EUROPE
3607 articles
USA
5820 articles
DIGITAL
4753 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
4753 partitions trouvées


Trombone Solo - Level 5 - Digital Download SKU: A0.799352 Composed by Drake Mabry. 20th Century,Contemporary. Individual part. 13 pages. Drake Mabry #2015075. Published by Drake Mabry (A0.799352). 9.28.85 was written in 1985 and the date refers to the date of completion, September 28, 1985. Excerpts of this piece are included in Benny Sluchin’s book on contemporary trombone excerpts. This work includes my invention of the idea of playing lip multiphonics. Here's the story. During the Spring of 1985, I participated in the l'atelier de recherche instrumental department for acoustic instrument exploration at IRCAM working with Pierre-Yves Artaud (flute), Daniel Kientzy (saxophone) and Benny Sluchin (trombone). Most of the research was based on looking at new ways to produce sound with acoustic instruments and the department was open to performers and composers. A few months after the IRCAM workshops Benny Sluchin and I decided to work on a piece for him. We worked together to explore various contemporary techniques which I might select for the piece. After a while I narrowed down my choices to a movement with air, one with lip multiphonics, and one using the spatial characteristics of the bell, singing, and sending sound out the back by an alternate F tube. Benny is great to work with as he’s a wonderful musician, anything is possible, he’s open to trying out new ideas and he’s a great human being. The perfect combination for a composer. First, about the lip multiphonics in the second movement. During one of our work sessions we looked at singing and playing multiphonics but I wanted something different. So I asked Benny what would happen if he placed his embouchure between two partials of the overtone series. The result was amazing!! A number of partials sounded at the same time and the textural colors were varied and beautiful. The only problem with this was the window for placing the embouchure was very narrow. Slightly too high or slightly too low would result in a terribly out of tune and uncentered partial. Reminded me of what a sick cow might sound like. This difficulty was less pronounced between partials of a fifth but became more difficult when the partials were closer together. Fourths were okay but major and minor third partials were extremely difficult and risky. We decided what the heck and I wrote the second movement knowing the risks. But when the embouchure is well placed it produces such a beautiful sound. Benny mentioned that the idea had a pedagogical side benefit. He said from being able to focus on placing the embouchure in such a limited ‘window’ it made placing the embouchure for normal note much easier. My invention has been used by other composers since including Xenakis in 1986 and an Icelandic composer a couple of years later. The alternate movement come about after Benny had played the piece for a couple of years. He’s able to get these multiphonics but realized that maybe there would not be many other players able to do so. To avoid the problem that this movement might scare players away from the piece we decided that it would be good to have an alternate movement which would use the same ideas but in a less stressful way for the performer. I thought this was a good idea and wrote, what for me, is a more meditative piece based on the same material. I also imagined that it could be played by itself if the player wished. There is a misprint in the score at the end of the first line where there appears a multiphonic based on placing the embouchure between an Eb and an A natural. The A should be an Ab. The first movement explores the subtleties of various vowel and consonant formations in the mouth while playing. Since the trombone is such a perfect amplifier these small details can be heard. For instance the difference between ‘ts’ and ‘tsh’ comes off well. I think of this movement as a vocal conversation or discourse which becomes highly animated at the end. The dynamics play an important role in providing additional colors. The player should really ‘speak’ without speaking for this movement to work. The third movement is my circus piece. I know it is complicated to.
9.28.85
Trombone

