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Piano Solo - Level 4 - Digital Download SKU: A0.1456161 Composed by Abe Holzmann. Arranged by Keith Terrett. 20th Century,Contest,Festival,Historic,Instructional,Multicultural,World. Score. 9 pages. Keith Terrett #1035313. Published by Keith Terrett (A0.1456161). Abe Holzmann wrote some very fine marches, but here's one inspired by a book. Herbert Kaufman's 1910 book The Winning Fight inspired this winning march (it's a book about self-mastery and fostering a can-do attitude). Tiis march was published by Leo Feist in New York City in 1911.Arrangement of a March by Abe Holzmann (1874-1939),  writthn in 1911. He also wrote what is probably his best known march Blaze Away''.Blaze Away! is a 1901 march by the German-American composer Abe Holzmann. It was his greatest success.Holzmann was inspired by the Battle of Manila Bay during the Spanish–American War, when a command to American sailors to open fire on the Spanish fleet was reputedly met with the response Well boys, let's blaze away by the gunners. Building on the war fever in the United States, the cover of the sheet music featured an image resembling Theodore Roosevelt charging at San Juan Hill. Very popular as a two-step, its success outlasted the war and it became a repertoire piece amongst military bands around the world.Abraham Holzmann (19 August 1874 – 16 January 1939) was an American composer, famous for his march Blaze-Away! Abraham Holzmann was born in New York City. His parents were Jacob Holzmann, a Hungarian-Jewish immigrant and Isabella Holzmann, a native of Louisiana. The young Holzmann learned music in Germany. A review originally published by the New York Herald on Sunday, 13 January 1901, entitled German Composer who Writes American Cakewalk Music describes [h]is knowledge of bass and counterpoint is thorough, and his standard compositions bear the stamp of harmonic lore, which makes his proclivity for the writing of the popular style of music the more remarkable. Abe married Isabelle Fishblatt around 1908, and he became the manager of the Orchestra Department at Jerome Remick & Company, music publisher in New York. He was an early member (1923) of the American Society of Composers, Authors and Publishers (ASCAP). He earned his livelihood as composer/arranger for Tin Pan Alley publishers, including Leo Feist. He later was advertising manager for the American Federation of Musicians publication, International Musician. He was a member of Freemasonry, the Elks, and Knights of Pythias, all in New York City. Holzmann died in East Orange, New Jersey at age 64. He was survived by his widow, a daughter Natalie Holzmann, three half-brothers, and four sisters. His music was especially revered by ragtime enthusiasts, although he composed marches, waltzes, and other light music. His 1899 composition Smokey Mokes was briefly featured in the 1936 movie San Francisco.
Winning Fight March for Pianoforte
Piano seul

$4.99 4.35 € Piano seul PDF SheetMusicPlus

Digital Download SKU: HX.455660 Classical,Folk,Sacred. E-Z Play Today. 2 pages. Published by Hal Leonard - Digital (HX.455660). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
We Are Climbing Jacob's Ladder
Piano grosses notes

$2.99 2.6 € Piano grosses notes PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.2864 Arranged by A.U. Hayter. Dialects, Musicians. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2864). The Piper O'Dundee. A Jacobite Relic. Arranged for the Piano Forte by A.U. Hayter. Published 1838 by Parker & Ditson, 135 Washington St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Dialects, Musicians. First line reads The piper came to our town to our town to our town.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
The Piper O'Dundee. A Jacobite Relic
Piano, Voix

$5.99 5.22 € Piano, Voix PDF SheetMusicPlus

Easy Piano - Level 2 - Digital Download SKU: A0.596592 Composed by Juan María Solare. 20th Century,Contemporary,Sacred,Standards. Score. 8 pages. Juan Maria Solare #5799759. Published by Juan Maria Solare (A0.596592). About the music Both pieces of this diptych are miniatures with a structure quite similar to each of the pieces of the Album für die Jugend Opus 68 by Robert Schumann. The melodies are strongly rooted in Japanese music (particularly obvious in the second piece). Aesthetically, this is neoclassical music (a quite broad concept nowadays). Fans of Erik Satie, Ludovico Einaudi or Joep Beving will possibly feel at home. Both pieces were composed on 6 June 2020 (the first one with my daughter Laura sleeping on my breast). Find this music soon on Spotify, Apple Music, YouTube or any other streaming platform (either under my name or performed by other pianists, possibly Iannis Eralos). Total duration: ca. 5:15.https://open.spotify.com/album/27MbJnfPjcolbQZAmNs8tKWeep Because Its Over: https://www.youtube.com/watch?v=SWflYuEoLy8Smile Because It Happened: https://www.youtube.com/watch?v=7SQFUlb7lFgAbout the titlesIn a poem by the German Romantic poet Ludwig Jacobowski titled Leuchtende Tage (Radiant Days) and published in August 1899, he writes:Nicht weinen, weil sie vorüber!Lächeln, weil sie gewesen!Literally:Don't cry because they are over (they: the radiant days)Smile because they happened.Usually it is quoted this way:Don't cry because it’s overSmile because it happened. For my piece, I adapted this idea und -not quite humbly- think that is better now: Do weep because it’s overBut also smile because it happened Why is it better now? Because… where is the issue with weeping? The first step is to accept that pain exists. Nobody has the moral authority to deny you the possibility of crying. Weeping is not a shame or a disgrace. Besides, only he who weeps is credible when he laughs.  By the way, these words are sometimes attributed to Confucius. I leave to you the task of determining whether Jacobowski borrowed this thought from him.
Weep And Smile [piano solo]
Piano seul
the way, these words are sometimes attributed to Confucius I leave to you the task of determining whether Jacobowski borrowed this thought from him
$3.33 2.9 € Piano seul PDF SheetMusicPlus


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