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Instrumental Solo - Level 5 - Digital Download SKU: A0.1091262 Composed by Adrian Gagiu. Classical,Contemporary. Individual part. 28 pages. Adrian Gagiu #695427. Published by Adrian Gagiu (A0.1091262). Piano sonata in Neoclassical style, developing the themes briefly tried out by Beethoven in the slow introduction to the Finale of his Sonata No. 29 op. 106 (1818). This first movement (Allegro moderato) utilizes the first two of those melodic and textural scraps as the two themes of a sonata form in a mostly delicate, fantasia-like manner, with time signature ambiguity and alternance. The second movement (Allegro) utilizes the next two of those melodic and textural scraps as the two themes of an agitated 'scherzo' in G sharp minor, with allusions to Bach's Prelude in C minor from the second book of 'The Well-Tempered Clavier' and to Beethoven's Bagatelle in G minor, op. 126 no. 2. The Finale (Largo - Allegro ma non troppo) utilizes first the searching sections of that Introduction, as an enigmatic preparation of the big surprise in the Finale proper: a set of nine, mostly powerful variations on a tone row, yet treated not entirely with the twelve-tone technique, but in extended tonality context. Variations 2-5 allude to motifs from the themes of the previous movements. The mp3 is a self-made recording of the first movement using a Graf 1826 fortepiano sampled by Modartt's Pianoteq. Performing Rights Organization: SOCAN. Total duration: 19 min.
Piano Sonata No. 5, op. 81
Piano seul

$12.99 11.04 € Piano seul PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download SKU: A0.948808 Composed by Serghei Rachmaninov. Arranged by Adrian F. Pipas. 20th Century. 7 pages. Adrian F. Pipas #6642575. Published by Adrian F. Pipas (A0.948808). ЗдеÑÑŒ хорошо (Zdes' khorosho, How nice is here) was written in April 1902, in a sweet moment in the composer's life: he had overcome a creative block and had just married his cousin Natalia Sarina. Zdes' khorosho is n. 7 from Twelve Romances, op. 21, a beautiful song that talks about the bond between man, nature and God. It’s also a love song; One of the things I like the most is the balance between contemplation and passion that Rachmaninov accomplishes. The poem, by the Countess Glafira Adolfovna Einerling, a contemporary writer of the composer who wrote under the pseudonym of Galina, simply describes a sunset. I don't know if the landscape portrayed is similar to what Rachmaninov could see from his home but no doubt he felt it part of his own; he even changed the beginning of the poem so he said that the nice place was here. Zdes' khorosho is a song full of lyricism, seemingly simple but demanding for the singer (please pay attention to the pianissimo at the last verse, which seems to arise from nowhere), with an exquisite accompaniment. Some scholars think that the true essence of Rachmaninov is found in songs like that, rather than in his athletic piano concerts.In 1963, the Russian composer Vladimir Michailovich Jurowski (father and grandfather of conductors) orchestrated ten songs by Rachmaninov, including Zdes' khorosho, and there is a later orchestration of this song by Michael Rot. You know that I usually find it difficult to renounce the original piano versions, especially when the composer didn't orchestrated them, but I recommend you to listen to Anna Netrebko singing this song with the Mariinsky Theatre Orchestra conducted by Valery Gergiev.You might wonder why I don't share this version here, there are two reasons: first, I can’t do without that beautiful piano; two, I chose my version months ago (something that lately happens quite often). I said before that Zdes' khorosho is between contemplation and passion; Most of singers enhance the most contemplative perspective, that's the case of the lovely performance by Anna Netrebko. Others sing the most passionate version, like the one we’re listening today. Its tempo is faster than usual, it lasts about a minute and a half; maybe it would surprise you if you're used to slower versions. I hope you enjoy this song as much as me; I think this performance by Nicolai Gedda and Gerald Moore, recorded live in 1966, is wonderful.Source: Liederabend.cathttps://www.liederabend.cat/en/bloc/entrades/400-how-nice-it-is-here
Zdes' khorosho - Serghei Rachmaninov
Violon et Piano

