Instrumental Duet,Piano Instrumental Duet,Piano - Level 4 - Digital Download

SKU: A0.561517

Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Country,Instructional. 55 pages. Han-Ki Kim #170955. Published by Han-Ki Kim (A0.561517).

“Korean Simple Suite� No.3 For Piano Trio Op.273D “Happy Wedding� It is a work depicting the wedding ceremony of the bride and groom held in a traditional Korean front yard and the surrounding scenery. as far as melody is concerned, the traditional five notes of Korea, “Do.re.mi.sol.la.� are mainly used. It consists of five movements as follows: 1. The Front Yard 2. Yeonji Gonzi 3. Joyful Dance 4. Waiting (Longing) 5. The Bride and Groom Movement 1, The Front Yard: In G minor in 8/12 time, it is a short song with a bright atmosphere. The front yard is a friendly place for villagers' gatherings and events. Movement 2, Yeonzi – Gonzi: In G major in 4/4 time, natural harmonics are used to describe the mysterious oriental atmosphere. The meaning of Yeonji Gonji is the red dot on the cheeks and forehead of the bride in a traditional wedding ceremony. Movement 3, Joyful Dance: 3/4 time B flat major, composed in ABA format, expressed the joy of dancing in Korea. Movement 4, Longing: In G minor in 6/4 time, we tried to express oriental waiting. Movement 5, The Bride and Groom : It is composed of 4/4 time and 6/4 time, and like the title of the title of Groom and Bride, it shows the contrasting character of liveliness and calm. It was composed in a rondo style that goes back and forth between D minor and F major. Attached musicfile is only 1st movement, it's just for a reference.

Choral (SATB)

SKU: HL.8738189

Composed by Bryan Jeffery Leech. Arranged by Steve Wilkinson. SATB. Fred Bock Publications. General Worship, Sacred. Octavo. Fred Bock Music Company #BG2091. Published by Fred Bock Music Company (HL.8738189).

UPC: 073999381894. 7.0x10.5x0.019 inches.

Bryan Jeffery Leech, Wrote The Text Of This Piece And Speaks Of The Difficulties And Struggles People Have In Waiting For God'S Timing. This Is An Encouraging Work That Can Help People Find Trust And Security In Waiting For The Lord. The Music Is Soft, Sweet, And Resigned; Greatly Adding To The Mood And Nature Of The Work. The Song And Text Perfectly Unite And Bestow An Encouraging And Uplifting Work That Is Sure To Help Many Through A Difficult Time.

Piano,Viola - Level 4 - Digital Download

SKU: A0.557046

Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Wedding. Score and part. 36 pages. Han-Ki Kim #166508. Published by Han-Ki Kim (A0.557046).

“Korean Simple Suite� No.3 For Viola and Piano Op.273C As far as melodies are concerned, the traditional 5 notes of Korean “Do.Re.Mi.Sol.La� are mainly used. It consists of five movements as follows: I tried to express the wedding ceremony of the bride and groom held in a traditional Korean front yard and the surrounding scenery. So, this piece's nick name is Happy Wedding. And Attached music file is only 1st mov. played by Violin just for a reference. 1. The Front Yard 2. Yeonji Gonzi 3. Joyful Dance 4. Waiting (Longing) 5. The Bride and Groom Movement 1, The Front Yard: In G minor in 8/12 time, it is a short song with a bright atmosphere. The front yard is a friendly place for villagers' gatherings and events. Movement 2, Yeonzi – Gonzi: In G major in 4/4 time, natural harmonics are used to describe the mysterious oriental atmosphere. The meaning of Yeonji Gonji is the red dot on the cheeks and forehead of the bride in a traditional wedding ceremony. Movement 3, Joyful Dance: 3/4 time B flat major, composed in ABA format, expressed the joy of dancing in Korea. Movement 4, Longing: In G minor in 6/4 time, we tried to express oriental waiting. Movement 5, The Bride and Groom : It is composed of 4/4 time and 6/4 time, and like the title of the title of Groom and Bride, it shows the contrasting character of liveliness and calm. It was composed in a rondo style that goes back and forth between D minor and F major.