$7.99 6.83 € Trombone PDF SheetMusicPlus

Level 3 - Digital Download SKU: A0.1422251 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Country,Folk,Irish,New Age,Singer/Songwriter. 18 pages. Alan Wagstaff #1003599. Published by Alan Wagstaff (A0.1422251). 'Where Are We Going?' is an Irish style waltz written for soprano voice, fiddle, harp, accordion, flute, and bass. Here is the lyric:'Where are we going?' you asked me today.Truth is - I have no idea.Wherever we're heading - we're heading that way;today - let's enjoy being here. I don't buy into this mad human race.Everyone's rushing to some distant place.Everyone’s hoping some day they'll arrive.I'm busy being alive. What happens next, now that we two have met,Leave in the lap of the gods.'Now' is a moment I cannot regret -right now, we have beaten the odds. I don't buy into this mad human race.Everyone's rushing to some distant place.Everyone’s hoping some day they'll arrive.I'm busy being alive. I love uncertainty - I love the road,I love the time spent with you.I love not knowing the last episode,I love what we're going through. Don’t even know what's around the next bend.Don't want to know, or to see.One thing's for certain - I'll still be your friend,Right now, that feels solid to me. I don't buy into this mad human race.Everyone's rushing to some distant place.Everyone’s hoping some day they'll arrive.I'm busy being alive.
Where Are We Going?
Alan Wagstaff
$2.50 2.14 € PDF SheetMusicPlus

Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1268814 By András Csáki and Balázs Rumy. By David Warin Solomons. 20th Century,21st Century,Blues,Contemporary. Full Performance. Duration 416. David Warin Solomons #861345. Published by David Warin Solomons (A0.1268814). This is a instrumental duo based on a song that I composed just before my umpteenth appearance at the New Troubadour Club at Follies Wine Bar Manchester back in 1991.Writer's block was threatening to take over, so I wrote about writer's block, in a sort of mock blues style...The original words are:Woke up Sunday mornin' and notes went spinnin' round. (rpt)What can I sing for the New Troubadours - Troubadours?Woke up wake up woke up wake up.What can I sing for the New Troubadours?Oh! I just godda sing the Blues the New Troubadour Blues'cos there's nothing they like better than the Blues.I got those New Troubadour Blues.'cos there's not a single chord these Blues refuse;not a single note I cannot choose.Then it was Monday evenin' with no more words in mind;notes they still kept spinnin'but no cause could they find.What can I sing for the New Troubadours?So, here's a sad Blues with a walkin' bass.it'll walk all over you,leavin' muddy footprintsSo here's a sad Blues, Blues, BluesSo here is a walkin' bass.oh! why am I walkin'with a muddy walkin' basswaitin' for words to come?Blues Blues Blues Blues Blues Blueswaitin' for words to comeOh those sad BluesI got those New Troubadour Blues.New Troubadour Blues 'cos there's not a single chord these Blues refuse!It is performed here byBalázs Rumy clarinetAndrás Csáki guitar.
New Troubadour Blues for clarinet and guitar - live performance (mp3)
Clarinette, Guitare (duo)
András Csáki and Balázs Rumy
$6.50 5.56 € Clarinette, Guitare (duo) PDF SheetMusicPlus