$9.99 8.49 € Violon et Piano PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1184873 Composed by Mykola Leontovych. Arranged by Kim S. Bean. Christmas,Contemporary,Holiday,New Age,Religious. Score. 9 pages. Kim S. Bean #784552. Published by Kim S. Bean (A0.1184873). 9 pages, late intermediate. early advanced level; Starts in G minor with a mysterious opening that prevents the audience from knowing what piece is about to be played.  The famous theme enters in measure 13 and ends with a dramatic climb on the dominant arpeggio.  The theme is developed and morphs into a quote from Joy to the World in the key of D, followed by a quote from It Came Upon a Midnight Clear in a dream like manner, in the key of E major.  This section ends with bringing back part of the main theme in the key of E minor.  From there the piece modulates to the key of Eb minor to Eb major and finally back to G minor with a reprise of many of the earlier themes.  The end is a surprise with a quote once again from Joy to the World in a Maestoso fashion. Definitely a show-stopper short of piece.  Great for recitals!
Ukrainian Bell Carol Fantasy
Piano seul

$5.99 5.09 € Piano seul PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.1487803 Composed by Pietro Antonio Locatelli. Arranged by David Starkweather. Classical. Score and part. 31 pages. Artaria Editions #1064741. Published by Artaria Editions (A0.1487803). Three movements from these two sonatas became part of the cello literature due to an arrangement by Alfredo Piatti(1822-1901). Piatti's arrangement, while extending the literature for cello, took considerable liberty with the material. The three movements of the Locatelli-Piatti sonata are originally movements from the two Locatelli violin sonatas arranged in this edition for cello and continuo. Piatti's arrangement used the second and third movements of the Sonata in D Major, Op. 6 No. 6 , and the first movement of the Sonata in D Minor, Op. 6 No. 12. Pietro Antonio Locatelli (1695-1764) was an Italian composer and violinist who moved to Amsterdam in 1729. He was a virtuoso violinist, and his compositions are all concertos, sonatas and violin caprices. The twelve violin sonatas of Opus 6,1 published in Amsterdam in 1737, are considered to be among Locatelli's best works. The sonatas of Opus 6 generally follow the pattern found in No.6: a three movement scheme with a slow first movement, a fast middle movement, and concluding with a third movement set of variations, often on a minuet theme. No. 12 is a surprise, having five movements the last of which is a Capriccio, a predominantly solo movement subtitled Prova del intonatione. David Starkweather.
Sonata in D minor, Op.6, No.12 for cello and keyboard (harpsichord)
Violoncelle, Piano

$28.00 23.8 € Violoncelle, Piano PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M.A. Morizio (A0.926661). In the first chapter of Paul’s letter to the Colossians, we discover the next known Hymn to Christ right after his introductory passages, beginning at the 15th verse. Paul opens this letter with a blessing, then immediately flows to one of the 1st century hymns, which I have called, The Icon of the Invisible God. The lyrics of this hymn are declarative, bold and illuminating as to whom the Christ figure is-the icon, the very image of the invisible God, the firstborn of all creation. The text makes it abundantly clear that Jesus is the authority; that He was there before all things, that He created all things, and that through Him all things hold together.  This anthem is composed for SATB choir with Pipe Organ accompaniment. The meter is set to 6/8 time, with a rhythm tempo of Totally Alive; which is one actual definition of the word Holy. The anthem starts at a good clip (♪=100). The key is G Major, with an incidental and occasional flatted 5th (Dâ™­) as a surprise-landing befitting to the text presented, as if to say, This is so amazing, how can it be? The flatted 5th gives the piece it's own identity and causes the listener to stand up and take notice whenever it occurs. When the hymn's lyrics glide into the all-important resolution, having made peace through the blood of the cross, the song retards and lands on a surprising musical cadence, the sixth chord (E Major).  In this piece, the pipe organ is boldly featured as it supports and under girds the musical line, occasionally trumpeting its own victorious motifs and adding some contrapuntal elements, such as this duplet motif, in the pedal line. The final lyrics about Christ having reconciled everything to Himself, whether things on the earth or in the heavens, finish the piece with a great, ‘High-Church’ choral ending.  
THE ICON OF THE INVISIBLE GOD (SATB) – Colossians 1:15-20
Chorale SATB

