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SATB choir (choir divisi) unaccompanied - Medium - Digital Download

SKU: MQ.1.3501-E

Composed by Anthony Bernarducci. Secular, Memorial, 21st Century. 9 pages. Galaxy Music Corporation - Digital #1.3501-E. Published by Galaxy Music Corporation - Digital (MQ.1.3501-E).

English.

Alfred, Lord Tennyson (1809–1892) wrote Crossing the Bar in 1889, only a few years before his death. Although it was not his last poem, he requested that Crossing the Bar appear as the final poem in all collections of his work. This poem describes a person not only at peace, but also perhaps awaiting the time of eternal rest and peace. The journey begins at sunset in a minor mode and finishes in the relative major after having crossed the bar. Both the first C minor chord and the final E-flat major chord have an added F-natural meant to represent the initial call which has guided the protagonist’s journey toward seeing his pilot face to face.

Crossing the Bar (Downloadable)
Chorale SATB

$2.65 2.55 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.1147241

Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #747434. Published by Kevin G. Pace (A0.1147241).

A reverent, sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham. Text: Softly The Spirit entered in, Silently speaking to my heart. Awaiting an answer to my simple prayer, The Spirit whispered. Truth and Light were there. Amen.   Pain and distress were mine to bear. Seeking for strength, I cried to God. Despite all my weakness, the Comforter came. He eased my burden. Still I'll bless His name. Amen.   Through paths of peril once I trod, Innocent of the danger there. Then pricked by The Spirit, He showed me the way, To peace and refuge. Never shall I stray. Amen.   Lonely and languishing from loss, Doubting if I could know God's love, I emptied my soul to ask if I was known. The Spirit answered, You are not alone. Amen.   The Spirit testifies of God And of His One Begotten Son. To guide all His children to walk in His ways, The Spirit whispers, Kneel in thanks and praise. Amen.

Softly the Spirit Entered In, a sacred hymn
Chorale SATB

$1.99 1.91 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.1377529

By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Jhonatan Lucio Viana. 21st Century,Contemporary,Holiday,Pop,R & B. Score. 6 pages. JLVPartitura #962122. Published by JLVPartitura (A0.1377529).

Embark on a delightful musical journey with this intermediate piano solo arrangement of the captivating song Golden Hour by JVKE. Explore the enchanting melody as it gracefully unfolds, creating a truly captivating and harmonious interpretation.

Key Features:
- Intermediate Piano Solo Arrangement: Carefully crafted to suit intermediate pianists, this arrangement presents the melody in an accessible manner, with challenges appropriate for this skill level, devoid of complex chords.
- Accessible for Intermediate Pianists: Designed to provide a rewarding musical experience for pianists progressing beyond the beginner level, maintaining accessibility while offering a degree of challenge.
- Expressive Interpretation: Adapted to accommodate various playing styles, our sheet music encourages personal interpretation, allowing you to infuse your unique artistic flair into the beloved melody.
- High-Quality Sheet Music: Receive a polished PDF score for a clear and professional representation, enhancing your practice and performance experience.
- Timeless Appeal: Golden Hour exudes universal charm and emotional resonance. Our adaptation preserves the essence of this captivating JVKE song, remaining in the original key to ensure authenticity and fidelity to the piece.

Immerse yourself in the enchantment of Golden Hour with this intermediate piano solo arrangement, offering a gratifying musical experience that will undoubtedly enhance your performance.

I am thrilled to present this exclusive arrangement of JVKE's song. I invite you to explore my diverse collection of sheet music on my website. Simply search for 'Jhonatan Lucio Viana' to discover a wide variety of musical arrangements awaiting you.

Golden Hour
Piano seul
Jvke
$5.99 5.75 € Piano seul PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download

SKU: A0.987079

Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079).

My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind.

 

In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue.

 

The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages.

 

The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury.

 

This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section.

 

The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section.

 

This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue.

 

The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded cello’s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word.

 

This note may be reprinted in programmes with the following details:

(c) 2020 Frederick Naftel

 

 


String Quartet No.2
Quatuor à cordes: 2 violons, alto, violoncelle

$19.99 19.2 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.1415388

By O.C. Smith. By Bobby Russell. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Score. 5 pages. Timothy Stapay #997124. Published by Timothy Stapay (A0.1415388).

