Viola Solo - Level 2 - Digital Download SKU: A0.1359634 Composed by Camille Saint-Saens. Arranged by Bart's Editions. 19th Century,Classical,Film/TV,Halloween,Romantic Period. Individual part. 1 pages. Bart's Editions #944103. Published by Bart's Editions (A0.1359634). An easy lead sheet of the famous great theme of Camille Saint-Saëns' Danse Macabre written specially for the viola, being able to sound great by any intermediate violist who desires to play this thrilling theme.

Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.1405969 By Piotr Ilitch Tchaikovski. By Piotr Ilitch Tchaikovski. Arranged by Guilherme Assunção. 19th Century,Classical,Romantic Period. Individual part. 2 pages. Guilherme A. #989017. Published by Guilherme A. (A0.1405969). Dive into Musical Majesty: Tchaikovsky's Swan Theme Solo Double Bass Sheet Music Now Available! Immerse yourself in the timeless beauty of Tchaikovsky's Swan Theme with this captivating arrangement tailored for solo double bass. Let the graceful melodies of this iconic piece transport you to a world of elegance and wonder. Chord notation are included!Perfect for double bassists of all levels, this arrangement not only challenges your technique but also includes chord symbols, providing an excellent opportunity to explore improvisation and harmonic understanding. Don't miss the opportunity to add this enchanting piece to your repertoire. Grab your double bass and embark on a musical journey through the swan's serene realm today!

French Horn Solo - Level 2 - Digital Download SKU: A0.1405953 By Piotr Ilitch Tchaikovski. By Piotr Ilitch Tchaikovski. Arranged by Guilherme Assunção. 19th Century,Classical,Romantic Period. Individual part. 2 pages. Guilherme A. #989001. Published by Guilherme A. (A0.1405953). Dive into Musical Majesty: Tchaikovsky's Swan Theme Solo French Horn Sheet Music Now Available! Immerse yourself in the timeless beauty of Tchaikovsky's Swan Theme with this captivating arrangement tailored for solo French horn. Let the graceful melodies of this iconic piece transport you to a world of elegance and wonder. Perfect for horn players of all levels, this arrangement offers a delightful challenge while showcasing the expressive capabilities of the French horn. Don't miss the opportunity to add this enchanting piece to your repertoire. Grab your French horn and embark on a musical journey through the swan's serene realm today!

Large Ensemble Bass Guitar,Cello,Clarinet,Double Bass,Drums,Flute,Horn,Medium Voice,Piano Accompaniment,Soprano Saxophone,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 4 - Digital Download SKU: A0.941576 Composed by William Roger Elm and Woody Jackson. Arranged by Keith Milligan. Contemporary. Score and parts. 38 pages. Keith Milligan #4735527. Published by Keith Milligan (A0.941576). A medley for orchestra of tracks from Rockstar's amazing series 'Red Dead Redemption'.Featured pieces;-Outlaws from the West-Theme from Red Dead Redemption-House Building Theme-Finale-That's the Way it isArranger's website:  keith-milligan.webnode.comOnce purchased, please get in touch with me so I can send you individual parts!

Bass Trombone,Trombone Solo - Level 1 - Digital Download SKU: A0.1405971 By Piotr Ilitch Tchaikovsky. By Piotr Ilitch Tchaikovsky. Arranged by Guilherme Assunção. 19th Century,Classical,Romantic Period. Individual part. 2 pages. Guilherme A. #989019. Published by Guilherme A. (A0.1405971). Dive into Musical Majesty: Tchaikovsky's Swan Theme Solo Trombone Sheet Music Now Available! Immerse yourself in the timeless beauty of Tchaikovsky's Swan Theme with this captivating arrangement tailored for solo trombone. Let the graceful melodies of this iconic piece transport you to a world of elegance and wonder. Perfect for trombonists of all levels, this arrangement offers a delightful challenge while showcasing the expressive capabilities of the trombone. Don't miss the opportunity to add this enchanting piece to your repertoire. Grab your trombone and embark on a musical journey through the swan's serene realm today!

Guitar - Level 3 - Digital Download SKU: A0.556526 By David Babyface Foster. By David Babyface Foster. Arranged by PianoSheetNow. 20th Century,Contemporary,Film/TV. Guitar Tab. 3 pages. PianoSheetNow #3664537. Published by PianoSheetNow (A0.556526). Love Theme from St. Elmo's Fire (theme to the movie by David Foster) was written by Canadian composer/producer David Foster. This is a lovely version for fingerstyle guitar (classical or acoustic guitar). Early intermediate to intermediate. With guitar tablature. With some finger-positions suggestions.Pages: 2 1/2 pages, 2:45' min.https://www.youtube.com/watch?v=UbesahJGrEc&feature=youtu.be

