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Piano Solo - Level 3 - Digital Download SKU: A0.1079004 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Children,Contest,Country,Festival,Instructional. Score. 16 pages. Sharon Wilson #683203. Published by Sharon Wilson (A0.1079004). When a musician is also a train enthusiast, the result is a collection of train songs. Reminiscent of train travel during the height of the steam locomotive, this collection of 5 captivating solos is sure to motivate students to stay on track when it comes time to practice. Each piece is 1 to 2 minutes in length and in one of two familiar keys (G or F major). From the anticipation of waiting for the train to arrive at the station (a slow song since waiting seems to last forever) to the excitement of imagining the caboose uncoupled and rolling up and down the tracks alone, these pieces add appeal and variety to the repertoire of the intermediate student and a fond reminder of days gone by when played for a recital. Titles in this collection which are also available separately (with accompanying audio samples) include:Waiting at the StationAll AboardFull Steam AheadChugging AlongCaboose on the Loose For more fun-to-play train songs, check out the collection titled Here Comes the Train.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
Railroad Days (Collection of Five Piano Solos)
Piano seul
Sharon Wilson
$9.99 8.54 € Piano seul PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1030607 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 8 pages. Kevin G. Pace #635996. Published by Kevin G. Pace (A0.1030607). A beautiful, sacred vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: When will He rescue me? I wonder. When will Christ set me free? Will I be ready and waiting? Will I fall to my worshipful knees? Or will my impoverished spirt feel this is how life ere will be? When will He rescue Me? I wonder. When will He rescue me? What will He say to me? I wonder. Will He look in my eyes? Will He remember my pleadings and emotions on days when I cried? Oh, will his assistance sustain me? And does my faith reach to his sky? When will He rescue Me? I wonder. When will He rescue me? How will I feel that day? I wonder. What will my future be? Will there be instant rejoicing? Will his love conquer my poverty? Oh, can I depend on his mercy? Will God’s realm of heaven have me? When will He rescue Me? I wonder. When will He rescue me? What will that day be like, I wonder, when Christ will rescue me? When I am ready and waiting, I will fall to my worshipful knees, Then stand by his scarred side in heaven, and thank Him for rescuing me. Christ's love has rescued me, oh wonder! Christ's love has rescued me.
When Will He Rescue Me? sacred music for vocal solo
Chorale SATB

$3.99 3.41 € Chorale SATB PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Boss #920918. Published by Connie Boss (A0.1335072). I put a twist on Jolly Old Saint Nicholas. I added verses and a different melody along with the familiar melody of Jolly Old Saint Nicholas. This song starts off with a child waiting patiently in line to see Santa so he can tell him what he wishes for him to bring him for Christmas. I started off with my own original melody and lyrics and then in the middle of the song, when the child finally reaches Santa, I switch to the melody of Jolly Old Saint Nicholas. However, to modernize it, I switched to Jolly Old Dear Santa Claus. I kept verse one lyrics the same except for that part. I changed the lyrics entirely for the second verse. The child tells Santa where he can put the presents and hopes one is for him. He also tells him he tries to wait up for him each year, but Santa is so quiet, he sleeps through the night. The last verse is back to my original melody and lyrics where Santa tells him it will be a surprise what he brings him this year. This brings the song all the way from waiting in line to see Santa to sitting on his knee and Santa telling him it will be a surprise. Let me know if you have any questions or request at cdboss@cvalley.net.Lyrics:Here to see Santa Claus “Jolly Old St Nicholasâ€Â I’m here to see Santa Claus But, it’s a long, long line, With lot’s of kids ahead of me, It will take some time I have with me my Christmas listTo tell dear Santa what I wish Now my time is finally hereTo sit up on his kneeHe asked me what I want this yearSo I whisper in his ear Jolly old dear Santa Claus, lean your ear this wayDon’t you tell a single soul what I’m going to sayChristmas eve is coming soon, now you dear old manWhisper what you’ll bring to me – tell me if you can Down the chimney you will comeRight next to the tree,You can put the presents thereI hope there’s one for me You never make any noiseI wait for you each yearBut I sleep all through the nightSo I can’t catch you here Then he looked and smiled at me and whispered in my earIt will be a big surprise what I bring to you this year.
Here to See Santa Claus (Jolly Old Saint Nicholas) solo and piano
Piano, Voix et Guitare

