Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Marshmello & Bastille, Marshmello (Feat. Bastille). Arranged by Mario Stallbaumer. 7 pages. Published by Mario Stallbaumer

Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1438554 By Frankie Laine. By Carl Fischer and Frankie Laine. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #1018580. Published by DAVID LEE GINGRAS (A0.1438554). We'll Be Together Again is a 1945 popular song composed by Carl T. Fischer, with lyrics by Frankie Laine. Fischer was Laine's pianist and musical director when he composed the tune, and Laine was asked to write the lyrics for it. The Pied Pipers were the first to release the song, and as well as Laine, it has since been recorded by such notable vocalists as Billie Holiday, Frank Sinatra, Louis Armstrong, Rosemary Clooney, Lou Rawls and Tony Bennett. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We added what we think are some pretty cool left-hand fills that we hope you will like! It's a fun song and not too hard to play!

Brass Ensemble Euphonium,Tuba - Level 5 - Digital Download SKU: A0.755334 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 48 pages. Sy Brandon #6607353. Published by Sy Brandon (A0.755334). I. The grass is always greener on the other side of the fence. The interpretation of this adage is that one always wants what someone else has instead of accepting one’s own uniqueness. During the movement, counterpoint is used to depict one instrument copying another. Towards the middle of the movement, tuba 2 eventually realizes its independence and states a bold melody of its own. The movement ends with the euphonium 1 playing its melody alone with pauses between the phrases as if looking over its shoulder wondering where the other musicians are. II. Absence makes the heart grow fonder. This setting represents a growing love despite the emptiness of being apart. Hollow intervals of fourths and fifths representing longing, occur at the beginning and end. A short love duet between two instruments occurs in the middle. III. Time flies when you are having fun. A rollicking six-eight meter is used to represent a children’s game of tag. There is a lot of alternation of short phrases as if one instrument is trying to tag the other and the other is trying to avoid being tagged. The dissonance and short accented notes represent taunting. IV. Every cloud has a silver lining. This movement is a prayer-like setting with alternation of minor and major harmonies representing the cloud and the silver lining respectively. V. He who hesitates is lost. This movement is very rhythmic and syncopated with the instruments alternating phrases in the manner of a call and response. It calls for split-second precision between the performers, therefore representing the adage. VI. A rolling stone gathers no moss. The last movement is a perpetual motion in a rolling six-eight meter. The musical ideas are very chromatic with the exception of main theme that appears first as a solo melody, then as several instruments together, and later as instruments in imitation. Towards the end, there are a few brief pauses and low accented notes as a life of activity has a few bumps along the way.

Violin Solo - Level 1 - Digital Download SKU: A0.929972 Composed by Melissa Blanton. Instructional. 8 pages. Melissa Blanton #4717171. Published by Melissa Blanton (A0.929972). After teaching for over 25 years I can tell you this- Violinists are never too young or too inexperienced to play with style and expression! The Espressione Primer etudes are to educate and encourage students to do just that!  They feel proud and eager to practice when they like what they hear from their own playing! No's 1 through 5 are on strings E and A only; 6-10 on D and G; 11-14 add the use of the fourth finger; 15-20 use the low 1 and low 2 fingerings. Basic dynamic and articulation markings are used and definitions are given for expression terms! Thank you in advance for your purchase and Best Wishes!-Mrs.Blanton

Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.1297340 Composed by Gioachino Rossini. Arranged by David Mathie. 19th Century,Classical. Score. 16 pages. Gordon Cherry #887420. Published by Gordon Cherry (A0.1297340). Here is what arranger David Mathie writes about the 5 Duos by Rossini.Gioachino Rossini was an Italian composer, born in 1792 and died in 1868. He was known primarily for his thirty-nine operas, although he did compose some chamber pieces and a few orchestral works. His 5 Duos for 2 Horns in E♭ were probably written in 1806 when Rossini was fourteen and living in Bologna, although they weren’t published until 1861. While it may seem unusual for a fourteen-year-old to be composing, by then Rossini had already written his String Sonatas at the age of twelve, and those works are still performed today. An explanation for why Rossini would write a set of duets for horn may be that his father was a professional trumpet player, and taught his son Gioachino to play the horn at a very young age.These five pieces were written for the natural (valveless) horns of the time, and like the horn writing of Mozart some very technical passages can be found in the lower part, especially in duets four and five. We can also hear the future opera composer’s arias in number three. The duos will work quite well on recitals and also for casual duet playing. Because trombonists can never have enough practice in clefs, I have transcribed the duets into three versions each using bass, tenor and alto clefs.The 5 Duos in 3 Clefs by Rossini arranged by David Mathie are perfect studies for any aged performer to begin learning Tenor and Alto Clefs. The duet format allows the teacher to play alongside the student, which is always so valuable for learning. They are of moderate difficulty making them well-suited for the Clef Novice to begin adding these necessary tools to their technique.

Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.837485 Composed by Brett L. Wery. 20th Century,Concert,Contemporary,Jazz. Score and part. 53 pages. Sonata Grendel Publishing #4346989. Published by Sonata Grendel Publishing (A0.837485). Samuel Detweiler is a superb musician and accomplished saxophonist, equally at home in both jazz and classical idioms. Naturally, I was thrilled when Sam told me of his plans to commission a work that incorporated improvisation in what would otherwise be a neo-classical sonata form. The result is a piece that is technically demanding for most classical saxophonists but also requires a reasonable amount of proficiency in improvisation. Much of classical music is driven by development (the restatement, fragmentation, exploitation, evolution, and eventual transformation of musical ideas). In this sonata much of the development is left to the performer. The first movement is in sonata allegro form with the development being largely improvised. The second movement leaves one entire statement of the form open for improvisation much like any jazz standard. The third movement is a sonata rondo, again, leaving the development section open for improvisation.This 17 minute piece is ideal for college and professional players. You can find information on Brett L. Wery’s music at: http://www.societyofcomposers.org/members/BrettL.Wery/  or follow him on Facebook at: https://www.facebook.com/werymusic/  

Brass Quintet Baritone Horn TC,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1461296 By The Beatles. By Paul McCartney. Arranged by Will Corbin. Pop. 11 pages. Will Corbin #1040104. Published by Will Corbin (A0.1461296). Paul McCartney wrote Junk while the Beatles were contemplating their belly buttons in India in 1968 (he bailed on that excursion fairly early). The song was passed over for both the White Album and Abbey Road, so, after the Beatles broke up, McCartney included it on his self-titled first solo album. That record also included a singalong version of Junk, which is approximately what this would be.This is more elevator music, definitely useful for when the band is not necessarily the center of attention.It's scored for baritone instead of trombone. If you'd like different instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1303911 By Frank Sinatra w/Harry James Orchestra. By Arthur Altman and Jack Lawrence. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #893431. Published by DAVID LEE GINGRAS (A0.1303911). All or Nothing at All is a song composed in 1939 by Arthur Altman, with lyrics by Jack Lawrence. Frank Sinatra's August 31, 1939 recording of the song, accompanied by Harry James and his Orchestra was a huge hit in 1943, when it was reissued by Columbia Records during the 1942-44 musicians' strike. This version was developed from the original 1939 sheet music and features a root-based chord blocking that John and I have used in a number of our arrangements - we hope you like what we've done with this classic Sinatra tune!

Large Print Hymnal Large Print Hymnal - 125 of the best known hymns and gospel songs in LARGE PRINT (16 pt Ariel) and lower keys. Also includes 30 thoughtful devotionals on subjects such as Fear, Grace, etc. which serve as song and topic dividers. You'll treasure this attractive songbook! New! You asked, we listened: We now offer recordings of the piano accompaniments for the entire book. Each hymn has been recorded in its entirety. A set of 5 CDs to sing along with makes it possible to enjoy group performance of the great hymns anywhere there is a CD player

Easy Piano Arrangements Here are 60 familiar hymns, carols and spirituals all keenly crafted into moderately easy settings which you will find to be fresh and full of interest. Most pianist will have no problem mastering them, and many can be sight-read by the more accomplished. The wide selection of titles affords ample options for preludes, offertories and special occasions throughout the year. A useful subject index offers easy referencing. The average length of each solo is 2:30

Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA

Large Print Hymnal

Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship. 110 pages. Published by Afghan Press Music for the Harp

Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed by Pierce, Alan. 21st Century, Romantic Period, Contemporary Classical, Post-Romantic. Solo Part. 31 pages. Published by Cherry Classics Music