Small Ensemble Cello,Guitar,Piano - Level 3 - Digital Download

SKU: A0.524277

Composed by Traditional Scottish Melody. Arranged by John A. Dempsey. Celtic,Film/TV,Folk,Irish,Romantic Period,Traditional. Score and parts. 18 pages. John A. Dempsey #5206443. Published by John A. Dempsey (A0.524277).

You take the high road and I'll take the low road.  This traditional Scottish favourite, full of windswept beauty and Celtic charm, is arranged here as a trio for guitar, cello and piano.  The piano part is varied, expanded and embellished; there's a bit of variation in the guitar and cello parts as well.  Take this musical journey to the bonny, bonny banks and you'll find all roads lead to Scotland! Recommended for concerts, recitals, banquets, Scottish weekend festivities, ceilidhs and other multiple Celtic-themed music events and venues.  14 pages of music (that includes separate two-page pullout parts for guitar and cello).  Key: G major.  Guitar/Cello Level: Intermediate.  Piano Level:  Late Intermediate.

Brass Ensemble Trombone,Trumpet - Level 3 - Digital Download

SKU: A0.1117868

Composed by Traditional Scottish Melody. Arranged by John A. Dempsey. Celtic,Film/TV,Irish,Multicultural,Romantic Period,Traditional,World. Score and parts. 16 pages. John A. Dempsey #719380. Published by John A. Dempsey (A0.1117868).

You take the high road and I'll take the low road.  This Scottish favorite, full of windswept beauty and Celtic charm, is arranged here as a brass trio for two Bb trumpets and trombone.  The melody is varied and embellished; there's a bit of variation in all three parts.  Take this musical journey to the bonny, bonny banks and you'll find all roads lead to Scotland.  Recommended for concerts, recitals, banquets, Scottish weekend festivities, ceilidhs and other multiple Celtic-themed music events and venues.  Key: Eb major. 12 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2 and trombone).

Small Ensemble Alto Saxophone,Piano,Tenor Saxophone - Level 3 - Digital Download

SKU: A0.524135

Composed by Traditional Scottish Melody. Arranged by John A. Dempsey. Celtic,Film/TV,Folk,Irish,Romantic Period,Traditional. Score and parts. 19 pages. John A. Dempsey #4808001. Published by John A. Dempsey (A0.524135).

You take the high road and I'll take the low road.  This Scottish favorite, full of windswept beauty and Celtic charm, is arranged here as a trio for alto sax, tenor sax and piano.  The piano part is varied, expanded and embellished; there's a bit of variation in the alto and tenor sax parts, as well.  Take this musical journey to the bonny, bonny banks and you'll find all roads lead to Scotland!  Recommended for concerts, recitals, banquets, Scottish weekend festivities, ceilidhs and other multiple Celtic-themed music events and venues.  15 pages of music (that includes separate two-page pullout parts for each sax).  Concert Key (Piano): F major.  Alto Sax Key: D major.  Tenor Sax Key: G major.  Sax Level: Intermediate.  Piano Level: Late Intermediate.

Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download

SKU: A0.1120962

Composed by Traditional Scottish Melody. Arranged by John A. Dempsey. Celtic,Film/TV,Folk,Holiday,Irish,Traditional. Score and parts. 16 pages. John A. Dempsey #722152. Published by John A. Dempsey (A0.1120962).

You take the high road and I'll take the low road.  This Scottish favorite, full of windswept beauty and Celtic charm, is arranged here as a brass trio for Bb trumpet, French horn and trombone.  The melody is varied and embellished; there's a bit of variation in all three parts.  Take this musical journey to the bonny, bonny banks and you'll find all roads lead to Scotland.  Recommended for concerts, recitals, banquets, Scottish weekend festivities, ceilidhs and other multiple Celtic-themed music events and venues.  Key: Eb major. 12 pages of music (that includes the score and separate two-page parts for each brass instrument).

