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Small Ensemble Flute,Guitar,Violin - Level 5 - Digital Download SKU: A0.775405 Composed by John Pinno. Concert,Contemporary. Score and parts. 49 pages. John Pinno #2157925. Published by John Pinno (A0.775405). This is an original composition, in three movements, for flute, violin, and classical guitar, composed in 2006. This piece comes with full score, plus separate parts for flute, violin, and guitar. In 2005 I was asked to play in a chamber music performance, with a flautist and violinist, and was surprised to see how little published music there was for this combination....lots for flute , viola, and guitar, but not much with a violin in the mix. The few works I did find were written when composers felt that the guitar should sit in the background and play endless arpeggios, completely devoid of any melodic interest. This Serenade of mine aims to correct that problem. Timing: movement I ~ 3:30, II ~ 5:15, III ~ 3:15 This works very well as part of a classical guitar recital, when it's desirable to add a chamber work. If you have any questions, comments, or concerns about this work, or would like to hear a performance of this, please contact me at email: jpinno093@hotmail.com.  Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745
Serenade for Flute, Violin, and Guitar, no. 1, op. 5, 2006

$35.00 30.25 € PDF SheetMusicPlus

B-Flat Trumpet,Percussion,Piano - Level 5 - Digital Download SKU: A0.1201730 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 37 pages. Brandon Nelson #800346. Published by Brandon Nelson (A0.1201730). Johann Wolfgang von Goethe and his theory on how colors impacted mental states was the inspiration for this piece. He was far more gifted with prose than I, so I’ll him explain further:We shall not be surprised to find that [colours’] effects are at all times decided and significant, and that they are immediately associated with the emotions of the mind.Colour, considered as an element of art, may be made subservient to the highest aesthetical needs.General impressions produced by single colours cannot be changed[.] They act specifically and must produce definite, specific states in the living organ. Experience teaches us that particular colours excite particular states of feeling.Goethe goes on to detail these notions in an elaborate, deeply imaginative treatise. Sadly for him, this work was coming out just as the science of optics had begun to give the world an empirical understanding of color, leaving Goethe’s romantic ideas in the margins.But it is those ideas that I find intriguing from a poetic viewpoint, and, in this composition, I shed musical light unto his dramatic descriptions of several different colors.“Yellow-Red†is described as “primordial, impetuous, robust,†to the point of eliciting “extreme excitement†which disturbs and enrages even animals!“Yellow†is portrayed as that being nearest to natural light. It is of “utmost purity and beauty[….] Serene, gay, softly exciting.â€The color “Red-Blue†we are told is “something lively without gladness.â€â€œBlue†is steeped in darkness, a “contradiction between excitement and repose.†It gives one the “impression of cold.†and brings to mind melancholy.
The Emotional Lives of Colors (for trumpet, piano, and percussion)

$29.99 25.92 € PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1287183 By Jimmy Buffett. By Jimmy Buffett. Arranged by Jeff Tincher. Contemporary,Pop. Score. 7 pages. Jeff Tincher #878192. Published by Jeff Tincher (A0.1287183). I did this song as a tribute to the man that created a whole new genre with his music. Today (9/2/23) they announced that Jimmy Buffet passed away. If you weren't a parrothead, you missed something. This is Jimmy's first big hit. Now here is something that surprised me in a weird way. 9/2 is part of Labor Day weekend this year. If you look at the lyrics of this love song, you will see the starting line, Headin' out to San Francisco for the Labor Day weekend show. And then the song is from his 4th LP Living and Dying in 3/4 Time. Enjoy. Duration = 2:55. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
Come Monday
Piano, Voix et Guitare
Jimmy Buffett
$5.99 5.18 € Piano, Voix et Guitare PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0016571_TN3 3rd Trombone. By Tower Of Power. Arranged by Victor López. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016571_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016571_TN3). UPC: 038081479965.Want to know what's hip? Well, this three-tune medley is it! Give your students and audiences a taste of some real funky music and don't be surprised if your audience gets up to dance. Including What Is Hip?, You're Still a Young Man, and Down to the Nightclub, this is nostalgia at its best! (5:30) This title is available in SmartMusic.
Tower of Power Greatest Hits: 3rd Trombone
Orchestre d'harmonie
Tower Of Power Arranged by Victor López
$3.00 2.59 € Orchestre d'harmonie PDF SheetMusicPlus