Here is a timeless country classic arranged for piano solo.  A song the whole family will love to sing.

Little Green Apples is a classic country song that was recorded by Glen Campbell in 1968.
 
It was written by Bobby Russell and became a major hit, reaching the top 40 charts in both the United States and the United Kingdom. The song’s popularity has endured over the years, and it remains a beloved classic in the country music genre.

Bobby Gentry sang this song in a wonderful duet with Glenn on his T.V. show.

[Verse 1]
Well, I wake up in the mornin' with my hair down in my eyes
And she says, Hi
And I hurry to the breakfast table while the kids are goin' off to school, Goodbye
And she reaches out and takes my hand
And squeezes it and says, How you feelin', Hon?
And I look across at smilin' lips that warms my heart
And I see my mornin' sun

[Pre-Chorus]
And if that's not lovin' me
Then all I've got to say

[Chorus]
God didn't make the little green apples
And it don't rain in Indianapolis in the summertime
There's no such thing as Dr. Suess
Disneyland and Mother Goose, no nursery rhyme
God didn't make the little green apples
And it don't rain in Indianapolis in the summertime
And when my self is feelin' low
I think about your face aglow and ease my mind

[Verse 2]
Sometimes I call him up knowin' he's busy
And ask if he could get away and meet me
Maybe grab a bite to eat
And he drops what he's doin' and hurries down to meet me
And I'm always late
He sits waitin' patiently and smiles when he first sees me
'Cause he's made that way
 
[Pre-Chorus]
And if that's not lovin' me
Then all I've got to say

[Chorus]
God didn't make the little green apples
And it don't snow in Indianapolis when the winter come
There's no such thing as make-believe
Puppy dogs and autumn leaves, no BB gun
God didn't make the little green apples
And it don't rain in Indianapolis in the summertime
And when my self is feelin' low
I think about your face aglow and ease my mind


Little Green Apples
Piano seul
O C
$5.99 5.75 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.1262310

By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #855346. Published by Timothy Stapay (A0.1262310).

A piano solo arrangement of Yesterday Once More;  made famous by The Carpenters. 

Yesterday Once More, written by Richard Carpenter and John Bettis, is a hit song by the Carpenters from their 1973 album Now & Then. Thematically the song concerns reminiscing about songs of a generation gone by. It segues into a long medley, consisting of eight covers of 1960s tunes incorporated into a faux oldies radio program. The work takes up the entire B-side of the album.

The single version of the song peaked at number 2 on the Billboard Hot 100 chart, kept from the number 1 spot by Bad, Bad Leroy Brown by Jim Croce.  It was the duo's fifth number two hit and makes them the act with the second-most number two hits on the chart behind Madonna. The song also peaked at number 1 on the easy listening chart, becoming their eighth number 1 on that chart in four years.   It is the Carpenters' biggest-selling record worldwide and their best-selling single in the UK, peaking at number 2 Richard Carpenter stated, on a Japanese documentary, that it was his favorite of all the songs that he had written. He has performed an instrumental version at concerts.

Lyrics:

[Verse 1]
When I was young, I'd listen to the radio
Waitin' for my favorite songs
When they played, I'd sing along
It made me smile

[Pre-Chorus 1]
Those were such happy times
And not so long ago
How I wondered where they'd gone
But they're back again
Just like a long-lost friend
All the songs I loved so well

[Chorus 1]
Every sha-la-la-la
Every whoa, whoa-oh still shines
Every shing-a-ling-a-ling
That they're starting to sing so fine
When they get to the part
Where he's breaking her heart
It can really make me cry
Just like before, it's yesterday once more
(Shoobie-doo, lang, lang)
(Shoobie-doo, lang, lang)
 
[Verse 2]
Lookin' back on how it was in years gone by
And the good times that I had
Makes today seem rather sad
So much has changed

[Pre-Chorus 2]
It was songs of love
That I would sing to them
And I'd memorize each word
Those old melodies
Still sound so good to me
As they melt the years away

[Chorus 2]
Every sha-la-la-la
Every whoa, whoa-oh still shines
(Only oldies, but goodies)
Every shing-a-ling-a-ling
That they're starting to sing so fine
All my best memories
Come back clearly to me
Some can even make me cry
Just like before, it's yesterday once more
(Shoobie-doo, lang, lang)

 
[Outro]
Every sha-la-la-la
Every whoa, whoa-oh still shines
Every shing-a-ling-a-ling
That they're starting to sing so fine
Every sha-la-la-la
Every whoa, whoa-oh still shines
Every shing-a-ling-a-ling
That they're starting to sing so fine...