Small Ensemble Alto Saxophone,Flute,Piano - Level 3 - Digital Download

SKU: A0.524771

Composed by Traditional Scottish Melody. Arranged by John A. Dempsey. Celtic,Film/TV,Folk,Irish,Romantic Period,Traditional. Score and parts. 19 pages. John A. Dempsey #6319977. Published by John A. Dempsey (A0.524771).

You take the high road and I'll take the low road.  This Scottish favorite, full of windswept beauty and Celtic charm, is arranged here as a trio for flute, alto sax and piano.  The piano part is varied, expanded and embellished; there's a bit of variation in the flute and alto sax parts as well.  Take this musical journey to the bonny, bonny banks and you'll find all roads lead to Scotland.  Recommended for concerts, recitals, banquets, Scottish weekend festivities, ceilidhs and other multiple Celtic-themed music events and venues.  Concert Key (Piano): C major.  Flute Key: C major.  Alto Sax Key: A major.  Flute/Alto Sax Level: Intermediate.  Piano Level: Late Intermediate. 15 pages of music (that includes separate two-page pullout parts for flute and alto sax).

Small Ensemble B-Flat Trumpet,Flute,Piano - Level 3 - Digital Download

SKU: A0.524279

Composed by Traditional Scottish Tune. Arranged by John A. Dempsey. Celtic,Film/TV,Folk,Irish,Romantic Period,Traditional. Score and parts. 19 pages. John A. Dempsey #5209069. Published by John A. Dempsey (A0.524279).

You take the high road and I'll take the low road.  This Scottish favorite, full of windswept beauty and Celtic charm, is arranged here as a trio for flute, Bb trumpet and piano.  The piano part is varied, expanded and embellished; there's a bit of variety and variation in the flute and trumpet parts as well.  Take this musical journey to the bonny, bonny banks and you'll find all roads lead to Scotland!  Recommended for concerts, recitals, banquets, Scottish weekend festivities, ceilidhs and other multiple Celtic-themed music events and venues. 15 pages of music (that includes separate two-page pullout parts for flute and trumpet).  Concert Key (Piano): C major.  Flute Key: C major.  Trumpet Key: D major.  Flute/Trumpet Level: Intermediate.  Piano Level: Late Intermediate.

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.820262

Composed by Traditional Scottish. Arranged by Alan A Craig. Celtic,Concert,Folk,Patriotic. Score. 12 pages. Earnside Music #6671133. Published by Earnside Music (A0.820262).

Robert Burns’ iconic song has become a rallying cry for justice and equality through the centuries. In this arrangement the world-famous Scottish folk melody is set for medium voice with a stirring concert piano accompaniment that complements the various moods of the text and builds to a rousing climax in the final chorus. Ideal for performance by classical musicians or students for concerts, recitals or Scottish-themed events.

Piano - Digital Download

SKU: LV.10147

Composed by Jacques Offenbach. Arranged by L. Roques. Portraits. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10147).

Schneider-Polka sur des Themes de la Grande Duchesse de Gerolstein. Composee et Arrangee pour le Piano par L. Roques. Musique de J. Offenbach. Published [n.d.] by G. Brandus et S. Dufour, Editeurs, Rue Richelieu, 103 in Paris. Composition of da capo with trio with piano instrumentation. Subject headings for this piece include Portraits.

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano Trio Cello,Piano,Violin - Level 4 - Digital Download

SKU: A0.1142148

Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148).

A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.

Woodwind Ensemble,Woodwind Trio Baritone Saxophone - Level 3 - Digital Download

SKU: A0.1358218

Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Chamber,Contest,Festival,Historic,Medieval,Wedding. 12 pages. Jmsgu3 #942678. Published by jmsgu3 (A0.1358218).

