Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1417152 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. 50 pages. Lorenzo Bocci #998743. Published by Lorenzo Bocci (A0.1417152). MUCCHIO SELVAGGIO from Il mio nome è Nessunofor Brass Ensemble and Rhythm Section - Grade 3 - Digital Download Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Brass Ensemble and Rhythm Section. Score and parts. Duration 2'42''. Published by Lorenzo Bocci.Instrumentation:Full Score, Bb Trumpet 1, 2, 3, Bb Flugelhorn, F Horn 1, 2, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set.Additional Parts:Eb Horn 1, 2, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.My Name Is Nobody (Il mio nome è Nessuno) is a 1973 Italian/French/German international co-production comedy spaghetti Western starring Terence Hill and Henry Fonda. The film was directed by Tonino Valerii and based on an idea by Sergio Leone. The film's score is composed by Ennio Morricone. Subscribe to my YouTube Channel to stay updated on new releases.

Lever Harp - Level 5 - Digital Download SKU: A0.1468251 By Metallica. By James Hetfield and Lars Ulrich. Arranged by Tamsin Dearnley. 20th Century,Contemporary,Rock,Wedding. Score. 9 pages. Tamsin Dearnley #1046565. Published by Tamsin Dearnley (A0.1468251). This is it - the FULL, advanced version of this truly epic song by Metallica, expertly arranged for the lever harp. Jaws will drop when you play this - nobody expects this from a harp (and also, it's also really fun to play!). Contains not only the famous introduction complete with harmonics but also faithfully transcribed version of /that/ lead guitar solo. Play wearing ripped jeans and a black t-shirt for the full effect...!

Small Ensemble Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.845629 Composed by Traditional. Arranged by Robert Newth. Celtic,Contemporary,Folk,Holiday,Irish,Multicultural,World. Score. 2 pages. Robert Newth #4269251. Published by Robert Newth (A0.845629). Auld Lang Syne is probably the most famous Scottish song, as it's sung all around the world during New Year celebrations. The lyrics were penned by Robert Burns in 1788 although to what tune nobody knows for certain. The most famous melody was published alongside the lyrics in 1796 and appears to be a very old folk tune. Regardless of this fact, Auld Lang Syne is a lovely song, sure to enchant audiences and fill everyone with a sense of nostalgia.Lyrics to all five verses are included along with a suggested piano part, although if you'd prefer, you can play the chords on the guitar or on any other instrument.If you like the arrangement, please do leave a review.

Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015716 By Tony Bennett. By Charles Strouse. Standards. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015716. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015716). ISBN 9780739099339. UPC: 038081464053. Lee Adams.No one in popular American music has recorded for so long and at such a high level of excellence as Tony Bennett. This collection of classics spans his career from the beginning, to the current hits he continues to send onto the charts. Also included are rare photos, a biography, and a timeline of Tony's career highlights. Titles: Because of You * The Best Is Yet to Come (with Diana Krall) * Blue Velvet * Body and Soul (with Amy Winehouse) * The Boulevard of Broken Dreams * Don't Get Around Much Anymore (with Michael BublA(c)) * Fly Me to the Moon (In Other Words) * For Once in My Life (with Stevie Wonder) * How Do You Keep the Music Playing? * I Left My Heart In San Francisco * I Wanna Be Around (with Bono) * If I Ruled the World * It Don't Mean a Thing (If It Ain't Got That Swing) * It Had To Be You (with Carrie Underwood) * Just in Time * The Lady Is a Tramp (with Lady Gaga) * Mood Indigo * My Favorite Things * Night and Day * Once Upon a Time * One for My Baby (And One More for the Road) * Put On a Happy Face (with James Taylor) * Rags to Riches * The Shadow of Your Smile * Smile (with Barbra Streisand) * Speak Low (with Norah Jones) * Steppin' Out with My Baby * Stranger in Paradise (with Andrea Bocelli) * This Is All I Ask (with Josh Groban) * The Very Thought of You (with Paul McCartney) * The Way You Look Tonight (with Faith Hill) * When Do the Bells Ring for Me (with Mariah Carey) * When Joanna Loved Me * Who Can I Turn To When Nobody Needs Me (with Queen Latifah) * Yesterday I Heard the Rain (with Alejandro Sanz).

