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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1230704 By Elvis Presley. By Bernie Baum, Bill Giant, and Florence Kaye. Arranged by Thomas Graf. Broadway,Film/TV,Musical/Show,Pop. 12 pages. Thomas Graf - the-hit-factory.com #826414. Published by Thomas Graf - the-hit-factory.com (A0.1230704). (You're the) Devil in Disguise is a 1963 single by Elvis Presley which was written by Bill Giant, Bernie Baum and Florence Kaye. It was published by Elvis Presley Music in June 1963. The song peaked at No. 3 in the US on the Billboard singles chart on August 10, 1963, and No. 9 on the Billboard Rhythm and Blues singles chart, becoming his last top ten single on the Rhythm and Blues charts. The single was certified Gold by the RIAA for sales in excess of 500,000 units in the US. The song also topped Japan's Utamatic record chart in the fall of 1963.About this arrangement: Composed by: By Bernie Baum, Florence Kaye, Bill GiantArranged by: Thomas H. GrafInstrumentation: Full Score and Parts as listed below:Part I Soprano SaxophonePart I Alto SaxophonePart II Alto SaxophonePart III Tenor SaxophonePart IV Baritone SaxophonePart IV Bass SaxophoneAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
(you're The) Devil In Disguise
Quatuor de Saxophones: 4 saxophones
Elvis Presley
$14.00 12.01 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1230705 By Elvis Presley. By Bernie Baum, Bill Giant, and Florence Kaye. Arranged by Thomas Graf. Broadway,Country,Film/TV,Musical/Show,Pop,Rock. 15 pages. Thomas Graf - the-hit-factory.com #826415. Published by Thomas Graf - the-hit-factory.com (A0.1230705). (You're the) Devil in Disguise is a 1963 single by Elvis Presley which was written by Bill Giant, Bernie Baum and Florence Kaye. It was published by Elvis Presley Music in June 1963. The song peaked at No. 3 in the US on the Billboard singles chart on August 10, 1963, and No. 9 on the Billboard Rhythm and Blues singles chart, becoming his last top ten single on the Rhythm and Blues charts. The single was certified Gold by the RIAA for sales in excess of 500,000 units in the US. The song also topped Japan's Utamatic record chart in the fall of 1963.About this arrangement: Composed by: By Bernie Baum, Florence Kaye, Bill GiantArranged by: Thomas H. GrafInstrumentation: Full Score and Parts as listed below:Part I Soprano SaxophonePart I Alto SaxophonePart II Alto SaxophonePart III Alto SaxophonePart III Tenor SaxophonePart IV Tenor SaxophonePart V Baritone SaxophonePart V Bass SaxophoneAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
(you're The) Devil In Disguise
Quintette de Saxophone: 5 saxophones
Elvis Presley
$16.00 13.73 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1196739 By John Powell. By John Powell. Arranged by Rob Bushnell. 20th Century,Celtic,Film/TV,Folk,Irish. Brass Band. 79 pages. RBMusic #795900. Published by RBMusic (A0.1196739). Test Drive is from the soundtrack to the 2010 computer-animated action fantasy film How to Train Your Dragon, based on the book by Cressida Cowell. It follows the story of Hiccup and Toothless as they form an unlikely friendship, against the backdrop of the Viking village of Berk, where the other villagers attempt to kill dragons when they attack.The music is composed by John Powell. Whilst this was his sixth collaboration with DreamWorks Animation, it was the first where he was the sole composer (having worked with other composers such as Harry Gregson-Williams and Hans Zimmer prior to this). In an interview with The Wasp, Powell said that the directors wanted “size and depth and emotionâ€, wanting “a feeling of the Nordic musical past.†This led him to the music of Nielsen, Grieg and, in particular, Sibelius. “Sibelius was the key. I studied a lot of Sibelius as a kid, and I've always adored his music.†He continues, “we looked at all the folk music from the Nordic areas. And I'm part Scottish and grew up with a lot of Scottish folk music, so that came into it a lot. And Celtic music was something that Jeffrey [Katzenberg] felt had this very attractive quality to it, and a sweetness, that he thought would be wonderful for the film.Test Drive appears in the film when Hiccup first takes flight on Toothless. It perfectly brings together “Hiccup's Theme†and “Toothless' Themeâ€. The two themes take over from each other, representing the development of their onscreen relationship during this flight scene as Hiccup starts to trust Toothless, and vice versa. The soundtrack was nominated for the Academy Award for Best Original Score and the BAFTA Award for Best Film Music.This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=IpPIK4T068s.Other searchable terms: Jay Baruchel, America Ferrera, Astrid Hofferson, Gerard Butler, Stoick the Vast, Craig Ferguson, Gobber the Belch, blacksmith, Christopher Mintz-Plasse, Fishlegs Ingerman, Jonah Hill, Snotlout Jorgenson, T.J. Miller, Kristen Wiig, Tuffnut and Ruffnut Thorston, David Tennant, Spitelout, Robin Atkin Downes, Ack, Philip McGrade, Starkard, Kieron Elliott, Hoark the Haggard, Ashley Jensen, Phlegma the Fierce, Randy Thom, Night Fury.
Test Drive
John Powell
$44.99 38.6 € PDF SheetMusicPlus