Yesterday Once More
Piano seul
The Carpenters
$6.99 6.71 € Piano seul PDF SheetMusicPlus

Choral Choir (SATB) - Digital Download

SKU: A0.777014

By Matisyahu. By Ari Levine, Matthew Miller, Peter Gene Hernandez, and Philip Lawrence. Arranged by Jon Arterton. Contemporary. Octavo. 9 pages. Jon Arterton #4755115. Published by Jon Arterton (A0.777014).

This powerful song has been made universally popular by Matisyahu. It’s about hope for a better world. The arranger says “I’ve got about seventy arrangements available online and this one song has outsold all of my other arrangements COMBINED.†There’s a reason for that – it’s an amazing song that is a perfect concert closer. Its melody causes instant earworms to all who hear it.
Sometimes I lay under the moon and I thank God I'm breathin'. Then I pray don't take me soon 'cause I am here for a reason. Sometimes in my tears I drown, but I never let it get me down. So when negativity surrounds,  I know someday it'll all turn around because All my life I been waitin' for, I been prayin' for, for the people to say; That we don't want to fight no more. They'll be no more wars, and our children will play. One day. One day.

One Day
Chorale SATB
Matisyahu
$2.25 2.16 € Chorale SATB PDF SheetMusicPlus

Piano and voice - Digital Download

SKU: LV.4252

Composed by Horace E. Kimball. Waterfronts, Sunrises & sunsets, Windows, Gardens, Sadness, Courtship, Love, Absences, Prayer. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4252).

His Footstep at the Door. Song & Chorus. Words by Mary E. Kail. Music by Horace E. Kimball. Published 1872 by S. Brainard's Sons in Cleveland. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Waterfronts, Sunrises & sunsets, Windows, Gardens, Sadness, Courtship, Love, Absences, Prayer. First line reads I am waiting, I am waiting, fondly waiting for my sweet..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

His Footstep at the Door. Song & Chorus
Piano, Voix

$5.99 5.75 € Piano, Voix PDF SheetMusicPlus

Cello - Digital Download

SKU: A0.1103222

By Ölveti Mátyás and Mády-Szabó Eszter. By David Warin Solomons. 20th Century,Chamber,Classical. Full Performance. Duration 190. David Warin Solomons #706118. Published by David Warin Solomons (A0.1103222).

Duo inspired by a poem by Jacques Prévert: Le Bouquet Que faites-vous là petite fille Avec ces fleurs fraîchement coupées? Que faites-vous là jeune fille Avec ces fleurs ces fleurs séchées? Que faites-vous là jolie femme Avec ces fleurs qui se fanent? Que faites-vous là vieille femme Avec ces fleurs qui meurent? J'attends le vainqueur [What are you doing there, little girl, With those freshly cut flowers ? What are you doing there, young girl, With those dried flowers ? What are you doing there, pretty woman, With those faded flowers ? What are you doing there, old woman, With those dying flowers ? I'm waiting for the victorious one] In my mind there were initially several possible interpretations of the poem My original thoughts were that le vainqueur means the conquering Christ and that the woman is waiting all her life with flowers before a church - waiting in vain for her saviour another possibility is that the woman is waiting for the winner of her affections it could even be that le vainqueur refers to the invading German army but this would not explain the fact that she waits all her life but, finally, as Raphaèle Larazoni suggests, (and more plausibly in view of other poems by Prévert) the vainqueur is simply the winner in a war - there is never really a winner in a war, so the woman waits all her life in vain.

Un petit Bouquet for 2 cellos mp3
Violoncelle
Ölveti Mátyás and Mády-Szabó Eszter
$4.50 4.32 € Violoncelle PDF SheetMusicPlus


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