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Concert Band - Level 2 - Digital Download

SKU: A0.1279514

Composed by Kara Williams. Classical,Contemporary,Contest,Festival,March. Score and Parts. 69 pages. Kara Williams #870997. Published by Kara Williams (A0.1279514).

The third movement from the four movement 'Suite in Sea' written for clarinet and piano by Kara Williams, 'Brew Time March' has been orchestrated for wind ensemble by the composer and has since proven to be a favourite with performers and audiences.
 
We follow a young sailor as they excitedly hear the bugle call to have a break from work (brew time), grab a coffee (brew) and sit on the bow to watch the waves… lost in thoughts, the young sailor unexpectedly hears the sound of work recommencing, and scurries back, making it just in the nick of time… waiting eagerly for next the next call for Brew Time! 
 
Opening with the 'Stand Easy' (break time) bugle call, Brew Time March is full of familiarly-sea-worthy sounds, and is a fun concert march that would be a great addition to any ensemble's library.
 
In the style of a traditional military march, unless otherwise specified, notes should be played slightly detached throughout. Ensure the bass solo has plenty of attitude, and the rhythmic accompanying parts let the melodies breathe. Use a small set of crash cymbals (if parade-style cymbals are not available) - your percussionist will thank you! Also, hit the cymbals together slightly off-centre for zing and dynamic control, and hold the edges of the cymbals against the body to choke the ring where indicated. Keep this march a very steady two-feel throughout; however, feel free to completely stress the upper woodwinds out by going as fast as musically possible where marked at the end :-)
 
Brew Time March runs for around 2:45 and is scored for full wind ensemble; however, it will work without one, some, or all the following parts: piccolo, 4th clarinet, baritone sax, bass clarinet, bassoon, horns in F, and bass trombone.

Brew Time March
Orchestre d'harmonie

$30.00 28.81 € Orchestre d'harmonie PDF SheetMusicPlus

Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - Digital Download

SKU: A0.1050441

By Adelaide A. Pollard, George C. Stebbins, and Sharon Wilson. By Adelaide A. Pollard and George C. Stebbins. Arranged by Sharon Wilson. Easter,Praise & Worship,Romantic Period,Sacred,Traditional. Score and parts. 21 pages. Sharon Wilson #654796. Published by Sharon Wilson (A0.1050441).

Here is an instrumental trio (for VIOLIN and CELLO duet with PIANO accompaniment) of the beloved hymn Have Thine Own Way, Lord by George C. Stebbins. This gently flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by Adelaide A. Pollard: Have thine own way, Lord! Have thine own way! Thou art the potter, I am the clay. Mold me and make me after thy will, while I am waiting, yielded and still.

Both the VIOLIN and CELLO get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The VIOLIN plays the melody for the first verse and then the CELLO leads with the melody for the second verse. This flowing instrumental arrangement is an ideal selection for a worship setting and a valuable addition to your sacred string repertoire. Duration 2:15.

The range for each part is as follows: VIOLIN – F4 to B5; CELLO – B2 to C4 (middle C). This is an excellent selection for early-intermediate string players since all notes for the VIOLIN and CELLO are playable in the first position with one exception for the CELLO (the C#3 requires an extension/stretch of the 4th finger on the G string or shift to 2nd position). The PIANO accompaniment is written for an intermediate player.

The purchase price includes these printing options:
1. a grand staff (8 pages) with all parts on each page
2. separate scores for the VIOLIN and CELLO (2 pages each) and PIANO (4 pages)
3. a combined VIOLIN and CELLO score (3 pages)

This hymn represents GENTLENESS and is one of the 10 songs in the collection inspired by Galatians 5:22-23: The Fruit of the Spirit (10 Hymns for Violin and Cello Duet with Piano Accompaniment)

Have Thine Own Way, Lord (Violin and Cello Duet with Piano accompaniment) Piano Quatuor: piano, 2 violons, violoncelle
Adelaide A Pollard, George C
$5.99 5.75 € Piano Quatuor: piano, 2 violons, violoncelle PDF SheetMusicPlus

Choir,Piano - Digital Download

SKU: A0.1065718

Composed by Carol Troutman Wiggins. Children,Rock. Accompaniment. Duration 132. Carol Troutman Wiggins #4775637. Published by Carol Troutman Wiggins (A0.1065718).

Hot Rod Heaven  (Piano Track)                                                                                                                                                 TB/2-Part Male Voices                                                                                                                                                               w/Optional Kazoos

 Buying that first car can be so exciting but can be a bit overwhelming, especially when there are so many choices! There’s a Hot Rod Heaven out there just waiting for you!

