Bassoon,Piano - Level 3 - Digital Download SKU: A0.786441 Composed by W. Chatterton Dix, old English ballad. Arranged by Beka Wilson. Christian,Christmas,Folk,Sacred. Score and part. 4 pages. Beka Wilson #6036631. Published by Beka Wilson (A0.786441). This plaintive Christmas ballad has been a favorite for years. This solo arrangement would be perfect for a Christmas recital or a special music piece for church or school.4 pages, includes piano score and separate solo part.Performance time is approximately 2:20 at 100 bpm. Want this arrangement for another instrument? It’s also available for flute, oboe, clarinet, alto sax, tenor sax, horn, trumpet, trombone, violin, viola, or cello on Sheet Music Plus. If you would like this arrangement in another key or for an instrument not listed, shoot me an email at bekmars10@gmail.com and I can get a custom arrangement up for sale for you.

Piano,Viola - Level 3 - Digital Download SKU: A0.786449 Composed by W. Chatterton Dix. Arranged by Beka Wilson. Christian,Christmas,Folk,Sacred. Score and part. 4 pages. Beka Wilson #6036665. Published by Beka Wilson (A0.786449). This plaintive Christmas ballad has been a favorite for years. This solo arrangement would be perfect for a Christmas recital or a special music piece for church or school.4 pages, includes piano score and separate solo part.Performance time is approximately 2:20 at 100 bpm. Want this arrangement for another instrument? It’s also available for flute, oboe, clarinet, bassoon, alto sax, tenor sax, horn, trumpet, trombone, violin, or cello on Sheet Music Plus. If you would like this arrangement in another key or for an instrument not listed, shoot me an email at bekmars10@gmail.com and I can get a custom arrangement up for sale for you.

Clarinet,Piano - Level 3 - Digital Download SKU: A0.786443 Composed by W. Chatterton Dix, old English ballad. Arranged by Beka Wilson. Christian,Christmas,Folk,Sacred. Score and part. 4 pages. Beka Wilson #6036637. Published by Beka Wilson (A0.786443). This plaintive Christmas ballad has been a favorite for years. This solo arrangement would be perfect for a Christmas recital or a special music piece for church or school.4 pages, includes piano score and separate solo part.Performance time is approximately 2:20 at 100 bpm. Want this arrangement for another instrument? It’s also available for flute, oboe, bassoon, alto sax, tenor sax, horn, trumpet, trombone, violin, viola, or cello on Sheet Music Plus. If you would like this arrangement in another key or for an instrument not listed, shoot me an email at bekmars10@gmail.com and I can get a custom arrangement up for sale for you.

Oboe,Piano - Level 3 - Digital Download SKU: A0.786439 Composed by W. Chatterton Dix, old English ballad. Arranged by Beka Wilson. Christian,Christmas,Folk,Sacred. Score and part. 4 pages. Beka Wilson #6036625. Published by Beka Wilson (A0.786439). This plaintive Christmas ballad has been a favorite for years. This solo arrangement would be perfect for a Christmas recital or a special music piece for church or school.4 pages, includes piano score and separate solo part.Performance time is approximately 2:20 at 100 bpm. Want this arrangement for another instrument? It’s also available for flute, clarinet, bassoon, alto sax, tenor sax, horn, trumpet, trombone, violin, viola, or cello on Sheet Music Plus. If you would like this arrangement in another key or for an instrument not listed, shoot me an email at bekmars10@gmail.com and I can get a custom arrangement up for sale for you.

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.786446 Composed by W. Chatterton Dix, old English ballad. Arranged by Beka Wilson. Christian,Christmas,Folk,Sacred. Score and part. 4 pages. Beka Wilson #6036657. Published by Beka Wilson (A0.786446). This plaintive Christmas ballad has been a favorite for years. This solo arrangement would be perfect for a Christmas recital or a special music piece for church or school.4 pages, includes piano score and separate solo part.Performance time is approximately 2:20 at 100 bpm. Want this arrangement for another instrument? It’s also available for flute, oboe, clarinet, bassoon, alto sax, horn, trumpet, trombone, violin, viola, or cello on Sheet Music Plus. If you would like this arrangement in another key or for an instrument not listed, shoot me an email at bekmars10@gmail.com and I can get a custom arrangement up for sale for you.

