Wayland Holyfield. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #836965. Published by Timothy Stapay (A0.1241593). A traditionl Country-Style arrangement of Could I Have This Dance; from the movie Urban Cowboy. Could I Have This Dance is a song recorded by the Canadian country music artist Anne Murray. It was used in the 1980 film Urban Cowboy and appeared on both the Urban Cowboy soundtrack album for that film, as well as on the Anne Murray's Greatest Hits compilation album, issued in late 1980. Later on, it also appeared on Murray's 2007 album Anne Murray Duets: Friends & Legends, performed as a duet with Amy Grant.As a single, it was released in August 1980 and became Murray's fifth number one country hit as a solo artist. It went to number one for one week and spent a total of ten weeks on the country chart.  Could I Have This Dance was also Murray's tenth Top 40 on the U.S. pop singles chart, peaking at number 33.  The song was written by Wayland Holyfield and Bob House.Lyrics:I'll always remember the song they were playin'The first time we danced and I knewAs we swayed to the music and held to each otherI fell in love with youCould I have this dance for the rest of my life?Would you be my partner every night?When we're together it feels so rightCould I have this dance for the rest of my life?I'll always remember that magic momentWhen I held you close to meAs we moved together, I knew foreverYou're all I'll ever needCould I have this dance for the rest of my life?Would you be my partner every night?When we're together it feels so rightCould I have this dance for the rest of my life?Could I have this dance for the rest of my life?Would you be my partner every night?When we're together it feels so rightCould I have this dance for the rest of my life?
Could I Have This Dance
Piano seul
Anne Murray
$6.99 5.96 € Piano seul PDF SheetMusicPlus

Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
'A golden time ...' from Ariadne auf Naxos
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