Choir, SATB - Early Intermediate - Digital Download By Sam Smith. Arranged by Greg Link. 9 pages. Published by Greg Link

Violin, Cello, Piano Trio, Piano - Intermediate - Digital Download By Joe Hisaishi. Arranged by Clara Obsidian. Individual Part, Score. 14 pages. Published by Clara Obsidian

Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB

Piano Solo - Level 4 - Digital Download SKU: A0.1516160 Composed by Jules Massenet. Arranged by Thomas Ling. 19th Century,Opera,Romantic Period,Wedding. Score. 4 pages. Thomas Swee Chin #1090390. Published by Thomas Swee Chin (A0.1516160). One of the most famous moments from the opera Thaïs is the Méditation, an instrumental intermezzo for solo violin and orchestra. The Méditation is performed between scenes in Act II, during a pivotal moment in the narrative when Thaïs begins to contemplate her spiritual transformation. It is a lyrical and introspective piece that symbolizes Thaïs' inner turmoil and her journey towards redemption. The serene, meditative quality of the music contrasts with the intensity of the surrounding drama, making it one of the most beloved and frequently performed works for violin.The sublime melody played on the piano with the damper pedal has an evocative charm that is not matched by any other instrument on their own. It is one of the most endearing melodies in the romantic repertoire. And it is not too difficult technically.

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1022084 Composed by Bill Taylor music, Bill Taylor with Jaye Alison Moscariello, and Lyrics. Arranged by Bill Taylor. Broadway,Contemporary,Jazz. 3 pages. William R Taylor #6475595. Published by William R Taylor (A0.1022084). Release ©2006, lyrics©2010.  Bill’s mom Priscilla Alden Taylor (nee Rowe) passed on at age 90 in January, 2010.  This piece was one she loved, but the words did not come until 2 months after her death and 2 days before Jaye and I were to perform Mom’s song Every Time We Meet at the Anderson Valley Variety Show.  We sung it as best we could with so little practice time and in a key way too high.  This version is transposed down a fifth.  Listeners with parents who have gone on, and those who haven’t, may find some familiar themes here.  If inspired, support your local elder and/or hospice organizations. I love my children to be happy.  What’s new with you Mom?  Charlotte’s got a bakery. Hannah is teaching, playing in San Jose. Tom and Jeanne expecting, he’s flying a new plane. Lucy’s kids are doing well, I’m seeing Uncle Jay. My life is going on in a most pleasant way. When are you coming here to visit, it’s been way too long? When we were children everything was made into a song. Father’s jazzy flute, brother’s boogie woogie She left Julliard to help her family Factory in the war, music she wrote A job at Schirmers she met my Dad had 5 kids Trips to Vermont and Jersey and New York Kept house, school lunch, kind words, praising Now she is running and swimming Dancing and flying, she’s singing All new adventures, new worlds to learn and know Earth body left behind, all life is love and flow Walker made her so tired, shuffling oh so slow She learned to ask for help from all of us below Gathered her children all around her at her time to go Now she’s with her God.

Solo Guitar - Level 5 - Digital Download SKU: A0.1188020 By Viktoriia Kulykovska. By �натолій Горчин�ький / Anatoliy Gorchyns'kyi. Arranged by Viktoriia Kulykovska. 20th Century,Romantic Period. Individual part. 3 pages. Viktoriia Kulykovska #787635. Published by Viktoriia Kulykovska (A0.1188020). A beautiful lyrical melody by the Ukrainian composer Anatoly Horchynskyi about love for a mother. Arrangement for guitar solo. Professional level.

Solo Guitar - Level 3 - Digital Download SKU: A0.978147 Composed by Valery Dzyabenko. Arranged by Valery Dzyabenko. Blues,Contemporary,Holiday,Standards,World. Individual part. 10 pages. Valery Dzyabenko #6425103. Published by Valery Dzyabenko (A0.978147). ВальÑ� клаÑ�Ñ�ичеÑ�кого Ñ�тилÑ�. Ð˜Ð·Ñ�щнаÑ� мелодиÑ� и краÑ�иваÑ� гармониÑ�. Ð’ композиции иÑ�пользуютÑ�Ñ� различные виды арпеджио, мелодичеÑ�кие вÑ�тавки Ñ� апоÑ�ндо, игра аккордами. ВремÑ� игры 2.40.

C Instrument,Chords,Lyrics,Melody,Piano and Keyboard - Interactive Download SKU: HX.375441 By Lefty Frizzell. This edition: Interactive Download,scorch. Country. Lead Sheet / Fake Book. 1 pages. Hal Leonard - Digital #97332. Published by Hal Leonard - Digital (HX.375441).

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.704330 Composed by Dominic Meccia. Concert,Contemporary,Holiday,World. Score and part. 10 pages. Dominic Meccia #4569831. Published by Dominic Meccia (A0.704330). This a duet piece that is meant to be played by two people, one on tenor sax and the second on piano. This piece is for intermediate players of both instruments. The melody alternates between the two instruments for the first half of the song, and are played by both instruments for the second half before going back to just piano for the last few measures. This piece is in the key of G major.

Piano,Trumpet - Level 3 - Digital Download SKU: A0.704567 Composed by Dominic Meccia. Contemporary,Holiday. Score and part. 9 pages. Dominic Meccia #5327109. Published by Dominic Meccia (A0.704567).

