String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869304 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #50815. Published by Thomas Oboe Lee (A0.869304). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869307 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 8 pages. Thomas Oboe Lee #50811. Published by Thomas Oboe Lee (A0.869307). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869305 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #50809. Published by Thomas Oboe Lee (A0.869305). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818201 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship,Sacred. Score. 20 pages. Stephen R Dalrymple #3070435. Published by Stephen R Dalrymple (A0.818201). Be With Me Today - original song by Stephen R Dalrymple (Worship Team Edition) CCLI Song # 7142179 music © 2005 (copyright registered in 'Sacred Songs 2000-2005’ collection) recording ℗ 2022 Stephen R Dalrymple presentation © 2022 Stephen R Dalrymple sequenced by the composer based on Colossians 1:26-27 and Galatians 5:23-23 ♫ I was driving to school to begin a new job teaching in a public school in a new town. I was praying to be aware of God’s presence as I began my day. As I meditated on God’s presence, the words of this song began to come to mind. I pulled to the side of the road, found an old envelop, drew a staff and began writing. ♫ We are told the heavens cannot contain God; God is spirit; and there is nowhere we can go to escape His presence. Thus, every inhabitant on earth is continually within God’s physical presence. On the other hand, we are urged to ‘come into His presence.’ Also, Christ’s presence is continuously available to us through the presence of the Holy Spirit. Experiencing the presence of God is an act of the will, an act of faith. Remembering and experiencing His presence is life changing for everyday life. We are in His presence at work and school, at the market and while we are driving, in sorrow and in pleasure, in danger and in peace. ♫ I think of God’s presence when I lap swim. I cannot float in the air, but I can float in water. Just as the water of the swimming pool surrounds me and holds me afloat, so God’s presence is constantly surrounding and supporting me every moment of every day. ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the lead sheet for worship team use, 2) vocal line with piano accompaniment, 3) lead sheet for 10 inch tablet, and vocal line with piano for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).

Ukulele - Level 2 - Digital Download SKU: A0.1184669 Composed by Gabrielle Liriano. Children. Score (Chords/Lyrics). 10 pages. Art Haus Music Publishing #784355. Published by Art Haus Music Publishing (A0.1184669). Lyrics:I found a cookie in my pocket and I know it's gonna be a good day! Hey! Hey!Yummy peanut nougat swizzle with a drizzle and a chocolate glazeWhat a present for my tummy, 'cause I'm such a slacker.I woke up late for school- an insomniac.See this cookie in my pocket gonna munch on it along the wayI found a cookie in my pocket and i know iit's gonna be a good day!oo oo oo!I'm gonna snack through all my classes, too fuzzy to hear what teachers say.When I stumble through the door late- ten minutes past. UghHeads roll around to stare, What a panic attackBut I got this cookie in my pocket and a dream to keep the grumbles away I found a cookie in my pocket and I see you eyein' me for a chewI must look something like a parrot if you think I'm gonna share it with youLookI gotta last all day with my eyes barely cracked. UghAnd if you try to snatch it I'll turn quarterbackSee this cookie in my pocket is what's keeping me from a snoozeSee this cookie in my pocket is what's keeping me from the blues!

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1322814 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Contemporary,New Age,Praise & Worship,Spiritual. Score. 7 pages. Kevin G. Pace #911101. Published by Kevin G. Pace (A0.1322814). A beautiful vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. Dedicated to Mark.Text:My little son, with his scars, is asleep . . .his spirit so live and unique.There’s transcending light which shines upon his face.He is perfect in God’s sure embrace.Another dear Child, O, Mary’s pure Son,has also light just like the sun.His scars received with pain in His facedo now show suff’ring love through His grace.To suffer, my son . . . O, can I watch with God’s peace,knowing so clearly His care will increase?Like faithful Mary who nurtured her Son,can I so trust with my own little one?When I know God’s care, I’ll remember Christ’s love so rare.My little son, with these scars he will keep,shows a humility I seek.O, as I struggle to be just like him,I can feel God’s peace from within.To suffer, my son . . . God’s promise comes with love,showing clearly He sees from above.With His great love God sees from above.He sees from above.

Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1389486 By Leonard Cohen. By Leonard Cohen. Arranged by Justin Matthew Starr. Contemporary,Pop,Rock,Standards. 16 pages. J M Starr Music #973074. Published by J M Starr Music (A0.1389486). “Hallelujah� was originally released by Canadian singer/songwriter Leonard Cohen in 1984 on his album Various Positions. This composition, however, is one of the few in history that may be more well-known due to covers of the song than the original version. In 1991, John Cale did a cover of the song that removed the synthesizers, gospel choir, full band, and low, borderline-talking bass voice from Cohen’s original; and replaced it all with a bare-bones piano and tenor voice. It is not difficult to argue that this arrangement of the composition became the definitive version that all future covers would be based on: from Jeff Buckley’s stripped-down guitar and voice 1994 version, to Rufus Wainright’s piano and voice 2001 cover for the soundtrack to the motion picture Shrek, to k.d. lang, the a cappella group Pentatonix, and many, many more.When I first arranged this song in 2010 for my 8th grade SAB choir, I did not know the John Cale version existed; rather, I started by transcribing the Rufus Wainright recording and then made it my own from there. My arrangement is melodically akin to the Wainright, but I added harmonies in various places throughout. Lyric selection was also a choice I had to me, as each version of the song contains a different number of verses. Cohen’s 1984 original had four, and then in 1988 he sang a live version with seven (supposedly he drafted over 80 different verses!). I decided to go with five. This allowed me to structure the song in a way that got feature and give the melody to: a Soloist(s) (verse 1), the Baritones (verse 2), the Altos (verse 3), the Sopranos (verse 4) and then the entire choir (verse 5). Over the years that I have performed this with my students, I couldn’t help myself from rocking out with little bluesy fills and licks in the final choruses, so I decided to write it in. I hope you, your students, and accompanist have fun with that!

Piano,Voice Duet Piano,Soprano voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1088422 Composed by Antonio Gervasoni. Classical,Contemporary. 50 pages. Antonio Gervasoni #692687. Published by Antonio Gervasoni (A0.1088422). Mini-opera for soprano, tenor and piano. I've wanted to write a piece based on Twain's Diaries of Adam and Eve ever since I read it. I always thought that the story had great potential to write a little opera buffa, and when I came across it by chance while tidying up a bookshelf, the idea came back to me and this time I finally decided to make it a reality. I have used only a few sentences from Twain's book and arranged them in such a way as to produce a workable libretto. For the most part, I've kept everything intact, except for a few words that I've taken the liberty of contract (for example, it's instead of it is; that's instead of that is). Also, in Eve's last entry, I changed every wife to everyone, as I want her words to refer to all human beings and not just women.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1506165 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. Score. 7 pages. Kevin G. Pace #1081536. Published by Kevin G. Pace (A0.1506165). A beautiful, Christmas lullaby with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Straight from heav’n with God’s love came my baby boy.Waiting long, now I sing, for I know true joy.When he cries in my arms, I can wrap him tight . . .Then I sing my love to him in our Father’s sight.I’m singing my baby to sleep ev’ry day and night . . .Just singing my baby to sleep, with love, in Father’s heav’nly light.Straight from heav’n with God’s love came the holy One.Down to earth now He lends his most perfect Son.With pure light all about, my love only grows.As I sing God’s holy words, greater care I know.I’m singing my baby to sleep ev’ry day and night . . .Just singing my baby to sleep, with love, in Father’s heav’nly light.

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1499801 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 2 pages. Kevin G. Pace #1075867. Published by Kevin G. Pace (A0.1499801). A lovely, Christmas lullaby-hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Straight from heav’n with God’s love came my baby boy.Waiting long, now I sing, for I know true joy.When he cries in my arms, I can wrap him tight . . .Then I sing my love to him in our Father’s sight.I’m singing my baby to sleep ev’ry day and night . . .Just singing my baby to sleep, with love, in Father’s heav’nly light.Straight from heav’n with God’s love came the holy One.Down to earth now He lends his most perfect Son.With pure light all about, my love only grows.As I sing God’s holy words, greater care I know.I’m singing my baby to sleep ev’ry day and night . . .Just singing my baby to sleep, with love, in Father’s heav’nly light.

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1265871 By Kathy Mattea. By Pat Alger and Ralph Murphy. Arranged by Dan Garrett. Country,Folk,Pop,Religious. Octavo. 10 pages. Daniel Garrett #858635. Published by Daniel Garrett (A0.1265871). Kathy Mattea recorded Seeds for her album, Lonesome Standard Time. This SSA and Piano arrangement will be an audience favorite.Lyrics:Sometimes I stop on my way home and watch the children playAnd I wonder if they wonder what they'll be some daySome will dream a big dream and make it all come trueWhile others go on dreaming of things they'll never doWe're all just seeds in God's handsWe start the same but where we landIs sometimes fertile soil and sometimes sandWe're all just seeds in God's handsI saw a friend the other day, I hardly recognizedHe'd done a lot of living since I'd last looked in his eyesHe told his tale of how he'd failed, the lessons he'd been taughtBut he offered no excuses and he left me with this thoughtWe're all just seeds in God's handsWe start the same but where we landIs sometimes fertile soil and sometimes sandWe're all just seeds in God's handsAnd as I'm standing at a crossroads once againI'm reminded we're all the same when we beginAnd in the end?We're all just seeds in God's handsWe start the same but where we landIs sometimes fertile soil and sometimes sandWe're all just seeds in God's handsWe're all just seeds in God's hands

Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.584639 Composed by Peter Green. Arranged by Jeff Tincher. Contemporary. Score and parts. 36 pages. Jeff Tincher #5991789. Published by Jeff Tincher (A0.584639). This is the first single from the original Fleetwood Mac lineup that made it up the charts. Before the made it as a pop band, the original group was a blues band. In the original key from their Then Play On, this was a double A-side single. I fell in love with this song when I first heard it for it's style that was quite unusual for the time. It wasn't on the original release of the album. But when it became a big hit, they replaced When You Say with this song. Duration = 9:36. Visit my websites:https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.584635 Composed by Peter Green. Arranged by Jeff Tincher. Contemporary. Score. 12 pages. Jeff Tincher #5991775. Published by Jeff Tincher (A0.584635). This is the first single from the original Fleetwood Mac lineup that made it up the charts. Before the made it as a pop band, the original group was a blues band. In the original key from their Then Play On, this was a double A-side single. I fell in love with this song when I first heard it for it's style that was quite unusual for the time. It wasn't on the original release of the album. But when it became a big hit, they replaced When You Say with this song. Duration = 9:36. Visit my websites:https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Woodwind Ensemble,Woodwind Quartet Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.584638 Composed by Peter Green. Arranged by Jeff Tincher. Contemporary. 37 pages. Jeff Tincher #5991787. Published by Jeff Tincher (A0.584638). This is the first single from the original Fleetwood Mac lineup that made it up the charts. Before the made it as a pop band, the original group was a blues band. In the original key from their Then Play On, this was a double A-side single. I fell in love with this song when I first heard it for it's style that was quite unusual for the time. It wasn't on the original release of the album. But when it became a big hit, they replaced When You Say with this song. Duration = 9:36. Visit my websites:https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.584637 Composed by Peter Green. Arranged by Jeff Tincher. Contemporary. 35 pages. Jeff Tincher #5991785. Published by Jeff Tincher (A0.584637). This is the first single from the original Fleetwood Mac lineup that made it up the charts. Before the made it as a pop band, the original group was a blues band. In the original key from their Then Play On, this was a double A-side single. I fell in love with this song when I first heard it for it's style that was quite unusual for the time. It wasn't on the original release of the album. But when it became a big hit, they replaced When You Say with this song. Duration = 9:36. Visit my websites:https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.