Choral Choir (TTBB) - Level 2 - Digital Download

SKU: A0.1244630

By John van Gulik. By John van Gulik. Arranged by John van Gulik. Historic,Holiday,Patriotic. Octavo. 27 pages. John van Gulik #839583. Published by John van Gulik (A0.1244630).

A moving remembrance of the young lives sacrificed in the First and Second World Wars defending our freedom. This is a setting to an original text by John van Gulik arranged for men's choir.

The leaves on the ground are all broken and gray
Their color has gone taking glory away
Onset of winter will bury them all
Such is the season, the season of fall

   Leaves of autumn, leaves of the fall
   Millions of discarded parts of us all
   Time will forget them, forget them it will
   And yet they have fallen... The season of fall

The dead all all gone, we remember them still
Lives given freely, buried under a hill
Resting in fields where the red poppies grow
Markings are fading for those down below

Cold sleeping life lays under the snow
Slumbering gently while winter winds blow
Waiting for springtime to finally come
Melting the cover, at last feel the sun

Visions of future beyond paths of war
Hope that the world will see it no more
The dead are not gone, just sleeping away
To rise once again on that last day

Less now remembered except once a year
Memories are fading to soon disappear
Resting and waiting beneath the sod
Forgotten by living but still known to God

For additional parts, accompaniment track, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.com.

Choral Choir (TTBB) - Level 2 - Digital Download

SKU: A0.1270160

By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160).

For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.

Wanna hear something? You know that Indians never ate clams. They didn't have linguini!
And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.

Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!

Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.

I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.

You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.

So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?

So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.

Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.

He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.

That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.]

Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.

You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...

I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.

Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download

SKU: A0.1464196

Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1042917. Published by Kevin G. Pace (A0.1464196).

A beautiful, sacred hymn referencing the Parable of the Prodigal Son.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.

Text:
During a drought there’s faithful hope of a rescuing rain.
A distant cloud may seem afar, but God our life sustains.
All temples built must show great strength when erecting to God.
The earth’s great gift of severed stones shows a final façade.

Arid ground can be made whole; broken rocks can be strong.
God’s love is a Father’s love . . . even for the prodigal one.

Abraham’s age, and Sarah’s too, halted one promised heir
Until, with time, a miracle brought forth Isaac so fair.
Witnesses from within a crowd, begged a stoning one day,
But Jesus stooped and said with love, “Sin no more, go thy way.”

Waiting long can claim God’s will; He can bless to belong.
God’s love is a Father’s love . . . even for the prodigal one.

A prodigal left home too soon . . . riches squandered, abused,
Until at last all pride was gone; father’s kiss showing truth.
Some sin may come, or mortal pain; earthly choices are made.
Temptations soar, but Father, God, loves with grandeur displayed.

Coming home to Father’s love brings a brand-new song.
God’s love is a Father’s love . . . even for his prodigal one.
God’s pure love means coming home . . . especially for His prodigal one.

Piano Solo - Level 2 - Digital Download

SKU: A0.1500208

Composed by Vince Guaraldi. Arranged by Flavio Regis Cunha. Children,Contemporary,Contest,Festival,Film/TV,Instructional. Score. 5 pages. Flavio Regis Cunha #1076288. Published by Flavio Regis Cunha (A0.1500208).

Bring Guaraldi’s “Schroeder” to Life 

Pianists, whether you’re gracing the stage of a grand theater or sharing your talent in a school recital, there’s a piece that speaks directly to the heart of every musician—Schroeder by Vince Guaraldi.

This isn’t just sheet music. It’s a piece of jazz history, a composition that captures the whimsical yet profound spirit of Guaraldi’s genius. Imagine sitting at your piano, the audience silent, waiting, as your fingers begin to dance over the keys. Each note, each chord, tells a story that only Guaraldi could write, a story that you now have the privilege to share.

