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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download SKU: A0.1314344 By Tooti Flooti. By Geraldine (Denny) Green. 21st Century,Chamber,Contemporary. 117 pages. Geraldine (Denny) Green at Oakmountmusic #903088. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314344). ALL PURCHASES COME WITH SCORE AND PARTSThe Divertimento for Flute Choir was requested by flautist David Greenalgh for the Flute choir Tooti Flooti and was written in June and July 2016. It has 3 short movements and a total duration of about 15 minutes.The outer movements are speedy, light hearted and sunny natured, while the middle movement is slower and rather haunting. The 3rd movement is the only one with a title, “The June Prune Tuneâ€, and there is a funny story behind the name. Many summers ago, my husband, Bob, and I were playing guitar and penny whistle together at home and I just happened to be snacking on dried prunes at the time. Bob joked that I should write a tune called the Prune Tune. I went a step further and said, June prune Tune, but it had to be written in June and I had to be eating prunes while actually writing it. Well, for the two Junes of 2014 and 2015 I tried to do it but no tune came. Nothing. Silence! Then, on the 1st June 2016 I was dashing home from work and I dived into a small corner shop for a sandwich and happened to spot a pack of dried prunes along with other dried fruits. So, in the local park, I stopped to have my butty and prunes while watching the birds and as I was eating the prunes a tune suddenly was there in my mind and I was subconsciously humming it. Like a thunderbolt it hit me! This was it! The June Prune Tune had arrived. Luckily I nearly always have paper on me so at once I scribbled it down, while munching very deliberately on the only two prunes left in the pack! Music doesn’t always have to be filled with sorrow and sadness and turmoil, even though much of mine is. But sometimes it’s just great to let the humour and flippancy flow,too, and simply enjoy having a good joke and a laugh. The Instrumentation is:Flute 1 – doubling Piccolo, Flute 2 – doubling piccolo, Flute 3 – doubling piccolo, Flute 4, Alto flute, Bass flute and string Double Bass.As the work was written for a specific group of players, the parts are single and do not divide within themselves. This, however, should not prevent it also working well with more than one player per part.The double bass part sometimes doubles the bass flute line, but also is an independent part in its own right.
Divertimento For Flute Choir
Ensemble de Flûtes
Tooti Flooti
$50.00 46.76 € Ensemble de Flûtes PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1434239 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Timothy Stapay/Liberace. Broadway,Contest,Festival,Film/TV,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #1014454. Published by Timothy Stapay (A0.1434239). Mon Homme (My Man) is the famous song sung by Barbra Streisand in the movie Funny Girl  It is arranged as performed by Barbra's good friend, Liberace.  Liberace helped give Barbra Streisand her start in the early days of Las Vegas and he recognized her talent very early.My Man, is a popular song first published in 1920. The song was originally composed by Maurice Yvain with French lyrics by Jacques-Charles (Jacques Mardochée Charles) and Albert Willemetz. The English lyrics were written by Channing Pollock. Funny Girl is a 1968 American biographical-musical film directed by William Wyler and written by Isobel Lennart, adapted from her book for the stage musical of the same title. It is loosely based on the life and career of comedienne Fanny Brice.A major critical and commercial success, Funny Girl became the highest-grossing film of 1968 in the United States and received eight Academy Award nominations. Streisand won Best Actress, tying with Katharine Hepburn (The Lion in Winter). In 2006, the American Film Institute ranked the film No. 16 on its list commemorating AFI's Greatest Movie Musicals.[FANNY]Oh, my man, I love him so[FANNY, spoken]He'll never knowAll my life is just despairBut I don't careWhen he takes me in his armsThe world is bright, alrightWhat's the difference if I say I'll go awayWhen I know I'll come back on my knees somedayFor whatever my man is, I am his[FANNY]Forever moreIt cost me a lot but that's one thing that I've gotIt's my manCold and wet tired you betBut all that I soon forget, with my manHe's not much for looksAnd no hero out of books, he's my manTwo or three girls has heThat he likes as well as me but I love himOh my man I love him so, he'll never knowAll my life is just despair but I don't careWhen he takes me in his armsThe world is bright, alrightWhat's the difference if I say I'll go awayWhen I know I'll come back on my knees somedayFor whatever my man is, I am hisForever more.
Mon Homme
Piano seul
Edith Piaf
$8.99 8.41 € Piano seul PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1343535 Composed by Romanos o Melodos. Arranged by Marilena Zlatanou. Classical. 8 pages. Marilena Zlatanou #929063. Published by Marilena Zlatanou (A0.1343535). BYZANTINE HYMN: TI IPERMAHO (To the defender army leader) arranged for SATB choir and pianoDuring a siege of Constantinople in the 6th cent., and while the regular army was engaged in fighting elsewhere, the city was attacked by Avars. The women, children and seniors left there fought as best they could, but finally realized that they had to give up. As a last resort, they carried the icon of Panayia (St. Mary, always referred to as all-holy in Greek), alongside the city walls, something that produced an unexpected effect: The besiegers left! For three days the citizens participated in liturgies addressed to Her, in a hymn called AKATHISTOS YMNOS (=Non-sitting Hymn), where this tropation is central, as it is most actively still used in the Greek Orthodox Church at many other relevant services. The first part is the original, in unison, or sung by a soloist. The piano part and the following choir arrangement are my contribution.duration: 3'33'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
Byzantine Hymn: TI IPERMAHO
Chorale SATB

