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Saxophone Quartet,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1182687 Composed by Antonio Vivaldi. Arranged by Langanho. Baroque,Christmas,Classical,Wedding. 6 pages. Avery Lynn Jordan #782433. Published by Avery Lynn Jordan (A0.1182687). This arrangement made for saxophone AATB quartet and piano with chords, to better serve the public who wants to play at weddings, considering that the second movement of this song is very present in the marriage repertoire. It has been made easier to perform, but retaining all its essence in a reduced form. Le quattro stagioni, also known as The Four Seasons, are four concertos by the Italian composer Antonio Vivaldi, composed in 1723, where the movement used here was the Largo from L'inverno (Winter). The Four Seasons is the composer's best-known work, and is among the most popular pieces of Baroque music.
Largo from Winter by Vivaldi for Sax AATB Quartet and Piano with Chords
Quatuor de Saxophones: 4 saxophones

$12.99 12.41 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1182655 Composed by Antonio Vivaldi. Arranged by Langanho. Baroque,Christmas,Classical,Wedding. 5 pages. Avery Lynn Jordan #782401. Published by Avery Lynn Jordan (A0.1182655). This arrangement made for saxophone quartet, to better serve the public who wants to play at weddings, considering that the second movement of this song is very present in the marriage repertoire. It has been made easier to perform, but retaining all its essence in a reduced form. Le quattro stagioni, also known as The Four Seasons, are four concertos by the Italian composer Antonio Vivaldi, composed in 1723, where the movement used here was the Largo from L'inverno (Winter). The Four Seasons is the composer's best-known work, and is among the most popular pieces of Baroque music.
Largo from Winter by Vivaldi for Sax Quartet
Quatuor de Saxophones: 4 saxophones

$9.99 9.55 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1182681 Composed by Antonio Vivaldi. Arranged by Langanho. Baroque,Christmas,Classical,Wedding. 6 pages. Avery Lynn Jordan #782427. Published by Avery Lynn Jordan (A0.1182681). This arrangement made for saxophone quartet and piano with chords, to better serve the public who wants to play at weddings, considering that the second movement of this song is very present in the marriage repertoire. It has been made easier to perform, but retaining all its essence in a reduced form. Le quattro stagioni, also known as The Four Seasons, are four concertos by the Italian composer Antonio Vivaldi, composed in 1723, where the movement used here was the Largo from L'inverno (Winter). The Four Seasons is the composer's best-known work, and is among the most popular pieces of Baroque music.
Largo from Winter by Vivaldi for Sax Quartet and Piano with Chords
Quatuor de Saxophones: 4 saxophones

$12.99 12.41 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1182660 Composed by Antonio Vivaldi. Arranged by Langanho. Baroque,Christmas,Classical,Wedding. 5 pages. Avery Lynn Jordan #782406. Published by Avery Lynn Jordan (A0.1182660). This arrangement made for saxophone quartet with chords, to better serve the public who wants to play at weddings, considering that the second movement of this song is very present in the marriage repertoire. It has been made easier to perform, but retaining all its essence in a reduced form. Le quattro stagioni, also known as The Four Seasons, are four concertos by the Italian composer Antonio Vivaldi, composed in 1723, where the movement used here was the Largo from L'inverno (Winter). The Four Seasons is the composer's best-known work, and is among the most popular pieces of Baroque music.
Largo from Winter by Vivaldi for Sax Quartet with Chords
Quatuor de Saxophones: 4 saxophones

$9.99 9.55 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1182678 Composed by Antonio Vivaldi. Arranged by Langanho. Baroque,Christmas,Classical,Wedding. 6 pages. Avery Lynn Jordan #782423. Published by Avery Lynn Jordan (A0.1182678). This arrangement made for saxophone quartet and piano, to better serve the public who wants to play at weddings, considering that the second movement of this song is very present in the marriage repertoire. It has been made easier to perform, but retaining all its essence in a reduced form. Le quattro stagioni, also known as The Four Seasons, are four concertos by the Italian composer Antonio Vivaldi, composed in 1723, where the movement used here was the Largo from L'inverno (Winter). The Four Seasons is the composer's best-known work, and is among the most popular pieces of Baroque music.
Largo from Winter by Vivaldi for Sax Quartet and Piano
Quatuor de Saxophones: 4 saxophones

