Piano and voice - Digital Download SKU: LV.7006 Composed by Malcolm Williams. Portraits, Actresses, Farewells, Courtship, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7006). Kiss Me Goodnight Dear Love. Song and Refrain. by Malcolm Williams. Words of Chorus by Israel Zangwill. Published 1904 by F.B. Haviland Publishing Co., New Zealand Bldg., Broadway & 37th in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Actresses, Farewells, Courtship, Love. First line reads Have you forgotten the night in June when we two stood 'neath the summer moon.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

C Instrument - Level 3 - Digital Download SKU: A0.525374 Composed by Eisho Higa. Arranged by John Fries. 20th Century,Blues,Folk,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #135904. Published by John Fries (A0.525374). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Goodnight, Irene or Irene, Goodnight, is a 20th-century American folk standard, written in 3/4 time, first recorded by American blues musician Huddie 'Lead Belly' Ledbetter in 1933. The lyrics tell of the singer's troubled past with his love, Irene, and express his sadness and frustration. Several verses refer explicitly to suicidal fantasies, most famously in the line sometimes I take a great notion to jump in the river and drown, Irene remained a staple of Lead Belly's performances throughout the 1930s and 1940s. In 2002, Lead Belly's Library of Congress recording received a Grammy Hall of Fame Award.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1202392 Composed by Eisho Higa. Arranged by John Fries. 20th Century,Country,Pop,Standards. Score. 2 pages. John Fries #801083. Published by John Fries (A0.1202392). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  Goodnight, Irene or Irene, Goodnight, is a 20th-century American folk standard, written in 3/4 time, first recorded by American blues musician Huddie 'Lead Belly' Ledbetter in 1933. The lyrics tell of the singer's troubled past with his love, Irene, and express his sadness and frustration. Several verses refer explicitly to suicidal fantasies, most famously in the line sometimes I take a great notion to jump in the river and drown, Irene remained a staple of Lead Belly's performances throughout the 1930s and 1940s. In 2002, Lead Belly's Library of Congress recording received a Grammy Hall of Fame Award.

Guitar - Digital Download SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ 4330. Published by Les Productions d'OZ - Digital (ZZ.DZ-4330). The underlying concept is that of dreaming.The first section, Dreaming, which is static and meditative in character, is further divided into several parts, which, looking at the processes of dream narrative, present, in addition to the initial theme, short melodies of lyrical/melancholic character, ready to interrupt before reaching a possible development, to leave room for further suggestions.The short themes are repeated several times, including in the final section, which is a reprise, condensed and varied from the first.By contrast, the middle section, Nightmaring, has a strongly contrasting character to the preceding one, rhythmically marked and searchingly percussive, sardonic in the variety of figurations employed in the different registers of the instrument.A technically intricate section that demands of the performer the choice of appropriate solutions, and closes with a frenetic accumulation of fragments. The most perturbing part of the dream.Le concept sous-jacent est celui du rêve.La première section, Dreaming, qui est statique et méditative par nature, est subdivisée en plusieurs parties qui, en examinant les processus narratifs du rêve, présentent, en plus du thème initial, de courtes mélodies d’un caractère lyrique/mélancolique, prêtes à s’interrompre avant d’atteindre un développement possible, pour laisser place à de nouvelles suggestions.Les courts thèmes sont répétés plusieurs fois, y compris dans la section finale, qui est une reprise, condensée et variée par rapport à la première.En revanche, la section centrale, Nightmaring, contraste fortement avec la précédente, marquée rythmiquement et percussive dans sa recherche, sarcastique dans la variété des figurations employées dans les différents registres de l’instrument.Une section techniquement complexe qui demande au musicien de choisir des solutions appropriées, et qui se termine par une accumulation frénétique de fragments. La partie la plus troublante du rêve.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1023762 Composed by Christian Humcke. A Cappella,Contemporary. Octavo. 8 pages. Christian Humcke #6404791. Published by Christian Humcke (A0.1023762). Instrumentation: SATB a cappella choir (with divisi)Duration: 4’Completed: January 2015When darkness swallows up the moonAnd sheets of nightfall swamp the duneThe trees resound with hollowed moans;The crickets chant their rustic tune.When ocean speaks in cyclic dronesAnd looks into the sky of bonesThe waves give whispered, ancient yawns;The winds give crisp and soothing tones.A place where sparrows of the dawnWill flit across the bridge that's drawn;The bridge that runs across the dreamWill be a path for golden fawn.Resplendent stars' cascading gleamIlluminate the hidden stream.Through summer bronze, through autumn rust,Through winter rice and spring of cream.When storms come forth in mighty gustand earth reveals its speckled crust,Then all the rocks will turn to sand,And all the sand will turn to dust.

Piano Solo - Level 3 - Digital Download SKU: A0.1290163 By Jeff Bjorck. By Franz Xaver Gruber. Arranged by Jeff Bjorck. 19th Century,Advent,Christian,Christmas,Holiday. Score. 3 pages. Pure Piano Music by Jeff Bjorck #880881. Published by Pure Piano Music by Jeff Bjorck (A0.1290163). Jeff Bjorck's original solo piano arrangement of this classic Christmas carol appears on his album/CD The Wondrous Gift: A Pure Piano Christmas. Whereas Jesus was born in a warm climate, Bjorck grew up in the northeastern US and associates Christmas with snow. His arrangement is inspired by the deep silence produced by a blanket of new-fallen nighttime snow, with a myriad of stars as the only light piercing the darkness. As such, this melody evokes a sense of heavenly peace..

Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.906760 Composed by Joy Gilmore. Christmas. Score and parts. 15 pages. Joyful Sound Music #4822721. Published by Joyful Sound Music (A0.906760). Pachelbel's Silent Night is ensemble music for two flute, two violins, and piano. It starts with a simple melody similar to Pachelbel's Canon in D. Followed by the Silent Night melody. It is great for a small band for Christmas play at church and school.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.765359 By Gladys Knight & The Pips. By Jim Weatherly. Arranged by Jim Farley www.arrangementsone.com. Contemporary. Score. 22 pages. Jim Farley arrangementsone.com #6072543. Published by Jim Farley arrangementsone.com (A0.765359). ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com

Piano Solo - Level 3 - Digital Download SKU: A0.1345121 Composed by Arthur Schwartz and Howard Dietz. Arranged by Phyllis Love. Broadway,Jazz,Musical/Show,Standards. Score. 3 pages. Phyllis Love #930056. Published by Phyllis Love (A0.1345121). You and the Night and the Music from Revenge With MusicA 1934 romantic Broadway show tune that became a standard in the American Songbook. It's played here with a contrapuntal treatment and Latin flavor, while the bridge has a completely different feel with arpeggiated chords.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonLove Walked InMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.

Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1026847 By Gladys Knight & The Pips. By Jim Weatherly. Arranged by Richard Cook. Blues,Contemporary,Pop,Rock,Standards. Octavo. 5 pages. RCM Enterprises #632317. Published by RCM Enterprises (A0.1026847). Solo with Men's Choir.

Small Ensemble Cello,Drums,Organ,Pan Pipe,Piano,Violin - Digital Download SKU: A0.1012747 Composed by Monica Bergo. Contemporary. Score and parts. 40 pages. Moni Bergo #5743663. Published by Moni Bergo (A0.1012747). Music and song composed by meVampire's dance I live between two worlds Between trash and slums This is a dream or reality ? The lie or the truth?  While I wait for sunsets I look at the sun and horizons And breathe freedom and my immortality  Desire for the infinite, Who has not ever tried ? That need to know that the stronger we are Invincible and powerful without the burden of age Over the centuries and the millennia Always gorgeous 20 years old  And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night  And then dance The senses amplified sharp teeth let's see who can stop us  around the fire like wolves, red eyes, a bit 'fierce,  we move in packs, invisible and fast , we are thieves thoughts ,so forgotten who you were  or roots or ties ,no land limits  And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night  And then dance The senses amplified sharp teeth let's see who can stop us  The mania destroys Hunger afflicts us But it will not be the food that will satisfy Torments and regrets, sad feelings, Nightime falling erase them We are shadows at night ,The heart that no beats We languid slaves the Voodoo rituals The pale faces, The ambiguous smiles Put the cross, you will not need  Strange characters So wild and free ,But  in this society ,Nothing scarier ago  I donate my blood every day  to The state or the government the Vampires are we ,There are monsters and vultures Those imprisoned vampires, In the faded pages  Elegant, charming, So beautiful and in high places and in they I recognize that mania that is also mine My hunger to know ,With food can not be satisfied  And then dance ,And crossing that border Now there is an end to what I can imagine And then dance, I sad renegade I lost soul, Who do not know who to give my heart  And then dance ,If you are not anyone ,If you lost in the journey You can not find a post to be filled      Look in the mirror  You can see my reflection? This is a dream or reality? The lie or the truth?                                                                  Monica Bergo

Piano and voice - Digital Download SKU: LV.3589 Night, Nature, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3589). Tis Midnight Hour. Ballad. Composed for the Piano Forte by An Amateur. Published 1857 by Russell & Richardson, 291 Washington St., Successors to G.P. Reed & Co. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Night, Nature, Love. First line reads 'Tis midnight hour the moon shines bright, the dew drops blaze beneath her ray.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.2972 Composed by S. Nelson. Porches, Mountains, Bodies of water, Fountains, Couples, Lutes, Dwellings, Courtship, Love. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2972). Music at Nightfall. Duett. Written by C.J. Jeffreys, Esq. The Music by S. Nelson. Published 1843 by Firth & Hall, 239 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Porches, Mountains, Bodies of water, Fountains, Couples, Lutes, Dwellings, Courtship, Love. First line reads I hear not footfall, there is not a tone.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Instrumental Duet,Piano Instrumental Duet,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1083718 By Bryon Tosoff and Paul Wainwright. By Bryon Tosoff. Arranged by Bryon Tosoff. 20th Century,Contemporary,Jazz,Standards. Score and parts. 8 pages. Bryon tosoff #687927. Published by bryon tosoff (A0.1083718). Last Song of the Night is a piano and tenor sax collaboration set in the late hours as the name suggests. This post modern jazz inspired piece evokes echoes of Monk and Mingus in it’s evolving fluidity. The theme bends time and key signatures with artistic effect conjuring a nightscape reminiscent of film noir. It is a blend of some tasty piano comping that is intertwined with some nice light lyrical touches on the 88's coupled with amazing and elegant rich textures of sax playing by Paul Wainwright.