Horn,Trumpet - Level 3 - Digital Download SKU: A0.1289864 By Adolphe Danhauser. By Adolphe Danhauser. Arranged by Andrew Lamb. 19th Century,Chamber,Romantic Period. 21 pages. Andrew Lamb #880564. Published by Andrew Lamb (A0.1289864). La Foi, L’Espérance et La Charité (Faith, Hope, and Charity) - Brass Trio ArrangementElevate your brass ensemble's repertoire with this enchanting arrangement of Adolphe Danhauser's La Foi, L’Espérance et La Charité. Originally composed as a Secular Chorus, this timeless piece has been masterfully reimagined for brass trio, adding a unique and captivating dimension to its rich history. This arrangement, with two trumpets, one French horn, and an optional tenor horn part for added flexibility, is set at a medium difficulty level, making it an excellent choice for concerts, recitals, and educational purposes.Composer's Legacy: Adolphe Danhauser, a celebrated French composer, breathed life into this captivating composition, and now, this arrangement allows you to experience its beauty in a fresh and exciting way. La Foi, L’Espérance et La Charité explores universal themes of faith, hope, and charity, making it a poignant addition to any musical program.Versatile Instrumentation: This arrangement is skillfully crafted for a brass trio, featuring two trumpets and one French horn. Additionally, it offers the option of incorporating a tenor horn part, providing added flexibility and tonal variety to your performance.Moderate Challenge, Maximum Reward: Rated at a medium level of difficulty, this arrangement strikes the perfect balance between challenge and accessibility. It is well-suited for brass players looking to expand their repertoire and enhance their ensemble skills.Versatile Usage: La Foi, L’Espérance et La Charité is a versatile piece that can shine in various settings:1. Concerts: Infuse your concert repertoire with elegance and sophistication. This arrangement's melodic beauty and historical significance will captivate your audience.2. Recitals: Showcase your brass trio's talent with a memorable performance that will leave a lasting impression on your listeners.3. Educational Purposes: Utilize this arrangement as a valuable teaching tool to introduce students to classical music and ensemble playing while exploring its historical and cultural context.Unveil the Timeless Beauty: With this arrangement of La Foi, L’Espérance et La Charité, you have the opportunity to breathe new life into a classic work of art. Adolphe Danhauser's composition, reimagined for brass instruments, will resonate with audiences and transport them to a world of musical enchantment. Discover the enduring power of faith, hope, and charity through this captivating musical journey. Don't miss the chance to incorporate this piece into your brass ensemble's repertoire and experience its timeless beauty for yourself.

Piano Solo - Level 5 - Digital Download SKU: A0.977031 Composed by Paul SanGregory. Contemporary. Score. 20 pages. Distant Engraver Music #3534597. Published by Distant Engraver Music (A0.977031). This set of three pieces is well-suited for advanced students or professional performers who enjoy creating and shaping mood, atmosphere and color on the piano. They were composed to commemorate the 150th anniversary of Claude Debussy’s birth. For that reason, they are based on various composing techniques and aesthetic ideas that he developed. Even so, there was no attempt to make them actually sound like Debussy’s music. In fact, while composing them I often felt like I was looking at Debussy’s techniques through the distorting lenses of music that came after him, but that he had influenced.I - Drifting Through ChangeOne sort of change in this piece comes from the interaction of two repeated rhythmic patterns of different lengths. Episodes of contrasting character then drift in and out of the piece creating more changes. The effect is as if one is floating quietly through empty space, but occasionally drifting past various objects or situations.II - Building CloudsTo me, the opening of this movement sounds like an idea from Debussy’s Nuages that has been turned inside out. Unlike Debussy’s more delicate clouds, however, the clouds of this piece grow turbulent and dramatic. III - Moonless HeathFor this movement, I imagine walking through an open untamed field on a dark moonless night and not being sure what I might be passing by. In terms of color and technique, this piece shows a more obvious relationship to Debussy’s music that the first two. It begins with a simple melody similar to that of his Bruyére, after which a Debussy-inspired ostinato gently moves the music forward. Structurally, the whole piece is an inverted palindrome so that a melody from the beginning returns in retrograde-inversion at the end, becoming a brief quote of Debussy’s music. Performance duration ca. 11 minutes.

