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Cello,Piano - Level 3 - Digital Download SKU: A0.1386960 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Standards. Score and part. 7 pages. Kevin P Holdgate #970846. Published by Kevin P Holdgate (A0.1386960). This is an arrangement for solo instrument and piano pitched at around the level of ABRSM Grade 4/5 for most instruments. The range of notes is very compact with the difficulty steming from the often complicated rhythms and also the opening statement of the main theme is unaccompanied requiring the soloist to play with confidence and accuracy. The use of syncopated rhythms makes this an excellent repertoire piece.Heaven Is a Place on Earth is a single by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Rick Nowels and Ellen Shipley, the song was released as the lead single from the Heaven on Earth album on September 14, 1987, and it reached number one on the US Billboard Hot 100 on December 5, 1987, becoming Carlisle's only US chart-topper to date. A month later it peaked at number one in the United Kingdom, where it held the top spot of the UK Singles Chart for two weeks. In Australia it peaked at number 2. It is considered to be Carlisle's signature song.The song was nominated for the Grammy Award for Best Female Pop Vocal Performance in 1988, but lost out to Whitney Houston's I Wanna Dance with Somebody (Who Loves Me).
Heaven Is A Place On Earth
Violoncelle, Piano
Belinda Carlisle
$5.99 5.13 € Violoncelle, Piano PDF SheetMusicPlus

B-Flat Trumpet,Piano - Digital Download SKU: A0.1378342 By Belinda Carlisle. By Ellen Shipley and Rick Nowels. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Standards. Score and part. 9 pages. Kevin P Holdgate #962966. Published by Kevin P Holdgate (A0.1378342). This is an arrangement for solo instrument and piano pitched at around the level of ABRSM Grade 4/5 for most instruments. The range of notes is very compact with the difficulty steming from the often complicated rhythms and also the opening statement of the main theme is unaccompanied requiring the soloist to play with confidence and accuracy. The use of syncopated rhythms makes this an excellent repertoire piece.Heaven Is a Place on Earth is a single by American singer Belinda Carlisle from her second studio album, Heaven on Earth (1987). Written by Rick Nowels and Ellen Shipley, the song was released as the lead single from the Heaven on Earth album on September 14, 1987, and it reached number one on the US Billboard Hot 100 on December 5, 1987, becoming Carlisle's only US chart-topper to date. A month later it peaked at number one in the United Kingdom, where it held the top spot of the UK Singles Chart for two weeks. In Australia it peaked at number 2. It is considered to be Carlisle's signature song.The song was nominated for the Grammy Award for Best Female Pop Vocal Performance in 1988, but lost out to Whitney Houston's I Wanna Dance with Somebody (Who Loves Me).
Heaven Is A Place On Earth
Trompette, Piano
Belinda Carlisle
$5.99 5.13 € Trompette, Piano PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1225939 Composed by Rich Campbell. 21st Century. Octavo. 12 pages. Pay The Band Music #821977. Published by Pay The Band Music (A0.1225939). Composers Note: “The Red Wheelbarrow,†an innovative environmental/imagist poem I first read as a teenager, struck me as an alluring and joyful means to immerse in a commission by Austin's Inversion Ensemble for their Planet Home project. The score blossomed during a fellowship at the Virginia Center for the Creative Arts, a pastoral setting that nurtured embracing the poem’s vivid landscape. The piano provides a repeating foundation over which the choir playfully evokes the spare text, using variations of the initial theme throughout. There is a contemplative moment midway, then the pulse resumes, concluding with a gleeful repetition of the last line.The Red Wheelbarrow is a wonderfully approachable and fun piece of music. The singers of Inversion had a blast working through the rhythmic lilt and subtly beautiful harmonies, so often found in Rich Campbell's music. The clever musical interpretation brought out the wry humor of the text, which helped to set a relaxed atmosphere for the rest of our concert. It was exactly the opener we needed!-Trevor F. ShawArtistic Director, Inversion Ensemble.
The Red Wheelbarrow
Chorale SATB

$2.75 2.35 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1031389 Composed by Norm MacQueen. Arranged by Mark Mitchell. Broadway,Christian,Easter,Praise & Worship,Spiritual. Octavo. 9 pages. N. MacQueen #3213535. Published by N. MacQueen (A0.1031389). Golgotha is a choral song on an Easter theme. It is written in respectful emulation of the classic Afro-American Spiritual style, casting an appreciative glance toward the traditional Broadway stylings of Gershwin and Kern as well. It is intended as a mournful, soulful piece reflecting the intense emotions surrounding Christ's sufferings on the cross - not unlike Take My Mother Home or Jesus Walked That Lonesome Valley. In the hands of the right performers, capable of balancing reverence with showmanship, it has proven itself a very moving piece that audiences enjoy. It is suitable for performers of all ages. It would be appropriate for church services, Christian choral groups, as well as secular choirs open to exploring the synthesis between soulful music, heartfelt entertainment, and/or Easter. Feel free to contact me at nmacqueen@rogers.com for more info.
Golgotha
Chorale SATB

