String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1250755 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Sarah Cellobat Chaffee. Film/TV,Jazz,Pop,Standards. 16 pages. Sarah Cellobat Chaffee #845029. Published by Sarah Cellobat Chaffee (A0.1250755). New York, New York is really a song that needs no introduction! Written as the theme for the Martin Scorsese film of the same name in 1977, the song was originally performed by Liza Minnelli, and her version received a Golden Globe nomination that year. However, it didn't really become a mainstream hit until 1978, when Frank Sinatra included it in his performances at Radio City Music Hall; his version quickly became a massive success, and it's now considered one of his signature songs. To this day, it's still one of the best-known songs of all time about New York City, and it's been included in AFI's list of the top 100 songs in American cinema -- so you can't go wrong adding this one to your gig books! This Cellobat arrangement for your string quartet features the soaring melodies, catchy big-band horn riffs, fun jazz harmonies, and feel-good vibe of the original for a chart your group will love to play...and you're sure to get your audience singing along, too! Rated advanced-intermediate for a few tricky rhythms and accidentals; this will be playable for more advanced students and sightreadable for professionals.Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.

String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.1419194 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Sarah Cellobat Chaffee. Broadway,Film/TV,Jazz,Musical/Show,Pop,Standards. 12 pages. Sarah Cellobat Chaffee #1000626. Published by Sarah Cellobat Chaffee (A0.1419194). *INSTRUMENTATION: 2 VIOLINS & CELLO*New York, New York is really a song that needs no introduction! Written as the theme for the Martin Scorsese film of the same name in 1977, the song was originally performed by Liza Minnelli, and her version received a Golden Globe nomination that year. However, it didn't really become a mainstream hit until 1978, when Frank Sinatra included it in his performances at Radio City Music Hall; his version quickly became a massive success, and it's now considered one of his signature songs. To this day, it's still one of the best-known songs of all time about New York City, and it's been included in AFI's list of the top 100 songs in American cinema -- so you can't go wrong adding this one to your gig books! This Cellobat arrangement for your two-violin and cello trio features the soaring melodies, catchy big-band horn riffs, fun jazz harmonies, and feel-good vibe of the original for a chart your group will love to play...and you're sure to get your audience singing along, too! Rated advanced-intermediate for a few tricky rhythms and accidentals; this will be playable for more advanced students and sightreadable for professionals.Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.

Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling.  It is named in honor of Franzl Lang, the Yodelking.

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1490266 By Marketts. By Neal Hefti. Arranged by Jan Berry and George Tipton. 20th Century,Film/TV,Pop,Rock. 47 pages. Fiji Printing #1067103. Published by Fiji Printing (A0.1490266). Jan Berry and George Tipton's original music score, used by Wrecking Crew studio musicians to record Neal Hefti's Batman Theme for the Jan & Dean Meet Batman LP in 1966. This arrangement pays homage to Nelson Riddle, the well-known composer and bandleader who wrote the music for the first two seasons of the Batman television series in 1966.Transcribed by Mark A. Moore from Jan Berry's music archive, in association with his estate. Moore is the author of Dead Man's Curve: The Rock 'n' Roll Life of Jan Berry (McFarland 2021) and The Jan & Dean Record (McFarland 2016).Perfect for high school, college, or local ensembles that want to tackle this contemporary take on the television classic from 1966.Studio Recording Arrangement (1966):BRASS: Trumpet 1-2; French Horn; Trombone 1-2.RHYTHM: Guitar 1; Guitar 2 (Danelectro 6-String Bass); Guitar 3 (Bass Guitar); Bass 1 (Fender); Bass 2 (upright); Drums, Percussion (Triangle); Organ.Note: This arrangement is classified as Jazz Ensemble because it is the closest classification offered by the ArrangeMe platform.Publication includes:(1) Illustrated cover page; (2) Introductory text with commentary on the music and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.47 Pages10 x 14.

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.

Concert Band - Level 2 - Digital Download SKU: A0.1310170 Composed by Andrea Morricone and Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. 51 pages. Lorenzo Bocci #899306. Published by Lorenzo Bocci (A0.1310170). For Concert Band - Grade 2,5 - Digital DownloadComposed by Andrea Morricone, Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 2'51''. Published by Lorenzo Bocci.Create the Nuovo Cinema Paradiso Suite, purchase also:- Cinema Paradiso - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Prima gioventù - YouTube ScorePlay - Sheet Music Direct - Sheet Music PlusPlay the three songs in order:- Cinema Paradiso - Prima Gioventù- Love Theme (Tema d'amore)Cinema Paradiso is a 1988 coming-of-age drama film written and directed by Giuseppe Tornatore.The film's soundtrack was composed and directed by Ennio Morricone, with the exception of the song Tema d'amore, composed by his son Andrea.Considered one of Morricone's most famous and successful works, the film's soundtrack is characterized by orchestral symphonies with nostalgic, poignant and melancholy tones, which have remained inextricably linked to the film and entered the collective imagination. The film marked the beginning of the collaboration between Morricone and Tornatore, which continued until the composer's death in 2020, for a total of eleven films.The film's music was awarded the David di Donatello in 1989 and the BAFTA in 1991.

