Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download

SKU: A0.581935

Composed by John Gibson. Contemporary. 11 pages. JB Linear #3456847. Published by JB Linear (A0.581935).

Extinction Events (2nd movement - It Isn't Easy Being a Cuckoo by John Gibson was written as a submission to the International Clarinet Association's 2018 Composition Competition. Written for 3 Bb clarinets and 1 bass clarinet, it is a four movement work for very advanced players, although the 2nd movement is easier. This is the second movement only...the others may be purchased separately: Buzzy Delights, Walrus Jump, and Yaguarete Surprise (Argentine Jaguar). The entire set of 4 movements may also be purchased. Simply type extinction events Gibson in the search bar at the top.

Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Walruses jumping not so gracefully onto sea ice, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.

The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved.

Cuckoos are quiet reminders of spring when they first appear at the Marsden, United Kingdom area where they have a Cuckoo fair every year. Their habitat is shrinking at an alarming rate as their numbers slowly decrease. In the music, the cuckoos in the 3rd clarinet part get progressively sad sounding and simply disappear. Special fingerings are provided for the 3rd clarinet player.

You may watch a video on YouTube: https://youtu.be/MOCTanOBIyk

Piano Solo - Level 4 - Digital Download

SKU: A0.992069

Composed by James Michael McGuirk. Contemporary,Instructional. Score. 4 pages. Jim McGuirk #6244645. Published by Jim McGuirk (A0.992069).

This is an exciting piece of music which depicts a hungry cat stalking a carefree dancing mouse. The single chord ending leaves the outcome to the listener's imagination. The story and the events unwinding, can be threaded through the music for the benefit of any young children who may be listening.

Piano Solo - Level 5 - Digital Download

SKU: A0.999484

Composed by Alex Lewis. 20th Century,Concert,Contemporary,Standards. Score. 8 pages. Alex Lewis #6302621. Published by Alex Lewis (A0.999484).

Free Flow is about the free flow of information. Freedom of speech is one of the most important pillars of a liberal society. And it seems as though that's being eroded too easily these days.
I am reminded, ironically, of the quote by Henry Ford after showcasing the now-famous Model-T, You can have this vehicle in any color you want, as long as it's black. It seems as though the appropriate quote that the media has adopted is, You may have any opinion you want, as long as it's our opinion. I don't know why black was the only option for the Model-T, but perhaps there was a good excuse for it. There is no good reason to silence anybody's voice. What I want in this country is diversity. After all, doesn't everybody agree that diversity creates a better life than monotony? But I'm not just talking about Asians, Blacks, Whites, and others living in the same country. I'm not just talking about people of different ancestries working in the same economy. The pinnacle of diversity is when people of different philosophies and ideologies work together, collaborate together, and fight together. Censorship, then, is the greatest enemy of diversity. You may think censorship is needed. You may think censorship is justified. But censorship is used as a weapon against 'dangerous' people. I will clarify. Censorship is not being used against criminals, but against individuals with controversial ideas. Free Flow of information is the only safeguard against tyranny.

Piano Solo - Level 3 - Digital Download

SKU: A0.945023

By Talking Heads. By Chris Frantz, David Byrne, and Tina Weymouth. Arranged by Annie Louise (Anne Louise Duerr Diamos). Contemporary. Score. 4 pages. Anne L. Diamos #6598483. Published by Anne L. Diamos (A0.945023).

Here's a Treat for Halloween -- Piano Solo arrangement of Psycho Killer by the Talking Heads for intermediate piano.  Scare yourself and your friends for Halloween!  Don't forget to jam all the way to the end, but most of all -- HAVE FUN!

Piano,Violin - Level 3 - Digital Download

SKU: A0.933395

Composed by Philip Clark. Contemporary,Instructional,Standards. 7 pages. Philip H Clark #2031993. Published by Philip H Clark (A0.933395).

This piece was inspired by an actual 'passeggiata' in a small Tuscan town (Montespertoli) not far from Florence. There seemed to be no starting signal, yet suddenly the square was filled with people - excited children, teenagers in love for the first time, couples with strollers, serious adults discussing world affairs or the weather. They were walking slow, walking fast, talking slow, talking fast or not at all. And as I sat there drinking in this extraordinary spectacle, Sevcik's finger exercises were going round and round in my head. (3rd position plus harmonics).

Choral Choir (SATB) - Level 2 - Digital Download

SKU: A0.719731

Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 12 pages. Curtis Hanson #4573021. Published by Curtis Hanson (A0.719731).

