Piano Solo - Intermediate - Digital Download By Queen. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer

C Instrument - Level 1 - Digital Download SKU: A0.1468141 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Marcelo Borba. 20th Century,21st Century,Country,New Age,R & B. Lead Sheet / Fake Book. 3 pages. Marcelo Borba #1046451. Published by Marcelo Borba (A0.1468141). Leadsheet (fakebook) style arrangement. Sheet music with chords and lyrics. The history of the song Top Of The World - The CarpentersTop Of The World is a classic song by the American duo The Carpenters, released in 1972 and composed by Richard Carpenter and John Bettis. The song became a huge hit, reaching number one on the Billboard Hot 100 chart in 1973.Composition and Inspiration:The song's lyrics express the feeling of euphoria and intense happiness that true love can provide. The chorus, with the phrase I'm on top of the world, symbolizes the peak of happiness and the feeling that anything is possible when you're in love.History:The song was initially composed to be just one track on an album. However, when Lynn Anderson's version, released in mid-1973, was successful, the Carpenters regretted not releasing their version as a single sooner.The Carpenters' version was released as a single on September 17, 1973 and became a huge success, reaching the top of the charts in several countries.Top Of The World became one of the duo's most popular and beloved songs, frequently appearing on compilations and live performances.

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 18 pages. Https://gildedmusicpress.com/ #758679. Published by https://gildedmusicpress.com/ (A0.1158398). Composed to commemorate the 20th year of the 9-11 terrorist attacks. This somber, gorgeous piece of music draws tears when presented correctly, and is an extraordinarily important contribution to the brass quintet repertoire. The Jewish “feast� (or “appointed time�) of trumpets, as outlined in Leviticus 23:24-25, prescribes the observance: “Speak unto the children of Israel, saying, In the seventh month, in the first day of the month, shall ye have a sabbath, a memorial of blowing of trumpets, an holy convocation. Ye shall do no servile work therein: but ye shall offer an offering made by fire unto the Lord.� According to the Jewish calendar, the feast of trumpets in 2001 coincided exactly with the 9-11 attacks, which could indeed be thought of as “an offering made by fire.� Effectively no servile work was done on that day throughout the attacked nation, and it has indeed become a somber type of “sabbath� to observe every year. It seemed extraordinarily appropriate—perhaps even requisite—that a somber composition with trumpets be composed for the 20th annual observance of the horrific attacks on American soil, as a “Memorial� to those lost that day, and those who since perished in the Global War on Terror. “Where were you when you first heard about the 9-11 attacks?� This common question is posed to those who were of age to comprehend what had happened in 2001. Personally, I had just listened to an emotional rendition of Maurice Ravel’s “Pavane to a Dead Princess.� Elements of that musical memory influenced this present work “Memorial.� Other sources of inspiration—whether intended or subconscious—include Samuel Barber’s heart-wrenching “Adagio for Strings,� Michael Kamen’s “Quintet� for brass, and John Williams’ “Hymn to the Fallen.� The harmonies are thick and often dissonant, including many suspensions. The players get little rest, symbolic of the constant state of alertness of a shocked nation after being so brutally attacked. Perhaps of greatest symbolic import is the fact that there are exactly 911 notes in this composition. Because of this, it is crucial that the percussion part be performed, and that great care be taken by all performers to refrain from altering the notes or rhythms in any way. A comment on the interpretation of notation: all long notes that are tied to a staccato note on the downbeat are to be held to the downbeat and gently released, not held over.

C Instrument - Level 4 - Digital Download SKU: A0.1381052 By New Christy Minstrels. By Woody Guthrie. Arranged by John Fries. 20th Century,Christian,Holiday,Patriotic,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #965769. Published by John Fries (A0.1381052). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. This Land Is Your Land is a song by American folk singer Woody Guthrie. It is one of the United States' most famous folk songs. Its lyrics were written in 1940 in critical response to Irving Berlin's God Bless America. Its melody is based on a Carter Family tune called When the World's on Fire. When Guthrie was tired of hearing Kate Smith sing God Bless America on the radio in the late 1930s, he sarcastically called his song God Blessed America for Me before renaming it This Land Is Your Land. In 2002, This Land Is Your Land was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry. In 2021, it was listed at No. 229 on Rolling Stone's Top 500 Greatest Songs of All Time.

