Large Print Hymnal Large Print Hymnal - 125 of the best known hymns and gospel songs in LARGE PRINT (16 pt Ariel) and lower keys. Also includes 30 thoughtful devotionals on subjects such as Fear, Grace, etc. which serve as song and topic dividers. You'll treasure this attractive songbook! New! You asked, we listened: We now offer recordings of the piano accompaniments for the entire book. Each hymn has been recorded in its entirety. A set of 5 CDs to sing along with makes it possible to enjoy group performance of the great hymns anywhere there is a CD player

Violin Solo - Level 1 - Digital Download SKU: A0.505824 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. 1 pages. M das Melodias #117486. Published by M das Melodias (A0.505824). Music score Someone You Loved for violin. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.

B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117500. Published by M das Melodias (A0.505838). Sheet music of the song Someone You Loved for trumpet in Bb. Singer Lewis Capaldi. Sheet music on the easy-to-play level. #trumpet #Bbtrumpet #someoneyouloved #lewiscapaldi I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.

Clarinet Solo - Level 1 - Digital Download SKU: A0.507363 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117503. Published by M das Melodias (A0.507363). Music score Someone You Loved for Clarinet in C. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.

Cello Solo - Digital Download SKU: A0.505840 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117502. Published by M das Melodias (A0.505840). Music score Someone You Loved for Cello. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.

Piano Solo - Level 4 - Digital Download SKU: A0.1510902 By Bill Haley & His Comets. By Jimmy DeKnight and Max C. Freedman. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #1086120. Published by Timothy Stapay (A0.1510902). Rock Around the Clock is a rock and roll song made famous by Bill Haley and the Comets.  This is widely considered to be the song that, more than any other, brought rock and roll into mainstream culture around the world. The song is ranked No. 159 on the Rolling Stone magazine's list of The 500 Greatest Songs of All Time. Rock Around the Clock is often cited as the biggest-selling vinyl rock and roll single of all time.Lyrics:One, two, three o'clock, four o'clock, rockFive, six, seven o'clock, eight o'clock, rockNine, ten, eleven o'clock, twelve o'clock, rockWe're gonna rock around the clock tonightPut your glad rags on and join me, hon'We'll have some fun when the clock strikes oneWe're gonna rock around the clock tonightWe're gonna rock, rock, rock, 'til broad daylightWe're gonna rock, gonna rock, around the clock tonightWhen the clock strikes two, three and fourIf the band slows down we'll yell for moreWe're gonna rock around the clock tonightWe're gonna rock, rock, rock, 'til broad daylightWe're gonna rock, gonna rock, around the clock tonightWhen the chimes ring five, six and sevenWe'll be right in seventh heavenWe're gonna rock around the clock tonightWe're gonna rock, rock, rock, 'til broad daylightWe're gonna rock, gonna rock, around the clock tonightWhen it's eight, nine, ten, eleven tooI'll be goin' strong and so will youWe're gonna rock around the clock tonightWe're gonna rock, rock, rock, 'til broad daylightWe're gonna rock, gonna rock, around the clock tonightWhen the clock strikes twelve, we'll cool off thenStart a rockin' round the clock againWe're gonna rock around the clock tonightWe're gonna rock, rock, rock, 'til broad daylightWe're gonna rock, gonna rock, around the clock tonight.

Cello,Piano - Level 3 - Digital Download SKU: A0.1252822 By Maria Thompson Corley. By Maria Thompson Corley. Arranged by Maria Thompson Corley. 21st Century,Sacred. Score and part. 9 pages. Maria Thompson Corley #846622. Published by Maria Thompson Corley (A0.1252822). “Pax Aeternam� was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful� was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,� and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,� “Pax Aeternam� is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.� I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.I created a cello transcription for a performance with Sara Male, my partner in Duo Chiaroscuro. This seemed appropriate, since “Still Waters Running Deep,� one of our signature pieces, is a transcription of the slow movement of Barbara’s bassoon sonata, created at our request by the composer.