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1250755 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Sarah Cellobat Chaffee. Film/TV,Jazz,Pop,Standards. 16 pages. Sarah Cellobat Chaffee #845029. Published by Sarah Cellobat Chaffee (A0.1250755). New York, New York is really a song that needs no introduction! Written as the theme for the Martin Scorsese film of the same name in 1977, the song was originally performed by Liza Minnelli, and her version received a Golden Globe nomination that year. However, it didn't really become a mainstream hit until 1978, when Frank Sinatra included it in his performances at Radio City Music Hall; his version quickly became a massive success, and it's now considered one of his signature songs. To this day, it's still one of the best-known songs of all time about New York City, and it's been included in AFI's list of the top 100 songs in American cinema -- so you can't go wrong adding this one to your gig books! This Cellobat arrangement for your string quartet features the soaring melodies, catchy big-band horn riffs, fun jazz harmonies, and feel-good vibe of the original for a chart your group will love to play...and you're sure to get your audience singing along, too! Rated advanced-intermediate for a few tricky rhythms and accidentals; this will be playable for more advanced students and sightreadable for professionals.Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.

Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling.  It is named in honor of Franzl Lang, the Yodelking.

String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.1419194 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Sarah Cellobat Chaffee. Broadway,Film/TV,Jazz,Musical/Show,Pop,Standards. 12 pages. Sarah Cellobat Chaffee #1000626. Published by Sarah Cellobat Chaffee (A0.1419194). *INSTRUMENTATION: 2 VIOLINS & CELLO*New York, New York is really a song that needs no introduction! Written as the theme for the Martin Scorsese film of the same name in 1977, the song was originally performed by Liza Minnelli, and her version received a Golden Globe nomination that year. However, it didn't really become a mainstream hit until 1978, when Frank Sinatra included it in his performances at Radio City Music Hall; his version quickly became a massive success, and it's now considered one of his signature songs. To this day, it's still one of the best-known songs of all time about New York City, and it's been included in AFI's list of the top 100 songs in American cinema -- so you can't go wrong adding this one to your gig books! This Cellobat arrangement for your two-violin and cello trio features the soaring melodies, catchy big-band horn riffs, fun jazz harmonies, and feel-good vibe of the original for a chart your group will love to play...and you're sure to get your audience singing along, too! Rated advanced-intermediate for a few tricky rhythms and accidentals; this will be playable for more advanced students and sightreadable for professionals.Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.

French Horn Quartet Horn - Level 4 - Digital Download SKU: A0.1252433 Composed by Monty Norman. Arranged by Peter Clark. 20th Century,Film/TV,Jazz. 8 pages. Petey C. #846404. Published by Petey C. (A0.1252433). Hey Friends!As always, I have a couple public domain arrangements on my website, peteyc.com. Check them out, they're cheaper and support me more than what little percentage I get from here.This arrangement is one of my most viewed on my YouTube channel. I made it several years ago and it's been very popular to play live as well. It's an iconic theme that's been around since the 1960's. If you play in a horn quartet, this is the arrangement to get. There are no drums in the arrangement like there are in my recording, but you can get a great idea of how it sounds by the YouTube link here.Like all of my arrangements, I like to pass around melodic stuff so none of the parts are boring. This arrangement has some pretty extreme range and some fluttertongue in one of the parts. It's not extremely difficult but it can be challenging. Not for beginners. Intermediate to advanced. Thanks for checking it out!

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk

Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Horn,Tenor Recorder,Tenor Saxophone,Trombone,Tuba - Level 2 - Digital Download SKU: A0.871392 Composed by Peter Ilyich Tchaikovsky. Arranged by Clara Obsidian. Holiday,Love,Romantic Period,Wedding. Score and parts. 6 pages. Clara Obsidian #6019483. Published by Clara Obsidian (A0.871392). Romeo and Juliet Fantasy Overture, is an orchestral work composed by P. Tchaikovsky based on Shakespeare's play of the same name. The Overture's yearning Love Theme signifies the couple first meeting at Juliet's balcony. and is universally acknowledged as one of the greatest melodies ever written. It is quintessentially the love at first sight music in numerous movies including the 1992 comedy Wayne's World, and the first movie with sound, 1927's The Jazz Singer.Arranged for Bass Clef Instruments [Slurring recommendation included]I: Original Octave II: Original Octave with some tenor clefIII: Lower OctaveAll 3 Scores are included in the purchase-------

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.

Piano - Digital Download SKU: LV.10738 Composed by F. W. Meacham. Tree limbs. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10738). Grand Fantasia on the Theme of The Mocking Bird. Conservatory Edition [quotes tunes such as Auld Lang Syne, and Listen to the Mocking Bird]. by F.W. Meacham. Published 1905 by Conservatory Publication Society, Broadway & 37th St. in New York. Composition of sectional with piano instrumentation. Subject headings for this piece include Tree limbs. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.