For the professional pianist, Schroeder offers a chance to showcase your technical prowess while connecting deeply with your audience through its rich emotional landscape. For the amateur pianist, it’s an opportunity to explore the nuances of jazz, to challenge yourself, and to bring something truly special to your performance.

This piece isn’t about playing notes on a page; it’s about conveying a feeling, a moment in time, a slice of musical history that resonates as deeply today as it did when Guaraldi first composed it. Let the melody guide you, let the rhythm move you, and let your audience be transported by the timeless beauty of Schroeder.

Whether you’re preparing for a major concert or a local recital, Schroeder is a piece that will leave a lasting impression on both you and your listeners. It’s not just about playing; it’s about feeling, interpreting, and making the music your own.

Start your journey with Guaraldi’s masterpiece today.

Piano and voice (solo and SATB chorus) - Digital Download

SKU: LV.3489

Composed by H. S. Thompson. Love, Sailors, Shipwrecks, Death, Grief. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3489).

A Collection of Songs, Ballads and Quartetts by H.S. Thompson. Marion Lee. Ballad and Chorus. H.S. Thompson. Published 1858 by Oliver Ditson and Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Love, Sailors, Shipwrecks, Death, Grief. First line reads Come to me love for here I am waiting, sadly and lone by the dark rolling sea..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.893864

Composed by David Kai. Celtic,Folk,Pop. Score. 5 pages. David Kai #6100233. Published by David Kai (A0.893864).

A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song is dedicated to my spouse Marly's parents, Isaac and Sybil who were a part of the crew who helped the plane people in Gander through their involvement in the Anglican church. 

WHEN THE WORLD DROPS IN TO TOWN     Words and music by David Kai ©2020

On the 11th of September, in a quiet little town

In a place that they call Newfoundland, all the planes were coming down

Just how many were arriving, it was hard to know or tell

In a quiet town in Newfoundland on the day the towers fell. 

With ten thousand waiting on the ground, seven thousand on their way

The schools and halls and churches were preparing for their stay

And not only in Gander, but in places all around

‘Cause you’ve got to pull together when the world drops into town.

Chorus: So raise a glass to them, let’s sing a song to cheer

For all the workers, cooks and clerks, for all the volunteers

Who showed such kindness, who stepped up when chips were down

‘Cause you’ve got to pull together when the world drops into town

 All the stores they opened up their doors, the supplies, how fast they flew!

Take it all to help the plane people, it’s the least that we can do!

Aunt Winnie baked two dozen of her partridgeberry pies

She said, I think those plane people will be in for some surprise!

So the people were all settled, and much to their delight

There were home-cooked meals and showers in homes, even trips to see the sights

Though they came from countries ‘round the world, they did seem to all fit in

And in kitchen parties here and there, new found friends were being screeched in.  Chorus:

Soon the skies, they were reopened, just a week and they were gone

Though the planes took off into the skies all the memories lingered on

For what they all remember, and what’s talked of to this day

Is how townsfolk cared for people who had come from far away. 

So let’s sing and let’s be thankful, for each and every one

Who showed us how to live together in the year two-thousand one,

Let’s celebrate their kindness, for we never will forget,

That in Newfoundland a stranger’s just a friend you haven’t met.  Chorus:

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download

SKU: A0.553894

Composed by Joseph Haydn/Leopold Mozart. Arranged by Ray Thompson. Children,Christmas,Classical,Standards. 35 pages. RayThompsonMusic #6050327. Published by RayThompsonMusic (A0.553894).

This work was long reputed to be the work of Joseph Haydn, but later scholarship suggested that it was actually written by Leopold Mozart. Its authorship is still disputed, however, and other composers have been proposed as the symphony's true author, including Joseph Haydn's younger brother Michael Haydn, who purportedly contributed movements to the work.