As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include I Need Thee Every Hour, O Jesus, I Have Promised, and The Church's One Foundation.

Vocal Solo,Voice - Level 1 - Digital Download

SKU: A0.719764

Composed by Various. Arranged by Curtis Hanson. Sacred. 9 pages. Curtis Hanson #6069369. Published by Curtis Hanson (A0.719764).

As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include I Need Thee Every Hour, O Jesus, I Have Promised, and The Church's One Foundation. This collection of arrangements is also available for SATB voices and piano or piano solo.

Choral Choir (SATB) - Level 2 - Digital Download

SKU: A0.719728

Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 11 pages. Curtis Hanson #4573003. Published by Curtis Hanson (A0.719728).

As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include This Is My Father's World, I Love to Tell the Story, and Faith of Our Fathers.

Vocal Solo,Voice - Level 1 - Digital Download

SKU: A0.719762

Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069335. Published by Curtis Hanson (A0.719762).

As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include This Is My Father's World, I Love to Tell the Story, and Faith of Our Fathers. This collection of arrangements is also available for SATB voices and piano or piano solo.

Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download

SKU: A0.922585

By James Taylor. By Carole King. Arranged by Johan Verhey. Jazz,Pop,Singer/Songwriter. 72 pages. DaimlerMusic #6529901. Published by DaimlerMusic (A0.922585).

Prepare to be transported to a realm of musical emotion and connection with this stunning big band arrangement of 'You've Got A Friend' by Carole King, carefully crafted by the talented Johan Verhey. This rendition is a masterful testament to the power of music to touch the deepest corners of the heart.

With each note and every instrument, Johan Verhey's arrangement gracefully weaves together the familiar melody and lyrics into a rich tapestry of sound. It brings forth an entirely new dimension of warmth, tenderness, and nostalgia. Whether you're a fan of the original or experiencing this song for the first time, Johan Verhey's big band arrangement will undoubtedly leave an indelible mark on your soul.

The lush harmonies, the soulful horn section, and the rhythmic drive of the band encapsulate the true essence of friendship and support, making this rendition a heartwarming tribute to the power of camaraderie and solidarity. It's a musical journey that's sure to resonate with audiences of all ages and backgrounds, proving that the message of 'You've Got A Friend' transcends generations.

Johan Verhey's arrangement is a testament to the enduring relevance of Carole King's lyrics and melodies. It's not just music; it's a sentimental voyage that will touch your heart and remind you that, indeed, you've got a friend in this extraordinary piece of art.

Prepare to be moved, uplifted, and reminded of the beauty of true friendship. Your audience will be captivated, and your musicians will relish every moment of performing Johan Verhey's enchanting arrangement. 'You've Got A Friend' will forever hold a special place in your heart, just like the friends who stand by your side. Embrace the magic, and let Johan Verhey's music do the talking.

More music from Johan Verhey, see: www.bestarrangementsforbands.com.

Children's Choir; Choral (CD Preview Pak)

SKU: HL.8738523

Children's Musical. Composed by Betty Hager and Daniel Sharp. Fred Bock Publications. Christmas, Christmas Sacred, Christmas/Advent Sacred, Collection, Musicals. Book & CD Package. Fred Bock Music Company #BG0716PP. Published by Fred Bock Music Company (HL.8738523).

UPC: 073999385236. 9.0x12.7x0.284 inches. D. Sharp, B. Hager & F. Bock.

In this imaginative children's Christmas musical, talking stars, lions, lambs and shepherds all think that the King of Kings will be one of their own kind, since the Bible calls Him 'the Bright and Morning Star,' 'the Lion of Judah,' 'the Lamb of God,' and 'the Good Shepherd.' Three very small kings discover the true King of Kings, a tiny baby, and tell everyone the news. 'Three Wee Kings' features several familiar tunes plus new songs.

Available: Director's Edition, Singer's Edition, Accompaniment Track CD, Listening CD, Preview Pak (Singer's Edition and Listening CD) and Singer Edition 5-Pak.

A CD preview pack contains the complete songbook and a CD with the full-length audio recording of a choral musical or collection.

Children's Choir; Choral (Listening CD)

SKU: HL.8738497

Children's Musical. Composed by Betty Hager and Daniel Sharp. Fred Bock Publications. Christmas, Christmas Sacred, Christmas/Advent Sacred, Collection, Musicals. CD only. Fred Bock Music Company #BG7533. Published by Fred Bock Music Company (HL.8738497).

UPC: 073999384970. 5.5x5.0x0.202 inches. D. Sharp, B. Hager & F. Bock.