$5.50 4.7 € Piano, Voix et Guitare PDF SheetMusicPlus

Violin Solo - Level 1 - Digital Download SKU: A0.1258159 Composed by Stephen Foster. Arranged by Glauco Fernandes. Children,Instructional,Traditional. 1 pages. Glauco Fernandes #851405. Published by Glauco Fernandes (A0.1258159). Exclusive Solo Violin Sheet Music! Oh SusannaAre you ready to showcase your violin skills with the timeless melody of Oh Susanna? We are thrilled to present to you the exclusive solo violin sheet music for this beloved tune! With this unique sheet music in your hands, you'll be able to captivate your audience and create a truly mesmerizing musical experience.This solo violin arrangement is carefully crafted to highlight the beauty and expressiveness of the melody. Every note and nuance is thoughtfully notated, allowing you to bring out the soulful tones of Oh Susanna through your violin.Imagine yourself playing the hauntingly beautiful melody of Oh Susanna on your violin, capturing the hearts of listeners with each bow stroke. Whether you're performing in a concert hall, at an intimate gathering, or simply practicing at home, this sheet music will help you create magical moments filled with musical expression.Additionally, when you purchase this sheet music, you'll gain immediate access to the digital PDF file. No more waiting for shipping or delivery – simply download, print, and start playing! This convenience allows you to dive into the world of Oh Susanna without any delays.By acquiring this exclusive sheet music, you'll be investing in a meticulously crafted arrangement that showcases the solo violin's versatility and emotional range. It's a true testament to the beauty and power of this beloved instrument.Don't miss the opportunity to showcase your violin skills with the solo arrangement of Oh Susanna. Experience the joy of playing this timeless melody on your own, letting your violin sing with every bow stroke. Get your solo violin sheet music of Oh Susanna now and embark on a musical journey filled with passion and expression!Enhance your violin playing, mesmerize your audience, and immerse yourself in the beauty of Oh Susanna. The music is waiting for you. Get your sheet music today and enjoy countless hours of musical pleasure!
Oh! Susanna
Violon
acquiring this exclusive sheet music, you'll be investing in a meticulously crafted arrangement that showcases the solo violin's versatility and emotional range It's a true testament to the beauty and power of this beloved instrument
$1.99 1.7 € Violon PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1079009 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Children,Contest,Festival,Instructional. Score. 2 pages. Sharon Wilson #683208. Published by Sharon Wilson (A0.1079009). After waiting at the station, the train finally arrives and then the conductor shouts those anxiously anticipated words All Aboard. This upbeat song may stretch the hands with its steady off-beat 3-note chords. If it's too much of a stretch, use the pedal lightly to achieve the sustained upper notes in the right hand. This arrangement is one of the five songs in the collection Railroad Days. Other titles in the collection include: Waiting at the Station, Full Steam Ahead, Chugging Along, and Caboose on the Loose. Duration: 1:00 Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusicKeywords: recital pieces, supplemental piano instruction materials, student repertoire, elementary teacher curriculum, train music, train travel, the good old days, toot toot, choo choo, chug-a chug chug
All Aboard
Piano seul
Sharon Wilson