$2.99 2.56 € Chorale SATB PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
A Promise to Stand By:
Orchestre d'harmonie

$19.99 17.11 € Orchestre d'harmonie PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.941275 By Ed Sheeran. By Ed Sheeran. Arranged by Ian Coulter. Pop. Score. 6 pages. Ian Coulter #3690797. Published by Ian Coulter (A0.941275). This is an intermediate level arrangement of Ed Sheeran's 'The A Team'. I tried to stay true to the original music as much as possible whilst at the same time bringing out its pianistic qualities. This is the perfect arrangement for any pianist who wishes to learn the A Team as it has not been overly simplified but yet remains possible for the less advanced player. The duration is roughly 4 minutes and the score is 6 pages in total. Follow me on Instagram @ http://bit.ly/2KxtbdTWatch me on Youtube for more arrangements @ http://bit.ly/2KNfZAPFollow me on Twitter @ http://bit.ly/2zfk10w 
The A Team
Piano seul
Ed Sheeran
$4.99 4.27 € Piano seul PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1040259 By 4 TOWN. By Billie Eilish and Finneas O'Connell. Arranged by Barry McCormick. Film/TV,Pop. Score. 9 pages. B. McCormick #645038. Published by B. McCormick (A0.1040259). About this Piano/Vocal/Guitar arrangement of “Nobody like You†Disney's smash hit animation Turning Red was a massive success early in 2022. The sound track was brought to us by none other than Finneas O'connell, Billie Eilish. This arrangement of the main song on the soundtrack, Nobody like U, is for piano, voice and guitar. The key is in Am With this arrangement you will get the piano and vocal part, 7 pages, and the voice part with chords/lyrics separately acting as a lead sheet which is useful for all types of performers who do not necessarily need the whole piano part. This keeps paper usage at minimum and means the whole song can be laid out side by side without the need for page turns. The piano arrangement is very easy, mainly a heavily repeated chordal rhythmic motif. The most difficult part is in the left hand for the change in the bass line. There is also a large section of the song that is purely percussive in the backing. In one instance this is simply marked indicating when the piano drops and the accompanist could clap/beat box in this section if desired or if playing with a drummer just let them have the spot light. The song also finishes with only percussive backing, for this final section to give an idea of this I've changed the rhythm to a simple staccato beat on 2 and 4 so that if this was performed with only a pianist and singer there was some appropriate melodic backing that seemed percussive through the use of the staccato. The vocal part is close to the audio however I have omitted most of the vocal runs that happen between sections. These can be included in the performance should the singer decide to. I have only included the opening vocal run passage. In some areas I have simplified the melody, retaining the rough melodic shape but simplifying the rhythm. These can be sung as written or adjusted to the performers taste. I hope you enjoy this arrangement of Nobody Like U for piano, vocal and guitar and I hope it serves as a versatile arrangement for many purposes. About the Arranger, Barry McCormick I am Barry McCormick, I have an MA in music from the University of Glasgow. I am a musician, composer and arranger from Scotland. I have over 20 years experience in teaching music at a classroom and private tuition level and have taught students from early years to more mature in years. I was involved in a group using music as a means to aid mental health teaching guitar for those purposes. I now mainly focus on composing and arranging and trying to provide resources through various means for students and music educators. You can find me online You can keep up to date with me through my website and social media: Connect on inaminim.com. This is my new website where I am posting my new arrangements and compositions as well as trying to help build and collate resources that will be useful for those learning and teaching music. Connect on YouTube This is the place I will be uploading the videos of my arrangements where you can hear them alongside music educational content. Connect on Tik Tok This is a platform I am cautiously trying to utilise properly to promote my website. If you would like to follow me there please feel free. I will hopefully get over my apprehension and post more frequently soon!
Nobody Like U
Piano, Voix et Guitare
4 TOWN
$4.99 4.27 € Piano, Voix et Guitare PDF SheetMusicPlus