$20.00 18.7 € Chorale SATB PDF SheetMusicPlus

Brass quintet - Digital Download SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digital #CMS164. Published by Imagine Music - Digital (IZ.CMS164). 9 x 12 in inches.While doing some research on pre-20th Century American composers, I came across the name of Edward Taylor Paull. In all of my years as a flutist, conductor, and now writer, I never heard of Paull before, but I was curious enough to look for any sound files of his music, and came across both live piano performances and piano roll performances of the Ben HurChariot Race March on YouTube.Edward Taylor Paul, known in some circles as The Other March King was born on February 16th, 1858. In Gerrardstown, Virginia, now West Virginia. While not too much is known about his early years, we do know that his adult years were spent as itinerant musician, instrument sales person, selling pianos and organs, composer, as well as publisher.The Civil War era had Patrick Sarsfield Gillmore as the most famous bandleader and composer. As children of this era, John Philip Sousa and Edward Taylor Paull, were destined to follow in Gillmore's footsteps. While Sousa became successful through his work as both conductor and composer, even attaining the moniker of March King, the road to success and fame was more difficult for Paull. We do know, that by 1878, he was the manager of a music store that sold pianos and organs, eventually going bankrupt, and having to be bailed out by his own father. By 1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano. This was to become one of many marches and parlour piano compositions by 'E.T, Paull. He may not have been the most skilled musician of his era, but he was wise enough to realize how popular marches became in 1880's and '90's.Paull's compositions were also associated with beautiful color covers. He was fortunate to live in Richmond, Virginia, and the lithography company of A. Hoen & Company, provided him the highest quality and richly-colored art work for his compositions. This company was unique, in that they used a five- color process, which added depth to the color. Thepopularity of marches, plus the great covers, both contributed to the 60,000 copies that the Ben Hur Chariot Race March sold in its first printing. Not bad, for a first composition.Paull found inspiration for his march from the novel Ben Hur, written and published by General Lew Wallace in 1880. Paull dedicated his composition to Wallace, who sold many copies of his book. Eventually, there was a stage play and three film renditions; one in 1907, 1925, and 1959. Some time in the 1920's, the Sousa Band recorded the Ben Hur Chariot Race March, and of course, the MGM, 1925 film version, helped in a renewed popularity of Paull's composition.Edward Taylor Paull died in 1924, and his wife retained the copyright, until it went into public domain. What remains today are a few music examples in the Library of Congress collection, as well as some 78's and piano rolls. While I did my research on this piece, I tried to find any applicable Sousa manuscripts of a possible arrangement, but I could not findany. I usually write for woodwinds, but in this case, I thought that a brass quintet would sound far better. I also chose a moderate tempo, so as not to lose some of the nuances of the original composition.
Ben Hur Chariot Race March
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano This was to become one of many marches and parlour piano compositions by 'E
$12.00 11.22 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Guitar - Level 2 - Digital Download SKU: A0.949041 By JOÃO PERNAMBUCO. By JOÃO PERNAMBUCO. Arranged by Bisdré Santos. Instructional,Latin,Standards. Guitar Tab. 3 pages. Soul - Musical Creations #6706433. Published by Soul - Musical Creations (A0.949041). Dengoso (Bashful). For intermediate students. Choro by João Pernambuco for solo guitar. It's a great study to learn about Brazilian rhythm. Relatively difficult for the right hand, but the result is amazing. The left hand works with jumps. João Pernambuco's songs are always in the repertoire of the great classical guitar artists in the world. The Choro is a typically Brazilian music. With tablature. Dengoso João Pernambuco solo guitar tablature classical guitar brazilian Brazil music choro.
Dengoso (Bashful) classical guitar, solo
Guitare notes et tablatures
JOÃO PERNAMBUCO
$5.00 4.68 € Guitare notes et tablatures PDF SheetMusicPlus

