Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1001558 By Henry Mancini. By Nino Rota. Arranged by Rita Arendz. Film/TV,Romantic Period. Brass Band. 40 pages. Rita Arendz #6682653. Published by Rita Arendz (A0.1001558). The tragic romance of Romeo and Juliet dates from before Shakespeare's 1597 dramatic play. Since then, the story has been adapted for opera, musicals, and film. In the late 1870's Tchaikovsky toyed with the idea of an opera. He completed a Fantasy Overture, and later on, sketched the Duet between the two lovers. A tragedy in itself, Tchaikovsky never finished his opera. Almost 100 years later, Franco Zeffirelli directed a film version where Giovanni Rota Rinaldi (Nino Rota) created the musical score in 1968. The most notable segment is the Love Theme sung by the troubadour during the masked ball where Romeo and Juliet first meet.This setting is based on the timeless innocence of Rinaldi's writing of the Love Theme and makes reference to the passionate duet of Tchaikovksy, with Juliet played by the Tenor Horn and Romeo by the Euphonium. As Shakespeare wrote in Twelfth Night, if music be the food of love, play on!Scored for the smaller British Brass Band with a minimum of 9 parts up to full band.  Duration ~4:25. 40 Pages.

Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.1189639 By Ron Grainer. By Ron Grainer. Arranged by Derek Hasted. Film/TV. Score and parts. 11 pages. Derek Hasted #789270. Published by Derek Hasted (A0.1189639). OLD NED (Theme from Steptoe & Son) - 2 GUITARSFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This famous UK TV Theme makes a great Student/Teacher duet, or simply a fun encore in a concert...Opening in the same key as the original (C major), my version includes guitar-friendly key-changes at the same points as the original, but avoiding the key of 5 flats!(If you play the D major accompaniment using barrés and no open strings, then you’ll find the E major section has identical fingering).I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.

Viola Solo - Level 2 - Digital Download SKU: A0.1309978 Composed by Camille Saint-Saens. Arranged by Bart's Editions. 19th Century,Classical,Film/TV,Halloween,Romantic Period. Individual part. 1 pages. Bart's Editions #899098. Published by Bart's Editions (A0.1309978). An easy lead sheet (with chords) of the famous great theme of Camille Saint-Saëns' Danse Macabre written specially for the viola, being able to sound great by any intermediate violist who desires to play this thrilling theme.

Bass Trombone,Trombone Solo - Level 1 - Digital Download SKU: A0.1405971 By Piotr Ilitch Tchaikovsky. By Piotr Ilitch Tchaikovsky. Arranged by Guilherme Assunção. 19th Century,Classical,Romantic Period. Individual part. 2 pages. Guilherme A. #989019. Published by Guilherme A. (A0.1405971). Dive into Musical Majesty: Tchaikovsky's Swan Theme Solo Trombone Sheet Music Now Available! Immerse yourself in the timeless beauty of Tchaikovsky's Swan Theme with this captivating arrangement tailored for solo trombone. Let the graceful melodies of this iconic piece transport you to a world of elegance and wonder. Perfect for trombonists of all levels, this arrangement offers a delightful challenge while showcasing the expressive capabilities of the trombone. Don't miss the opportunity to add this enchanting piece to your repertoire. Grab your trombone and embark on a musical journey through the swan's serene realm today!

Oboe Solo - Level 2 - Digital Download SKU: A0.1405961 By Piotr Ilitch Tchaikovski. By Piotr Ilitch Tchaikovski. Arranged by Guilherme Assunção. 19th Century,Classical,Romantic Period. Individual part. 2 pages. Guilherme A. #989009. Published by Guilherme A. (A0.1405961). Dive into Musical Majesty: Tchaikovsky's Swan Theme Solo Oboe Sheet Music Now Available! Immerse yourself in the timeless beauty of Tchaikovsky's Swan Theme with this captivating arrangement tailored for solo oboe. Let the graceful melodies of this iconic piece transport you to a world of elegance and wonder. Perfect for oboists of all levels, this arrangement offers a delightful challenge while showcasing the expressive capabilities of the oboe. Don't miss the opportunity to add this enchanting piece to your repertoire. Grab your oboe and embark on a musical journey through the swan's serene realm today!

Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1074681 Composed by Wolfgang Amadeus Mozart. Arranged by Derek Hasted. Classical,Film/TV. Score and parts. 18 pages. Derek Hasted #678951. Published by Derek Hasted (A0.1074681). PRESTO (Mozart K522) The Horse Of The Year Show TV Theme - 3 GUITARS OR LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is part of the fourth movement - Presto - of Mozart’s K522 for string quartet and two horns. It’s commonly known as “A Musical Joke�, though the correct translation is “Some Musical Fun�. In the UK, a sanitised version with added drumbeat and electric bass was used as the TV theme music to “The Horse Of The Year Show�. My arrangement has just some of the thematic material of the original, yet still fills a music stand. An optional repeat extends the piece to a little over 3 minutes. Mozart intended the piece as a showcase of how NOT to write, and the Presto contains some extraordinary and modern-sounding key changes as well as some rather odd counterpoint. The original Presto finishes with an unexpected burst into 4 different keys, all sounding together after one of the longest build-ups to an ending you’ll ever hear. My setting for 3 guitars ends in 3 of the 4 keys that Mozart burst into. Most audiences would probably associate this with a catastrophic disaster, so I’ve included a second ending that stays in key for a nice happy ending! Rather than the isolated quavers (eighth notes) and rests, I’ve used staccato marks to make a version that is much easier to read yet has exactly the same articulation. I hope you enjoy this piece!