$1.99 1.69 € Chorale SATB PDF SheetMusicPlus

Alto Voice,Bass Voice,Cello,Double Bass,Drum Set,Flute,Piano,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Digital Download SKU: A0.1477818 Composed by Ivan Marinez Lacamara and Manel Santisteban. Arranged by Andrés Montero. Chamber,Film/TV,Pop. 54 pages. Andrés Montero #1039731. Published by Andrés Montero (A0.1477818). La Casa de Papel, which was named Money Heist in english, took the world by surprise with an engaging story where the audience had to pick who to root for, the bad or the good guys. But in a twisty story you start asking yourself, who are the bad guys?The series featured the popular Italian song “Bella Ciao” which it became a sort of hymn of the show, but the main theme “My Life Is Going On” stole the spotlight for me musically. It is a wonderful song for the opening of each episode and this is an arrangement for a hybrid ensemble, mixing the lush sound of strings, flute and piano, with the power of the drums and the vocals.
La Casa De Papel (My Life Is Going On)

$24.99 21.24 € PDF SheetMusicPlus

C Instrument - Level 4 - Digital Download SKU: A0.499878 Composed by Irving Mills and Nat King Cole. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113145. Published by John Fries (A0.499878). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Straighten Up and Fly Right is a 1943 song written by Nat King Cole and Irving Mills and one of the first vocal hits for the King Cole Trio. It was the trio's most popular single, reaching number one on the Harlem Hit Parade for ten nonconsecutive weeks. The song was based on a black folk tale that Cole's father had used as a theme for one of his sermons. In the tale, a buzzard takes different animals for a joy ride. When he gets hungry, he throws them off on a dive and eats them for dinner. A monkey who had observed this trick goes for a ride; he wraps his tail around the buzzard's neck and gives the buzzard a big surprise by nearly choking him to death.
Straighten Up And Fly Right
Ligne De Mélodie, (Paroles) et Accords

$3.99 3.39 € Ligne De Mélodie, (Paroles) et Accords PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1499965 Composed by Eric Idle and John Du Prez. Arranged by K Hingee. 21st Century,A Cappella,Broadway,Comedy,Contemporary,Musical/Show. 4 pages. Katrin Hingee #1076030. Published by Katrin Hingee (A0.1499965). From Monty Python's Spamalot, this song is just as ridiculous as you'd expect. Usually it's the soloists who get all the fun, but this a cappella arrangement has opportunities for the whole choir to join in on the joke, including altos getting picky about the key, tenors getting snarky about the Sir Galahad's high notes, and everyone being taken by surprise by the existence of a fourth page of music.Originally arranged for Away From Keyboard - a geek-themed choir based in Canberra, Australia.
The Song That Goes Like This
Chorale SATB

$2.99 2.54 € Chorale SATB PDF SheetMusicPlus

Choral Choir,Choral,SSA Chorus - Level 2 - Digital Download SKU: A0.1512715 By Phillip Phillips. By Drew Pearson and Greg Holden. Arranged by Charles Beale. Country,Pop,Praise & Worship,Rock,Singer/Songwriter. 10 pages. Charliebmusic #1087667. Published by charliebmusic (A0.1512715). This arrangement of the Phillip Phillips classic 'Home' has become the surprise hit of Charlie's arranging canon. It has been sung by many TTBB and SATB choirs in the US and around the world, and is now newly available for SSA, as sung by Resonance Women's Choir.Anthemic, triumphant and celebratory, Home is a country rock medium tempo hit, originally sung on 'America's Got Talent'.The song tells the world (and the audience!) not to be afraid in dark times. It asserts that this is my home, this is the safe place where I have the right to belong.
Home
Phillip Phillips
$2.99 2.54 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.976874 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3244129. Published by Monica Bergo (A0.976874). 2017 Holiday Contest EntryTHEATER   If you want to transform your reality If you want another life The theater is here Choose the character What will you interpret Follow your script  and you will not be wrong   A blue curtain The lights are down And music begins An ox eye That will turn on The scene lights up   Offstage, me Look out for my turn my legs tremble Increase the beat   People in the audience Silent is And thet expects to live The story you will tell theyr And everything is possible   I grab the moment I commit myself to the utmost There is rhythm, there is energy There is grief, there is joy   Here everything is fake but there is truth And fate here, nothing can Because history already has its plot and its ending We will incarnate here Vices and virtues In the comedy you will lose You will breathe with us The magic that's here tonight Live in this atmosphere Trash and a bit surreal It will involve you   With its cardboard trees, canvas palaces Paper skies, foam lakes Tears drawn on blood red cheeks Imperfect moons and sunshine that does not shine   It's all a theater this my life I play more roles In prose or poetry We are all actors In this reality Browse your script It will surprise you   Finished the show I bow for you Applause and music A moment and I already find my self The usual Monica I feel a bit  Pierrot Between joy and tears But it went well and then tomorrow replies   Live  more lives  for  never die Sweet illusion that will cull me And it  will accompany me Even out of this scene If I recite  good ,you will know Unsuspecting sides of me I'll be nice O arrogant and bad A witch or a diva Heroes of a time gone Who will I ever be?   and how Pirandello wrote I’m  none and one hundred thousand I interpret myself And it's never good the first I'm not convincing in my dirty clothes And I change the script bugs Of my days a little shaken Absurd Theater It turns into a silent film And crying out loud In this desolate stage   If you are looking for an identity An interruption of reality Write your script or improver Get on that stage and you'll be what you want ....                                                                             Monica Bergo
Il teatro
Piano seul