Piano Solo - Level 4 - Digital Download SKU: A0.1033340 Composed by Neil Awasthi. Contemporary. Score. 6 pages. Neil Awasthi #6352703. Published by Neil Awasthi (A0.1033340). The chase is afoot! A rather large cat attempts to hunt a wily mouse. The mouse tries to escape the cat’s clutches. Who succeeds?This piece’s ternary form follows the chase between a cat and mouse. Section A is lively and fast-paced because the cat is on the hunt for the mouse. Since this piece is written from the mouse’s perspective, C-sharp minor conveys the mouse’s fright and fear. The time signature is 4/4 to allow for 16th notes, which denote running steps. The theme in m.19 repeats several times throughout Section A to signify the large cat’s ominous stalking. Tenutos and staccatos punctuate the cat’s heavy steps. In m.14-15, the chromatic scale represents the cat’s momentum. The constantly changing dynamics showcase the various movements and emotions in a chase. Specifically, in m.28-31, the dynamic changes to piano and pedal is employed to signify the mouse’s despair. Section B stands alone, representing the mouse’s successful escape from the cat. The section’s key signature D-flat major is light and happy. A time signature of 6/8 swings, furthering the carefree mood of the mouse. The beginning of Section B repeats to emphasize the mouse’s joyous escape. However, at the end of the section, the cat returns. In m.61-68, varying speeds and descriptors contrast the movements of the cat and mouse. In m.68, the cat’s theme is an octave lower to draw attention to the cat’s threatening, heavy steps. In m.70-71, the notes accelerate to show that the mouse begins to run again. Section A’s refrain recaps the cat chasing the mouse. In m.89-100, the end, tells the mouse’s fate. The climatic ending is highlighted by the speeding tempo. The treble-clef notes are an octave higher to build excitement. In m.95-96, notes descend 4 octaves to indicate the mouse’s ultimate demise. The piece ends with grand chords to mark the mouse’s death.

3, 4, or 5 octaves handbells - Level 1 - Digital Download SKU: C7.CGB972 Wakantanka Taku Nitawa. Composed by Cathy Moklebust. Arranged by Cathy Moklebust. Thanksgiving, General. With Finger cymbals, ankle bells (or sleigh bells), tambourine, buffalo drum (or other American Indian drum). Score. 8 pages. Chorister's Guild - Digital #CGB972. Published by Chorister's Guild - Digital (C7.CGB972). UPC: 749193023075.Uplifting and sweet, this arrangement of The Lord's My Shepherd, I'll Not Want (BROTHER JAMES' AIR) makes use of stirring crescendos and orchestral-sounding sweeping musical lines. The quiet waters of the Psalm 23 text are reflected in the shimmering, peaceful first verse. The second verse gains momentum (My soul He doth restore again) and the powerful crescendo into the third verse brings a confident sense of peace (Yea, though I walk in death's dark vale / yet will I fear no ill). At the final cadence, ethereal, unusual harmonies give way to a serene resolution, symbolizing heaven as a final resting place, calling to mind the last lines of the text: and in God's house forevermore / my dwelling place shall be. The optional flute part sweetens the lovely soft sections and adds flourish and weight to the majestic third verse and coda.

Concert Band - Level 3 - Digital Download SKU: A0.1425112 By Shane Vickery. By Shane Vickery. 21st Century,Contemporary,Contest,Festival. 37 pages. Bandapalooza #1005931. Published by Bandapalooza (A0.1425112). A Momentous Occaision is a grade 2+ concert opener for band that is quite suitable for use as  processional music for special events and assemblies such as a graduation ceremony or convocation. I wrote this piece in 2011 my band to play as our faculty processed in at our school's graduation ceremony. We needed music that our school's string orchestra students could play with us, and so I included optional parts for 1st & second Violin, Viola, Cello, & Bass. These optional parts are included with this set. My students were able to learn this music in less than a week, which worked out well for our very hectic and irregular end of the year schedule.

String Orchestra - Level 4 - Digital Download SKU: A0.1491216 By Noah Kahan. By Noah Kahan. Arranged by Levi Comstock. Christmas,Country,Folk,Pop,Singer/Songwriter. 23 pages. Viola Fusion #1067953. Published by Viola Fusion (A0.1491216). Do you love Vermont? Do people's mom's tend not to remember you? Are you usually the one to get the holliday party started before your friends have even arrived home?If so, or if you just can't get this sticky tune out of your head, this is probably definitely an arrangement you should add to your orchestra's next program.With a driving rhythm and snappy melody that seem destined to be fiddled, this arrangement let's everybody groove and shine in turns. It's the kind of chart you want to throw in to an already long concert because it's just so much fun.This song took Noah Kahan from talented musician only hipsters have heard of to Grammy Nominated artist. Could it do the same for you? Only one way to find out...

3, 4, or 5 octaves handbells & 2 or 3 octaves handchimes - Level 3- - Digital Download SKU: C7.CGB795 Composed by Cathy Moklebust. General, Benediction. Full score. 12 pages. Chorister's Guild - Digital #CGB795. Published by Chorister's Guild - Digital (C7.CGB795). UPC: 749193018750.This large, original work for handbells and solo violin includes three movements, with each movement based on a quote by Mother Teresa, Mohandas Gandhi, and Dr. Martin Luther King, Jr. The first movement, entitled, Compassion, is tender and full of feeling. The second movement, entitled Satyagraha, which is a word referring to the resistance to tyranny through mass civil disobedience, is vigorous and driving, using much martellato and mallet work. The final movement is entitled Tribute, is steady and stately, and is reminiscent of a freedom march led by Dr. King, coming from afar and gaining more and more momentum. This work will be an appropriate addition for any service or concert where the focus is on peace, hope, remembrance, or tribute.