Recent research on a newly found manuscript suggests the Austrian Benedictine monk Edmund Angerer (1740–1794) to be the author. If Angerer's manuscript (from 1765, entitled Berchtolds-Gaden Musick) is the original, the Toy Symphony was originally written not in G but rather in C. These findings, however, are disputed among scholars. There is reason to believe that the true composer will likely never be known, in whole or in part, given its confused origins and the paucity of related manuscript sources.

Even without a name attached to it, the piece has become a mainstay for children's shows and Christmastime concerts. Each of its three movements features the sounds of actual toys and instruments that sound like they came straight from Geppetto's workshop.

The piece calls for a toy trumpet, ratchet, nightingale, cuckoo, drum, and triangle. ( A quail makes it’s only appearance in the 2nd movement.

Noisemakers rattle throughout the first of its three movements.

The cuckoo and trumpet  call out mischievously during the minuetto of the second movement , and a quail joins the nightingale in the trio.

In the short third mvt which is played 3 times, they all play again, each repeat faster than the previous one.

The presence of the toy instruments make this a fun piece for children to play, especially when there are also some toys waiting under the tree.

My arrangement is based on the Kinder-Symphonie attributed to Leopold Mozart. It is scored in C.
It is in 3 mvts and is arranged for wind quintet, and toy percussion.

It can be peformed as a stand alone  wind quintet without percussion as all of the important cues (the trumpet and cuckoo) are written in to the instrumnt parts.
i have distributed the original strings around the woodwind, and composed an original classical horn part.

Sometimes known as The Children’s Symphony

Also available as a wind dectet/bass arrangement.

Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - Digital Download

SKU: A0.1105258

By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 233. David Kai #708518. Published by David Kai (A0.1105258).

A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! “Take it all to help the plane people, it’s the least that we can do!� Aunt Winnie baked two dozen of her partridgeberry pies She said, “I think those plane people will be in for some surprise!� So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:.

Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 3 - Digital Download

SKU: A0.555864

Composed by Edmund Angerer - ascribed variously to Joseph Haydn, Leopold Mozart, Michael Haydn, and Wolfgang Amadeus Mozart and Johann Rainprechter. Arranged by Ray Thompson. Children,Christmas,Classical,Standards. Score and parts. 52 pages. RayThompsonMusic #6047585. Published by RayThompsonMusic (A0.555864).

This work was long reputed to be the work of Joseph Haydn, but later scholarship suggested that it was actually written by Leopold Mozart. Its authorship is still disputed, however, and other composers have been proposed as the symphony's true author, including Joseph Haydn's younger brother Michael Haydn, who purportedly contributed movements to the work.

Recent research on a newly found manuscript suggests the Austrian Benedictine monk Edmund Angerer (1740–1794) to be the author. If Angerer's manuscript (from 1765, entitled Berchtolds-Gaden Musick) is the original, the Toy Symphony was originally written not in G but rather in C. These findings, however, are disputed among scholars. There is reason to believe that the true composer will likely never be known, in whole or in part, given its confused origins and the paucity of related manuscript sources.

Even without a name attached to it, the piece has become a mainstay for children's shows and Christmastime concerts. Each of its three movements features the sounds of actual toys and instruments that sound like they came straight from Geppetto's workshop. 

The piece calls for a toy trumpet, ratchet, nightingale, cuckoo, drum, and triangle. ( A quail makes it’s only appearance in the 2nd movement.

Noisemakers rattle throughout the first of its three movements. 

The cuckoo and trumpet  call out mischievously during the minuetto of the second movement , and a quail joins the nightingale in the trio. 

In the short third mvt which is played 3 times, they all play again, each repeat faster than the previous one.

The presence of the toy instruments make this a fun piece for children to play, especially when there are also some toys waiting under the tree.

My arrangement is based on the Kinder-Symphonie attributed to Leopold Mozart. It is scored in C.
it is in 3 mvts and is arranged for double wind quintet, bass and toy percussion.
i have distributed the original strings around the woodwind, and composed original classical horn parts.

Sometimes known as Children’s Symphony.

Piano and voice - Digital Download

SKU: LV.18333

Composed by H. S. Cartee. Courtship & love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18333).