String Orchestra - Level 3 - Digital Download SKU: A0.1275120 Composed by Sergei Rachmaninoff. Arranged by Michael Todd Kovell. 20th Century,Chamber,Classical,Historic,Romantic Period. Score and Parts. 16 pages. Phinney Music #867118. Published by Phinney Music (A0.1275120). Introducing the timeless elegance of Rachmaninoff's Theme Russe from the celebrated Six Morceaux Op. 11, now available in a captivating arrangement for string orchestra at a grade 3 to 4 level. Immerse your ensemble in the rich tapestry of Russian romanticism and masterful orchestration that Rachmaninoff is renowned for, all while providing a rewarding experience for developing musicians.In this arrangement, the lush harmonies and expressive melodies of Theme Russe are expertly adapted to suit string orchestra instrumentation, allowing each section to shine with its distinctive timbre. The sweeping melodies, poignant dynamics, and poignant emotions of Rachmaninoff's original composition are preserved with meticulous care, giving your musicians an opportunity to explore the depths of musical expression.Perfectly suited for ensembles seeking an intermediate challenge, this arrangement strikes a balance between accessible complexity and engaging musicality. Whether you're an educator aiming to introduce your students to the wonders of Russian classical music or a conductor seeking a remarkable addition to your orchestra's repertoire, Theme Russe offers a captivating journey through the essence of Rachmaninoff's artistry.The beauty of this arrangement lies in its ability to transport audiences to a world of emotive melodies and stirring harmonies. With the passionate spirit of Rachmaninoff's music brought to life by your talented string ensemble, Theme Russe is destined to captivate hearts and ears alike.Embrace the elegance of Russian romanticism and the genius of Rachmaninoff with this enchanting arrangement of Theme Russe for string orchestra. Elevate your ensemble's performance repertoire and provide a memorable experience that resonates long after the final note.

A Clarinet,Cello,Cornet,Double Bass,Drum Set,Piano,Piccolo,Trombone,Tuba,Viola,Violin - Level 4 - Digital Download SKU: A0.1396759 By Gazza's Razztime Orchestra. By Scott Joplin. Arranged by Gary Blake Peterson. Ragtime. 43 pages. Gary Blake Peterson #979632. Published by Gary Blake Peterson (A0.1396759). This arrangement of Joplin's wonderful Peacherine Rag is by Gary Blake Peterson and is from Gazza's Razztime Orchestra's Classic Rags Collection. It is based on D. S. DeLisle's orchestration and includes his added countermelodies.  The early orchestration tended towards having all instruments playing all of the time, and had limited expressive markings.  This version adds a tuba, and transposes the cornet part from A to Bb.  Articulations and dynamics are added, and much is re-scored to add variety to the repeated sections - making it well suited to concert performance.  It is set for a 12-piece ragtime orchestra: String quartet, plus piccolo, clarinet in A, cornet, trombone, tuba, piano, drum set, and double bass.

Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected.  This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.  Robert Hoskins.

3 Recorders (S/A/T) - easy to intermediate - Digital Download SKU: S9.Q569337 Composed by Giovanni Giacomo Gastoldi. Downloadable, Performance score. Musikverlag Robert Lienau - Digital #Q569337. Published by Musikverlag Robert Lienau - Digital (S9.Q569337). German • English • French.Gastoldi (around 1550-1622) worked as a sub-deacon, singer and kapellmeister at the Gonzaga's home church, S.Barbara in Mantua, and later on in Milano. Apart from religious compositions, he also wrote two collections of dances which made Gastoldi known all over Europe. Up to the first half of the 17th century, both collections, the 5-part Balletti and the 3-part ones, were reprinted repeatedly. Gastoldi's dances were quite popular throughout Europe as utility music. With their catchy melodies and easy playability, they are well-suited even today to complement the repertoire of small or larger recorder ensembles. The individual pieces are preceded by their respective ranges and instrumentation (mostly T/T/SB or S/S/B).

Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected.   This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.

Piano Solo - Level 3 - Digital Download SKU: A0.1500328 Composed by Alan Menken. Arranged by Eric R. 20th Century,Broadway,Contemporary,Film/TV,Musical/Show. Score. 5 pages. Overture & Storybook Musical Arrangements #1076406. Published by Overture & Storybook Musical Arrangements (A0.1500328). 'Into the Sunlight' (also known as 'Emergence') begins the grand finale sequence of Disney's animated classic, The Hunchback of Notre Dame (1996). 'Into the Sunlight' uses melodies from the film's songs Out There, Heaven's Light, and Someday, while playing them as an emotional reprise - adding closure to the characters' storylines. This cue also references musical motifs for the character Phoebus. The score for The Hunchback of Notre Dame is regarded by many as being Alan Menken's magnum opus. With orchestrations by Danny Troob, the score for Hunchback is elevated by Menken's modern Broadway sensibility.Alan Menken's score for The Hunchback of Notre Dame (1996) was nominated for an Academy Award for Best Original Musical or Comedy Score.This arrangement for solo piano is a reduction of the full orchestra, and is suited for Intermediate+ pianists. Chords are marked throughout.  An additional staff with cue notes for the Woodwind parts is shown on measures 45 thru 47 (for reference).

Cello,Clarinet,Cornet,Double Bass,Drum Set,Flute,Piano,Trombone,Tuba,Viola,Violin - Level 4 - Digital Download SKU: A0.1396891 By Gazza's Razztime Orchestra. By Scott Joplin. Arranged by Gary Blake Peterson. Ragtime. 54 pages. Gary Blake Peterson #980224. Published by Gary Blake Peterson (A0.1396891). This arrangement of Scott Joplin's The Ragtime Dance is by Gary Blake Peterson and is from Gazza's Razztime Orchestra's Classic Rags Collection. It is from a compilation titled Standard High-Class Rags, but known informally as The Red Back Book which was published by John Stark around 1911. This was a collection of 15 rags that were arranged for bands of mixed instruments.  Based on D. S. DeLisle's orchestration, it includes his added countermelodies.  These early orchestrations tended towards having all instruments playing all of the time, and had limited expressive markings.  This version adds a tuba and a viola, plus articulations and dynamics.  Much is re-scored to add variety to the repeated sections - making it well suited to concert performance.  It is set for a 12-piece ragtime orchestra: String quartet, plus flute, clarinet in Bb, cornet, trombone, tuba, piano, drum set, and double bass.

Piano Solo - Level 4 - Digital Download SKU: A0.961648 Composed by Kim S. Bean. Contemporary,Sacred,Spiritual,Standards. Score. 4 pages. Kim S. Bean #5871389. Published by Kim S. Bean (A0.961648). Solo piano, with optional narration. 4 pages.  Day 7 from a suite called The Seven Days of Creation.This  dreamy piece recalls snatches from each of the 6 days prior, while adding its own peaceful and restful motif to complete this suite.Other pieces available in this suite are: Let There Be Light, Sky, Land and Sea, Celestial Guides, Wind and Water Ballet and Parade of Creatures.

C Instrument - Digital Download SKU: A0.720923 Composed by Claude Debussy. Arranged by Andre Maaker. 20th Century,Classical,Romantic Period,Wedding. Lead Sheet / Fake Book. 2 pages. SheetMusicHub #329286. Published by SheetMusicHub (A0.720923). This is a lead sheet style (melody, chords, form) notation of Clair de lune (Moonlight) by Claude Debussy. Lead sheet by Andre Maaker. From Wikipedia: Suite bergamasque (L. 75) is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, Clair de lune, has made it one of the composer's most famous works for piano. The third movement of Suite bergamasque is Clair de lune, in D♭ major. It is written in 9/8 meter and marked andante très expressif. Its title, which means moonlight in French, is taken from Verlaine's poem Clair de lune.