In this imaginative children's Christmas musical, talking stars, lions, lambs and shepherds all think that the King of Kings will be one of their own kind, since the Bible calls Him 'the Bright and Morning Star,' 'the Lion of Judah,' 'the Lamb of God,' and 'the Good Shepherd.' Three very small kings discover the true King of Kings, a tiny baby, and tell everyone the news. 'Three Wee Kings' features several familiar tunes plus new songs.

Available: Director's Edition, Singer's Edition, Accompaniment Track CD, Listening CD, Preview Pak (Singer's Edition and Listening CD) and Singer Edition 5-Pak.

Piano,Tuba - Level 5 - Digital Download

SKU: A0.1002836

Composed by Kyle Vanderburg. Contemporary. Score and part. 33 pages. NoteForge #6113517. Published by NoteForge (A0.1002836).

I spent New Year's Eve 2018 in Nye, Montana, visiting family and friends. One of those friends is an imaging specialist who regaled us with an explanation of his most recent project, which he described as calibrating the moon. Specifically, he was talking about the NASA ARCSTONE mission to calibrate the moon's reflectance to use as an accurate reference, primarily in climate science. The idea is that we have all this data about global warming and atmospheric changes, and a lot of that data uses the brightness of the moon as a control variable, but we don't actually have a precise definition of how bright the moon is. Ever since I was a part of that conversation, I knew that I wanted calibrating the moon as a title, and everything that came after that plays with the idea of moon themes or of doing big impossible-sounding things. When Connor Challey approached me about writing for tuba, Calibrating the Moon was an obvious choice.

The work opens with Syzygy, a term describing the straight line between the sun, moon, and Earth that occurs every new and full moon. The movement starts dark and brooding, moves to an energetic middle section, and returns to being mysterious, kind of like a lunar cycle. Fun fact: This movement's theme is actually a tuba setting of the phrase Calibrating the moon.

The Second movement, Spectral Reflectance, is slow and shiny. NDSU was fortunate to have portfolio tubist (and Connor's mentor) Sam Pilafian as a visiting guest artist for several years, and I finished Syzygy around the time of his passing. I spent a lot of time thinking about Sam while putting the second movement together, and I quoted a couple of his favorite tuba concerti.

The work ends with Libration. If you were to watch a time-lapse video of a lunar cycle, you'd notice that the moon not only transitions from new to full to new, but also sort of oscillates or wags. That's Libration. The movement is likewise off-kilter, playing with the listener's sense of time through alternating time signatures.

https://kylevanderburg.com/music/calibrating-the-moon/

Choral Choir,Choral (SAB) - Level 3 - Digital Download

SKU: A0.1389486

By Leonard Cohen. By Leonard Cohen. Arranged by Justin Matthew Starr. Contemporary,Pop,Rock,Standards. 16 pages. J M Starr Music #973074. Published by J M Starr Music (A0.1389486).

“Hallelujah� was originally released by Canadian singer/songwriter Leonard Cohen in 1984 on his album Various Positions. This composition, however, is one of the few in history that may be more well-known due to covers of the song than the original version. In 1991, John Cale did a cover of the song that removed the synthesizers, gospel choir, full band, and low, borderline-talking bass voice from Cohen’s original; and replaced it all with a bare-bones piano and tenor voice. It is not difficult to argue that this arrangement of the composition became the definitive version that all future covers would be based on: from Jeff Buckley’s stripped-down guitar and voice 1994 version, to Rufus Wainright’s piano and voice 2001 cover for the soundtrack to the motion picture Shrek, to k.d. lang, the a cappella group Pentatonix, and many, many more.

When I first arranged this song in 2010 for my 8th grade SAB choir, I did not know the John Cale version existed; rather, I started by transcribing the Rufus Wainright recording and then made it my own from there. My arrangement is melodically akin to the Wainright, but I added harmonies in various places throughout. Lyric selection was also a choice I had to me, as each version of the song contains a different number of verses. Cohen’s 1984 original had four, and then in 1988 he sang a live version with seven (supposedly he drafted over 80 different verses!). I decided to go with five. This allowed me to structure the song in a way that got feature and give the melody to: a Soloist(s) (verse 1), the Baritones (verse 2), the Altos (verse 3), the Sopranos (verse 4) and then the entire choir (verse 5). Over the years that I have performed this with my students, I couldn’t help myself from rocking out with little bluesy fills and licks in the final choruses, so I decided to write it in. I hope you, your students, and accompanist have fun with that!