Guitar - Level 2 - Digital Download SKU: A0.1453991 By Brad Breeck. By Brad Breeck. Arranged by Andrés Mauricio Solano. Film/TV,Rock,Video Game. Guitar Tab. 3 pages. Andrés Mauricio Solano #1033176. Published by Andrés Mauricio Solano (A0.1453991). The acoustic guitar arrangement of the intro music to Gravity Falls captures the energy and mystery of the original theme. This arrangement is designed to be played instrumentally, taking advantage of both chords and melody to recreate the distinctive sound of the series'.

Piano Solo - Level 2 - Digital Download SKU: A0.1221114 Composed by Ludwig van Beethoven. Arranged by Martin Neill. Classical. Score. 2 pages. Martin Neill #817466. Published by Martin Neill (A0.1221114). Here’s the theme from Beethoven’s 6th Symphony (first movement). It’s quite tricky for the right hand due to all the thirds. If this is something you struggle with, there are excellent exercise books by Hanon and Czerny that deal specifically with challenging technique such as this. Have a go!Martin Neill is a professional composer and arranger based in the UK. He has won many international composition competitions, and his music is published by Starshine, Chichester Music Press and others. His arrangements show great attention to detail, including phrasing, dynamics and fingering suggestions, which is why they are popular with tens of thousands of musicians around the globe.

Violin Solo - Level 2 - Digital Download SKU: A0.1307357 Composed by Camille Saint-Saens. Arranged by Bart's Editions. 19th Century,Classical,Film/TV,Halloween,Romantic Period. 1 pages. Bart's Editions #896638. Published by Bart's Editions (A0.1307357). An easy lead sheet of the famous great theme of Camille Saint-Saëns' Danse Macabre for violinists who desire to play it earlier in their studies without the need of an orchestra.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1401280 Composed by Peter Lurye. Arranged by SCMusic. Broadway,Children,Film/TV,Musical/Show,Pop,Rock. Score. 3 pages. SCMusic #984468. Published by SCMusic (A0.1401280). A vocal and piano arrangement, with guitar chords, of the Theme Song / Main Title from the children's TV series 'Peter Rabbit',  (Nick Jr. and CBeebies). This is not the original key, but instead transposed to a key to better suit children's voices, suitable to be sung by children's choir or school. The vocal range is C4 (middle C) to Eb5 (also with an option to sing a lower note instead of Eb5 at the end).

Cello Solo - Level 2 - Digital Download SKU: A0.1359640 Composed by Camille Saint-Saens. Arranged by Bart's Editions. 19th Century,Classical,Film/TV,Halloween,Romantic Period. Individual part. 1 pages. Bart's Editions #944110. Published by Bart's Editions (A0.1359640). An easy lead sheet of the famous great theme of Camille Saint-Saëns' Danse Macabre written specially for the violoncello.

Violin Solo - Level 2 - Digital Download SKU: A0.1359633 Composed by Camille Saint-Saens. Arranged by Bart's Editions. 19th Century,Classical,Film/TV,Halloween,Romantic Period. 1 pages. Bart's Editions #944102. Published by Bart's Editions (A0.1359633). An easy lead sheet of the famous great theme of Camille Saint-Saëns' Danse Macabre for violinists who desire to play it earlier in their studies without the need of an orchestra.

Piano,Soprano Flute - Level 5 - Digital Download SKU: A0.1282823 By Peter Sheridan, Flute with John Sawoski, Piano. By Frédéric Chopin (1810–1849). Arranged by John Sawoski. 19th Century,Chamber,Classical,Romantic Period. Score and part. 5 pages. Million Oaks Music #874066. Published by Million Oaks Music (A0.1282823). This arrangement of Variation II from Frédéric Chopin's popular Variations on a Theme by Rossini, sounds more like the mature Chopin. Chopin wrote the Variations at age 14, probably for his father (an amateur flutist) or one of his father's friends. In this version, John Sawoski creates a virtuosic and advanced accompaniment in an idion that resembles Chopin's later compositional style, and includes a more fluid and advanced flute part as performed by Peter Sheridan.

Trombone Solo - Level 2 - Digital Download SKU: A0.951625 Composed by Danny Elfman. Arranged by Travis Hayman. Contemporary. Individual part. 6 pages. Travis Hayman #6573351. Published by Travis Hayman (A0.951625). Tales from the Crypt, sometimes titled HBO's Tales from the Crypt, is an American horror anthology television series that ran from June 10, 1989, to July 19, 1996, on the premium cable channel HBO for seven seasons with a total of 93 episodes. The show's title is based on the 1950s EC Comics series of the same name and most of the content originated in that comic or other EC Comics of the time. The theme song (by Danny Elfman) is just a iconic as the show's host, the Crypt Keeper.

B-Flat Trumpet - Digital Download EARLY INTERMEDIATE Composed by John Williams. Arranged by Paul Murtha. This edition: scorch. Classical,Film/TV. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital

Level 2 - Digital Download SKU: HX.324988 Composed by John Williams. Arranged by Paul Murtha. This edition: scorch. Classical,Film/TV. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.324988).

Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177). The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.

Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764956 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. 50 pages. Lori Archer Sutherland #4597193. Published by Lori Archer Sutherland (A0.764956). For clarinet choir (Eb, 4 Bb, Alto, Bass, Eb Contra, Bb Contra. Alternate Bb parts included for Eb and Alto. Basset horn part included (doubles Alto)).You may print multiple parts as needed for your ensemble.The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.Also available for concert band (S0.708971)

Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1124583 By Charles Williams. By Charles Williams. Arranged by Derek Hasted. Film/TV,Thriller. 17 pages. Derek Hasted #725335. Published by Derek Hasted (A0.1124583). DEVIL'S GALOP (Dick Barton Theme Tune) - TWO GUITARSFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This evocative tune was the theme music to Dick Barton Special Agent, a radio drama on the BBC many decades ago.The music is full of tension, with rising chromatic chords and long chromatic scale passages creating a constant restless feel.The roles of tune and accompaniment swap over increasingly often as the piece progresses, so the audience will have plenty to watch as well as hear.The accompaniment role is fingered, as there’s really only one place on the guitar to play the chords. The tune, though, is unfingered - there is a compromise between the short reach in high positions and the extra height of the action - you may prefer to stay up the neck, or you may wish to move up and down - please add fingering and position changes where you wish. And add slurs too, if these improve the flow of the music.Here and there, I have deliberately “respelled� some of the accidentals in a way that hopefully improves overall readability, and sometimes the two parts have two representations of the same note at the same time.A version of this was played by the Hampshire Guitar Orchestra who also managed to find time to mop their brows in the occasional pauses in the action.I hope you enjoy playing this piece! This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.

Solo Guitar - Level 3 - Digital Download SKU: A0.1042158 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Paul Adrian Moldez. Celtic,Classical,Contemporary,Film/TV,Irish. Individual part. 7 pages. Paul Adrian Moldez #646961. Published by Paul Adrian Moldez (A0.1042158). He's a Pirate is a musical theme written by Klaus Badelt for the Pirates of the Caribbean films (Series of adventure films about Pirates, arguably the best of its kind). He's a Pirate is featured at the end of each film and it's the first theme that you'll hear as soon as the credits roll. It takes its name from an interesting line in the film referring to Jack Sparrow He's a pirate!, exclaimed by Weatherby Swan, to which William Turner replies with And a good man!.