$3.99 3.39 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.961679 Composed by Kim S. Bean. Children,Contemporary,Sacred,Standards. Score. 2 pages. Kim S. Bean #6038065. Published by Kim S. Bean (A0.961679). Waiting, 2 pages, is an intermediate piece in the key of D minor, is the fifth piece from a fairy tale suite of 8 pieces entitled The Kingdom of Light.  This work tells the story of a beautiful kingdom where the people are always singing and dancing. A place with glorious sunsets and sparkling seashores, with no evil lurking anywhere...until one day the Dark Knight arrives. Can the Prince save his lovely Princess? Can peace and safety be restored once more?   For individual student enjoyment as well as for recital programs. The recordings have narration and character voice overs followed by the piano piece that tells the story. Churches can use this for religious purposes as this can be allegorical in nature.The solo, Waiting, is in 6/8 time, opens with the tolling of a bell in a clock tower. Students will learn to make an audience wait , creating suspense. The music begins a frantic staccato motif that requires the student to cross their hands quickly. The piece ends in the key of F major as a hope filled surprise. Students with small hands can play single notes instead of octaves when necessary.Other pieces available in this suite are: Script for The Kingdom of Light,The Kingdom of Light, Joyful News! Leaving, The Dark Knight, His Journey and Return, Everlasting Promise and Glorious Celebration.
Waiting
Piano seul

$4.99 4.24 € Piano seul PDF SheetMusicPlus

Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.839826 By Neil Diamond. By Gilbert Becaud and Neil Diamond. Arranged by Bobby Hesch. Pop. Individual part. 3 pages. Bobby Hesch #6873555. Published by Bobby Hesch (A0.839826). LOVE ON THE ROCKS !!! WRITTEN & PERFORMED BY THE GREAT NEIL DIAMOND FROM THE MOVIE THE JAZZ SINGER (1980) LOVE ON THE ROCKS, AIN'T NO SURPRISE, GAVE YOU MY HEART, GAVE YOU MY SOUL,  YESTERDAY'S GONE, NOW ALL I WANT IS A SMILE!!! LET'S PLAY SOME JAZZ!!! KEY OF A!!! LOW A- HIGH D#  MP3 FOR JAZZ STYLE & INTERPRETATION !!! CONTACT INFORMATION:bobbyhesch@yahoo.com IG :@bobbyhesch  E MAIL QUESTIONS, I CAN HELP !! CHECK OUT THE GREAT LYRICS!!! HAVE FUN PERFORMING THIS GREAT TUNE !!! 
Love On The Rocks
Saxophone Alto
Neil Diamond
$4.99 4.24 € Saxophone Alto PDF SheetMusicPlus

Choral Choir (SA) - Level 3 - Digital Download SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034). Composer’s Note - Happy PlaceI’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​-- Sally Whitwell
Happy Place
Chorale 2 parties

$1.99 1.69 € Chorale 2 parties PDF SheetMusicPlus


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