Guitar - Level 2 - Digital Download SKU: A0.949042 By JOÃO PERNAMBUCO. By JOÃO PERNAMBUCO. Arranged by Bisdré Santos. Instructional,Latin,Standards. Guitar Tab. 5 pages. Soul - Musical Creations #6706421. Published by Soul - Musical Creations (A0.949042). Dengoso (Bashful). For intermediate students. Choro by João Pernambuco for solo guitar. It's a great study to learn about Brazilian rhythm. Relatively difficult for the right hand, but the result is amazing. The left hand works with jumps. João Pernambuco's songs are always in the repertoire of the great classical guitar artists in the world. The Choro is a typically Brazilian music. With tablature. Dengoso João Pernambuco solo guitar tablature classical guitar brazilian Brazil music choro.
Dengoso (Bashful) with tablature
Guitare notes et tablatures
JOÃO PERNAMBUCO
$5.00 4.68 € Guitare notes et tablatures PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.964568 Composed by Richard Wagner. Arranged by Betsy Bright. Children,Concert,Romantic Period. Score and parts. 10 pages. Bright Music Company #6247021. Published by Bright Music Company (A0.964568). We’ve all seen some brass arrangements the Ride before, but what we don’t see too often are arrangements for brass quintet that actually work! While anyone who has taken a Music Notation 201 class can grab the notes off the Ride score, it’s a feat to choose the right parts and to present them the right way! This arrangement gives your audience the melodies and the overall spirit of the Ride, but it doesn’t make the brass players sound ridiculous in the process. This arrangement is very playable, it’s a thrill for the audience to hear, and it won’t wear you down playing absurd exact transcriptions of flute and violin parts.This arrangement is a perfect fit for any education show, recital, or pops show.Duration: 1.5 minutes
Ride of the Valkyries (Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$12.00 11.22 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1435089 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. Score. 48 pages. Stanleymhoffman.com #1015189. Published by stanleymhoffman.com (A0.1435089). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Ma?gorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Ma?gorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Ma?gorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
Two Scenes from the Lodz Ghetto: 1. At the Clothing Department; 2. To Get a Ration
Piano, Voix

$12.00 11.22 € Piano, Voix PDF SheetMusicPlus

Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital Download SKU: A0.1435098 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. 240 pages. Stanleymhoffman.com #1015206. Published by stanleymhoffman.com (A0.1435098). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Ma?gorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Ma?gorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Ma?gorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration

$60.00 56.11 € PDF SheetMusicPlus

Violin Solo - Level 3 - Digital Download SKU: A0.1123888 By Jonas Brothers. By Adam Feeney, Homer Steinweiss, Joseph Jonas, Kevin Jonas, Louis Bell, Miles Ale, Mustafa Ahmed, Nick Jonas, and Ryan Tedder. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock,Wedding. 2 pages. Sarah Cellobat Chaffee #724647. Published by Sarah Cellobat Chaffee (A0.1123888). Sucker, released in March 2019, was the Jonas Brothers' first single together in six years. Due to its danceable beat, dark rhythmic intensity, and catchy melody, it debuted immediately as number one on the Billboard Hot 100 charts - the first number one hit by a boy band since 2003! This song has become one of their most beloved hits, and now you can have a blast with this arrangement for solo violin! With its catchy vocal lines, driving beat, interesting rhythms, and catch-you-off-guard dynamic contrasts, this Cellobat arrangement delivers all the punch of the original song and is sure to get your audience dancing along! Playable for intermediate students and easily sightreadable for professionals -- this chart isn't difficult to play, but it's definitely a lot of fun. No accompaniment part; it stands on its own, or can be played with a backing track (note that this chart has been transposed to the more string-friendly key of D minor). Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
Sucker
Violon
Jonas Brothers
$7.99 7.47 € Violon PDF SheetMusicPlus






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