Piano and voice - Digital Download SKU: LV.14509 Composed by Edmund Clark. Poor persons, City & town life, Cityscapes, Snow, Light fixtures, Churches, Fear. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14509). The Orphan Emigrant. Song and Chorus. Words by Philip Stoner. Music by Edmund Clark. Published 1871 by Lyon & Healy in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Poor persons, City & town life, Cityscapes, Snow, Light fixtures, Churches, Fear. First line reads I am a lonely stranger, I dont know where to go.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893858 Composed by David Kai. Christian,Gospel,Pop. Score. 4 pages. David Kai #5986435. Published by David Kai (A0.893858). This song was written when heart transplants were fairly new and still in the news. The song depicts the healing ministry of Jesus brought into modern times. Since people like to put music into categories, the style could be roughly described as being country/bluegrass/synth-driven/gospel pop, which might make it pretty unique! The song was first recorded by the Christian rock group, Whitestone and later by the Sellwoods gospel group. Both versions can be found on Youtube.The Great Healer words and music by David Kai ©1980 I’ve had a heart transplant with a bit of a difference, it may seem rather odd No scalpel, no surgeon, no anesthetic, just between me and God And now a new life beats inside of me, it’s more than mere words can describe My heart keeps time to the rhythm of the Spirit inside Well I went fishing for the truth to life, but I opened up a can of worms False religions and philosophies, misleading me at every turn Well I soon realized that knowledge is fine, but it’s really just a place to start ‘Cause you can change your mind but it’s God that has to change your heart Chorus: Yes, he’s the great healer, in a world of pain and strife, he’s the great healer, and he can mend a broken life  And though your hurts be too much to bear, he can heal your wounds with loving care  And give you a new life that will never die  So if you feel that you’ve lost all your reason to live, good and bad look the same And you’re walking around more dead than alive, life clotting up in your veins Just end your confusion, accept a transfusion of love from the heavenly Lord And to your surprise you’ll find that you have been restored  Chorus: I’ve had a heart transplant with a bit of a difference...

Concert Band - Level 3 - Digital Download SKU: A0.1389836 By Dusty Springfield. By John Hurley and Ronnie Wilkins. Arranged by Odd Helge Hveding. Pop,Rock,Soul. 71 pages. Oh2Musikk #973435. Published by oh2Musikk (A0.1389836). The arrangement is in F-majorThere is also a version in Bb-majorThe Timeless Tale of Son of a Preacher Man: A Musical JourneySon of a Preacher Man is a soulful anthem that transcends generations, written by John Hurley and Ronnie Wilkins. Released in 1968, the song quickly rose to fame, captivating audiences with its infectious rhythm and heartfelt lyrics. One of the song's most captivating elements is its irresistible groove, characterized by a catchy guitar riff and dynamic brass arrangements. The soulful vocals, delivered with passion and conviction, further elevate the song's emotional impact, drawing listeners into the protagonist's world. The combination of infectious melodies and poignant storytelling struck a chord with audiences, propelling Son of a Preacher Man to the top of the charts and solidifying its status as a timeless classic.Beyond its musical brilliance, the song's popularity can also be attributed to its universal themes and relatable lyrics. At its core, Son of a Preacher Man explores the timeless theme of forbidden love, a topic that resonates with listeners across cultures and generations. The struggles faced by the protagonist mirror those experienced by many individuals navigating the complexities of romance and societal expectations.Moreover, the song's enduring appeal can be attributed to its versatility and widespread cultural impact. Over the years, Son of a Preacher Man has been covered by numerous artists from various genres, ranging from pop and rock to jazz and blues. Each interpretation brings a unique perspective to the song, showcasing its adaptability and staying power.Furthermore, Son of a Preacher Man has left an indelible mark on popular culture, having been featured in numerous films, television shows, and commercials. Its inclusion in iconic films such as Pulp Fiction has introduced the song to new generations of listeners, ensuring its continued relevance in the modern musical landscape.In conclusion, Son of a Preacher Man stands as a testament to the enduring power of music to captivate, inspire, and move audiences. Through its timeless melody and poignant lyrics, the song continues to resonate with listeners, transcending barriers of time and space. As we continue to cherish and celebrate this musical masterpiece, its legacy as a cultural touchstone is destined to endure for generations to come.

