Violin Solo - Level 2 - Digital Download SKU: A0.1307357 Composed by Camille Saint-Saens. Arranged by Bart's Editions. 19th Century,Classical,Film/TV,Halloween,Romantic Period. 1 pages. Bart's Editions #896638. Published by Bart's Editions (A0.1307357). An easy lead sheet of the famous great theme of Camille Saint-Saëns' Danse Macabre for violinists who desire to play it earlier in their studies without the need of an orchestra.

Easy Piano - Level 2 - Digital Download SKU: A0.742280 Composed by Ludwig van Beethoven. Arranged by Chrissy Ricker. Classical,Contemporary,Romantic Period,Standards. Score. 3 pages. Chrissy Ricker #5203869. Published by Chrissy Ricker (A0.742280). Fur Elise is one of the most beloved piano pieces ever written. This edition contains just the main theme from Fur Elise in its original form; the only editorial change that has been made is to notate the piece in 3/4 time for ease of reading. This edition also includes a page of practice tips to help early intermediate pianists master this portion of the famous piece. Chrissy Ricker is a Nationally Certified Teacher of Music (NCTM) with a Master's degree in piano performance and pedagogy. Chrissy enjoys composing and arranging music to motivate and challenge students of all ages. In addition to the works she publishes through SMP Press, Chrissy's piano music is also published by Kjos Music Company, Piano Pronto Publishing, and Musicnotes. Her music has appeared on the piano contest lists of many state and national teaching associations, including the National Federation of Music Clubs. Visit Chrissy's website at www.chrissyricker.com

Piano,Soprano Flute - Level 5 - Digital Download SKU: A0.1282823 By Peter Sheridan, Flute with John Sawoski, Piano. By Frédéric Chopin (1810–1849). Arranged by John Sawoski. 19th Century,Chamber,Classical,Romantic Period. Score and part. 5 pages. Million Oaks Music #874066. Published by Million Oaks Music (A0.1282823). This arrangement of Variation II from Frédéric Chopin's popular Variations on a Theme by Rossini, sounds more like the mature Chopin. Chopin wrote the Variations at age 14, probably for his father (an amateur flutist) or one of his father's friends. In this version, John Sawoski creates a virtuosic and advanced accompaniment in an idion that resembles Chopin's later compositional style, and includes a more fluid and advanced flute part as performed by Peter Sheridan.

Cello Solo - Level 2 - Digital Download SKU: A0.1359636 Composed by Camille Saint-Saens. Arranged by Bart's Editions. 19th Century,Classical,Film/TV,Halloween,Romantic Period. Individual part. 1 pages. Bart's Editions #944105. Published by Bart's Editions (A0.1359636). An easy lead sheet (with chords) of the famous great theme of Camille Saint-Saëns' Danse Macabre written specially for the violoncello.

Tuba Solo - Level 2 - Digital Download SKU: A0.951624 Composed by Danny Elfman. Arranged by Travis Hayman. Contemporary. Individual part. 6 pages. Travis Hayman #6573317. Published by Travis Hayman (A0.951624). Tales from the Crypt, sometimes titled HBO's Tales from the Crypt, is an American horror anthology television series that ran from June 10, 1989, to July 19, 1996, on the premium cable channel HBO for seven seasons with a total of 93 episodes. The show's title is based on the 1950s EC Comics series of the same name and most of the content originated in that comic or other EC Comics of the time. The theme song (by Danny Elfman) is just a iconic as the show's host, the Crypt Keeper.

Piano Solo - Level 2 - Digital Download SKU: A0.1221114 Composed by Ludwig van Beethoven. Arranged by Martin Neill. Classical. Score. 2 pages. Martin Neill #817466. Published by Martin Neill (A0.1221114). Here’s the theme from Beethoven’s 6th Symphony (first movement). It’s quite tricky for the right hand due to all the thirds. If this is something you struggle with, there are excellent exercise books by Hanon and Czerny that deal specifically with challenging technique such as this. Have a go!Martin Neill is a professional composer and arranger based in the UK. He has won many international composition competitions, and his music is published by Starshine, Chichester Music Press and others. His arrangements show great attention to detail, including phrasing, dynamics and fingering suggestions, which is why they are popular with tens of thousands of musicians around the globe.