$12.99 12.41 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble - Level 1 - Digital Download SKU: A0.1182685 Composed by Antonio Vivaldi. Arranged by Langanho. Baroque,Christmas,Classical,Wedding. 6 pages. Avery Lynn Jordan #782431. Published by Avery Lynn Jordan (A0.1182685). This arrangement made for saxophone AATB quartet and piano, to better serve the public who wants to play at weddings, considering that the second movement of this song is very present in the marriage repertoire. It has been made easier to perform, but retaining all its essence in a reduced form. Le quattro stagioni, also known as The Four Seasons, are four concertos by the Italian composer Antonio Vivaldi, composed in 1723, where the movement used here was the Largo from L'inverno (Winter). The Four Seasons is the composer's best-known work, and is among the most popular pieces of Baroque music.
Largo from Winter by Vivaldi for Sax AATB Quartet and Piano
Quatuor de Saxophones: 4 saxophones

$12.99 12.41 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Tenor Saxophone - Level 1 - Digital Download SKU: A0.1036182 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred. 5 pages. Woods Only, Arrangements #641286. Published by Woods Only, Arrangements (A0.1036182). This easy arrangement for tenor sax trio has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. Recommended for performance in reverently Christian and liturgical ceremonies such as Good Friday and Christmas time. It also serves as a study for Baroque sacred song. The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering.
O Jesulein süss by Bach for Tenor Sax Trio
3 Saxophones (trio)

$5.99 5.72 € 3 Saxophones (trio) PDF SheetMusicPlus

Soprano Saxophone Solo - Level 5 - Digital Download SKU: A0.533596 Composed by Carson Cooman. Concert,Contemporary,Folk,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3030251. Published by Musik Fabrik Music Publishing (A0.533596). Ancient Airs (2004) for solo soprano saxophone was written for and is dedicated tosaxophonist Paul Wehage. It is in two movements, each with a spirit of ancient airsre-imagined in a modern context. The ancestry of most woodwind instruments as folkinstruments is the inspiration for the work's concept. The piece should always beplayed with a lyrical, singing approach.Beyond the Mountain uses as its basic musical material a simple transformation of amodal melody in D minor. Gradually tones are added borrowed from othermodalities. The opening section is slow and lyrical. The middle section is moreactive -- contrasting the D minor chord tones with the added diminished tones of thefirst section. The final section recalls the material of the opening with a widertransformation.Forgotten Incantation uses a wider modal language than the first movement.Although still generally slow and song-like, it is more energetic. Energetic gesturesinterrupt and drive the song narrative forwards.
Carson Cooman: Ancient Airs (2004) for solo soprano saxophone
Saxophone (partie séparée)

$11.95 11.42 € Saxophone (partie séparée) PDF SheetMusicPlus

Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533350 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 39 pages. Musik Fabrik Music Publishing #2348229. Published by Musik Fabrik Music Publishing (A0.533350). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Souvenirs de l'Inde (Souvenirs of India) starts with an expressive andante. A folksong from the region of Malabar is presented in an evocation of drums, bells and pipes and is then varied. The final polonaise is in rondo form and ends with a brilliant coda.
Ali Ben Sou Alle :Souvenirs de l'Inde Andante, Air Malabar varié et Polonnaise for soprano saxophone
Saxophone Soprano et Piano

