Horn & piano - Grade 4 - Digital Download SKU: IZ.IMS1512 Composed by Daniel Baldwin. Score and Parts. 18 pages. Duration 10 minutes, 20 seconds. Imagine Music - Digital #IMS1512. Published by Imagine Music - Digital (IZ.IMS1512). 9 x 12 in inches.For Horn & Piano.By Daniel BaldwinIn the Silence for Euphonium and Band was commissioned by the Holcomb, KS, High School band (Paul White, director) in the winter of 2010. It was commissioned after the death of a recent graduate, Tanner Born, a euphonium player who participated in the band for all four years of high school. Tanner's parents funded the commission in his memory and asked that I not just make it a memorial piece, but a celebration of his life. Tanner was an avid bowler (illustrated in the rhythmic and celebratory middle section), golfer, and band member.In the Silence is by turns beautiful and contemplative, as well as dark and dramatic, framing an enjoyable and rhythmic affirmation of life. The piece was premiered on Tuesday, May 10, 2011 by the Holcomb High School band, Jim Krohn conducting, with Travis Keller as the euphonium soloist. I had the distinct honor of sitting in Tanner's chair and playing euphonium with the band at the premiere.It was just around a year earlier that Tanner had started attending the church in Garden City where I was choir director in 2009. I was introduced to him and remember a kind face. It was a surreal experience when I was reminded of that introduction after the premiere.You never know where life will take you and how our lives can be intertwined with the lives of others without even being aware of it. It was a wonderful reminder to me that with just a simple twist of fate, the smallest of moments can lead to some of the most powerful moments in our lives.

Piano Solo - Level 4 - Digital Download SKU: A0.1277733 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Amy J. Snyder. Broadway,Children,Film/TV,Musical/Show,Standards. Score. 5 pages. Amy J. Snyder #869415. Published by Amy J. Snyder (A0.1277733). Over the Rainbow, the classic, timeless song made famous by Judy Garland in the 1939 motion picture The Wizard of Oz. This piano solo arrangement is in the advanced intermediate level. Beginning simple and elegant and building into a grand finale, this piece is a must for every pianist! Key of C Major, interlude before finale bridge and chorus, and helpful fingering  added. Easy to adjust for small hands: If 4 note chords are too challenging at the end, leave off the lowest note. Perfect selection for retirement home entertainment, recitals, or your own personal repertoire. Written by Harold Arlen and Yip Harburg; arranged by Amy J. Snyder. Visit Amy at: https://www.facebook.com/amyjsnyder7. If you enjoy this arrangement, check out Amy's others such as: It Had To Be You, O Danny Boy, You Raise Me Up, The Prayer, When Irish Eyes Are Smiling, Speechless, Rewrite the Stars, and many patriotic, Christmas, and Christian songs.

SSAA choir, piano, and optional string quartet - Medium - Digital Download SKU: MQ.1.3549-E Composed by Michael John Trotta. 6 pages. Duration 4 minutes, 25 seconds. Galaxy Music Corporation - Digital #1.3549-E. Published by Galaxy Music Corporation - Digital (MQ.1.3549-E). English. Psalm 16.Written for the Jacksonville Children's Chorus, this SSAA setting of a Sara Teasdale text is set completely for unaccompanied voices. The text, Peace flows into me…, is introduced on a single note, gently expanding to a fuller sonority. The next section features a straightforward declamation of the text, followed by a rhythmic ostinato that lays a foundation for legato vocal lines in the upper voices. The piece then concludes on the single note from which it began. The second movement of the three-movement work, I Will Sing to the Stars. Duration 4:25.

Piano Solo - Level 4 - Digital Download SKU: A0.1012294 Composed by Mallory Boychuk. 20th Century,Concert,Romantic Period. Score. 1 pages. Mallory Boychuk #3911915. Published by Mallory Boychuk (A0.1012294). I decided to call the piece Clouds because even though it’s written in C major, the tonicizations and the eleventh chords present make the key signature of the piece sound ambiguous. For me personally, I saw these two concepts going hand in hand with the sensation of floating. My main goal in writing this piece was to undermine traditional harmony without delving into the realm of atonal music. Please note that quarter note equals eighty is the suggested tempo. Any slow tempo will work well with this piece.