Guitar - Level 2 - Digital Download SKU: A0.1447162 By John Stewart and Noah Pylvainen. By Traditional. Arranged by David Warin Solomons and M Praetorius. Christian,Christmas,Religious. Full Performance. Duration 255. David Warin Solomons #1026941. Published by David Warin Solomons (A0.1447162). This interpretation is based on my arrangement for 2 guitars based on the harmonisation by M. Praetorius.( https://www.sheetmusicplus.com/title/21878939?aff_id=175705 )The tune is known by the original title Es ist ein Ros entsprungen and also, in English speaking countries by the titles A great and mighty wonder and Lo how a rose e'er blooming.The performers here (Noah Pylvainen and John Stewart at the Laestadian Lutheran Church) used my arrangement keeping the harmonies with various interpretations in addition to the written version (soloing out and sometimes playing complete chords instead of the arpeggiatos).Es ist ein Ros entsprungenAus einer Wurzel zart.Wie uns die Alten sungen,Aus Jesse kam die ArtUnd hat ein Blümlein bracht,Mitten im kalten Winter,Wohl zu der halben Nacht.    Das Röslein das ich meine,Davon Jesaias sagt:Maria ist’s, die Reine,Die uns das Blümlein bracht:Aus Gottes ewigem RatHat sie ein Kindlein g’borenBleibend ein reine Magd    Lo, how a rose e’er bloomingFrom tender stem hath sprung!Of Jesse’s lineage coming,As men of old have sung.It came, a flow’ret bright,Amid the cold of winter,When half-spent was the night.Isaiah ’twas foretold it,The rose I have in mind,With Mary we behold it.The Virgin mother kind.To show God’s love arightShe bore to them a Savior,When half-spent was the night.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.874531 By Enya. By Enya, Nicky Ryan, and Roma Ryan. Arranged by Gavin Koh. Celtic,New Age. Score. 4 pages. Gavin Koh #6023993. Published by Gavin Koh (A0.874531). Here is my piano + vocal arrangement of Tempus Vernum, as performed by the inimitable and enchanting Enya. This song is featured in her 2000 album - A Day Without Rain - whose cover is featured in the video. My arrangement stays as true to the original melody as much as possible, so I sincerely hope you enjoy it. When translated from Latin, the title of the song reads Springtime... However, when you hear Enya's song, you might think that it's going to be a dark year ahead, just like the year - 2020. Let's hope it gets better. Real soon.Do follow me at https://www.facebook.com/gavinkoh1970 to stay updated on my releases.

Concert band - Digital Download SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music - Digital (IZ.CBW205-S). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.540609 By The Beach Boys. By Brian Wilson, Mike Love, and Tony Asher. Arranged by Corey Cerullo. A Cappella,Pop,Rock. Octavo. 12 pages. Cerullo Music LLC #4855215. Published by Cerullo Music LLC (A0.540609). Brian Wilson was and is a true genius when it came to song writing and experimenting with sheer raw sound as evident by the ground breaking album Pet Sounds from which this little tune was recorded on. It's one my personal favorite songs and it's arranged for SATB A cappella choir and soloist. I hope you have A LOT of fun with this one as it has it's challenging moments, but it ultimately makes sense when put together. .

