Piano Solo - Level 3 - Digital Download SKU: A0.1294155 Composed by James Horner. Arranged by Elizabeth Shier & Dana Thynes. 20th Century,Celtic,Film/TV,Irish. Score. 5 pages. Dana Thynes #884580. Published by Dana Thynes (A0.1294155). BRAVEHEART THEME for piano, in the key of FThe main theme of Braveheart begins with soft flute-like melody notes against a quiet background.  A fragment of the Scottish tune Black is the Color of My True Love's Hair weaves its way into the bottom of page one, and then deep chords at the top of page two give a low and ominous premonition of battle. Slowly it builds with bigger chords.  Dissonances compete in the melody and harmony, always building.  Big octave-plus-fifth left hand chords give a medieval sound.The flavor of Braveheart, the movie, is captured in this arrangement.  Not too difficult, but with a few challenges, this is a satisfying piece to play over and over again, emotions soaring and always feeling like you are there with William Wallace in the fight for FREEDOM.Two versions in different keys (F & Gb), but otherwise identical.  The arrangement in F is much easier, of course, and easier to read.  Though most of the music remains in the primary key (either F or Gb) Braveheart travels rapidly through several key transitions on pages 2-3 in the key of F, and pages 2-4 in the key of Gb.Though the key of F is easier, the key of Gb seems to have a special magic, as piano pieces utilizing the black keys frequently do!  The piano recording heard in the video is performed in the key of Gb.

Trumpet Ensemble Trumpet - Level 4 - Digital Download SKU: A0.817115 Composed by Andre Campra. Arranged by Charles Decker. Baroque,Chamber,Contest,Festival,Instructional. 30 pages. Charles Decker Music Press #3542609. Published by Charles Decker Music Press (A0.817115). Recommended by the International Trumpet Guild Journal, this elegant and regal processional composed for the splendor of French baroque opera by Andre Campra, Music Director at Notre Dame, is arranged for nine B-flat trumpets with a complete set of alternate C trumpet parts provided. Trumpeters can be positioned in two or four antiphonal groups to enrich the performance experience. Easily memorized, consider opening your next band concert featuring your trumpet section with this regal-sounding work. The audio file is an actual trumpet ensemble performance and not a computer playback of the score.See 40+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications at Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  Use this link to Kendor Music for more Charles Decker trumpet ensemble arrangements of music by J.S. Bach, Handel, and Renaissance composers Gervaise and Susato.

Cello - Level 2 - Digital Download SKU: A0.1302124 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by AZSAP MUSiC. Pop,R & B. 26 pages. AZSAP MUSiC #891724. Published by AZSAP MUSiC (A0.1302124). Introducing our Viva la Vida cello ensemble arrangement, thoughtfully designed to inspire and engage students at various levels of proficiency. This arrangement is perfect for studio concerts, music festivals, and, of course, for the sheer joy of making music together. Key Features:1. **Student-Focused Design:** Our arrangement is tailored to accommodate a wide range of skill levels, making it an ideal choice for students. With parts ranging from easy to high intermediate level, it offers a gradual progression for players to build confidence and skills.2. **Engaging and Fun:** Learning music should be enjoyable, and Viva la Vida brings an energetic and uplifting experience to the ensemble. Students will be excited to practice and perform this beloved Coldplay hit.3. **Adaptable Ensemble Size:** Whether you have a small cello ensemble or a larger group, this arrangement suits your needs. The flexible instrumentation allows for a variety of ensemble sizes, ensuring a memorable experience for everyone involved.4. **Perfect for Studio Concerts:** Showcase the progress and talent of your students in studio concerts. Viva la Vida will captivate the audience and make for a memorable performance that highlights the development of your students' musical abilities.5. **Ideal for Music Festivals:** Compete and stand out at music festivals with this arrangement that's both accessible and engaging. Judges and audiences will be impressed by the enthusiasm and skill of your ensemble.6. **Great Concert Finisher or Encore:** Viva la Vida is a showstopper, making it a fantastic choice to close your concert on a high note or to bring the audience to their feet for an encore performance.7. **Instantly Downloadable:** The digital format ensures instant access to the sheet music, enabling students to start practicing right away. No need to wait for shipping or worry about missing deadlines.Enrich your cello ensemble repertoire and foster a love for music with our Viva la Vida arrangement. Tailored for students, it provides an enjoyable and rewarding experience while developing their musical abilities. Whether you're preparing for a studio concert, a music festival, or simply enjoying music as a group, this arrangement will bring your ensemble to new heights and leave your audience with a lasting impression. Order today and embark on a harmonious journey filled with enthusiasm and musical growth.

