Concert band - Grade 2 - Digital Download SKU: IZ.CBS166 Composed by Gregory Hoepfner. Score and Parts. 45 pages. Imagine Music - Digital #CBS166. Published by Imagine Music - Digital (IZ.CBS166). 9 x 12 in inches.My father enjoyed singing, particularly when the family went on road trips. One of our favorite songs that he sang was TheFar North Land. Several years ago, my sister recorded our father singing this song for use on the soundtrack of one of hermovies. Years later I transcribed the song from that recording and used it as the foundation for this piece. My aunts tell methey recall my father singing this song when he was a boy growing up in Minnesota, and that they referred to it as Fletch'ssong. It was only while working on this piece that I discovered that Duncan, Clear Water and Bear Skin are actual lakes inthe border lakes region where Minnesota meets Canada.The original arrangement, for string quartet, was premiered by the OdeonQuartet on October 21, 2003, at Seattle's TownHall.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1300859 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 21st Century,Multicultural,Patriotic,World. 11 pages. Johnson Gao #890537. Published by Johnson Gao (A0.1300859). Anthem of the “All nations will be perished, and the world must unite� Colorful Number One Scholar October 3, 2023 The world was originally no any nations.The land was plundered and divided into territories.Colonize first after occupying a frontier;If you had formed a country, you must raise an army.Warfare is a deadly killing weapon,The saints use it when there are no other satisfied ways.Today's world is in ruins.The United States, China, Russia, and European Union compete. Each of them wants to dominate the world.They don't want to be cooperative diligently;They use the dirty tricks instead;They use every possible means for cunning.When the saint raises only one foot high,While the devil has already jumped ten feet tall.They are blind at what the Doomsday is coming,They still love to rob and snatch.They would like to die together;You die and I die, too.What a shame.The human body contains cells.All cells have membranes.With membranes they know how to be selfish.Selfish genes have played an important role in evolution.Love yourself and your country is only a low level of selfishness; Sacrifices oneself and destroys countries are the high level of selfishness: The world must be for the global public welfare.It is really a kind of selfish seeking benefit only for human beings. Looking at the world today, Among Emperors, Empresses, Presidents and Chairmen,No one is worthy of become a future world leader.They only know how to love themselvesAnd their countries’ benefits in a naive way;They dislike to destroy all the countries,They don’t practice the rule for world population’s commonwealth, Knowing not the brilliance patriotism in the past Has becoming the hurdles on the road to globalization. How sad, how sad!Preparing to establish the “World Leadership Education Institute�. It should be put to the top priority.I advise you not to be too innocent,All nations will be perished;This is a historical march.Ah, ha, oh, eh, yah!Home sapiensism needs to be promoted.The world must be unified. �國消亡, 世界一統歌 七彩狀元 2023 年 10 月 3 日 世界原無國。 掠地割為疆。 開疆先殖民; 有國必建�。 兵乃凶器也, �人�得�而用之。 如今世�悪。 美, 中, 俄, �爭。 �想稱霸雄; ���作勤。 �用拆臺術。 �鑽觸押計, 無所�用其極。 �高�一尺, 魔高已一丈。 �見末日近, 還��與奪。 情願�歸盡; 你死我�活。 �笑何等絕。 人體�細胞。 細胞皆有膜。 有膜知自�。 自�基因在進化中功勳�著。 ��愛己愛國; 大��己滅國, 天下為公。 蓋實為�人類之大�也。統觀當今世界,皇, �, 總統, 主席, 無一�當未來世界領袖。 唯其�知��愛己愛國; 勿崇大�滅國, 天下為公。 孰�知昔日辉煌的爱国主义 正在�为全�化�路上的攔路虎。 悲哉, 悲哉! 籌建世界領袖教育學院。 �謂當務之急。 勸�莫太蠢, �國必消亡; 此乃歷��律。啊, 哈, 哦, �, 呀! 智人主義需�創; 世界必歸一。.

Brass Quintet - Level 4 - Digital Download SKU: A0.1489504 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Children,Classical,Film/TV. 72 pages. Https://gildedmusicpress.com/ #1066367. Published by https://gildedmusicpress.com/ (A0.1489504). Alfredo’s Demise was completed on 29 Dec 2023. Alfredo was a snowman built after a late spring snowstorm. The first half underscores time lapse footage of the rapidly melting snowman, syncing precise sforzando punctuations to moments of falling chunks. The sunset remains were gleefully decimated by our six-year-old James.Shuttle from Haneda depicts a delayed return from a trip. The video elicited an atonal compositional style to underscore the hustle and chaos of a city as enormous as Tokyo, but with a lovely view of the Bay about midway through the work.Petite Wave was composed to accompany a time lapse hanging of a three-panel canvas print of the woodcut art “The Great Wave off Kanagawa” by Japanese artist Katsushika Hokusai in 1831. This art was featured on the cover of Claude Debussy’s “La Mer” when it was published in 1905, prompting a quote from “La Mer.”Fast Food to Fitness aurally illustrates a pan of nine fast food ads on a sheet. The bottom ad ironically promotes “BeFit 360”.  The music has a series of exciting flourishes that morph into a sinister chord as the last ad dampens the caloric prospects.Pigeons personifies a substantial flock of pigeons contentedly pecking at grass. I filmed while slowly approaching, occasionally causing a stir. The nervous flock took flight to find less threatening spot of ground to peck. The scene presented some fine opportunities for musical underscoring.Blue Snowman Group accompanies a rare Tokyo storm that dumped inches of wet packing snow. When my ten-year-old started rolling the base of a snowman, I whipped out my cell phone and started a time lapse video. Mom came out and built her own, armed with a spray bottle of colored water. The two snowmen turned blue in the cold and lived happily together for a couple of days.Autumn Fuji Puzzle undersores tightly crafted moments of puzzle-working and deconstruction.Outing in Japan was crafted to highlight key moments of a time lapse, running errands in northwest Tokyo.  Many subtle and obvious moments in this work aurally augment visually stimulating moments, including blinking turn signals, passing traffic, turns, vehicle approaches, parking at destinations, and many more.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1198180 Composed by Charles Stephens and David Vanacore. Arranged by John Fries. 20th Century,Broadway,Jazz,Latin,Musical/Show,Standards. Score. 1 pages. John Fries #797369. Published by John Fries (A0.1198180). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, like many of Porter's, shifts between a major and minor feeling. The A section is in the key of B-flat minor before modulating to B-flat major and back. When the song came out in 1930, a newspaper labelled it as 'in bad taste'; radio stations avoided broadcasting it. Today it is a jazz standard.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1244605 By Amy Winehouse. By Abigail Harding, Boyan Chowdhury, David McCabe, Russell Pritchard, and Sean Payne. Arranged by Ben Swan. Pop,Rock,Soul. Octavo. 22 pages. Ben Swan #839558. Published by Ben Swan (A0.1244605). It would be unwise to question the popularity of this song. I remember hearing it all over the radio when The Zutons released it in 2006. Little did I (or they) know how huge it would become just a year later when Mark Ronson teamed up with British soul superwoman Amy Whinehouse and recorded it for his collaborative covers album Version. This SATB arrangement is an easy win, with simple repetitive choruses and a good dollop of unison to keep the choir happy. It's not without its quirks though - the third verse includes a few scrunchy oohs and aahs and the harmonies have stayed true to the song's jazz/soul influences. Piano accompaniment included.

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.546809 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Alpin Smart (transcription for voice and guitar). 20th Century,Blues,Film/TV,Jazz,Standards. Score. 3 pages. SmartWorks Publications #156743. Published by SmartWorks Publications (A0.546809). The arrangement of this classic jazz/blues/cabaret song is based on the earliest (1937) of (at least?) three recordings by the late, great Billie Holliday, and is closer in feel to the original French version, as sung by cabaret and movie star, Mistinguett. Of course, the most famous version (and most closely associated with Holliday) is the one recorded by Billie in the '50s; but, I like to think that this uptempo version is a truer reflection of this great singer - in happier times - when she loved to sing uptempo jazz (she never regarded herself as a blues singer, although she could sing the blues with the best of them! And, it's important to reflect that her most famous interpretation of this song was made when she was - tragically - at death's door, and blues was better suited to her mood, and a deeply-felt despair, at this time of her all too brief, and, ultimately tragic, life). Besides, the uptempo rhythms, I feel, lend the words more of a 'Brechtian' sense of irony and impact.

Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.

C Instrument - Level 4 - Digital Download SKU: A0.1117874 By Bon Jovi. By Jon Bon Jovi and Richie Sambora. Arranged by John Fries. 20th Century,Broadway,Jazz,Latin,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #719386. Published by John Fries (A0.1117874). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  The song's chorus, like many in the Great American Songbook, is written in the A-A-B-A format. However, instead of 32 bars, it has 64, plus an 8-bar tag. The tag is often dropped when the song is performed. The tune, like many of Porter's, shifts between a major and minor feeling. The A section is in the key of B-flat minor before modulating to B-flat major and back. When the song came out in 1930, a newspaper labelled it as 'in bad taste'; radio stations avoided broadcasting it. Today it is a jazz standard.

Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.787240 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Folk. 16 pages. Burke & Bagley #48429. Published by Burke & Bagley (A0.787240). Parts for Eb Clarinet, 2 Bb Clarinets and Bass Clarinet in Bb, with alternate 3d Bb Clarinet part in lieu of Eb Clarinet. My father enjoyed singing, particularly when the family went on road trips. One of our favorite songs that he sang was 'The Far North Land.' Several years ago, my sister recorded our father singing this song for use on the soundtrack of one of her movies. I later transcribed the song from that recording and used it as the foundation for this piece. My aunts told me they recalled my father singing this song when he was a boy growing up in Minnesota, and that they referred to it as 'Fletch's song.' It was only while working on this piece that I discovered that Duncan, Clear Water and Bear Skin are actual lakes in the border lakes region where Minnesota meets Canada. The tune is also known in the U.K. as The Road to the Isles. The arrangement for string quartet was premiered by the OdeonQuartet at Seattle's Town Hall on October 21, 2003. The arrangement for clarinet quartet was made in 2013 for the Livas Quartet. The arrangment for string orchestra is available from Imagine Music Publishing.

Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.813722 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Standards,Wedding. Score and parts. 9 pages. Regis Bookshar #6474571. Published by Regis Bookshar (A0.813722). Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets) (Trumpet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for concerts and recitals but if you are considering using this selection for church services in which a congregation may sing along, I would suggest that you look for the arrangements of either I Vow to Thee, My Country, O God, Beyond All Praising, O Spirit All Embracing or Thaxted, also by Regis Bookshar. They are all based on the same excerpt from Jupiter, the Bringer of Jollity from The Planets. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Trumpet Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of Jupiter based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, will.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1234230 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. Score. 10 pages. Kevin G. Pace #829768. Published by Kevin G. Pace (A0.1234230). A delightfully beautiful, sacred vocal duet for alto and tenor.  This duet is between the Angel Gabriel and Mary, the mother of Jesus.  Music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Gabriel singing:Mary, thou art favored, highly sought and blessed.Mary, I am Gabriel. Fear not; be at rest.Thy Lord will be with thee to bring forth a son.He’ll be known as Jesus; He’s God holy One.Mary singing:O, how shall this happen? I know not a man.Lo, I am as yet espoused; he will take my hand.For his name is Joseph of a royal line.O, how shall this happen? When will be the time?Gabriel singing:Hail, thou art so favored, favored in God’s sight.Mary, be not troubled now, for He’ll send new light.This Son shall be greatest of God’s children, all.He will rescue kingdoms, for this is His call.Mary singing:Behold, I am Mary, handmaid of the Lord,And it will be unto me, keeping with thy (His) word.I will bear pure Jesus as (through) God’s holy will.I’ll receive His comfort; now I will be still.Gabriel and Mary sing together:I will visit Joseph and he will be blessed.He shall be the guardian—true faith manifest.His fear will diminish; perfect peace will come.He will cherish Jesus, highly favored One.Favored of our Father . . . his all-loving Son.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1031266 Composed by Bradley .S. Parker. Christian,Christmas,Contemporary,Sacred. Octavo. 4 pages. Bradley .S. Parker #3360733. Published by Bradley .S. Parker (A0.1031266). A contemporary setting of 'IN THE BLEAK MIDWINTER' by Christina Rossetti. The work was written for Bath Spa University's Chamber Choir. It was first performed on the 4th December 2014, as part of a Carol Service in Bath Abbey, England. In the bleak midwinter, frosty wind made moanEarth stood hard as iron, water like a stone;Snow had fallen, snow on snow, snow on snow, In the bleak midwinter, long ago. Our God, Heaven cannot hold him, nor earth sustain;Heaven and Earth shall flee away when He comes to reign. In the bleak midwinter a stable place sufficedThe Lord God Almighty, Jesus Christ. What can I give him poor as I am?If I were a shepherd I would bring a lamb;If I were a wise man I would do my partYet what I can I give him, give my heart. Christina Rossetti (1830-1894)approx.  3.18.

Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River� was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.

Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864725. Published by Maria Thompson Corley (A0.1272500). “Crossing Jordan� grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,� her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet� is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River� also includes “Michael Row The Boat Ashore� and “The Water Is Wide.� The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water� is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River� was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.P.S. I’d love to hear that version, if you have a recording of it.

Piano Solo - Level 3 - Digital Download SKU: A0.1345042 Composed by George Gershwin and Ira Gershwin. Arranged by Phyllis Love. Film/TV,Instructional,Jazz,Standards. Score. 2 pages. Phyllis Love #929992. Published by Phyllis Love (A0.1345042). Love Walked In for intermediate pianoThis arrangement has a George Shearing-esque treatment which starts off as a ballad, but then goes into a swing rhythm when the second A section goes into a finger-snapping piano arrangement. Perfect for intermediate students and fans of the American Songbook.Accessible enough for any intermediate performer, yet incredibly rewarding for even the most accomplished pianist. Phyllis Love's instrumental arrangements for jazz piano remain true to the original melodies, with inventive harmonies and dynamic rhythmic patterns perfect for solo players! Each is a tasty addition to your show set, whether it's a classic show tune or a Standard from the Great American Songbook.Check out these other Phyllis Love arrangements for students of jazz piano:The Breeze and IThe Last Time I Saw ParisYesterdaysYou and the Night and the MusicWe'll Be Together AgainA Nightingale Sang In Berkeley SquareFalling In Love With LoveFor All We KnowI Thought About YouI'll Remember AprilI'm Old FashionedIt Might As Well Be SpringIt's Only A Paper MoonMona LisaOn the Atchison, Topeka and the Santa FeOnce In A WhileSummertimeSurrey With The Fringe On TopTenderlyThat Old Black MagicPhyllis Love is a professional jazz pianist in the New York City area who's appeared at storied venues including Windows on the World, Gramercy Park Hotel, and Mama Leone's. She's performed with the Bill Lombardo Orchestra, scored music for film (Brighty of the Grand Canyon co-composer), and written jingles for Harvey’s Bristol Crème, Estee Lauder, Seiko watches and many others.