Piano Solo - Level 4 - Digital Download SKU: A0.930541 Composed by Evan Schwartzman. 20th Century,Contemporary. Score. 35 pages. Evan Schwartzman #4767227. Published by Evan Schwartzman (A0.930541). Four pieces for solo piano on mythological themes. The four pieces are: Voyage to Cythera, Circe’s Palace, Sirens, and Erinyes, the Mist Walker. I. Voyage to Cythera (ΚÏ�θηÏ�α) describes a sea voyage to the home of Aphrodite. The music captures some of the intense ambivalence of Baudelaire’s poem of the same title, alternating between feelings of expectation and dread.  II. Circe’s Palace describes Odysseus’ crew coming upon the enchantress Circe (ΚίÏ�κη) in her stone palace, sitting at her loom. She invites them to a feast, where she drugs them and transforms them into swine.  III. Sirens (ΣειÏ�ῆνας) also paints a scene from the Odyssey. The Sirens were sea nymphs who would entice sailors to their deaths through their seductive singing. When Odysseus and his men draw near to the Sirens, he orders them to stuff their ears with beeswax so that they cannot hear clearly. Odysseus has himself bound to the mast of his ship, so that he can hear the song without risking his life. IV. The Erinyes (ΕÏ�ινυες) were an early Greek form of the Roman Furies. They were chthonic deities, born from the blood shed by Uranus when he was castrated by Cronus. Their role was to punish men and women who had broken natural law, usually by driving their victims mad. The piece opens with the victim wandering about in mist, after which he is set upon and torn to pieces in a frenzy.

Small Ensemble - Level 1 - Digital Download SKU: A0.890779 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Folk,Jewish,World. Score and parts. 32 pages. Sneakwood Editions #5799897. Published by Sneakwood Editions (A0.890779). Georg Philipp Telemann – Polish Dances from the Rostock Manuscript TWV 45 (Danse d`Polones / Danse Polonie)Telemann was seduced by Polish music, especially by his dances and popular musicI became acquainted there and also in Krakau with Polish and Moravian music in its true, barbaric beauty […] […] it is impossible to imagine the fantastic musical ideas they presented between dances when the dancers rested and the musicians improvised music together [‘jammed’] to fill out the time. Anyone who paid very close attention could pick up in 8 days sufficient musical ideas to last a lifetime.(Telemann’s autobiography, published in Mattheson’s Ehren-Pforte, Hamburg, 1740)It is easy to understand, through Telemann’s own words, the great influence that Polish music and Polish dances had on Telemann. It was in 1705 when Telemann become Kapellmeister for the court of Count Erdmann II of Promnitz at Sorau (now Å»ary, in Poland), His career there was cut short in early 1706 by the hostilities of the Great Northern War but his contact with Polish music marked him for life.These Polish dances found in Rostock are a reflection of the music that Telemann heard and transcribed. A reflection of that barbaric beauty.The manuscript was discovered in 1986 at the University of Rostock. It consists of two volumes. One of the volumes contains the violin part and the other the bass part.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.928572 Composed by Beethoven's Wig, Richard Perlmutter. Children,Classical,Instructional,Romantic Period,Standards. Score. 65 pages. Beethoven's Wig, Inc. #6384013. Published by Beethoven's Wig, Inc. (A0.928572). Inspired and wildly imaginative, Beethoven's Wig Sing Along Piano Classics are zany, stick-in-your-head lyrics set to masterpieces by great composers. The lyrics are filled with fact and fancy about the composers and their music opening a door to serious music that's fun. It’s fun to play and sing along!  The music for each piano piece is presented as it was originally written by the composer.  As a bonus, there is an appendix with pieces transposed into the keys used on Beethoven’s Wig recordings. This allows pianists to play and sing along with the recorded tracks.GREAT FOR PIANO STUDENTS AND TEACHERSPiano teachers often tell their students they should sing the instrumental pieces they play to improve their performance. This helps students to interpret pieces lyrically. The witty and delightful lyrics in this collection are an entertaining means to that end. They are great to sing along with when playing, and are educational and fun!PRAISE FOR BEETHOVEN'S WIGClassical music was never supposed to be this much fun. Was it?- Baltimore Sun Instrumental music tends not to charm children...and a classical piece like Beethoven's Fifth Symphony. Not a good bet. But what if that work had words?  - New York TimesThe songs are funny... The lyrics are hummable mnemonics, each imparting information about the work or the composer.- Washington PostAn irreverent, witty approach to music appreciation... a laugh out loud that pretty much guarantees listeners will forevermore recognize the classics.-Los Angeles TimesABOUT BEETHOVEN'S WIGBeethoven's Wig is the creation of Richard Perlmutter, who is the lyricist, lead singer and producer of the group's five albums. Beethoven's Wig has toured North America and performed at arts centers and with symphony orchestras. The group's recordings have won 50 awards including including four GRAMMY Nominations. They have also won Parent's Choice Awards, Teacher's Choice Awards and been designated as Notable Recordings by the American Library Association. CONTENTS - MUSIC IN THE COMPOSER’S ORIGINAL KEYSBeep, Beep, Beep (Moonlight Sonata, Beethoven), Just For Elise (Für Elise, Beethoven), La De Da Sonata  (Sonata in C, Mozart), A Piano Is Stuck In The Door (The Entertainer, Joplin), My Little Chicken (Chopsticks, de Lulli), Poor Uncle Joe (Funeral March, Chopin), A Fan of Chopin (Prelude Op. 28, No 7, Chopin), Mozart Makes Kids Smart (Alla Turca, Mozart), Minuet For My Pet (Minuet In G, Beethoven), Dvorak The Czechoslovak (Humoresque No. 7, Dvorak), Franz Liszt The Famous Pianist (Hungarian Rhapsody No. 2, Liszt), I Can’t Sleep (Lullaby, Brahms), I Like Art (Promenade From Pictures At An Exhibition, Mussorgsky)APPENDIX - MUSIC IN THE KEYS ON BEETHOVEN’S WIG RECORDINGSJust For Elise - Key of Eb Minor (Für Elise, Beethoven), A Piano Is Stuck In The Door - Key of G (The Entertainer, Joplin), Minuet For My Pet - Key of D (Minuet In G, Beethoven), Dvorak The Czechoslovak - Key of Bb (Humoresque No. 7, Dvorak, Franz Liszt The Famous Pianist - Key of F (Hungarian Rhapsody No. 2, Liszt)