Female choir (SSSSAAAA) - advanced - Digital Download SKU: S9.Q47350 (Not Only Poetry). Composed by Peteris Vasks. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 8 minutes. Schott Music - Digital #Q47350. Published by Schott Music - Digital (S9.Q47350). Latvian.Pēteris Vasks composed this cycle for women's choir on poems by his Latvian compatriot Vitauts Ļūdēns. The lyrics are taken from the poetry collections Blizzard in the Rye of 1971 and The Birch Bark Plaits from 1973. In atmospherically dense nature images seemingly contradictory feelings are expressed, which are reflected in the varied forms of choral singing - from chorale-like sections on aleatorische techniques to whispered sound effects.

Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.591138 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6284953. Published by David McKeown (A0.591138). The Candy Cakewalk is a fun and original duet written by David McKeown for one Flute and one Clarinet. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Full Orchestra - Level 4 - Digital Download SKU: A0.1144973 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Arthur C. Maurer. Disco,Film/TV,Pop,Rock. Score and parts. 28 pages. Arthur Cristovão Maurer #745289. Published by Arthur Cristovão Maurer (A0.1144973). A sua Orquestra está com falta de músicas Pop? Você sente saudades da grande década de 1980 e precisa de uma música que represente a era Disco? Está aí o Don't Stop believing, do Journey. Esta arranjo conta com 27 instrumentos, que são: Piccolo, Flauta Transversal, 2 Clarinetes em Bb, 2 Saxofones Alto, 2 Saxofones Tenor, Saxofone Barítono, Trompa em F, 3 Trompetes em Bb, Corneta em Bb, 2 Trombones em C, Tuba em C, Xilofone, Bateria, Caixa Clara, Pratos, Piano, Guitarra Elétrica, Baixo elétrico, Percussão Auxiliar (Cowbell e Tambourine) e Sino de mão. Por que não pensa em ter este grande e magnífico arranjo?

Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.591152 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6284991. Published by David McKeown (A0.591152). The Candy Cakewalk is a fun and original duet written by David McKeown for one Soprano and one Alto Saxophone. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

String Orchestra - Level 3 - Digital Download SKU: A0.1491758 By Keith Terrett. By Roy Williamson. Arranged by Keith Terrett. Classical,Contemporary,Contest,Festival,Instructional,Multicultural,World. 10 pages. Keith Terrett #1068437. Published by Keith Terrett (A0.1491758). As of February 2024, the Scottish Government have not yet formally adopted an official national anthem of Scotland, despite having the legal competence in order to do so. ] During a meeting of the Enterprise and Culture Committee on 9 May 2006 in the Scottish Parliament, MSP Michael Matheson raised the question about the status of Scotland's national anthem, citing during the recent Commonwealth Games in Melbourne, there was some debate about a Scottish national anthem, largely because a number of songs were being used as our national anthem. However, in recent discussions on the matter, no consensus was reached, other than on the point that we should have a national anthem. At that time, there was suggestions that the incumbent First Minister of Scotland Jack McConnell had claimed that a debate on an official national anthem for Scotland should take place to address the issue.MSP Murdo Fraser expressed concerns over the three most popular candidates for an official national anthem of Scotland – Flower of Scotland, Scotland the Brave and Highland Cathedral. In his speech to the committee, he claimed Flower of Scotland is inappropriate because some of the sentiments that are expressed in it are jingoistic and anti-English; Scotland the Brave is inappropriate because, although it is a good tune, it does not have words that match the upbeat nature of the music; and Highland Cathedral is a good tune, but it has no words at all.

Cello,Piano - Level 2 - Digital Download SKU: A0.1434238 Composed by Johann Sebastian Bach. Arranged by Aaron Sinnett. Baroque,Chamber,Classical,Religious. Score and part. 9 pages. Aaron Sinnett #1013961. Published by Aaron Sinnett (A0.1434238). Arioso is a movement from J.S. Bach Cantata No. 156 Ich Steh mit einem Fuß im Grabe. Originally, Bach composed it in F major with the oboe being the solo instrument, accompanied by strings. In the early 20th century, it was arranged for cello and piano in G major. This is a beautiful arrangement but is much too difficult for many students who desire to play great music earlier in their journey of cello learning. There is a distinct lack of great music specifically arranged for cello students who are just getting their bearings in the lower positions (up to fourth). After playing this Arioso in C major, transposing directly from the printed G major cello arrangement, I made the decision right then and there to make my own arrangement for this wonderfully sublime piece of music. Transposing it down to C major takes away all the higher positions and reduces the number of accidentals that need to be attended to, thus giving the student a slight advantage in reading the music and eventually performing it, at a higher level of competence.  I have opted, in this version, to leave in all of the ornamentation and intricate rhythms found in the orignal.  This version has already been tested out on several of my own students who found it compelling and exciting to be able to participate in music making of the great music composed by the master of all Western Tonal music, Johann Sebestian Bach. 