Brass Quintet - Level 4 - Digital Download SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Https://gildedmusicpress.com/ #1066350. Published by https://gildedmusicpress.com/ (A0.1489487). One of my last assignments as an Air Force musician before being stationed in Japan was to perform music in support of the 50th commemoration of what has become known in America as “Vietnam Memorial Day.”  It is observed on March 29 every year, the date when the last U.S. troops withdrew from Vietnam in 1973.  After the memorable ceremony in 2023, I lingered to talk with those mature veterans and to hear some of their experiences.  It was a strange feeling when I told them that my first assignment at my new duty station in Japan would be a series of cultural exchange performances in Vietnam.  What a somber generational bridge.I was only in Japan for a matter of days, including some intense rehearsals, before Pacific Brass (the brass quintet from the U.S. Air Force Band of the Pacific) packed up and headed to Hanoi to start our brief musical outreach in three cities.  My reflections were sobering as I contrasted my military service in Vietnam with the veterans whom I had just honored three months prior.  During some off-duty time, all five of the Pacific Brass military musicians found our way to the well-known Hòa Ló Prison, infamously known as the “Hanoi Hilton.”  Indeed, how vastly different was my brief military service in Vietnam!To the Vietnamese people, the “American War,” as they call it, is ancient history.  They are extremely forward-thinking, putting those dark years far from them, looking to the bright future that is theirs.  What an educational bridge of paradigms.  Although it was important for us as U.S. Servicemembers to witness the Hòa Ló Prison firsthand, our lot was to experience the beautiful present-day Vietnam with its rich culture of food, street shops, temples, dance, music, and other wonders that awed us all—including gongs!Our trombone player purchased a gong in a shop that sold little else besides gongs of all sizes and pitches.  That struck me as quintessentially Vietnamese, and the sights and sounds of that modest shop lingered in my imagination.  As we absorbed the extraordinary majesty of the Temple of Literature in Hanoi, ideas for this musical composition started to formulate as a bridge connecting American musical culture with Vietnamese traditional gongs.  For practicality in both notation and live performance, I scored the consort of 18 glorious “gongs” in my head for orchestral tubular bells.  It is a passionate hope that someday in a video presentation, a masterful cultural bridge of the two diverse countries will be crafted.  Better yet, what an experience it would be to have a legitimate gong consort perform live with Pacific Brass!The year of our visit, as we were coached many times by the Embassy’s Attaché, was a milestone landmark between the two nations, worthy of praise and celebration: the ten-year anniversary of the U.S.-Vietnam Comprehensive Partnership, signed by Presidents Obama and Sang in July 2013.  This bilateral relationship has bridged both nations’ commitment to economic engagement, cultural exchange, tourism, education, and human rights.  This composition is in celebration of this Comprehensive Partnership and a gift to the wonderful people of Vietnam.  May this music contribute to a continuing growth of positive relations bridging the two nations.
Bridges, Op. 136 (for Brass Quintet and Chimes)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$24.95 21.33 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Clarinet,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.576602 Composed by David Warin Solomons. 20th Century,Blues,Contemporary. 18 pages. David Warin Solomons #38869. Published by David Warin Solomons (A0.576602). Instrumental based on a song composed just before my umpteenth appearance at the New Troubadour Club at Follies Wine Bar Manchester back in 1991. Writer's block was threatening to take over, so I wrote about writer's block, in a sort of mock blues style... The sound sample is a performance by Balázs Rumy (clarinet) and András Csáki (guitar).The pdf file contains score and parts.  The original words are: Woke up Sunday mornin' and notes went spinnin' round. (rpt) What can I sing for the New Troubadours Troubadours? Woke up wake up woke up wake up. What can I sing for the New Troubadours? Oh! I just godda sing the Blues the New Troubadour Blues 'cos there's nothing they like better than the Blues. I got those New Troubadour Blues. 'cos there's not a single chord these Blues refuse; not a single note I cannot choose. Then it was Monday evenin' with no more words in mind; notes they still kept spinnin' but no cause could they find. What can I sing for the New Troubadours? So, here's a sad Blues with a walkin' bass. it'll walk all over you, leavin' muddy footprints So here's a sad Blues, Blues, Blues So here is a walkin' bass. oh! why am I walkin' with a muddy walkin' bass waitin' for words to come? Blues Blues Blues Blues Blues Blues waitin' for words to come Oh those sad Blues I got those New Troubadour Blues. New Troubadour Blues 'cos there's not a single chord these Blues refuse!
New Troubadour Blues for clarinet and guitar
Clarinette, Guitare (duo)

$10.00 8.55 € Clarinette, Guitare (duo) PDF SheetMusicPlus

Concert Band - Level 1 - Digital Download SKU: A0.799776 Composed by Christopher William Palmer. Blues,Rock. Score and parts. 20 pages. Christopher William Palmer #4988205. Published by Christopher William Palmer (A0.799776). Fun beginning rock piece for grades 1-1.5Instrumentation included:Flute, Bb Clarinet, Alto Sax, Tenor Sax, Bassoon, Bb Trumpets 1 & 2, F Horn, Trombone/Euphonium, Tuba, Cymbals, Snare, Bass Drum, Drum KitNot all parts are necessary to play the piece (i.e. bassoon is basically covered by tenor sax or low brass etc.)This arrangement features a mix of unisons and simple harmonies, focusing on a few notes of the F natural minor scale. The percussion is written out both in drum kit format and separately with cymbals, snare, and bass. The 1st endings can be skipped at the director's discretion if the piece feels too long. Additionally if the students are not fans of pizza, feel free to rename the piece Taco Day or whatever feels best.Approximately 2 minutes in length.
Pizza Day Rocks
Orchestre d'harmonie