Piano Solo - Level 5 - Digital Download SKU: A0.1237260 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #832776. Published by Timothy Stapay (A0.1237260). This arrangement of All The Things You Are is written as performed by piano artist, Liberace.  It has an extended introduction based up the theme from Rachmaninoff's 2nd Piano Concerto.All the Things You Are is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II.The song was written for the musical Very Warm for May (1939)and was introduced by Hiram Sherman, Frances Mercer, Hollace Shaw, and Ralph Stuart.  It appeared in the film Broadway Rhythm (1944) when it was sung by Ginny Simms, and again in the Kern biopic Till the Clouds Roll By (1946), sung by Tony Martin.Popular recordings of the song in 1939 were by Tommy Dorsey and His Orchestra (vocal by Jack Leonard), Artie Shaw and His Orchestra (vocal by Helen Forrest) and Frankie Masters and His Orchestra (vocal by Harlan Rogers).  The song has been recorded by a plethora of artists.  It is considered a jazz standard.Lyrics:Time and again I've longed for adventure Something to make my heart beat the faster What did I long for? I never really knew Finding your love I've found my adventure  Touching your hand, my heart beats the faster  All that I want in all of this world is you  [Chorus:]  You are the promised kiss of springtime  That makes the lonely winter seem long  You are the breathless hush of evening  That trembles on the brink of a lovely song You are the angel glow that lights a star The dearest things I know are what you are  Some day my happy arms will hold you  And some day I'll know that moment divine When all the things you are, are mineWładziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor.  A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!

Piano,Tuba - Level 5 - Digital Download SKU: A0.1252810 Composed by Maria Thompson Corley. 21st Century. Score and part. 10 pages. Maria Thompson Corley #846603. Published by Maria Thompson Corley (A0.1252810). “Pax Aeternam� was written in memory of renowned composer Barbara York, a fellow Canadian whom I was blessed enough to meet in person through my interaction with Matt Brown. Though we connected many years into my collaborative piano career, Matt is the first tubist I ever worked with, and Barbara’s music was my favorite part of getting introduced to the tuba literature. I was thrilled to learn how much she appreciated my playing of her work.“How Beautiful� was written in memory of Matt’s son Eli, who had a congenital condition that took his life a few hours after he was born. This flawless piece of music, poignant yet never maudlin, provided the title for a recording Matt and I did of all of Barbara’s tuba output. It also threw down the gauntlet when Danny Rowland approached me, at Matt’s suggestion, about composing a piece. Danny mentioned loving “How Beautiful,� and intending to commission Barbara, who’d recently passed on. I’d never written for the tuba before, but felt absolutely no pressure. That’s a lie.Like “How Beautiful,� “Pax Aeternam� is in a major key; in my case, I wanted to evoke wistfulness rather than despair. Barbara’s path was full of suffering, and having lost a brother to prolonged illness, I’ve come to embrace the idea that death can be a sweet relief from pain. I tried to capture some of Barbara’s spirit, particularly in the middle section, and chose triple meter to give the outer sections a bit of “swing.� I don’t recall Barbara as a somber person, and I wanted to paint a portrait of someone who moved through life with a smile. I didn’t know her as well as many, but I always found her kind, generous, and unpretentious. I hope that this musical portrait does her justice.

Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling.  It is named in honor of Franzl Lang, the Yodelking.