We're All So Fond of Kissing. Song & Chorus. Written & Composed By H.S. Cartee. Published 1857 by Henry McCaffrey in Baltimore. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship & love. First line reads Oh kiss me quick and let me go, Don't keep me here a waiting..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download

SKU: A0.1486722

By Coldplay Feat. John Metcalfe. By Apple Martin, Chris Martin, Guy Berryman, Jon Buckland, Jon Hopkins, Max Martin, Tim Rutili, and Will Champion. Arranged by Paul Lorenz. Broadway,Musical/Show,Pop,Rock,Wedding. Score. 5 pages. Paul Lorenz #1063788. Published by Paul Lorenz (A0.1486722).

Discover the Magic of Feelslikeimfallinginlove Sheet Music by Coldplay

Unlock the beautiful melodies of Coldplay’s Feelslikeimfallinginlove with our expertly arranged sheet music, brought to you by the renowned Paul Lorenz. Perfect for voice, piano, and chords, this edition is a must-have for musicians and Coldplay fans alike. Elevate your musical journey and bring the magic of Coldplay to your fingertips.

Experience the Feelslikeimfallinginlove Sheet Music

Paul Lorenz's arrangement of Feelslikeimfallinginlove offers a seamless blend of voice, piano, and chords, making it an ideal choice for performers and music enthusiasts. Whether you're a seasoned musician or a passionate amateur, this sheet music provides an unparalleled experience that captures the essence of Coldplay’s original composition.

Why Choose Feelslikeimfallinginlove Sheet Music by Paul Lorenz?

1. Authentic Arrangement: Paul Lorenz’s arrangement stays true to Coldplay’s iconic sound, ensuring that every note resonates with the song's original charm.
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3. Accessibility: Available in PDF format, you can conveniently download and print the sheet music from sheetmusicdirect.com, making it accessible anytime, anywhere.

Key Features of Feelslikeimfallinginlove Piano Sheet Music

• Comprehensive Arrangement: Our sheet music includes detailed notations for voice, piano, and chords, providing a complete musical experience.
• High-Quality Print: Ensure a professional look for your performances with our crisp, clear sheet music.
• Expertly Crafted: Paul Lorenz, known for his collaborations with the London Symphonic Orchestra and recordings at Abbey Road Studios, brings his expertise to this arrangement, guaranteeing top-notch quality.

Benefits of Feelslikeimfallinginlove Sheet Music PDF

Downloading the Feelslikeimfallinginlove sheet music in PDF format offers numerous benefits:

• Immediate Access: No waiting for shipping. Download and start playing instantly.
• Portability: Store the sheet music on your device and take it wherever you go.
• Ease of Use: Print only the pages you need, or use a tablet for a modern, paperless experience.

Join the Coldplay Community

By adding Feelslikeimfallinginlove sheet music to your repertoire, you become part of a global community of musicians who appreciate and perform Coldplay’s timeless music. Share your performances on social media and connect with fellow fans using the hashtags #FeelslikeimfallinginloveSheetMusic and #ColdplaySheetMusic.

Purchase Your Feelslikeimfallinginlove Sheet Music Today

Don't miss the opportunity to own this beautifully arranged piece by Paul Lorenz. Visit sheetmusicdirect.com to purchase your copy of the Feelslikeimfallinginlove sheet music today. Transform your music collection with this exquisite arrangement and let the enchanting melodies of Coldplay inspire your next performance.

Experience the joy of playing Feelslikeimfallinginlove and bring the essence of Coldplay into your home, studio, or concert hall. Order now and start your musical journey with one of the most beloved bands of our time.

 
Maximize your musical potential with the Feelslikeimfallinginlove sheet music by Coldplay, arranged by Paul Lorenz. With detailed notations for voice, piano, and chords, this edition is perfect for all musicians, ensuring a high-quality, authentic performance every time. Download your PDF copy from sheetmusicdirect.com and join the global community of Coldplay enthusiasts today.