Acoustic Guitar,Electric Bass Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1422145 By The Candlelight Guitarist feat. Frank Sanchez. By Bradley Powell. Arranged by Brad Powell. Classical,Country,Folk,Latin. 5 pages. Geofonica Artistworks #1003478. Published by Geofonica Artistworks (A0.1422145). This is the GUITAR PART (in standard notation) of the GUITAR and BASS DUET recording of Cool Cowboy Glen (tribute to Glen Campbell).  This guitar and bass duet features advanced-intermediate fingerstyle guitar playing, combining country, folk, popular, classical and Spanish styles. The guitar plays most of the melody in the first half, with the Bass playing fills, then bass takes over playing the melody in the second half and the guitar accompanies. Then guitar and bass trade off melody, before returning to guitar melody for the final section. It's got lively parts (like a hoedown), and smooth and beautiful parts.The BASS PART is available separately. The GUITAR PART in TABS-plus-standard notation is also available separately.Glen Campbell (who inspired this piece) was played guitar on many popular hit songs as a member of The Wrecking Crew group of session musicians, incluing hits by The Beach Boys, The Monkees, Frank Sinatra, and many others. He became as singing star with several hit songs, including Gentle On My Mind, By The Time I Get To Phoenix, Witchita Lineman, Galveston, Rhinestone Cowboy and Southern Nights. He co-starred with John Wayne inthe movie True Grit, also singing the hit title song.Brad Powell (The Candlelight Guitarist) and his bandmate friend Frank Sanchez (both 16 years old) were guests of Glen Campbell in a recording session at Capitol Records, in September 1971. This duet song and recording is their tribute to Glen Campbell.  Frank Sanchez was the original bass player for Weird Al Yankovic... Alfred called him Frank (from the bank) Sanchez.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).

Brass Quintet - Level 4 - Digital Download SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Https://gildedmusicpress.com/ #1066350. Published by https://gildedmusicpress.com/ (A0.1489487). One of my last assignments as an Air Force musician before being stationed in Japan was to perform music in support of the 50th commemoration of what has become known in America as “Vietnam Memorial Day.”  It is observed on March 29 every year, the date when the last U.S. troops withdrew from Vietnam in 1973.  After the memorable ceremony in 2023, I lingered to talk with those mature veterans and to hear some of their experiences.  It was a strange feeling when I told them that my first assignment at my new duty station in Japan would be a series of cultural exchange performances in Vietnam.  What a somber generational bridge.I was only in Japan for a matter of days, including some intense rehearsals, before Pacific Brass (the brass quintet from the U.S. Air Force Band of the Pacific) packed up and headed to Hanoi to start our brief musical outreach in three cities.  My reflections were sobering as I contrasted my military service in Vietnam with the veterans whom I had just honored three months prior.  During some off-duty time, all five of the Pacific Brass military musicians found our way to the well-known Hòa Ló Prison, infamously known as the “Hanoi Hilton.”  Indeed, how vastly different was my brief military service in Vietnam!To the Vietnamese people, the “American War,” as they call it, is ancient history.  They are extremely forward-thinking, putting those dark years far from them, looking to the bright future that is theirs.  What an educational bridge of paradigms.  Although it was important for us as U.S. Servicemembers to witness the Hòa Ló Prison firsthand, our lot was to experience the beautiful present-day Vietnam with its rich culture of food, street shops, temples, dance, music, and other wonders that awed us all—including gongs!Our trombone player purchased a gong in a shop that sold little else besides gongs of all sizes and pitches.  That struck me as quintessentially Vietnamese, and the sights and sounds of that modest shop lingered in my imagination.  As we absorbed the extraordinary majesty of the Temple of Literature in Hanoi, ideas for this musical composition started to formulate as a bridge connecting American musical culture with Vietnamese traditional gongs.  For practicality in both notation and live performance, I scored the consort of 18 glorious “gongs” in my head for orchestral tubular bells.  It is a passionate hope that someday in a video presentation, a masterful cultural bridge of the two diverse countries will be crafted.  Better yet, what an experience it would be to have a legitimate gong consort perform live with Pacific Brass!The year of our visit, as we were coached many times by the Embassy’s Attaché, was a milestone landmark between the two nations, worthy of praise and celebration: the ten-year anniversary of the U.S.-Vietnam Comprehensive Partnership, signed by Presidents Obama and Sang in July 2013.  This bilateral relationship has bridged both nations’ commitment to economic engagement, cultural exchange, tourism, education, and human rights.  This composition is in celebration of this Comprehensive Partnership and a gift to the wonderful people of Vietnam.  May this music contribute to a continuing growth of positive relations bridging the two nations.