French Horn,Piano - Level 3 - Digital Download SKU: A0.786445 Composed by W. Chatterton Dix, old English ballad. Arranged by Beka Wilson. Christian,Christmas,Folk,Sacred. Score and part. 4 pages. Beka Wilson #6036653. Published by Beka Wilson (A0.786445). This plaintive Christmas ballad has been a favorite for years. This solo arrangement would be perfect for a Christmas recital or a special music piece for church or school.4 pages, includes piano score and separate solo part.Performance time is approximately 2:20 at 100 bpm. Want this arrangement for another instrument? It’s also available for flute, oboe, clarinet, bassoon, alto sax, tenor sax, trumpet, trombone, violin, viola, or cello on Sheet Music Plus. If you would like this arrangement in another key or for an instrument not listed, shoot me an email at bekmars10@gmail.com and I can get a custom arrangement up for sale for you.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.786440 Composed by W. Chatterton Dix. Arranged by Beka Wilson. Christian,Christmas,Folk,Sacred. Score and part. 4 pages. Beka Wilson #6036629. Published by Beka Wilson (A0.786440). This plaintive Christmas ballad has been a favorite for years. This solo arrangement would be perfect for a Christmas recital or a special music piece for church or school.4 pages, includes piano score and separate solo part.Performance time is approximately 2:20 at 100 bpm. Want this arrangement for another instrument? It’s also available for flute, oboe, clarinet, bassoon, tenor sax, horn, trumpet, trombone, violin, viola, or cello on Sheet Music Plus. If you would like this arrangement in another key or for an instrument not listed, shoot me an email at bekmars10@gmail.com and I can get a custom arrangement up for sale for you.

Bassoon - Level 1 - Digital Download SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Method. 44 pages. Ensemble Llama Music #1051737. Published by Ensemble Llama Music (A0.1474103). I’m a bassoonist, and I don’t like the teaching materials for bassoon that are out there. There’s not enough depth and engagement in them, and nothing that supports the everyday music teacher. So I set out to create something that I would feel comfortable giving to my private students to help them grow as musicians. There are many types of music in the book: etudes, exercises, warm-ups, backwards and upside down duets (one person plays normally, the other person reads the music in an unusual way), improvised music, and composition. Musical styles range across a variety of cultures and genres such as classical, blues, fiddle tunes, marches, contemporary, musicals, and more.  Using carefully crafted etudes, exercises, and songs in a variety of styles, your bassoon students are going to to find immediate success. The bite-sized examples encourage students to focus on tone, as they extend their technique and range on this wonderful instrument. Examples from the book:1.1 - Memories1.2 - Can-Can1.3 - Baby-Back Blues1.4 - Somewhere Nice1.5 - Go Down, Moses1.6 - Magenta Sky (A Backwards Duet)1.7 - Cakewalk1.8 - Red River Valley1.9 - Symphony No. 6, Mvt. 2 (Tchaikovsky)1.10 - Arkansas Traveler1.11 - Give My Regards to Broadway (key of B Flat Major)1.12 - In The Hall of the Mountain King1.13 - Landlord Fill The Flowing Bowl1.14 - It Ain't Gonna Rain No Mo'1.15 - Shalom Chaverim1.16 - Londonderry Air1.17 - Theme & Variations, Für Elise1.18 - Ominous (A Backwards Duet)Create & Improvise: St. Louis Blues (W.C. Handy)1.19 - Interlude1.20 - L'Adieu Des Bergers1.21 - Washington Post March1.22 - The Sea Monster - A Short Improvised Piece1.23 - Give My Regards to Broadway (key of G Major)1.24 - Anna Lisle (The Alma Mater Song)Critical Hit - Bassoon Concert Piece2.1 - More Memories2.2 & 2.3 - Ten Little Indians2.4 - Parliament (An Upside-Down Duet)2.5 - Bassoon Warm-Up2.6 - F Major Studies2.7 - Airang2.8 - Arpeggio In Blue2.9 - C Major Studies2.10 - Mazurka in A-flat Major2.11 - Etudes With Flats2.12 - Take Me Out To The Ball Game2.13 - Arpeggios (Part 1)2.14 - Etudes With Arpeggios2.15 - The Sar Spangled Banner2.16 - Arpeggios (Part 2)2.17 - More Arpeggio Studies2.18 - Battle Hymn of the Republic2.19 - Arpeggios (Part 3)2.20 - Kolme Varista2.21 - Swallowtail Jig2.22 - Jesu, Joy of Man's Desiring2.23 - St. Anne's Reel2.24 - Dear Old Stockholm2.25 - Esprit De CorpsSketch On a Theme From The Sorceror's Apprentice - Bassoon Concert Piece.

Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856195 By Duffy. By Aimee Duffy and Stephen Booker. Arranged by Liz Garnett. Contemporary. Octavo. 6 pages. Liz Garnett #4269343. Published by Liz Garnett (A0.856195). This hit by Duffy was written in 2008, but its sound world evokes music of 40 years previous to that. Its bassline makes explicit reference to Ben E King's 'Stand By Me', while its harmonic riffs and melodic styling have been compared to songs by The Supremes and Aretha Franklin.The arrangement was commissioned by Young Women in Harmony, and keeps all the parts in the centre of the voice so as not to strain young ranges. This results in a tight , bright sound that captures the feel of original's Hammond organ. It also uses a variety of texture - from full unisons, to duets, to full four-part harmony - so is much more suited to chorus than quartet.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: B flat 3 - D flat 5Lead: B flat 3 - D flat 5Bari: B flat 3 - B flat 4Bass: A flat 3 - F4www.HelpingYouHarmonise.com

Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary Ellen Haupert. Easter,Sacred,Spiritual. 5 pages. Mary Ellen Haupert #3031789. Published by Mary Ellen Haupert (A0.900166). ILLUMINE LE TENEBRE (SSAATTBB) For Jean Saladino and the Viterbo University Concert Choir TRANSLATION of TEXT: Most High, glorious God, enlighten the darkness of my heart and give me true faith, certain hope and perfect charity, sense and knowledge, Lord, that I may carry out your holy and true command. Amen. - St. Francis of Assisi's Prayer before the Crucifix NOTES from the composer: One year ago, I had the privilege of participating in the Leadership Pilgrimage to Assisi and Rome (2011) sponsored by the Franciscan Sisters of Perpetual Adoration, Franciscan Healthcare, and Viterbo University.  I carried with me, not only the responsibility of bringing back a hint of Francis’ lived experience to my students, but the desire to compose something wholly Franciscan. The San Damiano Cross is one of the most distinctive Franciscan images we have on campus.  The gentle Jesus that hangs on this 12th-century icon will forever be linked to Francis’ dramatic step from citizen to sainthood-welcoming his earnest prayer to enlighten the darkness of his heart.  The Basilica of Santa Chiara in Assisi holds both the San Damiano Cross and the remains of his confidante, St. Clare.  It seemed a good place to start getting serious. Copying the prayer in at least six different languages, I tucked it away in my travel books, not digging it out again until the following summer (2012).  The opening phrases in the piece came easily enough (Altissimo, glorioso Dio), but I stumbled through a handful of ideas before coming up with the mantra (illumine le tenebre…).  It made sense that Francis would joyfully address God singing forte (Altissimo and Signore), while quietly chanting his humble prayers for faith, hope, charity, and knowledge. The friendship between Francis and Clare can’t be missed, not only in the intermingling of SATB voices, but in the setting of che faccia lo tuo santo e verace comadamento (that I may carry out your holy and true command).  The phrase is sung only once by the women before the final return of the illumine chant (which is repeated throughout by the men).  Maybe I chanced on weaving some of Clare’s courage with Francis’ persistence into Illumina le tenebre, all while trying to compose something wholly Franciscan?   ---Mary Ellen Haupert, October 2012.  

Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.502638 Composed by Antonin Dvorak. Arranged by Arranged by Karen Almquist, Edited by Jennifer Grady. Classical,Romantic Period. Score and parts. 4 pages. HarpSong, Jennifer Grady and Karen Almquist #114989. Published by HarpSong, Jennifer Grady and Karen Almquist (A0.502638). “Goin Home� is a peaceful and moving flute and harp arrangement of Antonin Dvorak’s magnificent Symphony No. 9 “From the New World� 2nd Movement. The arrangement in Eb begins and ends quietly in the lower register of the instruments. The flute introduces the melody over quiet eighth note arpeggios on the harp. The harp plays the melody in the second verse. “Goin Home� builds to a glorious ending with an uplifting harp glissando, full rolled chords and flute soaring in its high register. The music is full of emotion and hope. William Arms Fisher a student of Dvorak penned the moving lyrics “Goin Home� to the music. Goin' home. Goin' home. I'm a-goin' home. Quiet-like some still day, I'm just goin' home. It's not far, just close by, through an open door. Work all done, cares laid by, goin' to roam no more; Mother's there 'xpecting me, father's waiting, too, Lots of folks gathered there, all the friends I knew. Morning star lights the way, restless dream all done. Shadows gone, break of day, real life just begun. There's no break, there's no end, just a-living on; Wide awake, with a smile, going on and on. Going home. Going home, I'm just going home. It's not far, just close by, through an open door.

Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages.  Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try?  Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind.  We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness.    The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions.  I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness.  There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition.  I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less.  Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes.  And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time.  Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over.  And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural.  From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own.   This is ...a bridge a-way, exits within.

Easy Piano - Level 1 - Digital Download SKU: A0.1374785 By Sharon Wilson. By African-American Spiritual, Elisha Albright Hoffman, Fanny J. Crosby, Georg C. Strattner, Horatio G. Spafford, John H. Stockton, Martin Luther, Philip P. Bliss, Rowland Hugh Prichard, and William J. Kirkpatrick. Arranged by Sharon Wilson. Children,Christian,Easter,Sacred,Spiritual. Score. 40 pages. Sharon Wilson #959316. Published by Sharon Wilson (A0.1374785). Beginner Piano SolosMiddle C PositionFive-Finger formatThis is a collection of 20 hymns and spirituals arranged for beginning piano students. These arrangements are formatted in the traditional five-finger style with the melody split between the hands and without key signatures.  All 20 songs are written in Middle C Position where all notes are played singly centered around Middle C (diagrams are provided showing notes and finger placement). No fingering is notated on the sheet music to encourage students to learn to read the notes instead of using the fingering numbers to play the song. Thus, this collection makes a great sight-reading book, especially if some of the songs are unfamiliar. Some songs require playing the B-flat note in the left hand or the F-sharp note in the right hand. For the few songs that use one of these two black notes, the flats or sharps are displayed beside the note on the staff, not in the key signature (special diagrams are provided showing finger placement for the sharps and flats used).These arrangements are perfect for introducing classic Christian songs to beginning pianists. They can be used as supplementary repertoire for first year piano students. Lyrics are included for sing-along enjoyment.Song titles included in this collection:   A Mighty FortressAlleluia! Sing to Jesus (HYFRYDOL)Blessed Be the NameFather, Lead Me Day by DayGlory to His NameHow Firm a FoundationI'm Gonna SingI've Got Peace Like a RiverIt Is Well with My SoulJesus Bids Us ShineJesus Is a Rock in a Weary LandNothing But the BloodOnly Trust Him RedeemedShall We Gather at the RiverThere Is a Happy LandWe Are Climbing Jacob's LadderWe Shall OvercomeWhat Heavenly MusicWhat a Wonderful SaviorVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic

Piano Solo - Level 5 - Digital Download SKU: A0.1345163 By Samuel Diniz. By Samuel Diniz. Arranged by Samuel Diniz. Sacred. Score. 7 pages. Samuelshetssbr #930098. Published by Samuelshetssbr (A0.1345163). Here's another arrangement of mine I've played in church as a special at Christmas for a number of years that I finally committed to paper (well, software). I've put in fingering for a few passages for which it may not be readily apparent. If there are any particular places you would like me to add fingering just let me know.

Choral 5-Part Chorus,Choir,Choral - Level 3 - Digital Download SKU: A0.1458484 By Caroline Polachek. By Caroline Polacheck, Caroline Polachek, Dan Nigro, Daniel Nigro, and Teddy Geiger. Arranged by Liv Muir. 21st Century,A Cappella,Contemporary,Pop. 9 pages. Liv Muir #1037429. Published by Liv Muir (A0.1458484). An SSSAA arrangement of Caroline Polachek's 2019 banger So Hot You're Hurting My Feelings. This song is compelling as it has heart, yearning, flirtatiousness and is frankly just kind of badass. In the unison sections, don't be afraid to get your singers to emote and really sing their hearts out. It's not a slow, smooth number but it is full of emotion. Please note this arrangement has been made slightly more PG by the changing of the lyrics in the bridge show me your banana to oooo na na na, but by changing the dotted crotchet of the ooo to three quavers with show me your, you'll be able to easily capture what the original artist intended!Originally arranged for upper voice alternative pop choir Neighbourhood Voices, based in Sheffield UK. Check us out! IG: @neighbourhoodvoices.