Piano Solo - Digital Download SKU: A0.1012713 Composed by Monica Bergo. Contemporary. Score. 10 pages. Moni Bergo #5742995. Published by Moni Bergo (A0.1012713). Music and song composed by me                                                        ALL  AS  BEFORE   Tired flower bends  the head photos in carved marble sad smell of the past along your tree-lined avenue how much peace in this place where you stand hidden cobwebs on your time and the scent of regret  while I touch your beautiful face  I ask myself who decided that your time would stop and that for you all would be over    I, minstrel of my time, tell a thousand stories  chronicles written in pencil real-life stories story now finished my fingers still drive,  find notes and then the enchantment to disperse them in the wind there was a king in love, by a bewitched spell, with the madwoman his queen and everything comes back as before there tucked away in a corner  There is a pathetic clown Look closer: it’s a little girl and everything comes back as before   You clown what would you do? You want to approach the king and then you want to tell him of her polluted heart but him, he does not want to be touched and you have to amuse her smile and do not tire continue your ... dance ... in the void and silence suspended in time  for your queen and everything comes back as before  before your leap do you want to fly high mixed-up Icarus you have fallen into emptiness   the beating of the heart makes too much noise  rumbles here within into emptiness and silence no, do not love me,  now or ever and hang on till the ultimate pain she'll pressure you and insinuate herself into your mind and end by doing you harm  but I invisible to your eyes and I want to hug you, you do not want I would like to tell you what you do not know of me and then on swings of fantasy  my hand close to yours we'll soar to the heights where she is not there  if you want I will reinvent myself for you And I may please you ,I know but with your eyes you’ve already answered me and hidden I'll go ..   The winter does not end the cold seems eternal  here the sun dies ,effaces itself and then disappears   Once upon a time there was or still is, who knows a minstrel that no longer has a court and he belongs to nobody, and no one will stop him while closing the door ,the king will delete him abracadabra here in my Kingdom nothing caresses, no kiss of goodby my name in history was written in pencil to be able to delete from a faded page   the mind has its woodworm and you can not heal it past, present and she who reigns everywhere    pages of your life flowing through my fingers for a king, tired and sick, who has not had a happy ending the spell is broken and now the veil has fallen regret makes its way into him and the minstrel would approach him  puppet in love ,now disconnected from your wires seek your child and there is nothing like before   there is the sunset in your eyes  but I'm here by your side  a daddy and his little girl and there is nothing like before .... ..... the be.

Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.

Piano Solo - Level 3 - Digital Download SKU: A0.1082291 Composed by Harry Warren and Mack Gordon. Arranged by Robert Blond. Pop. Score. 4 pages. Robert blond #686424. Published by robert blond (A0.1082291). For syncopation lovers. This song, which is on Youtube, was performed by the Glenn Miller Orchestra and The Modernaires in the 1942 movieOrchestra Wives, and was written by the greatest pop-standard composer nobody knows: Harry Warren. Piano solo adheres throughout to composer's melody; suitable for singing. Key change, liberal use of rootless chords. Stylized semi-modal intro; Innovative ending borrowed from The Modernaires. Technical difficulty minimized without compromising musical quality.

Woodwind Ensemble,Woodwind Quartet Bassoon - Level 4 - Digital Download SKU: A0.767558 Composed by Mike Lyons. Arranged by Mike Lyons. Concert,Contemporary. 34 pages. Lyons Music Services #5984929. Published by Lyons Music Services (A0.767558). An original horn quartet inspired by a conversation about writing for horns. There are three movements. After some time, I decided to see if this would work well on woodwinds and lo and behold, it sits really nicely on bassoon.The first movement is called Canon. It consists of a simple theme that is presented in imitation by each of the four 'voices' first at 2 bar intervals then, in inversion at four bar intervals and then in the original form at one bar intervals. There is a linking fanfare-like passage before the final statement of the original motif with fanfare-like adaptations.The second movement is called Lullaby. The elegant, drifting melody is passed around the four players with a largely chordal accompaniment pattern that needs to be played sotto voce at all times. The tempo is marked Largo, but it is still one-in-a-bar.The third movement is called Hullabaloo-haloo-haloo. While it is based on a 6/8 cantering rhythm, there is a lot of variation in both the accompaniment and the melody. Again, all the lines have a lot of interest, nobody has to play simple um-chucks, and there's even a solo for the Contra  at the end.This is a really enjoyable and exciting new addition to the Bassoon quartet repertoire.