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.829 Composed by Edwin Christie. One-room schools, Stone walls, Children & adults, Bouquets, Education, Nostalgia. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.829). The School-House in the Lane. Words by George Cooper. Music by Edwin Christie. Published 1871 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include One-room schools, Stone walls, Children & adults, Bouquets, Education, Nostalgia. First line reads Oh! childhood's days so sweet and fair, I dream of you today!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.809421 By Queen. By Freddie Mercury. Arranged by Academia Unimusica. Film/TV. Score. 5 pages. Unimusic Academy (Academia Unimusica) #6255605. Published by Unimusic Academy (Academia Unimusica) (A0.809421). Bohemian Rhapsody is a song by the British rock band Queen. It was written by Freddie Mercury for the band's 1975 album A Night at the Opera. The song is a six-minute suite,[1] notable for its lack of a refraining chorus and consisting of several sections: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda.[2] Bohemian Rhapsody is one of the few songs to emerge from the 1970s progressive rock movement to achieve widespread commercial success and appeal to a mainstream audience.[3] Bohemian Rhapsody topped the UK Singles Chart for nine weeks and had sold more than a million copies by the end of January 1976.[4] In 1991, after Mercury's death, it topped the charts for another five weeks,[5] eventually becoming the UK's third best-selling single of all time.[6] It is also the only song to reach the UK Christmas number one twice by the same artist.[7] It also topped the charts in countries including Canada, Australia, New Zealand, Ireland, and the Netherlands, becoming one of the best-selling singles of all time selling over six million copies worldwide. In the United States, the song peaked at number nine in 1976, but reached a new peak of number two on the Billboard Hot 100 after being used in the film Wayne's World (1992).[8] In 2018, the release of Queen biopic Bohemian Rhapsody brought the song renewed popularity and chart success worldwide. Although critical reaction was initially mixed, Bohemian Rhapsody has since become Queen's most popular song and is considered one of the greatest rock songs of all time. The single was accompanied by a groundbreaking promotional video.[9] Rolling Stone stated that its influence cannot be overstated, practically inventing the music video seven years before MTV went on the air.[10] The Guardian named its music video one of the 50 key events in rock music history, helping make videos a critical tool in music marketing.[11] In 2004, Bohemian Rhapsody was inducted into the Grammy Hall of Fame.[12] It has appeared in numerous polls of the greatest songs in popular music,[13] and Mercury's vocal performance was chosen as the greatest in rock history by readers of Rolling Stone.[14] In December 2018, it became the most streamed song from the 20th century,[15] and it has been downloaded or streamed over 1.6 billion times.[

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.828 Composed by Edwin Christie. One-room schools, Stone walls, Children & adults, Bouquets, Education, Nostalgia. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.828). The School-House in the Lane. Words by George Cooper. Music by Edwin Christie. Published 1871 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include One-room schools, Stone walls, Children & adults, Bouquets, Education, Nostalgia. First line reads Oh! childhood's days so sweet and fair, I dream of you today!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Viola Solo - Level 4 - Digital Download SKU: A0.486773 By Pink Floyd. By Roger Waters. Arranged by Martha Colby. Blues,Contemporary,Instructional,Pop,Rock. Individual part. 3 pages. Singing Bear Productions #104923. Published by Singing Bear Productions (A0.486773). Martha Colby's solo cello arrangement of Pink Floyd's Mother transcribed for viola, as performed on the CD Bear Jams and Cello Jams. This arrangement is a crowd favorite at Yellowstone National Park's Old Faithful Inn - even by those who don't realize it's a Pink Floyd tune!

Small Ensemble Guitar,High Voice - Level 4 - Digital Download SKU: A0.964299 Composed by Franz Schubert. Arranged by Evans, Jack. Romantic Period. Score and parts. 8 pages. Jack Stanley Evans #5899369. Published by Jack Stanley Evans (A0.964299). Erlafsee (Erlaf Lake)This song is an important milestone in Schubert’s career, because it was his first to be published. The text was written by poet, Johann Mayrohfer, Schubert’s fellow Austrian and close friend, and the lyrics describe the experience of sitting beside a lake at sunset. This guitar arrangement is written in E major in the interests of playability, but it can be performed in Schubert’s original key of F major by placing a capo on the first fret, or in the transposition for low voice by detuning the guitar a tone. Bars 4-11 should be played in a languid, lilting manner to represent the mind-set of the protagonist sitting beside the lake. This mood should be imbued with a hint of foreboding at bar 12, before returning to its former lilting tranquillity at bar 18. The opening phrase should combine these two moods, if possible. The vocal line is echoed in the guitar part in bars 19-24; these phrases should be performed with great delicacy so that they reflect the voice. The middle section, which begins at bar 29, should be played slightly faster than the previous sections, and with a brighter feel. The accompanist needs to set up the transition back to the original tempo in bar 77, after which, the same languid, lilting playing style as the first verse should be applied.This classic Schubert song has been arranged for voice and acoustic guitar in order to provide an alternative accompaniment option for singers who want to perform Schubert’s lieder with guitar instead of piano.

