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Piano Solo - Level 3 - Digital Download SKU: A0.565715 By Sharon Wilson. By George Frideric Handel. Arranged by Sharon Wilson. Baroque,Classical,Instructional,Wedding. Score. 2 pages. Sharon Wilson #5795967. Published by Sharon Wilson (A0.565715). Bold and bright throughout, this fast-paced selection from George Frideric Handel's famous Water Music has been arranged as an intermediate piano solo. Upbeat and festive, this stately song is a favorite selection for weddings. While maintaining characteristics of the original work, subtle variations add a contemporary interpretation making it the perfect addition to the classical repertoire for the intermediate pianist.  This song is one of the 20 piano solo arrangements in the collection Wedding Classics Refreshed, Book 2: Processionals and Recessionals.Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
Hornpipe with Bourrée from "The Water Music"
Piano seul
Sharon Wilson
$3.99 3.4 € Piano seul PDF SheetMusicPlus

Large Ensemble,Mixed Percussion,Strings Bass Drum,Bass Voice,Choir,Clarinet,Cymbals,Digital Keyboard,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,Horn,Medium-High Voice,Oboe,Percussion,Piano and Keyboard,Suspended Cymbal,Synthesizer,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1150604 By Miley Cyrus. By Claude Kelly, Jessica Cornish, and Lukasz Gottwald. Arranged by Victor Lopez. Broadway,Contest,Disco,Festival,Musical/Show,New Age,Pop. Score and parts. 12 pages. Amphibia Cultural Legacy #750782. Published by Amphibia Cultural Legacy (A0.1150604). Amphibia Cultural Legacy's best favorite, Party in the USA, originally written by Miley Cyrus, has been given a fresh remix with additional instruments. The iconic song that defined the summer of 2009 is now back and better than ever. Amphibia Cultural Legacy has put its unique spin on the track, adding an extra layer of energy to an already upbeat classic.The new version of Party in the USA features a variety of additional instruments such as horns, strings, and percussion, giving it a more dynamic sound. The remix retains its original catchiness but now feels even more vibrant and energetic. Amphibia Cultural Legacy has outdone itself with this remix, creating a fresh take on an old hit that will have listeners dancing along in no time.
Party In The U.s.a.
Miley Cyrus
$40.00 34.12 € PDF SheetMusicPlus

Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497277. Published by jmsgu3 (A0.552854). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.    
Sullivan: The Lost Chord for Baritone Horn & Piano

$26.95 22.99 € PDF SheetMusicPlus

Jazz Combo - Level 3 - Digital Download SKU: A0.934808 By The Ting Tings. By Jules De Martino and Katie White. Arranged by Thomas Ruggieri. Contemporary. Score and parts. 42 pages. Thomas Ruggieri #6718981. Published by Thomas Ruggieri (A0.934808). This one is HOT on the internet! It can be used with or without horns or synth. I mean, The Ting Tings are just two people so there really isn't much to the song. I call it intermediate in difficulty only because horn players are in difficult keys. I disagree with the lyrics listed on the internet in some spots. Because they're hard to hear in the original, mine are every bit as valid as the lyrics sites.Contact me if you have questions: tomruggieri7@gmail.com.
That's Not My Name
Jazz combo
The Ting Tings
$20.00 17.06 € Jazz combo PDF SheetMusicPlus

Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552826 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408519. Published by jmsgu3 (A0.552826). Jingle Bells arranged for baritone horn (treble clef) and piano. Easy! Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus.  Register for free lifetime updates and revisions at www.jamesguthrie.com
Jingle Bells for Baritone Horn & Piano

$24.95 21.28 € PDF SheetMusicPlus

Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 5 - Digital Download SKU: A0.1101414 Composed by Brett L. Wery. Chamber,Classical,Contemporary,Multicultural,World. 52 pages. Sonata Grendel Publishing #704802. Published by Sonata Grendel Publishing (A0.1101414). I. Hammering on Rocks text by Joseph Ross II. Normal text by Reginald Harris III. My Body Holds Stones text by Laura Tohe IV. The Museum of Stones text by Carolyn Forché. Quarry Songs were written as a project initiated by my long-time friend and colleague, Mark Evans. Mark and I have spent hundreds of hours rehearsing and performing together so when he asked me to participate in a project to create a song cycle as part of a residency at the Avaloch Farm Music Institute in New Hampshire, I said yes immediately. Joining us were former students, now colleagues, Areli Mendoza-Pannone (soprano) and Robert Frazier (baritone). During our residency at Avaloch, the trio and I organized Zoom meetings with the poets and work-shopped many sections of the songs. I am immensely grateful for the contributions Mark, Areli, and Bobby made to this piece. I am especially indebted to the four amazing poets for their powerful, inspiring poems. These are works of courage, honesty, and craftsmanship and I’m humbled by the writer’s trust and generosity as I attempt to add a dimension to their work that is worthy of the source. The poems represent varied American perspectives of the artifacts of human existence and the trajectory of our culture(s), the human capacity to grow numb to suffering, the weight and cost of identity—self imposed and projected—on ourselves, our nation, and our children. Most importantly the poems witness our power to change the world through art. These poems recall the courage of Nelson Mandela, the paralysis that comes with the twenty year old war in Afghanistan, the lasting wounds of inflicted upon children in boarding schools designed to eradicate native cultures, and the markers of war and suffering that call as much for hope as for remorse. I chose poets whose voices represent not only suppressed perspectives but also the voices of Americans born of privilege, willing to use the power of art to focus the readers’ minds on the rough truths of our shared history as Americans.
Quarry Songs
Voix duo, Piano

$51.06 43.55 € Voix duo, Piano PDF SheetMusicPlus

Euphonium,Piano - Level 3 - Digital Download SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
Euphonium, Piano (duo)

$32.95 28.1 € Euphonium, Piano (duo) PDF SheetMusicPlus

Brass Ensemble Horn,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.760193 Composed by Eduardo Di Capua. Arranged by Raymond Fenech. Holiday,Instructional,Multicultural,Standards,Wedding,World. Score and parts. 9 pages. Raymond Fenech #3514503. Published by Raymond Fenech (A0.760193). ’O sole mio is a globally known Neapolitan song written in 1898. The music was composed by Eduardo di Capua.There are other versions of ’O sole mio but it is usually sung in the original Neapolitan language. ’O sole mio is the Neapolitan equivalent of standard Italian Il mio sole and translates literally as my sunshine. It's Now or Never is a ballad recorded by Elvis Presley in 1960. It is one of two popular songs based on the Italian song, the other being There's No Tomorrow The Level is Early Intermediate and the duration is approximately 2.49 minutes. It could be played in any type of recital/concert.
O Sole Mio - Brass Quartet (2 B Flat Trumpets, Horn in F and Tuba)

$6.00 5.12 € PDF SheetMusicPlus






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