Electric Bass Guitar,Instrumental Solo - Level 1 - Digital Download SKU: A0.1472011 By Kirsty MacColl. By Ray Davies. Arranged by Kirstie Smith. 20th Century,Contest,Festival,Folk,Historic,Pop. Individual part. 2 pages. Kirstie Smith #1049708. Published by Kirstie Smith (A0.1472011). Bass Guitar pdf instrumental score to support Kirstie Smith's SSAA choral arrangement of 'Days'.An enjoyable SSAA and guitar ensemble arrangement of Kirsty MacColl's recording of 'Days', perfectly tailored for Ladies’ Choirs and highly suitable for mixed voice choral groups.Written by Ray Davies and released by The Kinks in 1968, this choral arrangement has been lovingly crafted to capture the essence of Kirsty MacColl's 1989 superb cover version, making great use of rich alto voices to harmonise and on occasion even sing the melody!‘Days’ is an absolute classic to delight audiences and singers alike, and may be performed with instrumental ensemble or with the accompanying backing track audio. In 1994, Kirsty MacColl told James Bennett, I think my version is a bit slower [than the Kinks' original], I wanted to give it the ABBA treatment. I wanted people to think that it's a Kirsty MacColl song when they hear it. Related Items;SSAA Choral Score with guitar chords ID 1574445 Instrumental Accompaniment Audio (Band) MP3 – ID 1574524 Full Audio Performance MP3 ID 1574447

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.841250 Composed by Chris Gordon. Contemporary. Octavo. 18 pages. Cool Wind Music Digital #3029087. Published by Cool Wind Music Digital (A0.841250). A setting of a very powerful poem by English poet, Ted Hughes, about the onset of autumn in an English (Yorkshire) garden and the surrounding countryside.  It is full of pathos and passion, harmony and dissonance, chaos and peace - just like English weather!This is a very individual and innovative choral setting of Hughes' poem which is, itself, rich in 'meaty' metaphor and colour - and the composer is a vegetarian! It evokes a savage Nature within a savage landscape where humans and animals compete for space and for food. It is October, the fields and woods and gardens of rural Yorkshire are readying themselves for the cold and desolation (and despair) of winter which isn't far away in time. 'A glass, half-filled with wine, left out(side) To the dark heaven all night, by dawn Has dreamed a premonition of ice across its eye as if the ice-age had begun its heave.'   That is only two and a half stanzas but you see from these lines that there are veiled threats of (Nature's) violence in the heavy tread of the poet's slowly-building angst over what is happening in the surrounding countryside - and his fear grows, and his awe grows, with every line. There is even fear underlining the very last line: 'And now it is about to start.' Winter is creeping closer and closer towards the house and it will not be pleasant to experience!I have tried to instil a little of this in the music which keeps skidding from consonance to dissonance and back to consonance. Sometimes the dissonance piles up, like snow driven by the wind piles up into deep banks; sometimes the music relaxes into stillness and calm (painted in tonal music) like a crisp, mild late autumn or early winter's day when the sun warms the landscape and life appears bearable, tolerable. I hope this adds to the song's 'charm'. It wasn't easy to write: sometimes the right music was elusive. The music ends with the word 'October' repeated three times, with voices overlapping in a little canon. This conjures up the wistful feelings of the poet as he looks out onto a peaceful scene, soon to be filled with all manner of 'natural violence', while his inner peace will soon be shattered by the mayhem about to be unleashed around him.Setting Ted Hughes is no easy task. It is for choirs and choirmasters to judge if I have succeeded in conveying the 'sense and sensibility' of a classic 20th century English poem.The price is for one copy: please purchase a sufficient number of scores if you intend to perform this work. SMP Press offers discounts for multiple-copy purchases.