C Instrument - Level 3 - Digital Download SKU: A0.1419147 By The Eagles. By Don Henley, Glenn Frey, and Randy Meisner. Arranged by Ian Fitze. Country,Folk,Pop,Rock,Standards. Lead Sheet / Fake Book. 2 pages. Ian Fitze #1000577. Published by Ian Fitze (A0.1419147). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This lead sheet is designed for experienced musicians who are looking for an easy-to-read lead sheet that gives the outline of the song. The melody has been simplified to make the lead sheet more readable. In most cases your vocalist will be performing from memory based on the recording. The original backing vocals are quite involved, so most performances will just inclue one or two improvised parts sung in the spirit of the original track.A NOTE ABOUT THE KEY: in every version of this tune that I could find (except the Miley Cyrus), the guitars play in G. The version given with Randy Meisner singing lead is in B major - guitars playing CAPO 4. Apparently, singing this tune live (with the soaring ad lib vocals at the end) ended up being too taxing for Randy Meisner and legend has it that disagreements about performing it live (at least in part) ended up with him leaving the group.When Glen Frey sang this in the 2000's and 2010's he did it in G as written here.When Vince Gill sang this in the 2020's he did it in A major - guitars playing CAPO 2.I reccomend using G or A major - a female singer might want to do it in C major (like the Miley Cyrus version). https://youtu.be/KI7YNyL-nt8?si=pCAQXZowUYxDTqa9.

SATB chorus a cappella - Digital Download SKU: BJ.1485 Composed by Henrik Dahlgren. Secular. 10 pages. Bo Ejeby Forlag - Digital #1485. Published by Bo Ejeby Forlag - Digital (BJ.1485). 8.27 x 11.7 inches.During a composer’s residency at the Banff Centre for Arts and Creativity in Canada, I wrote two major choral pieces, Before the West, a complex, rhythmical 7-minutes piece, and this, Without Knowing. Perhaps a simple response to the complexity I was exploring at the time. Pablo Neruda’s words are overflowing with love, warmth and compassion, and my job when setting it to music was mostly to not do too much with it. […] The piece to me sounds it’s best when sung that way. Simple, without dramatic gestures – almost like a folk tune, or even a pop song. – Henrik Dahlgren.

C Instrument - Level 3 - Digital Download SKU: A0.1097974 By Phil Wickham. By Bill Johnson, Brian Johnson, Chris Davenport, and Phil Wickham. Arranged by Brian Buda. Christian,Contemporary,Praise & Worship,Religious,Rock. Lead Sheet / Fake Book. 10 pages. Budaful music #701881. Published by budaful music (A0.1097974). For the guitarist/vocalist looking for an easy way to learn the accompaniment to Phil Wickham's, Hymn of Heaven. This arrangement is a compliment to the existing song as it follows closely to the form and style of the recording. Great for moments of corporate prayer and meditation as well as personal enjoyment. It's arranged in the original key of E but I've included to extra keys to play it in: D, Eb, and E. I hope you enjoy this arrangement and that it calls to mind the evocative lyrics: There will be a day When all will bow before Him. There will be a day When death will be no more. Standing face to face With He who died and rose again. Holy, holy is the Lord. There's also a Keys only version available for this arrangement.

Piano Solo - Level 4 - Digital Download SKU: A0.1335109 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Timothy Stapay. Broadway,Christmas,Film/TV,Musical/Show,Singer/Songwriter,Standards. Score. 3 pages. Timothy Stapay #920955. Published by Timothy Stapay (A0.1335109). Christmas Time Is Here from the animated movie A Charlie Brown Christmas.  This arrangement is embellished with laces of notes that inspire the Spirit of Christmas.  This song has long been a favorite of mine; and I've arranged the music as I usually play it; with my improvisations.Christmas Time Is Here was composed by jazz pianist Vince Guaraldi to accompany the opening of the 1965 television special A Charlie Brown Christmas.  It was originally written as an instrumental, but producer Lee Mendelson decided that the song needed lyrics. Mendelson recalled, When we looked at the show about a month before it was to go on the air, I said, 'That's such a pretty melody; maybe we should try and find some people to put some lyrics to it.' When he was unable to find someone available, he wrote the lyrics himself:So I sat down with an envelope — I'll never forget this — at our kitchen table and wrote 'Christmas Time Is Here' in about ten minutes. It was a poem that just came to me — never changed the words to this day. It was only about a minute long. And Vince got a bunch of little kids together to sing it.