$3.99 3.41 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1518761 By Dean Martin. By Irving Taylor and Ken Lane. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #1092885. Published by Timothy Stapay (A0.1518761). Everybody Loves Somebody is a song written in 1947 by Irving Taylor and pianist Ken Lane, and made famous by Dean Martin who recorded and released his version in 1964. It became his signature song.Dean told his son, I'm gonna knock your pallies off the charts,[ and on August 15, 1964 he did just that: Everybody Loves Somebody knocked The Beatles' A Hard Day's Night off the No. 1 slot on Billboard, going straight up to the top of both the Billboard Hot 100 and the Pop-Standard Singles chart, the latter for eight weeks. Lyrics: Everybody loves somebody sometime Everybody falls in love somehow Something in your kiss just told me My sometime is now Everybody finds somebody someplaceThere's no telling where love may appear Something in my heart keeps saying My someplace is here If I had it in my power I'd arrange for every girl to have your charms Then every minute, every hour Every boy would find what I found in your armsEverybody loves somebody sometime And although my dream was overdueYour love made it well worth waitingFor someone like you If I had it in my powerI would arrange for every girl to have your charms Then every minute, every hour Every boy would find what I found in your arms Everybody loves somebody sometime And although my dream was overdue Your love made it well worth waiting For someone like you.
Everybody Loves Somebody
Piano seul
Dean Martin
$8.99 7.69 € Piano seul PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1244630 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630). A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.The leaves on the ground are all broken and grayTheir color has gone taking glory awayOnset of winter will bury them allSuch is the season, the season of fall   Leaves of autumn, leaves of the fall   Millions of discarded parts of us all   Time will forget them, forget them it will   And yet they have fallen... The season of fallThe dead all all gone, we remember them stillLives given freely, buried under a hillResting in fields where the red poppies growMarkings are fading for those down belowCold sleeping life lays under the snowSlumbering gently while winter winds blowWaiting for springtime to finally comeMelting the cover, at last feel the sunVisions of future beyond paths of warHope that the world will see it no moreThe dead are not gone, just sleeping awayTo rise once again on that last dayLess now remembered except once a yearMemories are fading to soon disappearResting and waiting beneath the sodForgotten by living but still known to GodFor additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.
The Leaves of the Fall
Chorale TTBB
John van Gulik
$2.00 1.71 € Chorale TTBB PDF SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.561517 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Country,Instructional. 55 pages. Han-Ki Kim #170955. Published by Han-Ki Kim (A0.561517). “Korean Simple Suite†No.3 For Piano Trio Op.273D “Happy Wedding†It is a work depicting the wedding ceremony of the bride and groom held in a traditional Korean front yard and the surrounding scenery. as far as melody is concerned, the traditional five notes of Korea, “Do.re.mi.sol.la.†are mainly used. It consists of five movements as follows: 1. The Front Yard 2. Yeonji Gonzi 3. Joyful Dance 4. Waiting (Longing) 5. The Bride and Groom Movement 1, The Front Yard: In G minor in 8/12 time, it is a short song with a bright atmosphere. The front yard is a friendly place for villagers' gatherings and events. Movement 2, Yeonzi – Gonzi: In G major in 4/4 time, natural harmonics are used to describe the mysterious oriental atmosphere. The meaning of Yeonji Gonji is the red dot on the cheeks and forehead of the bride in a traditional wedding ceremony. Movement 3, Joyful Dance: 3/4 time B flat major, composed in ABA format, expressed the joy of dancing in Korea. Movement 4, Longing: In G minor in 6/4 time, we tried to express oriental waiting. Movement 5, The Bride and Groom : It is composed of 4/4 time and 6/4 time, and like the title of the title of Groom and Bride, it shows the contrasting character of liveliness and calm. It was composed in a rondo style that goes back and forth between D minor and F major. Attached musicfile is only 1st movement, it's just for a reference.
Korean Simple Suite No.3 "Happy Wedding" (For Piano Trio)