Excellent for Upper Elementary and Middle school voices

Great first song to introduce harmony

Singable range

Syncopated melody & accompaniment

Very easy harmony

Old-time rock & roll style

Chords included for additional instruments


 

Hot Rod Heaven (TB) Piano Accompaniment Track
Accompagnement Piano

$3.99 3.83 € Accompagnement Piano PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download

SKU: A0.889416

Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416).

2018 Chamber Music Contest Entry

As a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000).

My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes.

As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation.

In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group.

The power of this piece comes from within its structure and relays in its polyphonic dimension.

Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other.

Bach is Love - Love each another

I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing.

Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself.

Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments!

On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file.

This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break.


This work brought me a new insight into the consciousness and the universal nature of Bach`s music.


It requires high skilled and experienced artists to execute.


The score was written on Finale.

The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score.

Thank you very much f.

Bach Fuga BWV 539 For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$25.00 24.01 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Easy Piano - Level 2 - Digital Download

SKU: A0.1290990

By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Instructional,Pop,Wedding. Score. 3 pages. Glauco Fernandes #881679. Published by Glauco Fernandes (A0.1290990).

Explore the simplified arrangement of the song What Was I Made For by the renowned singer Billie Eilish, featured in the 2023 blockbuster Barbie soundtrack. This easy sheet music is perfect for beginners and casual musicians looking to enjoy playing this popular tune.

With this sheet music, even if you're new to playing, you can easily learn and play along with the song that charmed millions of listeners worldwide. It's great for beginners or anyone seeking a straightforward and enjoyable musical experience.

Arrangement Highlights:
- Simplified sheet music for easy playing.
- Clear and straightforward notations.
- Perfect for beginners, making it accessible to all.
- Suitable for pianists and keyboard enthusiasts.
- Add your personal touch and enjoy making music effortlessly.

Don't miss the chance to get this easy sheet music and start playing What Was I Made For by Billie Eilish with ease. The music is waiting for you, and you'll have a delightful time making music, even as a beginner!

What Was I Made For?
Piano Facile
Billie Eilish
$5.99 5.75 € Piano Facile PDF SheetMusicPlus

Instrumental Solo - Level 3 - Digital Download

SKU: A0.1162953

By RiverBells Sacramento. By Joseph M. Lamb. Arranged by Paul W. Allen. Classical,Contest,Country,Festival,Instructional,Ragtime. Individual part. 16 pages. Allen/Myer Musicals #763303. Published by Allen/Myer Musicals (A0.1162953).

This easy piano rag is not as acrobatic as those rags of the others of the Big Three --  Scott Joplin and  James Scott, and Lamb was not Afro-American. Influenced by classical works but with a satisfying sense of structure derived from his study of Joplin's works.  He had only 12 rags published in his lifetime, with 26 waiting in the wings.  This particular rag is great for the six-octave choir that wishes to enjoy the genre with a minimum of rehearsal time, varied techniques, and terrific audience appeal.  Ten (10) copies of this piece may be purchased for the price listed.

Champagne Rag
RiverBells Sacramento
$44.99 43.21 € PDF SheetMusicPlus

SATB choir and piano or chamber orchestra (Chamber Orchestra: 1 1 1 1 — 2 0 0 0 — 0 — hp — str — SATB Chorus) - Medium - Digital Download

SKU: MQ.7432-E

Composed by Stanley M. Hoffman. 14 pages. E. C. Schirmer Music Company - Digital #7432-E. Published by E. C. Schirmer Music Company - Digital (MQ.7432-E).

English.

The poem Nature by Henry Wadsworth Longfellow (1807–1882) compares a sleepy child being led off to bed to elderly people waiting for death. The composer chose this poem from among many because of his father’s death and the birth of his child- personal experience with both realities. It was composed for the 2008–2009 Longfellow Chorus International Composers Competition where it was awarded co-first prize.

Nature (Piano/Choral Score)
Chorale SATB

$2.85 2.74 € Chorale SATB PDF SheetMusicPlus

Digital Download

SKU: A0.1071818

Composed by Dr. Ed & Bitsi Callahan. Children,Country,Pop,Rock. Accompaniment. Duration 1095. Callahan Music Publishing #4297117. Published by Callahan Music Publishing (A0.1071818).

With the Heartland Hoedown Performance Accompaniment mp3 CD HH-114, you receive all the mp3 accompaniment trax to each song, plus sound effects as an instant digital download!  Welcome to the Heartland Hoedown family of Music & Classroom Educators!  Help us place Heartland Hoedown in every Elementary School in the state of Missouri.  Why?  Because everywhere Heartland Hoedown goes, M. A. P. scores skyrocket!  We combine the classroom instruction with the music classroom instruction through our Handi-work worksheets which teach the Missouri history content of each song.  By combining the efforts of the music educator and the classroom teacher, students retain what they learn like never before, and thus, scores go up, up, up!  What are you waiting for?  Get all the Heartland Hoedown products, and begin your journey of fun at the Heartland Hoedown!

