Flute,Guitar,Instrumental Duet - Digital Download SKU: A0.576897 Composed by David Warin Solomons. 20th Century,Folk,Multicultural,World. 11 pages. David Warin Solomons #504811. Published by David Warin Solomons (A0.576897). Instrumental version of a song in Dorian mode originally written for alto voice and guitar (also with guitar chord names) written for a friend in her appartment in Ghemme, Northern Italy. The words of the original song are partly in Italian and partly in English, as follows: Qui e adesso amore mio. A Ghemme non so che voglio. [Here and now, my love. In Ghemme I don't know what I want] Land of fuzzy fizzy foggy friendliness Alpine heights and glowing plains land of lovely people and fruitfulness village feasts and bobbly trains Qui e adesso amore mio. A Ghemme non so che voglio Italy, you land of musicalityFill my soul and make it heardNot with love if only love's banalityFor then 'tis best not to have sung a wordQui e adesso amore mio. A Ghemme non so che voglio My love can hear the bells ring from your steeple see the mountains in the sun hear the singing language of your people smile and dance and sing like none Qui e adesso amore mio. A Ghemme non so che voglio. Amore mio dove sono Dove siamo? [My love where am I? Where are we?].

Bass Clarinet - Digital Download SKU: A0.1070240 Composed by Tito Abeleda. 20th Century,Contemporary,Easter. Full Performance. Duration 403. Visionary Quest Records #4718277. Published by Visionary Quest Records (A0.1070240). E Flat Clarinet Solo, 5 B Flat Clarinets, 2 A Clarinets, 2 Bass Clarinets. Composed by Tito Abeleda (1964 - ). Full Score plus Parts 78 pages. Duration: 6:25. Digital Download PRO: BMI (ISRC: QZDA81912907) Original Sound Recording produced by Visionary Quest Records (www.visionaryquestrecords.com)Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now Tears from My Eyes: Mourning in the Rain (for Clarinet Choir).Tears from My Eyes music collection is very suitable and moving for funerals, memorials, church, or contemplative settings. Helpful hints: In addition to getting the counts down, even more important is to practice feeling the music collectively together because rigid counting takes away from the flowing emotive nature of the piece. There are actually 3 smaller ensembles within this piece that all three subgroups must musically move together in harmony, rhythm, and balance. When that is achieved, the music and harmonic overtones will be exquisite. The instrumentation is also so important because of the timbre that each instrument contributes to the ensemble. Musicality is key to this piece.This song is the title song on Tito Abeleda's album Mourning in the Rain released on 9/11/2019.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesPerforming Rights Organization is BMI.com.Customer Service: 800-925-8451

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.924239 By Steely Dan. By Donald Fagen and Walter Becker. Arranged by Alastair Clarke. Pop,Rock. Score. 34 pages. Alastair Clarke #4969959. Published by Alastair Clarke (A0.924239). I couldn't find an arrangement of Peg for a small to medium sized soul band, so this is what I've come up with.One notable difference from the original song is that the horns play the backing vocal parts. Other than that, I've stayed as close to the original as possible.On the whole, shouldn't be too difficult to play. There's the occasional funny rhythm and most of the chords are very.. um... jazz, but once you get your head around it, this could be played by a high-schooler.Any questions, problems or queries can be directed to alastairdouglasclarke@gmail.com.

Piano Solo - Level 3 - Digital Download SKU: A0.518400 Composed by Charlotte Tamanaha. Latin,Multicultural,World. Score. 3 pages. Charlotte Tamanaha #129094. Published by Charlotte Tamanaha (A0.518400). This is a fun little piano solo that sounds a little latin, a little french, or maybe tango-like. I'm not %100 sure what I'd classify it as, but I do know it's fun to play!

Woodwind Ensemble - Level 4 - Digital Download SKU: A0.996124 Composed by Modest Petrovich Mussorgsky. Arranged by Erik Cole. Romantic Period. 15 pages. Erik Cole #4793071. Published by Erik Cole (A0.996124). This is a transcription of the complete Pictures at an Exhibition for double reed choir. It is all in the original keys and based on the well-known Ravel orchestration, which is quite difficult. As a result, this arrangement is even more challenging. It is designed with at least 2 players per part in mind, and all of the oboe and bassoon parts are divisi throughout. The attached MP3 recordings are multi-track recordings of me playing all the parts. This was, by far, the most daunting recording I have put together for any of my arrangements, and I apologize for any minor imperfections in timing or pitch. In many places, this really stretched the limits of what I am capable of on bassoon. This movement is the only one with enough low notes to really need two contrabassoons. Many groups won’t have that, and the harmonies actually work better leaving out the lowest note in those spots. The prominent contra parts in this movement make it pretty obvious that the MP3’s were made without access to one at all.

Mezzo-soprano voice and piano - advanced - Digital Download SKU: S9.Q47806 Acht Lieder nach Gedichten von Mira Lobe. Composed by Elisabeth Naske. This edition: single sheet. Acht Lieder nach Gedichten von Mira Lobe. Downloadable, Separate edition. Duration 14 minutes. Schott Music - Digital #Q47806. Published by Schott Music - Digital (S9.Q47806). German.The work of Mira Lobe has accompanied me since childhood, and especially since I began my career as a composer. When looking for suitable song texts, I quickly find what I need in her work. The song cycle Lob(e)lieder [Lobe’s Songs or Songs of Praise] is based on poems from ‘Zwei Elefanten, die sich gut kannten’ [Two elephants who knew each other well]. Each song tells an animal story in a concise form with virtuosic word play. These colourful poetic miniatures carry large musical potential; it is not only the humour of the stories that inspired me, but also their language quality. Elisabeth Naske.