Instrumental Duet Alto Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.591139 Composed by David McKeown. Easter,Folk,Jazz,Traditional. Score and parts. 4 pages. David McKeown #6284957. Published by David McKeown (A0.591139). The Candy Cakewalk is a fun and original duet written by David McKeown for one Flute and one Alto Flute. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.591143 Composed by David McKeown. Easter,Folk,Jazz,Ragtime,Traditional. Score and parts. 4 pages. David McKeown #6284965. Published by David McKeown (A0.591143). The Candy Cakewalk is a fun and original duet written by David McKeown for one Flute and one Viola. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Instrumental Duet Bass Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.591130 Composed by David McKeown. Easter,Folk,Jazz,Traditional. Score and parts. 4 pages. David McKeown #6284933. Published by David McKeown (A0.591130). The Candy Cakewalk is a fun and original duet written by David McKeown for one Clarinet and one Bass Clarinet. The Candy Cakewalk is one in a series of ten Easter-themed duets each written in a different American dance style. The Cakewalk was popular in the early twentieth century but its origins go back to slave plantations in the nineteenth century where dancers would often compete for a prize of cake. The music was a marriage of European March and African-American syncopation and was a forerunner of Ragtime. The Candy Cakewalk is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo, some syncopated rhythms and accidentals. The playing-time is around one and a half minutes, but can be lengthened by adding repeats at the performer’s discretion. The Candy Cakewalk is a perfect upbeat addition to any performance program, formal or informal. Click on the link above to hear a full YouTube performance played on the clarinet version of this duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Level 1 - Interactive Download SKU: A0.1422402 By Fletcher. By Cari Fletcher, German, Gregory Hein, Jordan Houston, Jordan Johnson, Michael Pollack, Oliver Peterhof, and Stefan Johnson. Arranged by TheBiPianist. This edition: Interactive Download. Pop. Lead Sheet / Fake Book. 3 pages. Duration 158. TheBiPianist #1JNnsu3JTgXz6xRlZdWyy2. Published by TheBiPianist (A0.1422402). Key: Eb major.Melody and chords for Fletcher's Maybe I Am, from the album In Search of the Antidote, for C instruments.

Concert Band - Level 2 - Digital Download SKU: A0.1047221 Composed by Dan Mcgrath and Josh Phillips. Arranged by James Symington. Contemporary,Film/TV,Holiday,Latin. Score and parts. 61 pages. James Edward Ernest Symington #651765. Published by James Edward Ernest Symington (A0.1047221). Strictly Come Dancing (informally known as Strictly) is a British television dance contest in which celebrities partner with professional dancers to compete in mainly ballroom and Latin dance. Each couple is scored by a panel of judges. The title of the show is a continuation of the long-running series Come Dancing, with an allusion to the film Strictly Ballroom. The format has been exported to 60 other countries—under the title Dancing with the Stars—licensed by BBC Worldwide, and led to a modern dance-themed spin-off Strictly Dance Fever. The Guinness World Records has named Strictly to be the world's most successful reality television format. The series is currently presented by Tess Daly and Claudia Winkleman. This arrangement for Symphonic Wind Band lengthens the original theme tune into a feature length piece of music fit for any concert programme. Optional contemporary instruments such as piano, bass guitar and electric guitar are included.

Piano,Violin - Level 4 - Digital Download SKU: A0.914159 Composed by Tom Swafford. 20th Century. 17 pages. Tom Swafford #4354019. Published by Tom Swafford (A0.914159). Passacaglia, despite it's title, is actually a set of variations on two contrasting themes- one folk-like and one neo-Baroque. The two styles compete and finally reached a compromise at the end with the pentatonic folk theme altered to become more diatonic and thus more classical sounding. There are plenty of opportunities for showing off for both the violin and the piano and a wide variety of stylistic references. .