Small Ensemble - Digital Download SKU: A0.1006787 Composed by Jonathan Townes. Contemporary,Jazz. Score and parts. 100 pages. Giglaeoplexis Publishing (ASCAP) #2003057. Published by Giglaeoplexis Publishing (ASCAP) (A0.1006787). A collection of original compositions in lead sheet format. Contents: Asa Atlantis Black of Cassandra's Heart The Blues for M Blue Modal Minor Bolling Gryn Cerullian Rose Children Convolution Cracks Cumulonimbus Draff Euridice Everything is for You Fantaloma Fluid Visual Flytime Four Score Four Score and Seven Freddie's Real Blues Giglaeoplexis Home is Where Hule Tide Carroll Innocent Robert Blowstone John's Cafe Juxtapostivie Kobuton KT Lax Littel Magneto! Martin's Dash Mercurachrome Desert Modus Interruptus Mome Raths Outgrabe Moth and the Flame Mudcat Swang Muse My Heart Only Cries at Christmas Old Man Oneworld Penterra Prosperity Qadr Queens English The Sequre Demeter Shikari Skipsy Daisy Sky Song for a Lonely Daughter Song for Jennifer Sunday Sermon Tangential Tears for a Friend Trio Phono Visigoths Took My Hat The Why Are You So Beautiful Wind Winter Summer Zygote.

Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.971650 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 25 pages. Musicart Publications #4628067. Published by Musicart Publications (A0.971650). Ruby and Steel (duration 7 min.) is a fantasy work for alto saxophone and piano, reflecting on the physical qualities and contrasts between an unlikely pairing of materials – nature's precious gemstone ruby and the manmade material steel. The ideas of the red glow of molten steel and the red light of ruby are held in common. Establishing a modern yet Romantic atmosphere, an extended piano solo opens the work. The music is developed through a thematic transformation process: gestures of earlier music reappears as transformations of its previous selves. The interaction (both musical dialogue and subsequent agreement) between piano and saxophone is a prominent characteristic, along with ebb-and-flow of tempo. As with several other compositions by Jeffrey Hoover, there is an abstract painting–Ruby and Steel–created by Hoover as a visual interpretation of the musicJeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.

Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.838999 Composed by Chris Eaton. Arranged by Kenneth Martin. Contemporary. Octavo. 14 pages. Martin Music Editions #5033421. Published by Martin Music Editions (A0.838999). Step into a world of musical wonder with the unison choir arrangement of Life Is Good by Great Big World, featured in the heartwarming Motion Picture The Star. Crafted with young singers in mind, this arrangement invites budding voices to join in a harmonious celebration of life's joys and the magic of the silver screen.As the musical notes come alive on the sheet music, the voices of young singers rise like stars in the night sky, illuminating the essence of hope and happiness. Life Is Good becomes more than just a song—it becomes a shared anthem for the bright dreams and aspirations of tomorrow.The arrangement's simplicity is its strength, allowing young voices to shine individually and collectively. The unison choir, like a constellation of voices, carries the melody with clarity and purity, creating a harmonious tapestry that showcases the beauty of unity. As the song's lyrics tell a tale of optimism and wonder, the young singers infuse their voices with innocence and enthusiasm, embodying the spirit of youthful exuberance.With each note, the choir creates a musical bridge between reality and imagination, mirroring the sentiment of the film from which it springs. The melody becomes a vessel that transports both singers and listeners to a world where anything is possible—a world where life is indeed good.As the final chord echoes, the arrangement leaves a lasting impression on young hearts and eager minds. The unison choir's rendition of Life Is Good becomes a shared memory, a musical touchstone that reminds them of the boundless potential that lies ahead.So, gather your young singers and let their voices soar in harmony, embracing the magic of Life Is Good as they unite their voices in a chorus of hope, joy, and the promise of a bright future inspired by the magic of the movies.

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.771 Composed by Edwin Christie. One-room schools, Children & adults, Stone walls, Dwellings, Country life, Homecomings, Nostalgia, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.771). The Old Cottage Home. Words by George Cooper. Music by Edwin Christie. Published 1874 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include One-room schools, Children & adults, Stone walls, Dwellings, Country life, Homecomings, Nostalgia, Sadness. First line reads I'm dreaming today of the cottage by the brook, the home that I left long ago.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)