Woodwind Ensemble Contrabassoon,Double Reed Quintet,English Horn,Oboe - Level 3 - Digital Download SKU: A0.1325963 By George Frideric Handel. By George Frideric Handel. Arranged by Andrew Lamb. Baroque,Opera. 21 pages. Andrew Lamb #914160. Published by Andrew Lamb (A0.1325963). Introducing Air from Rinaldo by George Frideric Handel, expertly arranged for a Double-Reed Quintet! 🎶🎵 Instrumentation:2 OboesEnglish Horn2 BassoonsOptional Contrabassoon 🌟🎼 Level of Difficulty: Medium-Easy🎯 Potential Uses: 🎤 This arrangement, crafted for a Double-Reed Quintet, is versatile and perfect for:Concerts 🎉Recitals 🎭Educational settings 📚📜 About Air from Rinaldo: Air from Rinaldo encapsulates the spirit of Handel's 1711 opera, the first Italian language opera for the London stage. 🌈🎼 Handel's Operatic Triumph: Handel's swift composition of Rinaldo marked a significant moment in operatic history. After dominating the English opera scene for decades, Rinaldo's success endured through numerous revivals. Following a hiatus of over 200 years, the opera regained prominence, captivating audiences worldwide. �� Why Choose This Arrangement: This Double-Reed Quintet arrangement offers flexibility with an optional Contrabassoon, allowing you to tailor the performance to your ensemble's strengths. Suited for various settings, from formal concerts to educational environments, it enables musicians to explore the depth and brilliance of Handel's musical genius. 🎵🎶 Elevate your ensemble's performance with the enchanting Air from Rinaldo. Add this arrangement to your repertoire and experience the magic of Handel's operatic masterpiece.📢 Don't miss the chance to enhance your musical journey! Like and subscribe to stay updated on our latest arrangements and musical offerings. 🌟

Horn,Trumpet - Level 3 - Digital Download SKU: A0.1289864 By Adolphe Danhauser. By Adolphe Danhauser. Arranged by Andrew Lamb. 19th Century,Chamber,Romantic Period. 21 pages. Andrew Lamb #880564. Published by Andrew Lamb (A0.1289864). La Foi, L’Espérance et La Charité (Faith, Hope, and Charity) - Brass Trio ArrangementElevate your brass ensemble's repertoire with this enchanting arrangement of Adolphe Danhauser's La Foi, L’Espérance et La Charité. Originally composed as a Secular Chorus, this timeless piece has been masterfully reimagined for brass trio, adding a unique and captivating dimension to its rich history. This arrangement, with two trumpets, one French horn, and an optional tenor horn part for added flexibility, is set at a medium difficulty level, making it an excellent choice for concerts, recitals, and educational purposes.Composer's Legacy: Adolphe Danhauser, a celebrated French composer, breathed life into this captivating composition, and now, this arrangement allows you to experience its beauty in a fresh and exciting way. La Foi, L’Espérance et La Charité explores universal themes of faith, hope, and charity, making it a poignant addition to any musical program.Versatile Instrumentation: This arrangement is skillfully crafted for a brass trio, featuring two trumpets and one French horn. Additionally, it offers the option of incorporating a tenor horn part, providing added flexibility and tonal variety to your performance.Moderate Challenge, Maximum Reward: Rated at a medium level of difficulty, this arrangement strikes the perfect balance between challenge and accessibility. It is well-suited for brass players looking to expand their repertoire and enhance their ensemble skills.Versatile Usage: La Foi, L’Espérance et La Charité is a versatile piece that can shine in various settings:1. Concerts: Infuse your concert repertoire with elegance and sophistication. This arrangement's melodic beauty and historical significance will captivate your audience.2. Recitals: Showcase your brass trio's talent with a memorable performance that will leave a lasting impression on your listeners.3. Educational Purposes: Utilize this arrangement as a valuable teaching tool to introduce students to classical music and ensemble playing while exploring its historical and cultural context.Unveil the Timeless Beauty: With this arrangement of La Foi, L’Espérance et La Charité, you have the opportunity to breathe new life into a classic work of art. Adolphe Danhauser's composition, reimagined for brass instruments, will resonate with audiences and transport them to a world of musical enchantment. Discover the enduring power of faith, hope, and charity through this captivating musical journey. Don't miss the chance to incorporate this piece into your brass ensemble's repertoire and experience its timeless beauty for yourself.

Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.� (Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenes�. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopski�, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).