Heartland Hoedown Teacher's Production Handbook HH 111

Heartland Hoedown Student Singers Edition HH 112

Heartland Hoedown Handiwork Classroom Worksheets HH 118

Heartland Hoedown Listening mp3 CD HH 117

Heartland Hoedown Performance Accompaniment mp3 CD HH 114

Heartland Hoedown Performance Accompaniment mp3 CD HH 114
combining the efforts of the music educator and the classroom teacher, students retain what they learn like never before, and thus, scores go up, up, up!  What are you waiting for?  Get all the Heartland Hoedown products, and begin your journey of fun at the Heartland Hoedown!

Heartland Hoedown Teacher's Production Handbook HH 111

Heartland Hoedown Student Singers Edition HH 112

Heartland Hoedown Handiwork Classroom Worksheets HH 118

Heartland Hoedown Listening mp3 CD HH 117

Heartland Hoedown Performance Accompaniment mp3 CD HH 114


$39.99 38.41 € PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download

SKU: A0.1281368

Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. Octavo. 9 pages. Kevin G. Pace #872711. Published by Kevin G. Pace (A0.1281368).

Sacred choral music for Christmas with music by Kevin G. Pace and text by Mary Ann Snowball.

Text:
Hush, sweet Baby called to earth long before thy mortal birth.
Truth portrays angelic worth. Hush, sweet Baby, hush.
Chosen Child from on high, there will be sweet lullabies
Silencing each human cry. Hush, sweet Baby, hush.

Hush, sweet Baby now adorned, wrapped in swaddling bands so warm.
Love was born this Christmas morn. Hush, sweet Baby, hush.
Now earth's Savior will be known: There will come a time to show
Heav'nly power so blessings flow. Hush, sweet Baby, hush.

Hush, 'til Thou saves from the Fall. Love will imprint on thy palms,
Grace displaying healing balm. Hush, sweet Baby, hush.
'Til then sleep the night away, waiting for a brand-new day.
Close your eyes now while you may. Hush, sweet Baby, sleep.

Hush, hush oh Baby sweet. Sleep, sleep tonight.
Jesus, our dear Savior lives, will His saving light.

Hush, Sweet Baby - sacred choral music for Christmas
Chorale SATB

$1.99 1.91 € Chorale SATB PDF SheetMusicPlus

Handbell,Instrumental Solo - Level 3 - Digital Download

SKU: A0.1044923

Composed by Jason W. Krug. 20th Century,Contest,Festival,Sacred. Individual part. 4 pages. Grassy Meadow Music #649541. Published by Grassy Meadow Music (A0.1044923).

12 Bell (F5-C7) Level 3 REPRODUCIBLE! Written to commemorate the retirement of beloved handbell director Carolynne Mathis, this original tune is a festive celebration just waiting to happen! Utilizing just 12 bells between F5 and C7, this selection is a perfect choice for the small or socially-distanced group. Be sure to check out the piano accompaniment to this composition! Purchase of this PDF entitles original purchaser to make as many copies as necessary for purchaser's sole use. Permission is also granted to broadcast or live stream performances.

In Celebration (for 12 handbells)
Cloches

$6.50 6.24 € Cloches PDF SheetMusicPlus

Full Orchestra - Level 2 - Digital Download

SKU: A0.1465707

Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707).

Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. 

I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. 

“Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” 
—John F. Kennedy

My mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC.  https://collections.ushmm.org/search/catalog/irn502129

—Stanley M. Hoffman, 25 June 2024

Only from Blood Does Freedom Grow 

For so many years a voice sounded in Jewish hearts saying,
“We want to have a home, we want to have a life again.”
Enough blood has already streamed through rivers,
the blood shed by our brothers *[and sisters],
they, who for freedom of strangers and nation died.
Now, the dream we dreamt for a long time has been awakened in us.
We want to ?ght for our state, our country.
The moment that we have been waiting for and been praying for
two thousand years has brought us a spark of hope.
We must not despair, for we are nevertheless Jews.
We must and must want to persevere.
A time will come which itself will become a symbol of our tragedy,
and which will remain forever in our hearts -
a burning ?ame, and a joyful feast.   
—Rita Hoffman (1927–2018)
Words: © Copyright 1948 by The Estate of Rita Hoffman.
All rights reserved. Used by permission.