String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.1487590 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Homco/Crinion. Film/TV,Pop. 7 pages. Homco/Crinion #1064529. Published by Homco/Crinion (A0.1487590). This is the theme song from the 1977 musical film New York, New York. Liza Minelli covered it in the film, but Frank Sinatra's recording 2 years later became the theme song for New York City. Many songs have been written about NYC, but no song has captured the city's essence like this one does. It's sassy, proud, elegant, competitive, successful - just like the city that never sleeps..

Guitar - Level 3 - Digital Download SKU: A0.556526 By David Babyface Foster. By David Babyface Foster. Arranged by PianoSheetNow. 20th Century,Contemporary,Film/TV. Guitar Tab. 3 pages. PianoSheetNow #3664537. Published by PianoSheetNow (A0.556526). Love Theme from St. Elmo's Fire (theme to the movie by David Foster) was written by Canadian composer/producer David Foster. This is a lovely version for fingerstyle guitar (classical or acoustic guitar). Early intermediate to intermediate. With guitar tablature. With some finger-positions suggestions.Pages: 2 1/2 pages, 2:45' min.https://www.youtube.com/watch?v=UbesahJGrEc&feature=youtu.be

String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.1419194 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Sarah Cellobat Chaffee. Broadway,Film/TV,Jazz,Musical/Show,Pop,Standards. 12 pages. Sarah Cellobat Chaffee #1000626. Published by Sarah Cellobat Chaffee (A0.1419194). *INSTRUMENTATION: 2 VIOLINS & CELLO*New York, New York is really a song that needs no introduction! Written as the theme for the Martin Scorsese film of the same name in 1977, the song was originally performed by Liza Minnelli, and her version received a Golden Globe nomination that year. However, it didn't really become a mainstream hit until 1978, when Frank Sinatra included it in his performances at Radio City Music Hall; his version quickly became a massive success, and it's now considered one of his signature songs. To this day, it's still one of the best-known songs of all time about New York City, and it's been included in AFI's list of the top 100 songs in American cinema -- so you can't go wrong adding this one to your gig books! This Cellobat arrangement for your two-violin and cello trio features the soaring melodies, catchy big-band horn riffs, fun jazz harmonies, and feel-good vibe of the original for a chart your group will love to play...and you're sure to get your audience singing along, too! Rated advanced-intermediate for a few tricky rhythms and accidentals; this will be playable for more advanced students and sightreadable for professionals.Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.

Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling.  It is named in honor of Franzl Lang, the Yodelking.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1250755 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Sarah Cellobat Chaffee. Film/TV,Jazz,Pop,Standards. 16 pages. Sarah Cellobat Chaffee #845029. Published by Sarah Cellobat Chaffee (A0.1250755). New York, New York is really a song that needs no introduction! Written as the theme for the Martin Scorsese film of the same name in 1977, the song was originally performed by Liza Minnelli, and her version received a Golden Globe nomination that year. However, it didn't really become a mainstream hit until 1978, when Frank Sinatra included it in his performances at Radio City Music Hall; his version quickly became a massive success, and it's now considered one of his signature songs. To this day, it's still one of the best-known songs of all time about New York City, and it's been included in AFI's list of the top 100 songs in American cinema -- so you can't go wrong adding this one to your gig books! This Cellobat arrangement for your string quartet features the soaring melodies, catchy big-band horn riffs, fun jazz harmonies, and feel-good vibe of the original for a chart your group will love to play...and you're sure to get your audience singing along, too! Rated advanced-intermediate for a few tricky rhythms and accidentals; this will be playable for more advanced students and sightreadable for professionals.Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.

Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.1013085 Composed by Monty Norman. Arranged by Yu-Tai Cheng. Contemporary. 14 pages. Flute Gamer Studio #6450961. Published by Flute Gamer Studio (A0.1013085). This arrangement's idea comes from the Twinkle Twinkle Little Star melody, this is the most attractive children's song that still singing by many kids around the world, it's a common song memory of human's world. I included the theme song melody of James Bond 007 to create an adventure spirit, accidentally the mixture of these two different kinds of music together creates an incredible effect of sound, it brings the energy into beatbox flute's performance.  Flute choir includs:Beatbox Flute 1, Beatbox Flute 2, Beatbox Flute 3, Beatbox Flute 4, PianoI always suggest teachers to play the flute 4 part, it contains not only the most complexity and difficult part, but also the harmonious effect and BIGGER and DEEPER sound when kids' ensemble playing.If you have any question about the notation of beatbox. Don't hesitate to contact me via:E-mail: myrllincheng@gmail.comOfficial Website: https://myrflute.comFacebook: https://facebook.com/myrflute

Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.797798 Composed by Ronald Hazlehurst and Ronnie Hazlehurst. Arranged by Derek Hasted. Contemporary. Score and parts. 6 pages. Derek Hasted #6109033. Published by Derek Hasted (A0.797798). LAST OF THE SUMMER WINE - FLUTE and GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This charming piece has become incredibly well-known in the UK as the theme tune to the TV series of the same name - one of the UK’s longest running comedies.The music elegantly captures the calm of country life and the simplicity of times gone by, and makes for a refreshing and accessible concert item whether you know the original music or not.The guitar part is all in first position with just a few straightforward barré chords that are comfortable and easy to reach. The rather scary-looking Gb major chord at the end is enharmonically correct - it’s based on a flattened second to the final key of F. But guitarists will probably prefer to think of it as F# major, which is a familiar chord in guitar repertoire, and there’s no need for a barré for this one either!This music is set in the key of the original TV soundtrack. I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.