Guillaume de Machaut's Rondeau No. 13, Dame, Se Vous N'Avez, is a significant work that forms part of his extensive and influential musical output. Machaut, a pinnacle genius of Western music in the Middle Ages, is renowned for his mastery of polyphony and ability to unite melodic and rhythmic elements in his compositions. The rondeau is one of three thirteen-line rondeau poems that Machaut set to music, showcasing his skill in shaping melodic nuances and conceiving forms on a larger scale. The piece is part of Machaut's French songs, which dominated the fourteenth century in terms of quality and volume, further emphasizing its importance in his repertoire. Machaut's work, including Dame, Se Vous N'Avez, has been the subject of scholarly analysis and musical appreciation, underscoring its historical and musical significance. Guillaume de Machaut's Rondeau No. 13 lyrics, Dame, Se Vous N'Avez, express genuine love and devotion. The speaker professes love without deception and invites the lady to test the sincerity of his affection, emphasizing his unwavering commitment to her. The lyrics convey a sense of loyalty and constancy in love, reflecting the themes of courtly love and chivalry prevalent in medieval poetry and music. The poem's emotional depth and romantic expression contribute to its significance as a representative example of medieval lyrical tradition and Machaut's poetic and musical prowess. The musical structure of Guillaume de Machaut's Rondeau No. 13, Dame, Se Vous N'Avez, follows the typical form of a two-part composition, as is common in the musical rondeau. The rondeau is a form of medieval and Renaissance French poetry and a corresponding musical chanson form, typically structured around a fixed pattern of repetition of verse with a refrain. The case of Dame, Se Vous N'Avez is one of three thirteen-line rondeau poems that Machaut set to music, and this form inevitably weights the first part over the second, which is significant for the parodic relationship between the two. The musical setting of the rondeau involves a specific pattern of repetition and refrain, contributing to its characteristic structure within the genre of medieval and Renaissance French music.

Solo Guitar - Level 5 - Digital Download

SKU: A0.1452092

Composed by Jeremiah Lawson. 21st Century,Classical. Individual part. 18 pages. Jeremiah Lawson #1031408. Published by Jeremiah Lawson (A0.1452092).

Thomas Commuck (1804 to 1855) was a member of the Narragansett tribe and is considered the first Native
American to publish a musical work using Western European notation. The work, Indian Melodies, is a shape?note
hymnal published as a contribution to the hymnody of the Methodist Episcopal Church and was published in 1845.

Guitar Sonata on themes by Thomas Commuck is a traditional four?movement work with an opening sonata
movement (Mooanam); a double variation form (Menominie and Susquehannah); a canonic minuet with trio (Pequot and Missouri; and a closing prelude with fugue (Flathead). The melodies are labeled as they appear throughout the score, though not always with reference to their original forms. I made a few gentle modifications to Commuck’s melodies to better facilitate their use in polyphonic textures.

You can hear the second movement here
https://youtu.be/OR8NMAyXlRk
and the third movement here
https://youtu.be/OjF7SxlQok0

I'm publishing this work in June 2024 to commemorate the centennial of the Indian Citizenship Act of 1924.

Woodwind Ensemble,Woodwind Trio Bassoon - Level 3 - Digital Download

SKU: A0.714525

Composed by Johann Strauss Jr. Arranged by Jeremy Corcoran. Concert,Romantic Period,Wedding,World. 12 pages. LPC Publishers #3425587. Published by LPC Publishers (A0.714525).

One of Johann Strauss Jr's most famous and recognizable Waltz themes arranged for Bassoon Trio. Work on independence and balance as you show off your bassoon section.

Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - Digital Download

SKU: A0.948696

Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038041. Published by Geofonica Artistworks (A0.948696).

Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in Bb lead-sheet format here, for tenor sax or other Bb instruments.) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track featured Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.

ABOUT MARK:
In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators.

Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen.

Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn,

More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued.

COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY:

Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.
----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International)

Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the.

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download

SKU: A0.948697

Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038029. Published by Geofonica Artistworks (A0.948697).

Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in lead sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. (NOTE: A Bb leadsheet is also available.) The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track features Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.

ABOUT MARK:
In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators.

Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen.

Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn,

More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been released.

COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY:

Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, bop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper.  Recommended.

----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International)

Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and .