$16.90 14.45 € PDF SheetMusicPlus

Piano,Viola - Level 4 - Digital Download SKU: A0.557046 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Wedding. Score and part. 36 pages. Han-Ki Kim #166508. Published by Han-Ki Kim (A0.557046). “Korean Simple Suite†No.3 For Viola and Piano Op.273C As far as melodies are concerned, the traditional 5 notes of Korean “Do.Re.Mi.Sol.La†are mainly used. It consists of five movements as follows: I tried to express the wedding ceremony of the bride and groom held in a traditional Korean front yard and the surrounding scenery. So, this piece's nick name is Happy Wedding. And Attached music file is only 1st mov. played by Violin just for a reference. 1. The Front Yard 2. Yeonji Gonzi 3. Joyful Dance 4. Waiting (Longing) 5. The Bride and Groom Movement 1, The Front Yard: In G minor in 8/12 time, it is a short song with a bright atmosphere. The front yard is a friendly place for villagers' gatherings and events. Movement 2, Yeonzi – Gonzi: In G major in 4/4 time, natural harmonics are used to describe the mysterious oriental atmosphere. The meaning of Yeonji Gonji is the red dot on the cheeks and forehead of the bride in a traditional wedding ceremony. Movement 3, Joyful Dance: 3/4 time B flat major, composed in ABA format, expressed the joy of dancing in Korea. Movement 4, Longing: In G minor in 6/4 time, we tried to express oriental waiting. Movement 5, The Bride and Groom : It is composed of 4/4 time and 6/4 time, and like the title of the title of Groom and Bride, it shows the contrasting character of liveliness and calm. It was composed in a rondo style that goes back and forth between D minor and F major.
Korean Simple Suite No.3 "Happy Wedding"(For Viola and Piano)
Alto, Piano

$14.90 12.74 € Alto, Piano PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.41 € Chorale TTBB PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1464196 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1042917. Published by Kevin G. Pace (A0.1464196). A beautiful, sacred hymn referencing the Parable of the Prodigal Son.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:During a drought there’s faithful hope of a rescuing rain.A distant cloud may seem afar, but God our life sustains.All temples built must show great strength when erecting to God.The earth’s great gift of severed stones shows a final façade.Arid ground can be made whole; broken rocks can be strong.God’s love is a Father’s love . . . even for the prodigal one. Abraham’s age, and Sarah’s too, halted one promised heirUntil, with time, a miracle brought forth Isaac so fair.Witnesses from within a crowd, begged a stoning one day,But Jesus stooped and said with love, “Sin no more, go thy way.”Waiting long can claim God’s will; He can bless to belong.God’s love is a Father’s love . . . even for the prodigal one. A prodigal left home too soon . . . riches squandered, abused,Until at last all pride was gone; father’s kiss showing truth.Some sin may come, or mortal pain; earthly choices are made.Temptations soar, but Father, God, loves with grandeur displayed.Coming home to Father’s love brings a brand-new song.God’s love is a Father’s love . . . even for his prodigal one. God’s pure love means coming home . . . especially for His prodigal one.
Even For His Prodigal One, a sacred hymn
Chorale SATB

