Organ,Trumpet - Level 4 - Digital Download SKU: A0.1000566 Composed by Camille Saint-Saens (1843-1907). Arranged by Matthias Eckart - P.J. Lawrence - Edition Ensemble Akzente. Romantic Period. 50 pages. Matthias Eckart #6345557. Published by Matthias Eckart (A0.1000566). Suite from Carnival of the Animals / Karneval der Tiere from Camille Saint-Saens (1843-1907) is one of his famous piece. Here seven pieces from it in an arrangement for two trumpets and organ. Trumpet parts in Bb-Picc., Bb and C are included. A powerful highlight for every concert.Die Suite aus Carnival of the Animals / Karneval der Tiere von Camille Saint-Saens (1843-1907) ist eines seiner berühmtesten Werke. Hier sieben Sätze daraus in einem Arrangement für zwei Trompeten und Orgel. Trompetenstimmen in B-Picc., B und C sind vorhanden. Ein kraftvolles Highlight für jedes Konzert.

Organ,Trumpet - Level 4 - Digital Download SKU: A0.1000559 Composed by Wolfgang Amadeus Mozart. Arranged by Matthias Eckart - Christine Böhm - Edition Ensemble Akzente. Classical. 48 pages. Matthias Eckart #6343453. Published by Matthias Eckart (A0.1000559). Suite from Magic Flute KV 620 from Wolfgang Amadeus Mozart (1756-1791) is one of his famous piece. Here four pieces from it in an arrangement for two trumpets and organ. Trumpet parts in A, Bb and C are included. A powerful highlight for every concert.Die Suite aus der Zauberflöte KV 620 von Wolfgang Amadeus Mozart (1756-1791) ist eines seiner berühmtesten Werke. Hier vier Sätze daraus in einem Arrangement für zwei Trompeten und Orgel. Trompetenstimmen in A, B und C sind vorhanden. Ein kraftvolles Highlight für jedes Konzert.

Organ,Trumpet - Level 4 - Digital Download SKU: A0.1000565 Composed by Modest Mussorgsky (1839-1881). Arranged by Matthias Eckart - P.J. Lawrence - Edition Ensemble Akzente. Romantic Period. 53 pages. Matthias Eckart #6345549. Published by Matthias Eckart (A0.1000565). Suite from Pictures of an Exhibition / Bilder einer Ausstellung from Modest Mussorgsky (1839-1881) is one of his famous piece. Here seven pieces from it in an arrangement for two trumpets and organ. Trumpet parts in Bb-Picc., Eb, Bb and C are included. A powerful highlight for every concert.Die Suite aus Bilder einer Ausstellung von Modest Mussorgsky (1839-1881) ist eines seiner berühmtesten Werke. Hier sieben Sätze daraus in einem Arrangement für zwei Trompeten und Orgel. Trompetenstimmen in B-Picc., Es-, B und C sind vorhanden. Ein kraftvolles Highlight für jedes Konzert.

Organ,Trumpet - Level 4 - Digital Download SKU: A0.1000543 Composed by Edvard Grieg (1843-1907). Arranged by Matthias Eckart - Edition Ensemble Akzente. Romantic Period. 29 pages. Matthias Eckart #6339751. Published by Matthias Eckart (A0.1000543). Suite from Peer Gynt op.46 (Morning Mood - Ases Death - In the Hall of the Mountain King) from Edvard Grieg (1843-1907) is one of his famous piece. Here three pieces from it in an arrangement for two trumpets and organ. Trumpet parts in Bb and C are included. A powerful highlight for every concert.Die Suite aus Peer Gynt op.46 (Morgenstimmung - Ases Death - In der Halle des Bergkönigs) von Edvard Grieg (1843-1907) ist eines seiner berühmtesten Werke. Hier drei Sätze daraus in einem Arrangement für zwei Trompeten und Orgel. Trompetenstimmen in B und C sind vorhanden. Ein kraftvolles Highlight für jedes Konzert.

Large orchestra - Digital Download SKU: S9.Q24856 Poema sinfonico. Composed by Ottorino Respighi. This edition: study score. Ernst eulenburg - orchestra - score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 25 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q24856. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q24856). German • English.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.3 Flöten (3. auch Piccolo), 2 Oboen, Englischhorn, 3 Klarinetten, Baßklarinette, 2 Fagotte, Kontrafagott, 4 Hörner, 4Trompeten, 3 Posaunen, Basstuba, Pauken, Schlagzeug (gr. und kl. Trommel, Becken, Triangel, Tam-Tam, Glocken, Xylophon), Klavier (vierhändig), Orgel, Mandoline, Streicher, Bühnenmusik: 3 Buccinen (bzw. Trompeten).