$45.00 38.47 € Orchestre d'harmonie PDF SheetMusicPlus

Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1257334 By Linda Eder. By Frank Wildhorn and Leslie Bricusse. Arranged by Larry Wright. A Cappella,Barbershop. 7 pages. Larry Wright #850664. Published by Larry Wright (A0.1257334). A WOMEN'S 4-part, ballad, a cappella arrangement of this beautiful song .... from the Broadway Musical Jekll & Hyde. This version of the song features the Lead... and is NOT contestable arrangement for SAI, however I also now have a contestable version for SAI up on the SMP website store!!!IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part predominant, vocal learning trax, but also be able to purchase the sheet music from the SMP website store for their lowest $1.89 to $1.99 per-copy price,... NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second COMBO of your choice from my website store for FREE!!!! Of course, you'll still need to pay the per-copy song licensing fee to whatever publisher controls the licensing of the song. NOTE: If you've FIRST purchased the COMBO from my website store... and the per-copy price on the SMP website is anything more than $1.99, DON'T PAY IT!!!! Email me <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a minimum 10-copy purchase for all choral arrangements... to combat cheating. Sorry quartets!Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the EXCELLENT part-predominant, vocal learning trax <www.larrywrightmusic.com>.
Someone Like You
Chorale SSAA
Linda Eder
$15.00 12.82 € Chorale SSAA PDF SheetMusicPlus

Horn - Level 2 - Digital Download SKU: A0.550710 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 64 pages. Jmsgu3 #4785609. Published by jmsgu3 (A0.550710). The French Horn Choir Christmas BookChristmas Reharmonizations by James M. Guthrie. The French Horn Choir Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your Horn choir can perform the French Horn Choir Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns.  Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. I & III read from the score on one stand, while the II & IV use the parts on a separate stand. The French Horn Choir Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the French Horn Choir Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the French Horn Choir Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of brasswind instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
Guthrie: The French Horn Choir Christmas Book

$34.95 29.88 € PDF SheetMusicPlus

Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811678 Composed by Carl Friedrich Abel 1723 - 87. Arranged by edited and arranged by Pat Spence. Classical,Concert,Standards. Score and parts. 45 pages. Piper Publications #3454519. Published by Piper Publications (A0.811678). Composed for the Earl of Abingdon London during the 1760s, this trio was written for a pair of flutes and cello or viola da gamba. Abel would have played the gamba part. It was the first of four trios which were afterwards published and sold by John Preston at his music Warehouse. This would have been an additional source of income for Abel. When the trios were played at the musical gatherings of John Preston's customers the parts would be played on whatever instruments were available, the flute parts on oboes, violins or even clarinets which were then pitched in C. A bassoon might be substituted for the cello . With versatility in mind I have included alternative parts: for clarinet in Bb in lieu of flute 2; clarinet in Bb or Bass clarinet in lieu of cello. All parts are well within the abilities of players of about grade 6 ABRSM.
C.F. ABEL TRIO No. 1 in G WK 98 for 2 flutes & cello
2 Flûtes traversières (duo)

