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String Quintet Cello,Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.1357787 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by Zack Reaves. Classical,Rock. 27 pages. Zack Reaves #942292. Published by Zack Reaves (A0.1357787). A fun and challenging klezmer/classical string quintet arrangement (vln/vln/vla/cl/db) of Paint It Black by The Rolling Stones. This arrangement is best suited for advanced players. Arranged for Rogue Lemon Collective.Zack Reaves' arrangements have been performed by groups such as the Altius, Orchid, & Edgewood String Quartets, Range Ensemble, Rogue Lemon Collective and the Youth Orchestra Los Angeles. They have also been featured on Classic FM, Spotify's Pop Goes Classical curated playlist, as well as Candlelight Concerts by Fever.If you end up having a recording posted to social media, please feel free to tag my accounts.Instagram: @zrcelloFacebook: @ZackReavesMusicwww.ZackReaves.com.
Paint It, Black
Quintette à cordes: 2 violons, alto, violoncelle, basse
The Rolling Stones
$15.99 13.51 € Quintette à cordes: 2 violons, alto, violoncelle, basse PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger #882681. Published by Lukas C Jaeger (A0.1292341). As a creator, something I value above all else is the ability to do so with others. There’s a beauty found where minds meet that no one person can achieve alone.     So, in search of that beauty, before I even started to work on this piece, I met with the students of Waukesha North High School at the end of their 2023 school year. And we talked. We talked about how life was going. The good and bad. The ups and downs. Things lost. Things found… They shared some laughs and even some tears… The conversations we had were unexpectedly poignant and stuck with me throughout the writing process.     School is a time of great change in our lives and often we are so focused on “getting through†that we don’t really stop to appreciate it until later. This piece celebrates that part of the process. The way we build onto ourselves- acknowledging and accepting that our experiences we have during this time, both good and bad, are crucial to our identity and our ability to move forward in life. They are the cornerstones of who we are and who we become… Inspired by these experiences we shared, I wrote this text. It’s about building a house. The “house†being our self.
The House We Build
Chorale SATB
Lukas C Jaeger
$3.00 2.53 € Chorale SATB PDF SheetMusicPlus

Bassoon, piano, voice - Digital Download SKU: IZ.PDP039 Composed by Novie Greene. Score and Parts. 19 pages. Imagine Music - Digital #PDP039. Published by Imagine Music - Digital (IZ.PDP039). 9 x 12 in inches.The Two Irish Songs were arranged in 1983 at my suggestion. Mycousin, Ed Searl, was studying voice with Novie Greene at the time, and it was through him that I made her acquaintance. The three of us thought that it would be nice to have something which we could all perform together, and so Novie began working on these charming settings. We premiered these pieces at a Bach's Lunch Concert at the Cathedral Church of St. Luke in Orlando on 28 April 1983. I have performed them since then as a set and also done St. Patrick's Breastplate several times for church services. The hymn is frequently used during confirmation or baptis1n ceremonies. The text is a translation of a Gaelic prayer done in 1889 by Cecil Frances Alexander (1818-1895), the wife of the Anglican Bishop of Derry and Raphoe. She also wrote the text for the hymn All Things Bright and Beautiful. The tune chosen by Novie Greene, sometimes known as St. Patrick, is by the Irish composer Sir Charles Villiers Stanford (1852-1924), who wrote it in 1902. Stanford is best remembered today for his work as a professor of composition at the Royal College of Music. His students there included Frank Bridge, Samuel Coleridge-Taylor, Thomas Dunhill, Gustav Holst, Herbert Howells, Willian1 Yeates Hurlstone, and Ralph Vaughan Williams. ~Bruce Gbur.
Two Irish Songs

$20.00 16.9 € PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1502724 Composed by William Billings. Arranged by James M. Guthrie. 19th Century,Chamber,Early Music,Historic,Traditional. 22 pages. Jmsgu3 #1078394. Published by jmsgu3 (A0.1502724). William Billings' hymn Africa is a notable composition in early American music history. Here are some key points about its significance: Musical CharacteristicsAfrica is one of Billings' most ecstatic and stirring hymns. It showcases his distinctive style of four-part choral writing, typically performed as a cappella. The piece likely features Billings' characteristic use of forceful harmonies and elaborate fugal sections. Historical ContextAs part of Billings' repertoire, Africa represents an important milestone in American musical development: It was composed during the late 18th century when Billings established himself as America's first professional composer. The hymn was likely included in one of Billings' published collections, such as The New England Psalm-Singer (1770) or The Singing Master's Assistant (1776).Cultural ImpactAfrica contributed to Billings' reputation as a pioneering figure in American music, helping popularize his work throughout the Northern and Middle States.The hymn was likely performed in church choirs and singing schools, critical cultural institutions of the time. As part of Billings' body of work, Africa played a role in establishing a distinctly American musical tradition separate from European influences.Enduring LegacyWhile Billings' popularity waned during his lifetime, his music, including Africa, has experienced a revival: It remains part of the repertoire performed by American choral groups, particularly those specializing in early music. Africa is listed among Billings' notable works in modern references, indicating its continued recognition. Africa stands as an example of Billings' innovative and influential contributions to early American sacred music.
Billings: Africa for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$34.95 29.53 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1180570 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. Score. 22 pages. Thomas Oboe Lee #780474. Published by Thomas Oboe Lee (A0.1180570). Wikipedia entry on Ferruccio Busoni's Elegies (German: Elegien): The Elegies mark a significant change in Busoni's compositional approach.  The harmonic language of the Elegies is extended, with the pedal used audaciously to blend disparate tones: unrelated triads are overlapped and juxtaposed; chords are constructed from intervals other than thirds; unusual and highly chromatic scales and runs, often differing from the surrounding harmonies, are extensively employed and varied; melodies, and solitary sighs, moving by whole and half steps, magnify these disorienting effects.Busoni recognized the change: My entire personal vision I put down at last and for the first time in the Elegies, and the Elegies signify a milestone in my development.  Almost a transformation ...  Inspired by his work, I gave myself a challenge to write my own version of Elegien.   Like the Busoni, it is in seven movements for solo piano.1. Recueillement ... Sostenuto, quasi Moderato2. Barcarolo in modo napolitano ... Andante3. Choralvorspiel ... Adagio4. Intermezzo ... Allegretto   TRIO 5. Walzer ... Andante, più tranquillo6. Notturno ... Moderato … quasi rubato, Andante7. Berceuse ... Largo calmoThis work is dedicated to the memory of Nika Shakarami and Sarina Esmailzadeh.
Elegien ... In Memoriam (2023)
Piano seul

$9.99 8.44 € Piano seul PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1401848 Composed by Amy Marcy Beach. Arranged by Steven Paxton. 19th Century,Classical,Easter,Romantic Period. 20 pages. Creative Spirit #985039. Published by Creative Spirit (A0.1401848). The Agnus Dei is the final movement of Amy Beach‘s monumental Grand Mass in E-Flat Major, completed when Beach was 25 and first performed in 1892 by the Handel and Haydn Society orchestra of Boston. That group had never before performed a work by a woman. The critical acclaim which followed this milestone performance led to her being recognized as one of America’s foremost composers, and the 1890 publication of the vocal score was the first published major choral/orchestral work by an American woman.This edition omits the lengthy harp passages from the original and also shortens the introduction somewhat. If performed with orchestral accompaniment, full score and parts are available from Creative Spirit.DURATION: 10 minutes.
AGNUS DEI from Grand Mass in E-flat major
Chorale SATB

$2.25 1.9 € Chorale SATB PDF SheetMusicPlus






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