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1091873 Composed by Erik Satie. Arranged by David Rain. A Cappella,Classical,Contemporary. 6 pages. David Rain, Choral Composer #696006. Published by David Rain, Choral Composer (A0.1091873). Erik Satie's Sarabande No. 1 is one of my favourite piano pieces. For a long time, I felt there was an a cappella choral piece hiding within it, in plain sight. One day I got inspired and gave it a try. Creating a choral adaptation of a piano piece has its challenges. I tried to keep faithful to Satie's original musical inspiration and created lyrics to go with my arrangement that evoke an early summer morning, one of my favourite times of the year. Several months later, I applied to be a participant at one of the Vancouver Chamber Choir's Interplay workshops funded by the SOCAN Foundation and to my delight I was accepted. As dawn breaks was one of the pieces that this amazing choir sight read for me on the spot. VCC director Jon Washburn and choir members then provided me with valuable feedback, for which I am very grateful. NB: One day I woke up to the realization that I had independently written four choral works, each of which had evoked a different season, and so it seemed natural to group them together into a choral suite that I have called The Ottawa Four Seasons Suite. As dawn breaks works perfectly as the opening number of this suite. Finally, my instruction to choirs is to sing as if in a painting, and indeed I invite any artists who might draw inspiration from this piece to consider creating a companion work of art to accompany it.

Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.797801 Composed by Dennis Wilson. Arranged by Derek Hasted. Contemporary. Score and parts. 20 pages. Derek Hasted #6115609. Published by Derek Hasted (A0.797801). FAWLTY TOWERS SUITE - GUITAR TRIO or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This charming suite, or rather the first movement, has become incredibly well-known in the UK as the theme tune to the TV series of the same name - one of the UK’s fines comedies.Not many people know that there are variations on the theme that opens and closes the program, and this arrangement has been transcribed from the original soundtrack then tailored to fit three guitars. The entire suite comprises five pieces, of which the first and last are ostensibly the same. As well as a “scene-setting�, creepy sounding Interlude, there are two variations which are quite delightful and deserving to be better known.Fingering is minimal, but the rich chromatic harmonies will require position shifts here and there.The metronome markings are broadly based on the original soundtrack, but a more relaxed pace works well too.I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.

Piano Solo - Level 3 - Digital Download SKU: A0.961680 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 4 pages. Kim S. Bean #6038069. Published by Kim S. Bean (A0.961680). His Journey and Return, 4 pages, is an intermediate piece in the key of F, is the sixth piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light.  This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more?   For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, His Journey and Return, is in 4/4 time, gallops triumphantly into this suite to dispel evil once and for all. Staccatos, tenutos and accents abound. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are:  Script for The Kingdom of Light,The Kingdom of Light, Joyful News! Leaving, The Dark Knight, Waiting, Everlasting Promise and Glorious Celebration.

Piano Solo - Level 2 - Digital Download SKU: A0.728031 Composed by Johann A. P. Schultz. Arranged by Michael Ware. Christian,Christmas,Concert,Sacred,Standards. Score. 3 pages. Michael Ware Music #3535373. Published by Michael Ware Music (A0.728031). Oh, Come, Little Children from Five Christmas Miniatures (A Suite for Piano)This arrangement is from Michael Ware's collection on short Christmas carol arrangements. They are appropriate for recital, worship, or any celebration of the season.YouTube: https://www.youtube.com/watch?v=mkgoJwEVF5kView the entire suite on SMP: https://www.sheetmusicplus.com/title/five-christmas-miniatures-a-suite-for-piano-digital-sheet-music...Visit the arranger's website: https://www.musicwarepress.com/Sign up for the arranger's email newsletter: http://musicwarepress.us10.list-manage2.com/subscribe?u=63d92330b5b9bf0d90b031d05&id=36ff6bd208