Piano Solo - Level 5 - Digital Download SKU: A0.977031 Composed by Paul SanGregory. Contemporary. Score. 20 pages. Distant Engraver Music #3534597. Published by Distant Engraver Music (A0.977031). This set of three pieces is well-suited for advanced students or professional performers who enjoy creating and shaping mood, atmosphere and color on the piano. They were composed to commemorate the 150th anniversary of Claude Debussy’s birth. For that reason, they are based on various composing techniques and aesthetic ideas that he developed. Even so, there was no attempt to make them actually sound like Debussy’s music. In fact, while composing them I often felt like I was looking at Debussy’s techniques through the distorting lenses of music that came after him, but that he had influenced.I - Drifting Through ChangeOne sort of change in this piece comes from the interaction of two repeated rhythmic patterns of different lengths. Episodes of contrasting character then drift in and out of the piece creating more changes. The effect is as if one is floating quietly through empty space, but occasionally drifting past various objects or situations.II - Building CloudsTo me, the opening of this movement sounds like an idea from Debussy’s Nuages that has been turned inside out. Unlike Debussy’s more delicate clouds, however, the clouds of this piece grow turbulent and dramatic. III - Moonless HeathFor this movement, I imagine walking through an open untamed field on a dark moonless night and not being sure what I might be passing by. In terms of color and technique, this piece shows a more obvious relationship to Debussy’s music that the first two. It begins with a simple melody similar to that of his Bruyére, after which a Debussy-inspired ostinato gently moves the music forward. Structurally, the whole piece is an inverted palindrome so that a melody from the beginning returns in retrograde-inversion at the end, becoming a brief quote of Debussy’s music. Performance duration ca. 11 minutes.

Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.866108 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Romantic Period,Sacred. 12 pages. Ondine Press #3114457. Published by Ondine Press (A0.866108). This is the piano vocal score to an arrangement of the 5th movement of Mahler's Third Symphony, Es Sungen Drei Engel from Des Knaben Wunderhorn. This arrangement is one of 4 versions by Yoon Jae Lee, the curator of the Mahler Chamber Project. Version D is solo voice (alto solo). This version omits the boy’s (children’s choir) and women's chorus allowing for performances of this work to be sung by only one singer. The vocal is nearly identical to Mahler's original Lieder version but the revisions made to the final symphonic version, both rhythmic and structural, have been incorporated into this arrangement. Given the wide tessitura of the vocal part, it may be a stretch to say that it is ideally suited for alto. A few ossia parts with lower notes are given where the voice goes to a high register. This arrangement can be performed as a stand alone work with piano, or with Yoon Jae Lee’s reduction for chamber orchestra or with Mahler’s original forces.

Flute Quartet,Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.840486 Composed by Wilhelm Olof Peterson-Berger. Arranged by Ted R. Marcus. Chamber,Classical,Romantic Period. 14 pages. Ted R. Marcus #3548663. Published by Ted R. Marcus (A0.840486). A delightful arrangement of Wilhelm Peterson-Berger's Lawn Tennis, from Book 1 of Frösöblomster (Flowers from Frösö Island). Frösöblomster is a collection of piano miniatures in the Romantic nationalist style of Grieg, inspired by the composer's summer vacations on rustic Frösö Island in central Sweden. The pieces have remained popular in Sweden for over a century. Peterson-Berger's depiction of a summertime tennis game seems ideally suited for flutes.

Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected.  This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.  Robert Hoskins.

String Orchestra - Level 3 - Digital Download SKU: A0.1275120 Composed by Sergei Rachmaninoff. Arranged by Michael Todd Kovell. 20th Century,Chamber,Classical,Historic,Romantic Period. Score and Parts. 16 pages. Phinney Music #867118. Published by Phinney Music (A0.1275120). Introducing the timeless elegance of Rachmaninoff's Theme Russe from the celebrated Six Morceaux Op. 11, now available in a captivating arrangement for string orchestra at a grade 3 to 4 level. Immerse your ensemble in the rich tapestry of Russian romanticism and masterful orchestration that Rachmaninoff is renowned for, all while providing a rewarding experience for developing musicians.In this arrangement, the lush harmonies and expressive melodies of Theme Russe are expertly adapted to suit string orchestra instrumentation, allowing each section to shine with its distinctive timbre. The sweeping melodies, poignant dynamics, and poignant emotions of Rachmaninoff's original composition are preserved with meticulous care, giving your musicians an opportunity to explore the depths of musical expression.Perfectly suited for ensembles seeking an intermediate challenge, this arrangement strikes a balance between accessible complexity and engaging musicality. Whether you're an educator aiming to introduce your students to the wonders of Russian classical music or a conductor seeking a remarkable addition to your orchestra's repertoire, Theme Russe offers a captivating journey through the essence of Rachmaninoff's artistry.The beauty of this arrangement lies in its ability to transport audiences to a world of emotive melodies and stirring harmonies. With the passionate spirit of Rachmaninoff's music brought to life by your talented string ensemble, Theme Russe is destined to captivate hearts and ears alike.Embrace the elegance of Russian romanticism and the genius of Rachmaninoff with this enchanting arrangement of Theme Russe for string orchestra. Elevate your ensemble's performance repertoire and provide a memorable experience that resonates long after the final note.