C Instrument - Level 4 - Digital Download SKU: A0.509095 Composed by Georges Abel Louis Auric, Jacques LaRue, and William Engvick. Arranged by John Fries. Broadway,Classical,Film/TV,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #120191. Published by John Fries (A0.509095). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. It's April Again (also known as The Song from Moulin Rouge and Where Is Your Heart) is a popular song that first appeared in the 1952 film Moulin Rouge. It became a No. 1 hit in the UK Singles Chart when recorded by Mantovani. The music for the film was written by Georges Auric; the original French lyrics were by Jacques Larue, with the English words by William Engvick. The Auric-Engvick song was published in 1953.
The Song From Moulin Rouge (where Is Your Heart)
Instruments en Do

$3.99 3.42 € Instruments en Do PDF SheetMusicPlus

Choral Choir (TB) - Level 4 - Digital Download SKU: A0.1034203 Composed by George M. Cohan. Arranged by Cathy Stamegna. Broadway,Contest,Festival,Film/TV,Holiday,Musical/Show,Patriotic. Octavo. 12 pages. Cathy Stamegna #639538. Published by Cathy Stamegna (A0.1034203). Showcase the men in your chorus with this fun, uptempo George M. Cohan Medley! Features: I Want to Hear a Yankee Doodle Tune, I’m a Yankee Doodle Dandy, You’re a Grand Old Flag. Appropriate as concert repertoire, or a festival piece. Accessible for Fourth of July or any American patriotic occasions. The medley ends with a quick reprise of each selection and a grand finish with an optional divisi into four parts. Graded Advanced Intermediate because of its lively tempo and accidentals. Performance Time: Approx. 3:15.
George M. Cohan Patriotic Medley (2-Part Men’s Chorus, Piano Accompaniment)
Chorale 2 parties

$2.25 1.93 € Chorale 2 parties PDF SheetMusicPlus

SATB choir and Piano - Medium - Digital Download SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
Soon We Will Be Done (Downloadable)
Chorale SATB

$3.20 2.75 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1283379 Composed by Billy Snead, Gerald Boonstra, and Paul Austin Cunningham. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 2 pages. John Fries #874563. Published by John Fries (A0.1283379). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  East of the Sun (and West of the Moon) is a popular song written by Brooks Bowman, an undergraduate member of Princeton University's Class of 1936, for the 1934 production of the Princeton Triangle Club's production of Stags at Bay. The standard is also sung by the Princeton Nassoons, Princeton University's oldest a cappella group. Tommy Dorsey recorded it in 1940 with vocals by Frank Sinatra, a trumpet solo by Bunny Berigan, and backup slang lyrics.
East Of The Sun
Piano seul

$5.99 5.14 € Piano seul PDF SheetMusicPlus






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