Full Orchestra - Level 2 - Digital Download SKU: A0.1199137 By Erik Satie. By Erik Satie. Arranged by Hans Rudolf. 19th Century,Classical,Romantic Period. Score and Parts. 37 pages. Hans Rudolf #798204. Published by Hans Rudolf (A0.1199137). Gnossienne No. 1 is a solo piano piece by French composer Erik Satie. It was written in 1890 and published in 1893. The piece is part of a series of six Gnossiennes and is perhaps Satie's best known and most frequently performed work.The piece is written in a slow tempo and is marked Lent (slow) and douloureux (painful). It has a simple and repetitive melody played over a slow, dreamy accompaniment. The harmonies are also very sparse, often consisting of only two or three chords.The title Gnossienne is thought to have been invented by Satie himself, and its meaning is not entirely clear. Some suggest that it is a reference to the ancient Greek city of Gnossos on the island of Crete, while others believe that it is an allusion to gnosis, a mystical knowledge in which Satie was interested. For me, I translate Gnossienne simply as knowledge.Overall, Gnossienne No. 1 is a beautiful and haunting piece of music that has captured the imagination of audiences and performers alike for over a century.My orchestration attempts to counter the painful character, at least in part, with a rebellion and triumph over pain. The most unusual detail is the rhythmization by the timpani, which can be perceived as a driving, an eternity of the same or also as a will to continue.
Gnossienne No. 1
Orchestre
Erik Satie
$19.99 17.11 € Orchestre PDF SheetMusicPlus

Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801776 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score. 7 pages. Connie Boss #6718237. Published by Connie Boss (A0.801776). This wonderful song is for a vocal trio with lyrics for Lent. It is for SSA with Alto carrying the melody and soprano having an echo part while the second soprano carries the high harmony. It also includes an optional cello accent instrument that can be played or not and has piano accompaniment. You can sing all the parts for each verse, or like the mp3, I added parts each verse.  Lyrics Below. questions or requests email cdboss@cvalley.netI Heard the Voice of Jesus Say (Lent)I heard the voice of Jesus say,For you I gave my lifeIt was a choice, I had to make.My final sacrifice.I came to all of you as a manTo teach you how to liveI came to wash away your sinsThe price I had to give I heard the voice of Jesus sayBehold I freely giveThe living water thirsty oneStoop down and drink and liveI came to all of you and I healedThose of you who were in needI cured you ills and saved your soulsIt was my heavenly deed I heard the voice of Jesus say,I am this dark world’s lightLook unto me, thy morn shall riseAnd all my days be brightI came to all of you on that dayWhen darkness hid the sunAnd in the darkest hour that dayMy earthly days were done.
I Heard the Voice of Jesus Say (Lent) vocal trio, cello and piano
Piano, Voix

$5.50 4.71 € Piano, Voix PDF SheetMusicPlus

Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801775 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score. 7 pages. Connie Boss #6718235. Published by Connie Boss (A0.801775). This wonderful song is for a vocal trio with lyrics for Lent. It is for SSA with Alto carrying the melody and soprano having an echo part while the second soprano carries the high harmony. It also includes an optional violin accent instrument that can be played or not and has piano accompaniment. You can sing all the parts for each verse, or like the mp3, I added parts each verse. Lyrics Below. questions or requests email cdboss@cvalley.netI Heard the Voice of Jesus Say (Lent)I heard the voice of Jesus say,For you I gave my lifeIt was a choice, I had to make.My final sacrifice.I came to all of you as a manTo teach you how to liveI came to wash away your sinsThe price I had to give I heard the voice of Jesus sayBehold I freely giveThe living water thirsty oneStoop down and drink and liveI came to all of you and I healedThose of you who were in needI cured you ills and saved your soulsIt was my heavenly deed I heard the voice of Jesus say,I am this dark world’s lightLook unto me, thy morn shall riseAnd all my days be brightI came to all of you on that dayWhen darkness hid the sunAnd in the darkest hour that dayMy earthly days were done.
I Heard the Voice of Jesus Say (Lent) vocal trio, violin and piano

$5.50 4.71 € PDF SheetMusicPlus

Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801774 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score. 7 pages. Connie Boss #6718233. Published by Connie Boss (A0.801774). This wonderful song is for a vocal trio with lyrics for Lent. It is for SSA with Alto carrying the melody and soprano having an echo part while the second soprano carries the high harmony. It also includes an optional flute accent instrument that can be played or not and has piano accompaniment. Lyrics Below. questions or requests email cdboss@cvalley.netI Heard the Voice of Jesus Say (Lent)I heard the voice of Jesus say,For you I gave my lifeIt was a choice, I had to make.My final sacrifice.I came to all of you as a manTo teach you how to liveI came to wash away your sinsThe price I had to give I heard the voice of Jesus sayBehold I freely giveThe living water thirsty oneStoop down and drink and liveI came to all of you and I healedThose of you who were in needI cured you ills and saved your soulsIt was my heavenly deed I heard the voice of Jesus say,I am this dark world’s lightLook unto me, thy morn shall riseAnd all my days be brightI came to all of you on that dayWhen darkness hid the sunAnd in the darkest hour that dayMy earthly days were done.
I Heard the Voice of Jesus Say (Lent) vocal trio, flute and piano