Trombone Solo - Level 4 - Digital Download SKU: A0.839628 Composed by Alan Menken. Arranged by Bobby Hesch. Contemporary. Individual part. 3 pages. Bobby Hesch #6499405. Published by Bobby Hesch (A0.839628). ONE JUMP AHEAD!!! WRITTEN BY THE GREAT ALAN MENKEN & TIM RICE FOR THE MOVIE ALADDIN!!!  ONE JUMP AHEAD OF THE BREADLINE, ONE SWING AHEAD OF THE SWORD, I STEAL ONLY WHAT I CAN'T AFFORD!!! LET'S PLAY SOME JAZZ!!! KEY OF G/Ab/Cb!!!COURTESY ACCIDENTALS!!! LOW F-HIGH G!!! MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com:IG:@bobbyhesch E MAIL QUESTIONS, I CAN HELP!!  CHALLENGING TEMPO!!! HAVE FUN!!! MY GRANDKIDS LOVE THIS SONG!!!

C Instrument - Level 4 - Digital Download SKU: A0.496610 By Morgan Valley Road Band. By Terry Wild. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #110777. Published by John Fries (A0.496610). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Let's have fun with this one. If you have need for a special arrangement or wish to see what I have available email me at jfries@ptd.net,.

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3669 Composed by C. T. Lockwood. Dwellings, Doors & doorways, Stairways, Gates, Country life, Aged persons, Fathers & children, Farewells, Farms, Occupations, Vices. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3669). Don't You Go Tommy. Words and Music by C.T. Lockwood. Published 1867 by Lockwood & Hoyt in Pontiac, MI. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Dwellings, Doors & doorways, Stairways, Gates, Country life, Aged persons, Fathers & children, Farewells, Farms, Occupations, Vices. First line reads You'll miss it my boy, now mind what I say.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3668 Composed by C. T. Lockwood. Dwellings, Doors & doorways, Stairways, Gates, Country life, Aged persons, Fathers & children, Farewells, Farms, Occupations, Vices. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3668). Don't You Go Tommy. The Greatest Song Published in the United States--80,000 Sold. Words and Music by C.T. Lockwood. Published 1867 by Whittemore, Swan & Stephens, 179 Jefferson Ave. in Detroit. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Dwellings, Doors & doorways, Stairways, Gates, Country life, Aged persons, Fathers & children, Farewells, Farms, Occupations, Vices. First line reads You'll rue it my boy, now mind what I say.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Oboe Solo - Level 3 - Digital Download SKU: A0.784326 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288643. Published by Slide Ride (A0.784326). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Cello Solo - Level 4 - Digital Download SKU: A0.745261 Composed by Anders Hojer, James Arthur, and Jamie Graham. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. Individual part. 2 pages. Sarah Cellobat Chaffee #353270. Published by Sarah Cellobat Chaffee (A0.745261). Falling Like The Stars was released in 2019 as the third single from James Arthur's third album You. He described the song as perfectly representing what I do best, and his fans agree -- the video has since been viewed over 25 million times! On its way to becoming a wedding classic, this love song describes falling hard for someone at the beginning of a relationship, but also looking forward to a future together as a family with children. This version for solo cello was originally written for a wedding ceremony, but it will also be perfect for receptions, proposals, cocktail hour, pop concerts, solo & ensemble concerts, and any other occasion where you need to pull at your audience's heartstrings! Rated advanced-intermediate only for some tricky rhythms that you might want to take a look at beforehand -- otherwise this chart will be playable for students and easily sightreadable for professionals. Sarah “Cellobat� Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild� residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.

Brass Ensemble - Level 3 - Digital Download SKU: A0.808700 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 16 pages. Sweetwater Brass Press #5020113. Published by Sweetwater Brass Press (A0.808700).     Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed.    The rhythmic and melodic nature of Once In Love With Amy, particularly its chorus, seems to lend itself to performance by musical instruments in the lower registers. And that’s what inspired this arrangement in which bass tuba carries the load with strong support from euphonium and tuba. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features euphonium and tuba playing melody while bass tuba provides tempo and pulse. Then comes the familiar chorus-Once in love with Amy, always in love with Amy-and bass tuba takes over. The first time through, bass tuba plays melody with the other two providing accompaniment; the second time, bass tuba plays an intricate counterpoint while euph and tuba do a rather smooth swing version of the melody. Then comes the surprise ending in which all three participate.    Most players will have little trouble. The arrangement consists of 75 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for euphonium and bass tuba should be within normal playing range. Tuba, on the other hand, plays quite a few G and A notes at the top of the treble clef.     Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for brass quintet.     This arrangement was completed in 2020, and performance time runs about 3 minutes, 1 second. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for euphonium) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.

Brass Ensemble - Level 3 - Digital Download SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Brass Press #5290545. Published by Sweetwater Brass Press (A0.808698).     Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed.    The rhythmic and melodic nature of Once In Love With Amy seems to lend itself to performance by a brass group. And that’s what inspired this arrangement. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features Trumpets, Horn and Trombone playing melody while tuba provides tempo and pulse. Then comes the familiar chorus, Once in love with Amy, always in love with Amy. The first time through, Tuba plays melody with the other instruments providing accompaniment. On the second time through, for the first half, Trombone and Tuba play an intricate counterpoint while Trumpets and Horn do a rather smooth swing version of the melody; for the second half, Trombone and Tuba take the melody and Trumpets provide the counterpoint. Then comes the surprise ending in which all three participate.    Most players will have little trouble. The arrangement consists of 77 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for should be within normal playing range.    Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for tuba trio.     This arrangement was completed in 2020, and performance time runs about 2 minutes, 58 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.