Guitar - Level 2 - Digital Download SKU: A0.1453991 By Brad Breeck. By Brad Breeck. Arranged by Andrés Mauricio Solano. Film/TV,Rock,Video Game. Guitar Tab. 3 pages. Andrés Mauricio Solano #1033176. Published by Andrés Mauricio Solano (A0.1453991). The acoustic guitar arrangement of the intro music to Gravity Falls captures the energy and mystery of the original theme. This arrangement is designed to be played instrumentally, taking advantage of both chords and melody to recreate the distinctive sound of the series'.

Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797799 Composed by Ronald Hazlehurst and Ronnie Hazlehurst. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 12 pages. Derek Hasted #6109013. Published by Derek Hasted (A0.797799). LAST OF THE SUMMER WINE - GUITAR TRIO or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This charming piece has become incredibly well-known in the UK as the theme tune to the TV series of the same name - one of the UK’s longest running comedies.The music elegantly captures the calm of country life and the simplicity of times gone by, and makes for a refreshing and accessible concert item whether you know the original music or not.In my arrangement, Guitar 1 and Guitar 2 take turns to play the tune - each part is clearly labelled - and the weaving motifs of the haunting melody are underpinned by an accompaniment that mirrors the rhythm and harmony of the original.Fingering for the upper parts is left to the players - some may want to stay up the neck throughout for a rich and mellow tone, others may feel more confident coming lower down the neck for the lower notes to keep the majority of them off the wire-wound strings.I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1401280 Composed by Peter Lurye. Arranged by SCMusic. Broadway,Children,Film/TV,Musical/Show,Pop,Rock. Score. 3 pages. SCMusic #984468. Published by SCMusic (A0.1401280). A vocal and piano arrangement, with guitar chords, of the Theme Song / Main Title from the children's TV series 'Peter Rabbit',  (Nick Jr. and CBeebies). This is not the original key, but instead transposed to a key to better suit children's voices, suitable to be sung by children's choir or school. The vocal range is C4 (middle C) to Eb5 (also with an option to sing a lower note instead of Eb5 at the end).

Cello Solo - Level 2 - Digital Download SKU: A0.1359640 Composed by Camille Saint-Saens. Arranged by Bart's Editions. 19th Century,Classical,Film/TV,Halloween,Romantic Period. Individual part. 1 pages. Bart's Editions #944110. Published by Bart's Editions (A0.1359640). An easy lead sheet of the famous great theme of Camille Saint-Saëns' Danse Macabre written specially for the violoncello.

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1498984 By Original Soundtrack. By Danny Elfman. Arranged by John Ivor Holland. 20th Century,Contemporary,Film/TV,Jazz. 46 pages. John Ivor Holland #1075027. Published by John Ivor Holland (A0.1498984). Beetlejuice is a 1988 American dark fantasy horror comedy film directed by Tim Burton and starring Alec Baldwin, Geena Davis and Michael Keaton as the title character. The film was a critical and commercial success, winning the Academy Award for Best Makeup. The film's success spawned an animated television series, video games and a 2018 stage musical; a sequel, Beetlejuice Beetlejuice, arrives in September 2024. Danny Elfman's score showcases his unique voice and foreshadows some of the darkness to come in his next score for 'Batman', but the original soundtrack also featured many calypso songs by Harry Belafonte to contrast with the B-movie horror stylings. Elfman's playfulness is on display in the distorted march of the main title theme and this arrangement for advanced ensembles features doublings on piccolo, clarinet and bass clarinet to give the extra colour needed.

Level 2 - Digital Download SKU: HX.324988 Composed by John Williams. Arranged by Paul Murtha. This edition: scorch. Classical,Film/TV. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.324988).

B-Flat Trumpet - Digital Download EARLY INTERMEDIATE Composed by John Williams. Arranged by Paul Murtha. This edition: scorch. Classical,Film/TV. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital

Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764956 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. 50 pages. Lori Archer Sutherland #4597193. Published by Lori Archer Sutherland (A0.764956). For clarinet choir (Eb, 4 Bb, Alto, Bass, Eb Contra, Bb Contra. Alternate Bb parts included for Eb and Alto. Basset horn part included (doubles Alto)).You may print multiple parts as needed for your ensemble.The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.Also available for concert band (S0.708971)

Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177). The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.