Piano,Violin - Level 4 - Digital Download SKU: A0.799603 Composed by Frederic Chopin. Arranged by Nicole Elyse DiPaolo. Romantic Period. 7 pages. Nicole Elyse DiPaolo #3123257. Published by Nicole Elyse DiPaolo (A0.799603). This is my own arrangement of one of my favorite Chopin waltzes for the piano. As the Duo del Mare, violinist Amy Schlicher and I performed this arrangement aboard the ms Zaandam cruise liner, where it proved very popular. Because Amy and I did not have extra time or venues in which to rehearse, I intentionally made this arrangement very accessible (so that we could play it well without rehearsal or an intermediate-level duo could master it with some practice). This waltz would make a great encore or showpiece on your next program.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 and 2017 National Society of Arts and Letters Vocal Competitions (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .

B-Flat trombone,Piano - Level 5 - Digital Download SKU: A0.1431109 Composed by Keiko Takashima. Classical. Score and part. 35 pages. FOSTERMUSIC.JP Digital Publishing #1011578. Published by FOSTERMUSIC.JP Digital Publishing (A0.1431109). INTRODUCTION Breeze in The Hearts, Bloom in The World is a sonata for trombone and piano commissioned by trombonist Takenori Yoshikawa that premiered at Mr. Yoshikawa's recital in July 2010 with Iku Miwa on piano. Mr. Yoshikawa had requested me to compose a bold and spirited piece, which prompted me to write this sonata with four movements after much deliberation.In the original edition, the burden of the performance was a little too focused on the trombone due to the trombonist's heightened interest in the piece, and as a result, the piece became difficult to play. In this revised edition, I have reworked the balance between the trombone and the piano while preserving the length of the piece so that the music can be performed more effectively.<Performance notes>I. The repetitions of the gentle melody in the introduction should be played in a way that allows it to be heard from far away, while the theme that appears after that should sound majestic and brave.II. Nostalgia - Although this movement is in a minor key, the music seeks to depict a sense of nostalgia instead of sorrow. Despite its slow, triple-time rhythm, please ensure that the music progresses quietly without coming to a halt.III. Serenade - In this movement, the trombone's melody should have a smooth and lively rhythm like the cello in a string ensemble. Articulate the melody beautifully with grace and movement and never allow it to become too heavy.IV. The theme in this movement has a similar feel to that in the first movement, but lighter. Maintain a tempo that is not too fast and keep the music moving. In the coda section from F, the opening section of the first theme makes an appearance from time to time as the piece heads toward the end. Please maintain a constant tempo while articulating the notes in a loud and resonant manner.The piano part contains many sections throughout the entire piece that call for a deep, orchestral sound. The pianist should read these parts carefully from the score while supporting the trombone as much as possible.The word fuka in the Japanese title Fuka Sanrei refer to the flowers that bloom when the wind blows between two people and brings about various encounters between them. I hope that this piece will allow colorful flowers to bloom in the hearts of everyone who performs it and listens to it.March 2023, Keiko TakashimaClick here for other Takashima's works