A Clarinet,Cello,Cornet,Double Bass,Drum Set,Piano,Piccolo,Trombone,Tuba,Viola,Violin - Level 4 - Digital Download SKU: A0.1396759 By Gazza's Razztime Orchestra. By Scott Joplin. Arranged by Gary Blake Peterson. Ragtime. 43 pages. Gary Blake Peterson #979632. Published by Gary Blake Peterson (A0.1396759). This arrangement of Joplin's wonderful Peacherine Rag is by Gary Blake Peterson and is from Gazza's Razztime Orchestra's Classic Rags Collection. It is based on D. S. DeLisle's orchestration and includes his added countermelodies.  The early orchestration tended towards having all instruments playing all of the time, and had limited expressive markings.  This version adds a tuba, and transposes the cornet part from A to Bb.  Articulations and dynamics are added, and much is re-scored to add variety to the repeated sections - making it well suited to concert performance.  It is set for a 12-piece ragtime orchestra: String quartet, plus piccolo, clarinet in A, cornet, trombone, tuba, piano, drum set, and double bass.

Piano Solo - Level 3 - Digital Download SKU: A0.1500328 Composed by Alan Menken. Arranged by Eric R. 20th Century,Broadway,Contemporary,Film/TV,Musical/Show. Score. 5 pages. Overture & Storybook Musical Arrangements #1076406. Published by Overture & Storybook Musical Arrangements (A0.1500328). 'Into the Sunlight' (also known as 'Emergence') begins the grand finale sequence of Disney's animated classic, The Hunchback of Notre Dame (1996). 'Into the Sunlight' uses melodies from the film's songs Out There, Heaven's Light, and Someday, while playing them as an emotional reprise - adding closure to the characters' storylines. This cue also references musical motifs for the character Phoebus. The score for The Hunchback of Notre Dame is regarded by many as being Alan Menken's magnum opus. With orchestrations by Danny Troob, the score for Hunchback is elevated by Menken's modern Broadway sensibility.Alan Menken's score for The Hunchback of Notre Dame (1996) was nominated for an Academy Award for Best Original Musical or Comedy Score.This arrangement for solo piano is a reduction of the full orchestra, and is suited for Intermediate+ pianists. Chords are marked throughout.  An additional staff with cue notes for the Woodwind parts is shown on measures 45 thru 47 (for reference).

3 Recorders (S/A/T) - easy to intermediate - Digital Download SKU: S9.Q569337 Composed by Giovanni Giacomo Gastoldi. Downloadable, Performance score. Musikverlag Robert Lienau - Digital #Q569337. Published by Musikverlag Robert Lienau - Digital (S9.Q569337). German • English • French.Gastoldi (around 1550-1622) worked as a sub-deacon, singer and kapellmeister at the Gonzaga's home church, S.Barbara in Mantua, and later on in Milano. Apart from religious compositions, he also wrote two collections of dances which made Gastoldi known all over Europe. Up to the first half of the 17th century, both collections, the 5-part Balletti and the 3-part ones, were reprinted repeatedly. Gastoldi's dances were quite popular throughout Europe as utility music. With their catchy melodies and easy playability, they are well-suited even today to complement the repertoire of small or larger recorder ensembles. The individual pieces are preceded by their respective ranges and instrumentation (mostly T/T/SB or S/S/B).

Cello,Clarinet,Cornet,Double Bass,Drum Set,Flute,Piano,Trombone,Tuba,Viola,Violin - Level 4 - Digital Download SKU: A0.1396891 By Gazza's Razztime Orchestra. By Scott Joplin. Arranged by Gary Blake Peterson. Ragtime. 54 pages. Gary Blake Peterson #980224. Published by Gary Blake Peterson (A0.1396891). This arrangement of Scott Joplin's The Ragtime Dance is by Gary Blake Peterson and is from Gazza's Razztime Orchestra's Classic Rags Collection. It is from a compilation titled Standard High-Class Rags, but known informally as The Red Back Book which was published by John Stark around 1911. This was a collection of 15 rags that were arranged for bands of mixed instruments.  Based on D. S. DeLisle's orchestration, it includes his added countermelodies.  These early orchestrations tended towards having all instruments playing all of the time, and had limited expressive markings.  This version adds a tuba and a viola, plus articulations and dynamics.  Much is re-scored to add variety to the repeated sections - making it well suited to concert performance.  It is set for a 12-piece ragtime orchestra: String quartet, plus flute, clarinet in Bb, cornet, trombone, tuba, piano, drum set, and double bass.

Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected.   This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.

Small Ensemble Organ,Piano Accompaniment - Level 5 - Digital Download SKU: A0.961865 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Traditional. Score and parts. 94 pages. Last Resort Music Publishing #567576. Published by Last Resort Music Publishing (A0.961865). Music for Three, Volume 8 - More Baroque, Classical & Romantic Favorites Keyboard or Guitar Including works by Bizet, Faure, Borodin, Gottschalk, and Rossini and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. The parts available for this volume are listed here! 50811 Part 1 Flute or Oboe or Violin 50813 Part 1 Clarinet in Bb 50821 Part 2 Flute or Oboe or Violin 50822 Part 2 Viola 50823 Part 2 Clarinet in Bb 50831 Part 3 Cello or Bassoon 50840 Keyboard or Guitar 50899 Score Table of Contents Badinerie from Suite #2 in b minor (Bach) Bist Du Bei Mir (Bach) Allegro Moderato & Allegro from Brandenburg Concerto #3 in G Major (Bach) Fur Elise (Beethoven) Galop & Petit Mari, Petite Femme from Jeux d'Enfants, Op. 22 (Bizet) Farandole & Menuet from L'Arlesienne Suite #2 (Bizet) Minuet from Quintet in E Major, Op. 13 #5 (Boccherini) Theme from Polovetzian Dances from Prince Igor (Borodin) Fantasie-Impromptu from Fantasie-Impromptu in C# minor, Op. 66 (Chopin) Adagio from Violin Sonata in G minor, Op. 5 #5 (Corelli) Flower Duet from Lakme (Delibes) Slavonic Dance #1 from Slavonic Dances, Op. 46 #1 (Dvorak) Slavonic Dance #2 from Slavonic Dances, Op. 46 #2 (Dvorak) Bereceuse from Dolly Suite, Op. 56 (Faure) Bananier, Le (Gottschalk) Dying Poet, The (Gottschalk) Tournament Galop (Gottschalk) Funeral March for a Marionette (Gounod) Juliet's Waltz Song Je veux vivre from Romeo and Juliet (Gounod) I Love Thee Ich Liebe Dich from The Heart's Melodies, Op. 5 (Grieg) Arrival of the Queen of Sheba from the Oratorio Solomon (Handel) Allegro & Hornpipe from The Water Music (Handel) Theme from Jupiter from The Planets (Holst) Capriccio #24 from 24 Capricci, Op. 1 (Paganini) Galop from La Boutique Fantastique (Rossini) Mon Coeur S'ouvre A Ta Voix from the opera Samson and Delilah (Saint-Saens) Rosamunde Ballet Music from incidental music to Rosamunde (Schubert) The Trout from the Trout Quintet, Op. 114 (Schubert) The Laughing Song from Die Fledermaus (Strauss) Danses des petits cygnes from the ballet Swan Lake (Tschaikovsky) None But the Lonely Heart from Six Songs, Op. 6 #6 (Tschaikovsky).

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1091873 Composed by Erik Satie. Arranged by David Rain. A Cappella,Classical,Contemporary. 6 pages. David Rain, Choral Composer #696006. Published by David Rain, Choral Composer (A0.1091873). Erik Satie's Sarabande No. 1 is one of my favourite piano pieces. For a long time, I felt there was an a cappella choral piece hiding within it, in plain sight. One day I got inspired and gave it a try. Creating a choral adaptation of a piano piece has its challenges. I tried to keep faithful to Satie's original musical inspiration and created lyrics to go with my arrangement that evoke an early summer morning, one of my favourite times of the year. Several months later, I applied to be a participant at one of the Vancouver Chamber Choir's Interplay workshops funded by the SOCAN Foundation and to my delight I was accepted. As dawn breaks was one of the pieces that this amazing choir sight read for me on the spot. VCC director Jon Washburn and choir members then provided me with valuable feedback, for which I am very grateful. NB: One day I woke up to the realization that I had independently written four choral works, each of which had evoked a different season, and so it seemed natural to group them together into a choral suite that I have called The Ottawa Four Seasons Suite. As dawn breaks works perfectly as the opening number of this suite. Finally, my instruction to choirs is to sing as if in a painting, and indeed I invite any artists who might draw inspiration from this piece to consider creating a companion work of art to accompany it.