Small Ensemble - Level 3 - Digital Download SKU: A0.1513663 Composed by Franz Schubert. Arranged by Connie Boss. Christian,Christmas. 12 pages. Connie Boss #1088420. Published by Connie Boss (A0.1513663). This version of Ave Maria has the same beautiful melody as the original. The lyrics, while maintaining the well-known Ave Maria words, also have some English translation along with Christmas Lyrics. It talks about the angel giving Mary the message from God that she will bear his son and needs to journey to Bethlehem. The melody is for a soloist and then SSAA quartet or choir parts that give beautiful harmonies off and on throughout the song. There is a very pretty  optional instrument part that can be played on flute, violin or cello - parts included. It's worth a listen. The optional instruments help fill out the song and if used without it, the piano is more plain. Any requests or questions, email cdboss@cvalley.net. For an accompaniment, please email me with proof of purchase. Lyrics:Ave Maria, I am an angel sent from GodMaria, here is God’s messageMaria, you will bear God’s sonAve, Ave, Hail to the LordThe Lord is with theeBlessed are you among womenFor you were born without sinAnd blessed be the fruit of thy wombOf thy womb Jesus ChristAve Maria….. Ave Maria, mother of GodMaria, do not be afraidMaria, God has chosen youAve, Ave Maria, the time has comeYou will make a journey to BethlehemWhere you will deliver God’s own sonAnd you will name your son JesusYour son will save the world from sinAve, Maria……….

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1153128 By U2. By U2. Arranged by Kyle Pudenz. Celtic,Contemporary,Irish,Pop,Rock. Score and parts. 30 pages. ViolinVagabond Music #753361. Published by ViolinVagabond Music (A0.1153128). One does not simply walk into their local music store to find a string arrangement like this one... Unlike much of what you'll find out in the world of cheap gig music, this was in fact written BY a string player who has played in symphony orchestras, rock bands, and everything in between; who knows what gigging as a quartet looks like, but also what will wow your audiences without requiring weeks of rehearsal to prepare. So leave your days of sight-reading through piano scores behind and give your quartet some firepower with this hard hitting chart, that will surely enable your ensemble to do at least a little justice to this legendarily emotional banger from Ireland's finest! Bono's soaring vocal melodies on this tune offer more than enough material on their own to tug at an audience's heartstrings, but in this chart you'll also find faithful adaptations of the iconic guitar & bass parts (performed by cello & viola) that truly make this song one of a kind. Using extended string techniques like chopping & strum bowing, you'll feel as if you're rocking out with the band... with no need to hire those annoying extra musicians. But as we all know, strings have much more to offer dynamically than simply plodding along mimicking a rock band, so I've taken several select moments in this chart to break away briefly from those driving grooves into more open, contemplative textures, truly allowing this instrumentation to shine in its own unique way. All of that said, maybe rhythmic string playing isn't your thing and you just need a chart that classical string players can read through on a cocktail gig where the buyer clearly doesn't pay attention to the lyrical content of their song requests. If that's the case, I've provided a couple alternate figures at the back of the book that can be used to replace the percussive stuff in the viola part, making it much simpler without sacrificing too much of the energy. OR if you want to go even further, maybe you DO want to hire that band after all so you can just relax and play some melody lines. Lucky for you I have included a rhythm section lead sheet as part of the music packet, so that any auxiliary musicians you want to add in will be able to follow along with ease. If you have absolutely no idea what chopping and strum bowing are, and you'd like to expand your horizons and learn a bit more, I highly recommend this resource: https://strum-bowing-groove-academy.teachable.com?coupon_code=KYLE20&affcode=459429_z8y3atf As mentioned before though, these techniques are not 100% necessary to handle this arrangement, so feel free to experiment on your own and add them in as you feel comfortable. Enjoy this chart, and don't be afraid to do a little head-banging once that groove really locks in! Performance time - approximately 4:05-4:20 depending on how hard you want to push the tempo Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond

Guitar (classical and lute) - Digital Download SKU: M0.30105MEB Composed by Tom Bills. Flatpicking Guitar. E-book and online video. Mel Bay Publications - Digital Sheet Music #30105MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30105MEB). ISBN 9781619115378. 8.75x11.75 inches.The Art Of Lutherie offers a glimpse into the mind and craft of luthier Tom Bills, whom many consider to be one of the most talented luthiers today. In this beautifully written and enjoyable read, Tom elegantly and clearly shares his best-kept secrets and methods of custom guitar making - those which make his guitars favorites among top collectors and players. Tom's unique approach to The Art Of Lutherie will empower and inspire you to create more than just a guitar, but a truly unique work of art. The information that is generously shared within this insightful and timeless work is both practical and applicable. It contains the same hard-won wisdom that only comes from years of experience and experimentation that Tom uses in creating his inspiring instruments. Over the years, he has produced instruments considered to be some of the best sounding guitars ever made. Learning the steps of how to build a guitar is important, but understanding why master luthiers take those steps and make those decisions can empower you to make your own educated choices. This will allow you to create unique guitars, and the world needs your art, your guitars - your important contribution. The Art Of Lutherie, a truly unique and inspiring guide, can prepare you to reach new heights when designing and creating unique guitars. It is not often I heap such lavish praise on people; however, Tom is in this case more than deserving: I know of no other luthier whose work I respect more. Tom knows his craft inside and out; he pours his soul into every guitar he makes; he uses cutting-edge science to guide his work, and it shows...as head of Artist Relations and Product Development at Mel Bay, it gives me great pleasure to publish Tom's work, which will no doubt take the art of lutherie to a new level. I hope you'll spend some time soaking in this book - it will certainly augment your musicality - Collin Bay. Includes access to online video.

Instrumental Duet Guitar,Instrumental Duet,Soprano Recorder - Level 2 - Digital Download SKU: A0.575799 Composed by David Warin Solomons. 20th Century. Score and parts. 2 pages. David Warin Solomons #2028265. Published by David Warin Solomons (A0.575799). Many years before Lloyd Webber's Cats I created my own setting for TS Eliot's Song of the Jellicles (from Old Possum's book of practical cats) Originally it was intended for choir, but the estate of T S Eliot would not let me use the poem itself as a choral piece. However, they did allow me to use the word Jellicle in my instrumental titles. Each version follows the rhythms of the T S Eliot poem. The sound sample is a live performance with Tasse on recorder and the composer on guitar. The versions available are: A duo for descant recorder and guitar (Jellicle Duo for recorder and guitar) A quartet for recorders (Jellicle Quartet for recorders) and A quartet for strings (Jellicle Catgut for string quartet) There is also available a choral version of the music following the recorder quartet version, which is a drinking song for SATB choir, with new words by Jill Mitchell called Praise to the Vine.

Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1122168 By Budapest Scoring wind quartet. By David Warin Solomons. Classical,Contemporary. Full Performance. Duration 117. David Warin Solomons #723318. Published by David Warin Solomons (A0.1122168). Many years before Andrew Lloyd Webber's Cats I created my own setting of TS Eliot's Song of the Jellicles (from Old Possum's book of practical cats). Originally it was intended for choir, but the estate of T S Eliot would not let me use the poem itself as a choral piece. However, they did allow me to use the word Jellicle in my instrumental titles. Each version follows the rhythms of the T S Eliot poem. Performers: The Budapest wind quartet, comprising Flute: Ildikó Szabady Oboe: Márton Belek Clarinet: Hunor Egyed Bassoon: Kristóf Szilágyi.

Full Orchestra - Level 5 - Digital Download SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond Rosarion #1092214. Published by Zsigmond Rosarion (A0.1518051). The Valley of the Dry Bones is based off of the chapter in Ezekiel The Valley of the Dry Bones (from the Bible) symbolizes the Israelites' revival and God's power and sovereignty Ezekiel 37:1-6The hand of the Lord was upon me, and He brought me out by the Spirit of the Lord and set me down in the middle of the valley; and it was full of bones. He caused me to pass among them round about, and behold, there were very many on the surface of the valley; and lo, they were very dry. He said to me, “Son of man, can these bones live?” And I answered, “O Lord God, You know.” Again He said to me, “Prophesy over these bones and say to them, ‘O dry bones, hear the word of the Lord.’ Thus says the Lord God to these bones, ‘Behold, I will cause breath [spirit] to enter you that you may come to life. I will put sinews on you, make flesh grow back on you, cover you with skin and put breath in you that you may come alive; and you will know that I am the Lord.’”Ezekiel is called by the Lord, and given a vision. Ezekiel is set down in a valley full of bones. This is not some symbolic imagery, but these are literally dead people, long dead. God asks Ezekiel if he believes the bones can come back to life, and Ezekiel says only the Lord knows. God gives Ezekiel a prophesy concerning all the dead. At a future date, God will cause breath (His Spirit) to enter the bones so that they may come to life. God will use His power (which is always through the Spirit of God) to cause these dead to be resurrected. We know this isn’t symbolic of spiritual death and spiritual life because of the graphic imagery that is used.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo. 14 pages. Kevin G. Pace #730069. Published by Kevin G. Pace (A0.1129659). A fun, jazzy, energetic choral composition telling the story of Ebed-Melech and how he saved the prophet Jeremiah. Music by Kevin G. Pace. Text by Kathryn W. Hales. Text: The Good Book says that Moses Was buried by the hand of God; And those bitten by fiery serpents Were healed by lookin’ at a rod. Elijah was taken up to heaven By a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire. “Can’t you hear me, Lord?� Jeremiah is a’cryin’, “Wilt Thou deliver me? For I am surely dyin’.� The Lord touched the heart On one Ethiopian And says to Ebed-Melech, “Go and save my son.� That black man, he did hearken And went straight up to the king, “What you’ve done to Jeremiah Is a very wicked thing.� “Can’t you see his misery? Can’t you hear him cryin’? Let me deliver him, O King, For he is surely dyin’.� Then Zedekiah repented, Said, “Go get Jeremiah Out of that old dungeon Out of the pit of mire. Take thirty strong men with you Do not delay or wait, Bring the prophet up again Before it is too late.� Ebed went to the pit, Called down into the dark, “I’s a comin’ to save you, Now, oh man, take heart. The king has relented, But before we start, Put old rags beneath your arms, So the ropes won’t leave a mark. Poor Jeremiah was so weak, He’d almost lost all hope, The men did gently lift him up ‘Cause he couldn’t climb the rope. He was kept in prison, But now he had some food, Until the Babylonians came To seize the multitude. ‘Twas an Ethiopian that saved him, A servant to Judah’s King, Blessed be the name of Ebed-Melek For doin’ such brave things. The Lord uses many people From every tribe and race To be an instrument in His hands, An implement of His grace. “Repent all House of Judah,� Jeremiah kept on a’cryin’, “Turn unto the Lord again, Otherwise you’all be dyin’. His words come down through the years To the people of today, “Repent and turn back to the Lord, And walk His chosen Way.�.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.583676 By Todd Rundgren. By Todd Rundgren. Arranged by Jeff Tincher. Contemporary. Score and parts. 17 pages. Jeff Tincher #4643497. Published by Jeff Tincher (A0.583676). This is the first single and opening number of a lesser known group that Todd Rundgren fronted, Nazz. I actually liked this group, even though they were not commercially successful. This song was released as a single. However it fell short, mainly because the B-Side was accepted better, Hello, It's Me. This song is a rocker and a typical 60s rock song. Rock was beginning to take hold, however, a lot of bands added a smooth section in their songs to get more appeal. This song is no exception to that rule. The song is unusual in that the section that leads to the final chorus has several time signature changes, which was not the norm for the time. This song still rocks with the best of them. Duration = 2:51. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing .

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.583675 By Todd Rundgren. By Todd Rundgren. Arranged by Jeff Tincher. Contemporary. Score. 12 pages. Jeff Tincher #4643493. Published by Jeff Tincher (A0.583675). This is the first single and opening number of a lesser known group that Todd Rundgren fronted, Nazz. I actually liked this group, even though they were not commercially successful. This song was released as a single. However it fell short, mainly because the B-Side was accepted better, Hello, It's Me. This song is a rocker and a typical 60s rock song. Rock was beginning to take hold, however, a lot of bands added a smooth section in their songs to get more appeal. This song is no exception to that rule. The song is unusual in that the section that leads to the final chorus has several time signature changes, which was not the norm for the time. This song still rocks with the best of them. Duration = 2:51. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing .

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.583677 By Todd Rundgren. By Todd Rundgren. Arranged by Jeff Tincher. Contemporary. 18 pages. Jeff Tincher #4643499. Published by Jeff Tincher (A0.583677). This is the first single and opening number of a lesser known group that Todd Rundgren fronted, Nazz. I actually liked this group, even though they were not commercially successful. This song was released as a single. However it fell short, mainly because the B-Side was accepted better, Hello, It's Me. This song is a rocker and a typical 60s rock song. Rock was beginning to take hold, however, a lot of bands added a smooth section in their songs to get more appeal. This song is no exception to that rule. The song is unusual in that the section that leads to the final chorus has several time signature changes, which was not the norm for the time. This song still rocks with the best of them. Duration = 2:51. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing .