Rhythm Section 3-Part Mixed Chorus,Voice - Level 5 - Digital Download SKU: A0.1426655 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Jazz,Opera,Reggae. Vocal Jazz Ensemble. 81 pages. Holyone Tombari Dodoh #1007357. Published by Holyone Tombari Dodoh (A0.1426655). Lyrics:I want to be free,I want to begin,I want to be me,I want to be happy.I want to be like you,I want to be someone,I want to believe,That I'm ready,Because I'm ready.Trust in me,And believe in tomorrow,I need to sowA good seed nowSo I can reap.When it's time,You'll be happy,Don't make me bitter today,I don't like sadness.Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.Come on, you, let go,I'm not that little,This is so hurting,I want to be me.Please don't be offended,I'm asking for freedom,I want to be happy,Just like as you are.Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.You're feeling so well,Please let me be,I want to feel well,Can't understand;Why don't you give meThe liberty to choose,How to run my life,Even when you see me,Doing better that way.I love you so much,I want you proud of me,Till the breaking of the day,Why can't you wait.And believe in my path,'Cause I won't let you down,You'd be happy,You'd tell me well done!Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.

C Instrument - Level 4 - Digital Download SKU: A0.1116569 Composed by Reinaldo Coniglio Rayol. Arranged by John Fries. 20th Century,Film/TV,Jazz,Latin,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #718224. Published by John Fries (A0.1116569). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  When, When, When is an Italian pop song from 1962, in the bossa nova style. The song was used prominently in the 1962 Italian movie The Easy Life and was used in the movie The Blues Brothers (1980): when the main protagonists Jake and Elwood first encounter Murph and The Magictones, In the extended cut of the Ivan Reitman film Stripes (1981), Bill Murray begins singing this to avoid being killed by Colombian mercenaries. In the 2006 film Superman Returns, the theme is performed by The Drifters in the elevator scene when Clark Kent and Lois Lane are in the middle of several people reading about the Man of Steel's return in the Daily Planet.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1292274 By Engelbert Humperdinck. By Barry Mason, D. Pace, M. Panzeri, and R. Livraghi. Arranged by John Fries. 20th Century,Film/TV,Latin,Pop. Score. 3 pages. John Fries #882890. Published by John Fries (A0.1292274). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  When, When, When is an Italian pop song from 1962, in the bossa nova style. The song was used prominently in the 1962 Italian movie The Easy Life and was used in the movie The Blues Brothers (1980): when the main protagonists Jake and Elwood first encounter Murph and The Magictones, In the extended cut of the Ivan Reitman film Stripes (1981), Bill Murray begins singing this to avoid being killed by Colombian mercenaries. In the 2006 film Superman Returns, the theme is performed by The Drifters in the elevator scene when Clark Kent and Lois Lane are in the middle of several people reading about the Man of Steel's return in the Daily Planet.

C Instrument - Level 4 - Digital Download SKU: A0.1292273 By Engelbert Humperdinck. By Barry Mason, D. Pace, M. Panzeri, and R. Livraghi. Arranged by John Fries. 20th Century,Latin,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #882889. Published by John Fries (A0.1292273). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  When, When, When is an Italian pop song from 1962, in the bossa nova style. The song was used prominently in the 1962 Italian movie The Easy Life and was used in the movie The Blues Brothers (1980): when the main protagonists Jake and Elwood first encounter Murph and The Magictones, In the extended cut of the Ivan Reitman film Stripes (1981), Bill Murray begins singing this to avoid being killed by Colombian mercenaries. In the 2006 film Superman Returns, the theme is performed by The Drifters in the elevator scene when Clark Kent and Lois Lane are in the middle of several people reading about the Man of Steel's return in the Daily Planet.

Piano Solo - Level 4 - Digital Download SKU: A0.1335915 By Engelbert Humperdinck. By Barry Mason, D. Pace, M. Panzeri, and R. Livraghi. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Score. 4 pages. John Fries #921746. Published by John Fries (A0.1335915). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  When, When, When is an Italian pop song from 1962, in the bossa nova style. The song was used prominently in the 1962 Italian movie The Easy Life and was used in the movie The Blues Brothers (1980): when the main protagonists Jake and Elwood first encounter Murph and The Magictones, In the extended cut of the Ivan Reitman film Stripes (1981), Bill Murray begins singing this to avoid being killed by Colombian mercenaries. In the 2006 film Superman Returns, the theme is performed by The Drifters in the elevator scene when Clark Kent and Lois Lane are in the middle of several people reading about the Man of Steel's return in the Daily Planet.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1202020 By Engelbert Humperdinck. By Barry Mason, D. Pace, M. Panzeri, and R. Livraghi. Arranged by John Fries. 20th Century,Film/TV,Jazz,Latin,Standards. Score. 3 pages. John Fries #800638. Published by John Fries (A0.1202020). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. When, When, When is an Italian pop song from 1962, in the bossa nova style. The song was used prominently in the 1962 Italian movie The Easy Life and was used in the movie The Blues Brothers (1980): when the main protagonists Jake and Elwood first encounter Murph and The Magictones, In the extended cut of the Ivan Reitman film Stripes (1981), Bill Murray begins singing this to avoid being killed by Colombian mercenaries. In the 2006 film Superman Returns, the theme is performed by The Drifters in the elevator scene when Clark Kent and Lois Lane are in the middle of several people reading about the Man of Steel's return in the Daily Planet.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.933611 Composed by John Stafford Smith. Arranged by Thomas Coker. Folk,Patriotic. Octavo. 4 pages. Thomas Rembert Coker Jr #3503513. Published by Thomas Rembert Coker Jr (A0.933611). In 2009 when Sanctuary Choir of South Main Baptist Church in Houston where I served as Music Minister was scheduled to sing the National Anthem for the Houston Astros baseball game, I carefully examined the several arrangements in our library and other resources. Finding nothing which met the simple, straight-forward criteria I was searching for, we created this simple arrangement. Since its addition to the music library it has proven very useful on numerous occasions for a variety of groups. About the National Anthem:The lyrics for The Star-Spangled Banner were written on September 14, 1814 from a British ship in the Baltimore Harbor where attorney Francis Scott Key had waited anxiously through the night as the twenty-five hour bombing of Ft. McHenry progressed. He had been sent to negotiate the release of an American civilian and then was held on board the ship.  At the dawn’s early light when the flag could still be seen indicating the British had not taken the fort, he jotted down this poem which on March 3, 1931 finally became the National Anthem of the United States. Interestingly, it was Robert Ripley who in November of 1929 drew a panel in his syndicated cartoon, Ripley’s Believe It or Not stating Believe It or Not, America has no national anthem. With the encouragement of John Philip Sousa, President Herbert Hoover signed into law the adoption of The Star-Spangled Banner to rectify this situation. According to the Smithsonian, the melody, written by John Stafford Smith, was originally titled Anacreon in Heaven. Anacreon was an ancient Greek poet known for his love of wine and love. The song had become the constitutional song of a London gentlemen’s club called the Anacreontic Society. Could this explain the wide range of the melody? By utilizing this tune to the moving text, this once merry drinking song took on a bold new and powerful meaning. Thomas Coker, August 27, 2015  

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1233352 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Country,Pop. Score. 45 pages. Adrienne Inglis (ASCAP) #828940. Published by Adrienne Inglis (ASCAP) (A0.1233352). Sing one, two, or all six of these expressive and charming songs for soprano and piano!Most Importantly, Loves (2021) by Adrienne Inglis (ASCAP), as a six-song cycle for soprano and pianoText — six letters by Maureen Broy PapovichDuration 25:00Difficulty 4 intermediate/advancedProgram note — Most Importantly, Loves (2021), a song cycle for soprano and piano composed by Adrienne Inglis (ASCAP), was commissioned by Maureen Broy Papovich whose six letters furnish the text. She wrote letters to various close family members with tender messages overflowing with admiration, affection, and hope. The songs look at each beloved relative as seen through the prism of the author’s caring eyes and heart. Rooted in moody Dorian mode, the lyrical melodies of R. J. overlay a more brooding, restless piano part. Lucy sports a bit of a jazzy lilt and sassy attitude. The infectious laugh of Camryn and the remarkable resemblance to her late father underpin this quick syncopated C major number. Brendan reflects his exuberant love of life and devastating self-destructive addiction with radical tonality and tempo changes. Mira has an encouraging message for a young person in D mixolydian with soothing piano texture. Jonah’s long lines soar over lush expansive harmonies grounded in B flat major to form a soft fleece blanket of comforting sound and boundless unconditional parental love. — Adrienne InglisThe impetus for the poems that became the song cycle “Most Importantly Loves� started a decade ago. My brother died suddenly in 2011 at the age of 42. He left all of us behind including his daughters, my nieces, when they were ages six years and six months. My father and mother died a short time later, within months of each other in 2013 and 2014. Finally, in 2017 my 27-year-old nephew died of a drug overdose. This intense period of loss brought and continues to bring about many feelings of regret in addition to so much more. When my nephew died, my son Jonah, developed an intense anxiety about losing us, his parents. I felt compelled to express my feelings, the fear of my own mortality, the anxiety of leaving behind loved ones, combined with words said and unsaid to those lost. “Love letters� is my gift to the six young people I care most about. These songs, exquisitely set to music by my friend and composer Adrienne Inglis, express my deep love for each of my loved ones and also, hopefully, provide them with a piece of writing that they can use as a source of strength when life becomes particularly challenging. —  Maureen Broy PapovichPlaylist of Oct. 22, 2022 performance:https://youtube.com/playlist?list=PLY9Jh0jT7VQsLBdIik5wJRjE6Qhu_5IZD.

Instrumental Duet - Level 5 - Digital Download SKU: A0.1475965 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 23 pages. ACORDO Sheet Music #1053543. Published by ACORDO Sheet Music (A0.1475965). Toccata, Adagio and Fugue in C, BWV 564 is one of Johann Sebastian Bach's most famous organ works.Toccata: This part starts with an introduction that sounds like improvisation. It has fast, single-note passages like a concerto's cadenza. At measure 32, it changes to a bright, full sound like an orchestra.Adagio: This part is slow and very beautiful, with a sad feeling in a minor key.Fugue: In 6/8 time, this part is lively and bright, like a dance such as a Gigue or Passepied, even though it is not labeled as a dance.In my previous publication, Toccata & Fugue, BWV 565 for Violin and Viola, I showcased the unique beauty of string instruments. Similarly, in this piece, the beautiful melody of the Adagio fits perfectly with the Violin and Viola, as if it were originally composed for them. The dance-like energy of the Fugue is also easier to express with string instruments.When two people perform this piece, it creates an interesting dialogue, almost like a conversation. The introduction of the Toccata reflects this, inspired by my students who would chat enthusiastically before starting their practice. Their conversation in the music lasts for 31 measures without any chords together. The short unison phrase in measure 13 symbolizes their agreement to start playing together. After that, their conversation continues, with triplets and important motifs of this movement appearing, increasing the expectation for the ensemble to begin. From measure 32, the real ensemble playing begins. Although we don't know what Bach imagined when he wrote this introduction, I now hear it as a conversation, even when listening to the original organ version.In the Adagio viola part, the continuo notes are marked in black, and the notes that create harmony are marked in blue. Players who can control the volume balance of double stops should balance it so that the continuo flows naturally. Players who are not skilled in playing double stops, it might be better to omit the blue notes in difficult sections. If omitted, the section might feel empty, but with careful playing before and after, it could still sound natural.

Piano - Level 3 - Digital Download SKU: A0.1412964 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Full Performance. Duration 244. Damien Gauci #994971. Published by Damien Gauci (A0.1412964). The starting point for this piece was just reflect the breathing in and out of the morning air. The piece begins with a slow, flowing left hand which prepares the entrance of the melody in the right hand. The melody floats above the right and takes it’s time as if it’s breathing or flowing with the air. there are quite a few different motifs/melodies in this piece which could be representative of the changing nature of the wind and air throughout the day. There are moments when it is more calm and still, moments when it is flowing freely and rapidly around, and there are moments when it is more active and creates a whirlwind. While the sudden change between different themes is ok, If I wrote this piece again, I would try to create a better connection between them.

Piano Solo - Level 3 - Digital Download SKU: A0.1411181 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 5 pages. Damien Gauci #993516. Published by Damien Gauci (A0.1411181). The starting point for this piece was just reflect the breathing in and out of the morning air. The piece begins with a slow, flowing left hand which prepares the entrance of the melody in the right hand. The melody floats above the right and takes it’s time as if it’s breathing or flowing with the air. there are quite a few different motifs/melodies in this piece which could be representative of the changing nature of the wind and air throughout the day. There are moments when it is more calm and still, moments when it is flowing freely and rapidly around, and there are moments when it is more active and creates a whirlwind. While the sudden change between different themes is ok, If I wrote this piece again, I would try to create a better connection between them.

Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Pink Floyd. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer

Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1463233 Composed by Johann Sebastian Bach. Arranged by Joseph I. Corporon (ASCAP). Baroque,Chamber,Classical,Historic,Sacred. 24 pages. Joseph I. Corporon #1041922. Published by Joseph I. Corporon (A0.1463233). Two chorales from J. S. Bach's Cantata BWV 140 (Wachet auf, ruft uns die Stimme), have been arranged for Piano Trio or Piano Quartet by Joseph I. Corporon (ASCAP). Both arrangements are combined into one score for your convenience.The first chorale, Zion hört die Wächter singen, was originally scored for strings, continuo, and male chorus. The second chorale, Gloria sei dir gesungen, was originally scored for strings, continuo, and mixed chorus.The two versions of this arrangement both work equally well. When played as a Piano Trio use the Score, Violin, and Violoncello parts. Violoncello  plays the melody in the first chorale, and Violin plays the melody in the second chorale.When played as a Piano Quartet use the Score, Violin, Viola, and Continuo parts. Viola plays the melody in the first chorale, and Violin plays the melody in the second chorale.Enjoy!