$5.50 4.71 € PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1418401 By A Great Big World. By Chad Vaccarino, Ian Axel, and Mike Campbell. Arranged by B. McCormick. Pop,Singer/Songwriter. Individual part. 8 pages. B. McCormick #999968. Published by B. McCormick (A0.1418401). Experience the profound emotion of “Say Something†by A Great Big World with this meticulously crafted fingerstyle guitar arrangement. This digital sheet music captures the essence of the song’s poignant message and translates it into a language that only a guitar can speak. Song and Band Highlight: “Say Something†is a powerful ballad that soared to popularity for its touching lyrics and haunting melody. Released in 2013, the song became a global hit, peaking at number four on the Billboard Hot 100 chart and selling over six million copies in the United States alone1. It also topped the charts in Australia, Belgium, and Canada, resonating with audiences worldwide. The song’s success was further cemented when A Great Big World and Christina Aguilera won a Grammy Award for Best Pop Duo/Group Performance1. A Great Big World, consisting of Ian Axel and Chad King, has touched hearts with their emotional and sincere music, and “Say Something†stands as a testament to their songwriting prowess. Sheet Music Details: This arrangement is more than a simple transcription; it is an artistic interpretation that invites guitarists to explore the depth of the song’s emotional landscape. The performance notes emphasize the importance of expressive playing, guiding musicians through the nuances of dynamics and phrasing to truly convey the song’s narrative. The arrangement is structured to follow the original composition, with thoughtful adjustments made to enhance playability and musicality for solo guitar performance.Connect with me: As you embark on this musical journey, we invite you to share your experience and connect with a community of fellow musicians. Find us on social media using the handle @ResourcefulArrangements and join the conversation. Your feedback and performances are what inspire us to continue creating resources that enrich the guitar community.
Say Something
Guitare
A Great Big World
$4.99 4.27 € Guitare PDF SheetMusicPlus

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.723296 Composed by Mary Ann Baker, H.R. Palmer. Arranged by Garrett Breeze. Easter,Praise & Worship,Sacred,Spiritual. Octavo. 7 pages. Lagom Music #6093717. Published by Lagom Music (A0.723296). This arrangement by Garrett Breeze is easy to learn and fun to sing! The men and women sing the first and second verses respectively in unison, then come together on the third verse in familiar harmony. The piano part is full of movement, evoking the motion of the ocean as it ebbs and flows. An excited and accessible arrangement suitable for many different kinds of church services.Visit https://garrettbreeze.com to read my blog and discover new music!Check out my catalog of choral music at https://holidaychoirmusic.com!Subscribe to my YouTube channel at https://bit.ly/35HZC2d!Lyrics:Master the tempest is raging! The billows are tossing high! The sky is o'ershadowed with blackness. No shelter or help is nigh. Carest thou not that we perish? How canst thou lie asleep when each moment so madly is threat'ning a grave in the angry deep?Master with anguish of spirit I bow in my gried today. The depths of my sad heart are troubled. Oh, waken and save, I pray! Torrents of sin and of anguish sweep o'er my sinking soul, and I perish! I perish! dear Master. Oh hasten and take control!Master, the terror is over, the elements sweetly rest. Earth's sun in the calm lake is mirrored, and heaven's within my breast. Linger, o blessed Redeemer! Leave me alone no more, and with joy I shall make the blest harbor and rest on the blissful shore.The winds and the waves shall obey thy will: Peace, be still. Whether the wrath of the stormtossed sea or demons or men or whatever it be, no waters can swallow the ship where lies the Master of ocean and earth and skies. They all shall sweetly obey Thy will: Peace, be still. Peace, be still. They all shall sweetly obey Thy will: Peace, peace, be still.
Master, the Tempest is Raging (SATB)
Chorale SATB

$2.25 1.93 € Chorale SATB PDF SheetMusicPlus

Brass Ensemble - Digital Download SKU: A0.791034 Composed by Noel Gay. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 27 pages. Kevin P Holdgate #4889983. Published by Kevin P Holdgate (A0.791034). Versatile Brass 'Old Time Favourites' CollectionLeaning on a Lamp-post is a popular song written by Noel Gay and best known in the version by George Formby.It was first performed in the 1937 film Feather Your Nest, in contrasting styles by Val Rosing and George Formby. The film's plot revolves around Formby, a gramophone record technician, hearing Rosing record the song but then breaking the master disc and substituting his own voice. Formby recorded the song for Regal Zonophone Records on 5 September 1937, and it became one of his most popular and best-remembered songs. The sheet music for the song was published by Cinephonic Music Co Ltd. of London, at two shillings.A version by Herman's Hermits, credited as Leaning on the Lamp Post, reached No. 9 on the US Hot 100 in 1966. The song was added into the 1985 production of Me and My Girl, but was not in the original 1937 version of the musicalThis is a simple arrangement of the song that can be used with a  vocal if required. Part included
Leaning On A Lamp Post
Ensemble de cuivres

$12.99 11.12 € Ensemble de cuivres PDF SheetMusicPlus






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