Lever Harp - Level 2 - Digital Download SKU: A0.1453414 By Al Hibbler. By Alex North and Hy Zaret. Arranged by Carrie Tollett and Christy-Lyn Dosé. Contemporary,Soul. Score. 4 pages. Learning the Harp #1032647. Published by Learning the Harp (A0.1453414). The arrangement is a fun way to solidify your basic harp technique and practice crossing over with the two hands. It’s fun to play, and people will be pleasantly surprised to hear it on the harp!Difficulty Level and Skills Required: Early-Intermediate. There are a lot of crossing-over hands in this piece, with the right hand bringing out most of the melody notes and jumping between registers. The left hand has a lot of 4-2-1 shapes with some rolled chords.Type of Harp: For big and small harps, 26 strings or larger.Range: Lowest note is C, one octave below middle C. Highest note is G, two and a half octaves above middle C. Levers/Pedals: In the key of C major. No lever changes throughout.
Unchained Melody
Harpe
Al Hibbler
$5.00 4.32 € Harpe PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1376743 By Brooke Griffin Carpenter. By Brooke Griffin Carpenter. Arranged by Brooke Griffin Carpenter. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 8 pages. Brooke Griffin Carpenter #961290. Published by Brooke Griffin Carpenter (A0.1376743). I wrote this song to describe my feelings about the atonement of Jesus Christ. It's a conversation with the Savior about His role in my life and my desire to follow Him. It was greatly inspired by the October 2012 General Conference address The First Great Commandment by Elder Jeffrey R. Holland. Elder Holland states: My beloved brothers and sisters, I am not certain just what our experience will be on Judgment Day, but I will be very surprised if, at some point in that conversation, God does not ask us exactly what Christ asked Peter: 'Did you love me?' I think He will want to know if in our very mortal, very inadequate, and sometimes childish grasp of things, did we at least understand one commandment, the first and greatest commandment of them all—'Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy strength, and with all thy mind' (Luke 10:27; see also Matthew 22:37–38). And if at such a moment we can stammer out, 'Yea, Lord, thou knowest that I love thee,' then He may remind us that the crowning characteristic of love is always loyalty. This song is a testament of the words I want to say when that day comes for me.*Please note that this is the solo version of this composition.
I Walk Beside Thee
Piano, Voix
Brooke Griffin Carpenter
$2.75 2.38 € Piano, Voix PDF SheetMusicPlus

Small Ensemble Clarinet,Flute,Viola - Level 4 - Digital Download SKU: A0.987048 Composed by Joe Clark. Contemporary. Score and parts. 11 pages. Joe Clark #2025787. Published by Joe Clark (A0.987048). Flights of Fancy came about in an unexpected way. At the beginning of my sophomore year of high school, my homeroom teacher Lisa Harris decided to host Talent Fridays in an effort to enliven the tedium and pointlessness of the ten-minute homeroom period. Various students solved Rubik’s Cubes, Moonwalked, and displayed all manner of skills. Three of us, however, were musicians. Emily Church, Cailley Culotta, and I (note the alphabetical closeness of our last names!) played flute, viola, and clarinet respectively. Now, at the time, I was unfamiliar with chamber music as a general concept and so rather than searching for a piece for us to play, I elected to write one myself. As we were rehearsing in the band room one morning before school began, my band director walked in and asked what we were playing, sounding surprised that I had written it myself. Later that year, he encouraged me to submit it to various composition contests. Thus, Flights of Fancy was a winner of the 2010 UMass Lowell CMENC Annual Youth Composition Festival. Light, burbling lines sparkle and weave throughout the piece, allowing the three musicians to engage in a lively dialogue. The piece is suitable for a variety of occasions, from a recital opener to light music at a reception. It is suitable for moderately advanced high school ensembles or any college ensemble.
Flights of Fancy

$15.99 13.82 € PDF SheetMusicPlus

Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Violin - Level 2 - Digital Download SKU: A0.842533 Composed by T. Korner (?). Arranged by B. Brennan. Instructional,Romantic Period,Standards. Score and parts. 32 pages. Bl_music #5289981. Published by bl_music (A0.842533). 25 Progressive Studies For Recorders in C by T. Korner (?), a 19th century bassoonist and composer (notation:treble clef).Korner's Progressive Studies offer a combination of technical studies and very charming, likeable one page solo pieces. Our revised edition covers the full range of the bass recorder, beginning with a very simple piece in G and advancing to more unusual keys for the recorder.Some of the more advanced pieces are even suitable for use in Grades/exams or as little encores.While researching 19th century music we are surprised how often we find forgotten composers whose works are en par with the established repertoire.One of our aims is to revive these compositions and bring them to the attention of players and audiences.
25 Progressive Studies For Recorders In C (Treble Clef)

$15.99 13.82 € PDF SheetMusicPlus


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