Piano - Digital Download SKU: LV.10738 Composed by F. W. Meacham. Tree limbs. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10738). Grand Fantasia on the Theme of The Mocking Bird. Conservatory Edition [quotes tunes such as Auld Lang Syne, and Listen to the Mocking Bird]. by F.W. Meacham. Published 1905 by Conservatory Publication Society, Broadway & 37th St. in New York. Composition of sectional with piano instrumentation. Subject headings for this piece include Tree limbs. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

French Horn Quartet Horn - Level 4 - Digital Download SKU: A0.1252433 Composed by Monty Norman. Arranged by Peter Clark. 20th Century,Film/TV,Jazz. 8 pages. Petey C. #846404. Published by Petey C. (A0.1252433). Hey Friends!As always, I have a couple public domain arrangements on my website, peteyc.com. Check them out, they're cheaper and support me more than what little percentage I get from here.This arrangement is one of my most viewed on my YouTube channel. I made it several years ago and it's been very popular to play live as well. It's an iconic theme that's been around since the 1960's. If you play in a horn quartet, this is the arrangement to get. There are no drums in the arrangement like there are in my recording, but you can get a great idea of how it sounds by the YouTube link here.Like all of my arrangements, I like to pass around melodic stuff so none of the parts are boring. This arrangement has some pretty extreme range and some fluttertongue in one of the parts. It's not extremely difficult but it can be challenging. Not for beginners. Intermediate to advanced. Thanks for checking it out!

Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Horn,Tenor Recorder,Tenor Saxophone,Trombone,Tuba - Level 2 - Digital Download SKU: A0.871392 Composed by Peter Ilyich Tchaikovsky. Arranged by Clara Obsidian. Holiday,Love,Romantic Period,Wedding. Score and parts. 6 pages. Clara Obsidian #6019483. Published by Clara Obsidian (A0.871392). Romeo and Juliet Fantasy Overture, is an orchestral work composed by P. Tchaikovsky based on Shakespeare's play of the same name. The Overture's yearning Love Theme signifies the couple first meeting at Juliet's balcony. and is universally acknowledged as one of the greatest melodies ever written. It is quintessentially the love at first sight music in numerous movies including the 1992 comedy Wayne's World, and the first movie with sound, 1927's The Jazz Singer.Arranged for Bass Clef Instruments [Slurring recommendation included]I: Original Octave II: Original Octave with some tenor clefIII: Lower OctaveAll 3 Scores are included in the purchase-------

Piano - Digital Download SKU: LV.22523 Composed by Charles Grobe. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22523). Variations Brilliantes Sur le Theme Favori Shells of Ocean. Composee par Charles Grobe. Published [n.d.] by John C. Schreiner & Son in Macon, GA. Composition of da capo with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.1046919 Composed by Jim Henson and Sam Pottle. Arranged by Derek Hasted. Film/TV. Score and parts. 15 pages. Derek Hasted #651420. Published by Derek Hasted (A0.1046919). THE MUPPETS (TV Theme Tune) - EASY GUITAR QUARTET - or large ensembleFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes The Hampshire Guitar Orchestra used to open some of its concerts with this piece, and itâ??s a great piece for an audience of non-guitarists, drawing them in to the world of music that doesnâ??t fit well on a single guitar. Itâ??s ideal for a school concert but would also suit an adult ensemble with modest experience.Set in swing time, thereâ??s just one little piece of percussion where there are three sharp raps to the front of the guitar - take this on the wing of the bridge and thereâ??s no change of marking the soft wood of the front.School Teachers - you could consider splitting Guitar 3 into two single melodic lines - some players playing stems up and some playing stems down, and then this piece will suit players from almost complete beginners upwards.I hope you enjoy playing this piece!

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.1514326 By George Gershwin. By George Gershwin. Arranged by Christopher Frost-Lutman. 20th Century,Blues,Chamber,Classical,Jazz. 11 pages. Christopher Frost #1088803. Published by Christopher Frost (A0.1514326). An arrangement of the lush theme 2/3rds of the way through George Gershwin's Rhapsody In Blue arranged for saxophone quartet (S[A]ATB) with a soprano saxophone substitute part on alto saxophone. Ensembles often choose to perform this piece with an AATB set up.Recordings of Christopher Frost's saxophone quartets can be found on his YouTube channel playlist:Saxophone Quartetswww.chrisfrostmusic.comchris@chrisfrostmusic.com.

Piano Solo - Level 4 - Digital Download SKU: A0.1024222 Composed by Will Shaw. 20th Century,Christian,Contemporary,Sacred,Spiritual. Score. 3 pages. Phoenix Melodies #2918767. Published by Phoenix Melodies (A0.1024222). The Lord's Will is the story of my life told through music. This is the piano solo music of the primary theme for the story. John Williams once said that you can be looking at something horrific but the music content can be giving you a sense of compassion. In our pre earth life, we all chose certain challenges. The lord knew that certain select children of his would take a course not as common to others. Those that take these courses don't always see life in the same way. Sometimes that to open another's eyes to see more than what is in front of them may be, The Lord's Will.