$15.00 12.82 € 2 Flûtes traversières (duo) PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1157042 By Sia. By Christopher Braide and Sia. Arranged by Jonatas Paz. Contemporary,Film/TV,Pop. Score and parts. 21 pages. Jonatas Paz #757367. Published by Jonatas Paz (A0.1157042). Unstoppable narrates about a person who keeps moving forward despite whatever obstacles await them. All music has exactly that energy: the motivation you need to keep fighting and winning. For this reason we have a great arrangement that unites the spirit of this song with the power of a brass quintet. A great addition to your group's repertoire. Instrumentation Aditional Parts 1 - Conductor 1 - Trumpet in Bb I (Bb Cornet/ Flugel Horn) 1 - Trumpet in Bb II (Bb Cornet/ Flugel Horn) 1 - Horn in F 1 – Trombone (Euphonium) 1 – Tuba 1 – Eb Horn (substitute for Horn in F) 1 – Bb Trombone / Euphonium G clef (substitute for Trombone / Euphonium) 1 – Bb Trombone / Euphonium + (substitute for Trombone / Euphonium) 1 – Eb Bass G clef (substitute for Tuba) 1 – Eb Bass + (substitute for Tuba) 1 – Bb Bass G clef (substitute for Tuba) 1 – Bb Bass + (substitute for Tuba).
Unstoppable
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Sia
$14.99 12.82 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

French Horn Solo - Digital Download SKU: A0.1025113 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrecht #4727665. Published by Benjamin Giesbrecht (A0.1025113). Note: Performance will also require the purchase of Futility (Recorded Accompaniment Track). I apologize, but there is no way to combine the two into one package on this site.Full Title: Futility for Horn and Recorded AccompanimentOn escaping commercial musicPerformance Directions:Some degree of acting is required, as the performer is asked to shake their head, leave the stage, and throw pages off their stand. Performers are encouraged to act out the struggle in additional ways to those marked in the score. Use whatever combination of fingerings/grace notes, lip bends, and right hand technique you are comfortable with to achieve the closest effect to a trombone slide for the section at 21.Program Notes from the score:Transcribed from the original for trombone, Futility is a work embodying the struggle of a single musician to overcome the influence of commercialized music. We are inundated with commercial music and exposure to it is inescapable, thus it effects every musician in some form. Futilityfeatures an electronic track as accompaniment that was composed using commercially available audio loops and automatic beat generators-thus every sound the performer struggles against is both musically and literally commercial. The performer begins with some tentative entrances, moving towards an emulation of the electronic background.  Extra copyright information: The purchaser may copy pages if they are needed to achieve successful performance(s) and are used by a sole performer. (e.g. an extra first page to throw, or an extra page for offstage.)
Futility [Horn Transcription]
Cor

$3.00 2.56 € Cor PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.617518 Composed by Traditional Swedish Folk Melody. Arranged by Gary Lanier. Chamber,Christian,Praise & Worship,Religious,Sacred. Score and part. 10 pages. The Lanier Company #5753875. Published by The Lanier Company (A0.617518). HOW GREAT THOU ART is an arrangement by world renowned Composer, Gary Lanier, for Flute and Piano of an old Swedish Folk melody. It works great for offertories, special music in worship services or for the joy of playing in any situation where inspirational music is desired (10 pages with cover). A mp3 Piano Accompaniment is also available, listed as: HOW GREAT THOU ART (Piano Accompaniment for Flute) Music Review: This very famous hymn always sounds good in whatever form it is arranged. Its simplicity and great harmony has always reminded about God's greatness. The music arrangement here is simply superb and is just enough to move the listeners closer to God. This is one of the best arrangements I have heard for piano and flute.
HOW GREAT THOU ART (For Flute and Piano with ScorePart)
Flûte traversière et Piano

$8.99 7.69 € Flûte traversière et Piano PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1460791 By The Beach Boys. By Brian Wilson and Mike Love. Arranged by Will Corbin. Pop. 13 pages. Will Corbin #1039690. Published by Will Corbin (A0.1460791). This 1965 Beach Boys recording hit the top of the Billboard singles chart. Billboard called it an intriguing off-beat rouser, whatever that means.Not much to do with this, other than pass the melody around, and have it still feel like the Beach Boys. It's summertime-in-the-park fodder, nothing more.If you need alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
Help Me Rhonda
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
The Beach Boys
$15.00 12.82 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale