Recorder Solo,Soprano Recorder - Level 1 - Digital Download SKU: A0.1156938 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Individual part. 5 pages. Woods Only, Arrangements #757282. Published by Woods Only, Arrangements (A0.1156938). This arrangement adapted for recorder and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).

Piano,Violin - Level 2 - Digital Download SKU: A0.1240640 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,March,Romantic Period. 4 pages. Woods Only, Arrangements #836026. Published by Woods Only, Arrangements (A0.1240640). This arrangement adapted for violin and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice.Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).

String Quartet String Quartet,Viola - Level 2 - Digital Download SKU: A0.1173854 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #774007. Published by Woods Only, Arrangements (A0.1173854). This arrangement adapted for viola quartet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice.Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).

Saxophone Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1127723 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 16 pages. Woods Only, Arrangements #728330. Published by Woods Only, Arrangements (A0.1127723). This arrangement adapted for woodwind quintet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).

Low Brass Quintet,Tuba - Level 2 - Digital Download SKU: A0.1251249 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Christmas,Classical,March,Romantic Period. 15 pages. Woods Only, Arrangements #845526. Published by Woods Only, Arrangements (A0.1251249). This arrangement adapted for tuba quintet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice.Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).

Organ: 3-staff - Moderately Advanced SKU: LO.70-1485S Composed by Gilbert M. Martin. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1485S. Published by Sacred Music Press (LO.70-1485S). UPC: 000308097214.When rigorous, dynamic, and roof-raising organ music is called for, well, this is the collection. An exciting array of familiar and glorious festive hymns in dazzling settings by one of America's leading composers for organ.

Soprano Saxophone Solo - Digital Download SKU: A0.925682 By Kenny G. By Ed Hill and Karyn Rochelle. Arranged by Dennis Benning. Contemporary,Pop. Individual part. 3 pages. Dennis Benning #6201485. Published by Dennis Benning (A0.925682). One More Time is a transcription of the saxophone parts Kenny G plays in the original song. This download includes only the soprano saxophone part, and is meant to be played with a karaoke backing track as well as a vocalist. This download does not include the vocal part, neither by itself nor built into the saxophone part. Dennis Benning, the arranger, currently lives in Denver. He teaches flute and clarinet, records music for his YouTube channel (Flute Dude Music), and has recently engaged in flute repair. Check out his TikTok, YouTube, and Facebook (Flute Dude Music) pages to follow what he is doing, and to see exclusive videos!

Violin Solo - Digital Download SKU: A0.1015091 Composed by Dane Anthony Madrigal. 20th Century,Contemporary,Standards. 6 pages. Dane Anthony Madrigal #6207809. Published by Dane Anthony Madrigal (A0.1015091). COMPOSER’S NOTESFinding Time To Dance is a piece that is dedicated to the Department of Dance at Chapman University. The piece is found in a world of high rhythmical contrast and virtuosic playing, especially on the part of the percussionist. The idea for this piece comes from wanting to fade varied rhythmic groups with a Klezmer style of violin playing. After working through the piece, what I found most exciting is the absolute wonkiness that it has in every section. As the piece develops in time, the sense of meter becomes less concrete.

Full Orchestra - Level 4 - Digital Download SKU: A0.938527 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 60 pages. Christopher Schwinger #25919. Published by Christopher Schwinger (A0.938527). The 6th Christian vocal solo I have written, about original sin, the Virgin Birth, and what the Gospel means. Part 2 of 2 of the orchestral version contains the individual parts, including the soprano voice, in their appropriate formats (transposed for the Bb clarinet and French horns). The soprano part goes from D a whole-step above middle C to B above the treble clef staff. Instrumentation required: 1 flute, 1 oboe, 1 Bb clarinet, 2 French horns, 1 tuba, 1st and 2nd violin parts, a viola part, and a cello part. (String players can be any number, but wind player numbers are specific.) Included at the end are the piano part and composer's notes explaining the creation process and musical things to pay attention to. (The total cost for the orchestral version is $46.).

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.938523 Composed by Christopher Schwinger. Christian,Sacred. 27 pages. Christopher Schwinger #25915. Published by Christopher Schwinger (A0.938523). The 6th Christian vocal solo I have written, about original sin, the Virgin Birth, and what the Gospel means. Contains piano and soprano parts and composer's notes explaining the creation process and musical things to pay attention to. The piano part is intermediate or advanced and the soprano part goes from D a whole-step above middle C to B above the treble clef staff.

Bass Drum,Bongos,Marimba,Shaker,Tambourine,Timbales,Violin,Wind Chimes,Woodblock - Level 5 - Digital Download SKU: A0.1015092 Composed by Dane Anthony Madrigal. 20th Century,Contemporary,Standards. 10 pages. Dane Anthony Madrigal #6207801. Published by Dane Anthony Madrigal (A0.1015092). COMPOSER’S NOTESFinding Time To Dance is a piece that is dedicated to the Department of Dance at Chapman University. The piece is found in a world of high rhythmical contrast and virtuosic playing, especially on the part of the percussionist. The idea for this piece comes from wanting to fade varied rhythmic groups with a Klezmer style of violin playing. After working through the piece, what I found most exciting is the absolute wonkiness that it has in every section. As the piece develops in time, the sense of meter becomes less concrete.