Guitar - Level 3 - Digital Download SKU: A0.975724 Composed by Johann Sebastian Bach. Arranged by Pete Downes. Baroque,Concert,Sacred,Standards,Wedding. Guitar Tab. 5 pages. Pete Downes #6409561. Published by Pete Downes (A0.975724). This is a solo guitar adaptation of Prelude no 1 from Bach's Well Tempered Clavier. A beautiful and timeless piece ideal for many occasions. ApproachFor it to fall well under the fingers on guitar I have changed the arpeggio pattern. For example, on the opening C chord, instead of the original intervals of 1, 3, 5, 8, 10, 5, 8, 10, I use 1, 5, 8, 1, 10, 1, 5, 8, which I feel makes the low end work better on guitar and also allows for more natural guitar chord shapes throughout. Chord symbols and tab has been included alongside standard guitar notation. It has been notated as fast 8ths instead of 16ths to make it appear less daunting to learners.Practice suggestionLearn the right hand arpeggio pattern on the first C chord: p i m p a p i m. This will give you the pattern for most of the following chords.Learn a few bars from the beginning, then learn the last few bars after it breaks from the arpeggio pattern. This will prepare you for this change. Web: http://www.petedownes.com

Guitar - Digital Download SKU: A0.975728 Composed by Johann Sebastian Bach. Arranged by Pete Downes. Baroque,Classical,Instructional,Sacred,Spiritual. Guitar Tab. 3 pages. Pete Downes #6416447. Published by Pete Downes (A0.975728). This Allemande from Bach’s Lute Suite BWV 996 is considered a grade 7 guitar piece. A lively piece at the marked tempo. However it can also be effective at slower speeds. In this arrangement, tab and chord symbols have been added and fingering has been optimised for guitar.www.petedownes.com

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.882293 By Pete Seeger. By Pete Seeger. Arranged by Vince Peterson. Folk. Octavo. 3 pages. Personage Press, LLC #5203957. Published by Personage Press, LLC (A0.882293). Thank you for your interest in this title! You can purchase individual copies for a lower price at PersonagePress.com.This hymn-like arrangement of Pete Seeger's iconic American tune set to words from the Book of Ecclesiastes is a simple yet beautiful treatment for such a song. Its closed-score, straightforward harmonies have just the right amount of color to add interest without taking away from the integrity of the original song. It's a great addition to any choral program.

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.893235 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by petersonpianoacademy.com. Pop. Score. 6 pages. Peterson Piano Academy #6403183. Published by Peterson Piano Academy (A0.893235). A great-sounding, easy to play arrangement of Taylor Swift's hit song, We Were Happy. Includes lyrics, chords, and piano notes. 

Piccolo Trumpet - Level 4 - Digital Download SKU: A0.817113 Composed by Heinrich Biber. Arranged by Charles Decker. Baroque,Chamber,Historic,Instructional. 26 pages. Charles Decker Music Press #3542437. Published by Charles Decker Music Press (A0.817113). Want to feature two piccolo trumpeter soloists with your trumpet ensemble on an accessible work for students? This movement from the famous baroque sonata will impress audiences with its two antiphonal quartets, each led impressively by solo piccolo trumpeters exchanging increasingly complex ornamented phrases as musical and technical challenges.  The two solo parts are very playable on mezzo-soprano B-flat trumpets but using B-flat piccolo trumpets creates extra sparkle. The audio file is an actual performance by a trumpet ensemble and not a computer playback of the score.See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications at Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  Use this link to Kendor Music for more Charles Decker trumpet ensemble arrangements of music by J.S. Bach, Handel, and Renaissance composers Gervaise and Susato.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1271384 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Jazz,Standards,Traditional. 14 pages. Keith Terrett #863782. Published by Keith Terrett (A0.1271384). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Recorder Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1271383 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 21st Century,Jazz,Standards. 14 pages. Keith Terrett #863780. Published by Keith Terrett (A0.1271383). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Saxophone Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

String Orchestra - Level 3 - Digital Download SKU: A0.1271389 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Instructional,Jazz,Standards. 14 pages. Keith Terrett #863787. Published by Keith Terrett (A0.1271389). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for String Orchestra.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Historic,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #863759. Published by Keith Terrett (A0.1271363). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Clarinet Quintet.The Eb & Bb Clarinet 4 are optional.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.

Trombone Ensemble Bass Trombone - Level 3 - Digital Download SKU: A0.1271373 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Traditional. 14 pages. Keith Terrett #863773. Published by Keith Terrett (A0.1271373). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Trombone/Low Brass Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.