$16.95 16.2 € Saxophone Soprano et Piano PDF SheetMusicPlus

Baritone Saxophone Duet Baritone Saxophone - Level 3 - Digital Download SKU: A0.1403537 By F.Chopin . By F.Chopin . Arranged by pfkaori. Classical. 2 scores. 11 pages. Pfkaorimusic #986715. Published by pfkaorimusic (A0.1403537). Composer: Chopin Song:Valse op.64-1 Key: Gdur (Saxophone in E♭) Orchestration: Piano trio/baritone saxophone duo Level: Intermediate (There are individual differences in level) *Part score included *This is an arrangement of the 1st edition.This first version is an arrangement in which the saxophone plays the melody. The end is not the end of the 24 tuplet, but the end that appears first (not a tuplet).In the second version, the melody is passed from the saxophone to the piano in the middle. In the final 24-tuplet, the piano becomes the main melody, and there is a part where the saxophone harmonizes. Only the last six notes of the 24th note are played by three instruments, each eighth note.Please choose according to your preference.I arranged Chopin's famous piece into a piano trio. Please take this opportunity to try it.
"Valse op.64-1" (Gdur) piano trio / Baritone Sax duet (1st edition)
2 Saxophones (duo)
F Chopin 
$8.00 7.64 € 2 Saxophones (duo) PDF SheetMusicPlus

Baritone Saxophone Duet Baritone Saxophone - Level 3 - Digital Download SKU: A0.1403568 By F.Chopin . By F.Chopin . Arranged by pfkaori. Classical. 2 scores. 11 pages. Pfkaorimusic #986747. Published by pfkaorimusic (A0.1403568). Composer: Chopin Song:Valse op.64-1 Key: Gdur (Saxophone in E♭) Orchestration: Piano trio/baritone saxophone duo Level: Intermediate (There are individual differences in level) *Part score included *This is an arrangement of the 2nd edition.In this second version, the melody is passed from the saxophone to the piano in the middle. In the final 24-tuplet, the piano becomes the main melody, and there is a part where the saxophone harmonizes. Only the last six notes of the 24th note are played by three instruments, each eighth note.The first version is an arrangement in which the saxophone plays the melody. The end is not the end of the 24 tuplet, but the end that appears first (not a tuplet).Please choose according to your preference.I arranged Chopin's famous piece into a piano trio. Please take this opportunity to try it.
"Valse op.64-1" (Gdur) piano trio / Baritone Sax duet (2nd edition)
2 Saxophones (duo)
F Chopin 
$8.00 7.64 € 2 Saxophones (duo) PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  
Sullivan: The Lost Chord for Baritone Sax & Piano
Saxophone Baryton, Piano

$26.95 25.75 € Saxophone Baryton, Piano PDF SheetMusicPlus

Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497143. Published by jmsgu3 (A0.549447). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  
Sullivan: The Lost Chord for Tenor Sax & Piano
Saxophone Tenor et Piano

$26.95 25.75 € Saxophone Tenor et Piano PDF SheetMusicPlus

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.528427 Composed by Johannes Brahms. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 9 pages. Diego Marani #6013083. Published by Diego Marani (A0.528427). The Hungarian Dances (German: Ungarische Tänze) by Johannes Brahms (WoO 1), are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1879. They are among Brahms's most popular works and were the most profitable for him. The better-known Hungarian Dances include Nos. 1 and 5, the latter of which was based on the csárdás Bártfai emlék (Memories of Bártfa) by Hungarian composer Béla Kéler, which Brahms mistakenly thought was a traditional folksong.This arrangement for soprano sax with piano accompaniment reflects faithfully the original.
Hungarian Dance No. 5 for Soprano Saxophone and Piano
Saxophone Soprano et Piano

$8.90 8.5 € Saxophone Soprano et Piano PDF SheetMusicPlus

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.528453 Composed by Johannes Brahms. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 20 pages. Diego Marani #6017077. Published by Diego Marani (A0.528453). The Hungarian Dances (German: Ungarische Tänze) by Johannes Brahms (WoO 1), are a set of 21 lively dance tunes based mostly on Hungarian themes, completed in 1879. They are among Brahms's most popular works and were the most profitable for him. The better-known Hungarian Dances include Nos. 1 and 5, the latter of which was based on the csárdás Bártfai emlék (Memories of Bártfa) by Hungarian composer Béla Kéler, which Brahms mistakenly thought was a traditional folksong.This arrangement for Bb Soprano Sax with piano accompaniment reflects faithfully the originals.
Hungarian Dances Nos. 1-5 for Soprano Saxophone and Piano
Saxophone Soprano et Piano

$14.99 14.32 € Saxophone Soprano et Piano PDF SheetMusicPlus






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