$1.99 1.7 € Chorale SATB PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1426245 By Taylor Swift Feat. Post Malone. By Austin Post, Jack Antonoff, and Taylor Swift. Arranged by Paul Lorenz. Pop,R & B,Singer/Songwriter,Soul. Score. 6 pages. Paul Lorenz #1006964. Published by Paul Lorenz (A0.1426245). Taylor Swift Fortnight Sheet Music in Original key signature for piano and voice A New Era for Sheet Music Immerse yourself in the innovative world of Taylor Swift Fortnight Sheet Music, an exclusive collection designed for enthusiasts and professionals alike. At Paul Lorenz Music, where tradition meets innovation, we are thrilled to offer this unique selection that captures the essence of Taylor Swift’s album Fortnight. Tailored to perfection, each piece promises to enrich your musical repertoire with its intricate harmonies and vibrant rhythms. For Every Instrument, Every Note Sing Your Heart Out with Fortnight Sheet Music Vocal Vocalists will find their voice with our Fortnight sheet music vocal arrangements. Whether you're performing solo or with a choir, these sheets are engineered to ensure that every note and nuance of Swift's vocals are at your fingertips. Sing with the clarity and passion that Taylor Swift's music demands. Master the Keys with Fortnight Piano Sheet Music Pianists can explore the depth of Swift's music with our Fortnight piano sheet music. Each arrangement is carefully encoded to highlight the dynamic range and emotional depth of the piano, making it perfect for both practice and performance. Experience the joy of playing Swift's hits with sheet music that speaks to both classical and contemporary styles. All-Inclusive Arrangements for Bands and Soloists Our Fortnight lead sheet collection is perfect for musicians looking for a comprehensive guide to mastering Swift's hits. With melody lines, chords, and lyrics, these sheets are invaluable for bands and soloists aiming to recreate the distinctive Swift sound in their performances. Dive Into Versatility with Fortnight Violin Sheet Music Violinists will revel in the detailed Fortnight violin sheet music, meticulously crafted to convey every emotion woven through Taylor Swift's melodies. Whether you're a solo performer or part of an ensemble, these sheets provide the precision and depth needed to bring out the vibrant tones of each track. Instant Access with Digital Excellence Seamless Integration with Fortnight Sheet Music PDFIn today’s digital age, immediate access to resources is a must, and our Fortnight sheet music PDF files are crafted with this in mind. Downloadable instantly, each PDF offers a pristine, user-friendly format, ensuring that you spend more time playing and less time waiting. Why Choose Paul Lorenz Music? At Paul Lorenz Music, our commitment to quality, innovation, and connection is evident in every sheet of music we produce. Collaborating with industry giants like the London Symphonic Orchestra and recording in world-class studios such as Abbey Road, we ensure that each piece of music not only meets but exceeds the highest standards of musical excellence.Whether you're a budding musician or a seasoned artist, Paul Lorenz Music’s Taylor Swift Fortnight Sheet Music collection is your gateway to mastering some of the most poignant musical compositions of our time. Embrace the blend of classic technique and modern innovation, and let your performance tell a story that resonates across generations.
Fortnight
Piano, Voix et Guitare
Taylor Swift Feat Post Malone
$4.99 4.27 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1500208 Composed by Vince Guaraldi. Arranged by Flavio Regis Cunha. Children,Contemporary,Contest,Festival,Film/TV,Instructional. Score. 5 pages. Flavio Regis Cunha #1076288. Published by Flavio Regis Cunha (A0.1500208). Bring Guaraldi’s “Schroeder” to Life Pianists, whether you’re gracing the stage of a grand theater or sharing your talent in a school recital, there’s a piece that speaks directly to the heart of every musician—Schroeder by Vince Guaraldi.This isn’t just sheet music. It’s a piece of jazz history, a composition that captures the whimsical yet profound spirit of Guaraldi’s genius. Imagine sitting at your piano, the audience silent, waiting, as your fingers begin to dance over the keys. Each note, each chord, tells a story that only Guaraldi could write, a story that you now have the privilege to share.For the professional pianist, Schroeder offers a chance to showcase your technical prowess while connecting deeply with your audience through its rich emotional landscape. For the amateur pianist, it’s an opportunity to explore the nuances of jazz, to challenge yourself, and to bring something truly special to your performance.This piece isn’t about playing notes on a page; it’s about conveying a feeling, a moment in time, a slice of musical history that resonates as deeply today as it did when Guaraldi first composed it. Let the melody guide you, let the rhythm move you, and let your audience be transported by the timeless beauty of Schroeder.Whether you’re preparing for a major concert or a local recital, Schroeder is a piece that will leave a lasting impression on both you and your listeners. It’s not just about playing; it’s about feeling, interpreting, and making the music your own.Start your journey with Guaraldi’s masterpiece today.
Schroeder
Piano seul

$5.99 5.12 € Piano seul PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893864 Composed by David Kai. Celtic,Folk,Pop. Score. 5 pages. David Kai #6100233. Published by David Kai (A0.893864). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song is dedicated to my spouse Marly's parents, Isaac and Sybil who were a part of the crew who helped the plane people in Gander through their involvement in the Anglican church. WHEN THE WORLD DROPS IN TO TOWN     Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell.  With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town  All the stores they opened up their doors, the supplies, how fast they flew! Take it all to help the plane people, it’s the least that we can do! Aunt Winnie baked two dozen of her partridgeberry pies She said, I think those plane people will be in for some surprise! So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in.  Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away.  So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met.  Chorus:
When the World Drops In to Town
Piano, Voix et Guitare

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