Instrumentation 

2 Flutes (2 Piccolos)
2 Oboes
2 Clarinets in Bb
2 Bassoons
 
4 Horns in F
2 Trumpets in Bb
2 Trombones
Tuba

Tam-tam
Timpani

Strings

Duration
ca. 2:30

Only from Blood Does Freedom Grow (Full Score and Parts)
Orchestre

$68.00 65.31 € Orchestre PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.747215

Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 11 pages. Christopher Brown #4756805. Published by Christopher Brown (A0.747215).

About the song: In Psalm 22:22, David writes, I will praise You to all my brothers; I will stand up before the congregation and testify to the wonderful things You have done. Again, in Psalm 66:16, the psalmist says, Come and listen, all you who fear God, and I will tell you what He did for me. Jesus, after healing a man with a demon, commands the man to go home... and report the great things the Lord has done for you, and how He had mercy on you. The testimony of a life changed by God's love and His great mercy is a powerful tool for both spreading the Good News and resisting temptation. It is good for us to remember and proclaim, both personally and collectively, the great things the Lord has done.

Can be performed with piano accompaniment only, OR with additional band members, OR with full orchestra*.

Please Note:
You can purchase individual copies of the vocal part separately on Sheet Music Plus. Performance of this piece requires the purchase of one vocal score per singer.

*Full orchestration and parts also available on Sheet Music Plus.

Included in your Purchase:
Piano Accompaniment

Lyrics:

Verse 1

Let me tell you a story of grace,

How the Son of Man died in my place.

Raised to life, all my sin was erased.

Praise the Name of the Lord.


Verse 2

Many times I have asked of the Lord,

On my knees I have prayed and implored.

In the waiting my soul is restored,

Praise the Name of the Lord.


Chorus 1

This is what the Lord has done for me,

Paid my debt and set this captive free.

Mercy flowed down at Calvary,

This is what the Lord has done for me.


Verse 3

When I’m tempted to fear the unknown,

I’m reminded I don’t walk alone.

Christ is with me and He’ll lead me home,

Praise the Name of the Lord.


Chorus 2

This is what the Lord has done for me,

Paid my debt and set this captive free.

Mercy flowed down at Calvary,

This is what the Lord has done for me.


Bridge

Opened these blind eyes to see,

Softened this heart to believe,

Pardoned my sin on a tree,

Now I stand redeemed.


Key Change (up whole tone)


Chorus 3

This is what the Lord has done for me,

Paid my debt and set this captive free.

Mercy flowed down at Calvary,

This is what the Lord has done for me.


Chorus 4

This is what the Lord has done for me,

Paid my debt and set this captive free.

Mercy flowed down at Calvary,

This is what the Lord has done for me.

This is what the Lord has done for me.

What The Lord Has Done For Me (Anthem) - Piano Accompaniment
Chorale SATB

$4.99 4.79 € Chorale SATB PDF SheetMusicPlus

Jazz Combo - Level 4 - Digital Download

SKU: A0.970747

Composed by Mike Strand. Concert,Jazz. Score and parts. 3 pages. Michael M. Strand #5330633. Published by Michael M. Strand (A0.970747).

By Mike Strand, ASCAP 

This is a lead sheet with lyrics, chords and guitar fret boards, for a jazz ensemble, large or small, with singer or solo instrument.  Thus, it is the basis for a variety of arrangements, contra facts, and improvisations.

The audio sample is a jazz quartet:  An iReal Pro swing accompaniment combined with my tune from Finale PrintMusic.

Wait It Out (Alternate Version), and Wait It Out (Rock Version) are also for sale on this web site.  The alternate version is also a swing -- same tune with different harmonization.

The March 2020 Covid-19 influenza scare is the subject of Wait It Out.  The lyrics express an individual’s efforts to cope with being isolated, away from friends – social distancing to discourage the spread of the flu.

I wrote this tune in the Locrian mode, which conveys a sad, surreal mood associated with self-isolation.  The coda brightens the mood with a change to Ionian (major) mode.

Here are the lyrics:

Wait It Out

1. 

I’m not having fun home alone.

I’m chewing my nails to the bone.

I don’t pretend to comprehend.

I’ll just wait it out to the end.

2.

Well, I just want to sit, drink and eat,

But going on line is a treat.

And I know this much, we’ll stay in touch!

Waiting this out to the end.

Coda

Sending warm wishes to you, my friend!

We’ll wait this thing out to the end!














Wait It Out (Swing)
Jazz combo
Mike Strand, ASCAP 

This is a lead sheet with lyrics, chords and guitar fret boards, for a jazz ensemble, large or small, with singer or solo instrument   Thus, it is the basis for a variety of arrangements, contra facts, and improvisations
$3.00 2.88 € Jazz combo PDF SheetMusicPlus


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