Piano Solo - Level 3 - Digital Download SKU: A0.904894 Composed by Pam Asberry. 20th Century,Concert,Contemporary,New Age. Score. 5 pages. Pamela C Asberry #4791213. Published by Pamela C Asberry (A0.904894). Above the Clouds was inspired by the profound tranquility experienced while gazing through the window of an airplane and the limitless potential suggested by the view. From the solo piano album The Presence of Wonder. The song begins with a hypnotic circular melody...then it breezes along joyously, like the proverbial burst of sunlight after the night is through. The light does a lively, hypnotic dance, creating a message that the darkness -beautiful though it is in its own way-only lasts for a spell before dissipating (Jonathan Widran, The JW Vibe). In Asberry’s music there is a gentle poetry that is simply irresistible (BT Fasmer, New Age Music Guide). Pam's music can be found on Amazon, iTunes, Spotify, Pandora, and elsewhere. For more information, visit www.pamasberry.com.

Concert Band - Level 1 - Digital Download SKU: A0.1377507 Composed by Jonathan Bush. Arranged by Sam Fettig. Children,Pop. 37 pages. Sam Fettig #962100. Published by Sam Fettig (A0.1377507). https://www.samfettigmusic.com/BLUEY FOR BEGINNING BAND!The original Bluey Theme uses a 3-2 clave rhythm for the entire song. This two-measure pattern ends differently every other time, creating a four-measure pattern that occurs throughout and never changes! All students (except the shaker) play this pattern at the very beginning, establishing the basis for the entire arrangement.Only six notes are used. Students’ familiarity with the music will be an asset as they tackle a melody that may be a new challenge to them. With this in mind, the melody is always doubled or cued elsewhere; no section will ever have to play it alone. There are four opportunities for either a soloist or a soli of any combination! These occur at bars 21, 25, 49 and 53.  Have fun with these spots, giving everyone an opportunity. It will, of course, need to be mapped out for a performance. Students will shout the Bluey characters’ names just like the show’s theme. There is one spot to insert a name of your choosing - a student, teacher, administrator, family member, or pet! Alternatively, you can replace any of the character’s names to truly personalize the song. I hope you and your students enjoy learning and performing Bluey!

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1106987 Composed by Alan Bullard. 20th Century,A Cappella. Octavo. 15 pages. Colne Edition / BullardMusic #709854. Published by Colne Edition / BullardMusic (A0.1106987). Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. Three Poems of W. B. Yeats is one of the earliest works of Alan Bullard to enter the choral repertoire. Originally written for a college choir in 1973, it was soon taken up elsewhere, and later broadcast by the BBC Northern Singers. It sets three of Yeats’ best-known poems and shows a rich and colourful response to their heady and allusive character. The three poems are (1) The Wild Swans at Coole, (2) Running to Paradise, and (3) Sweet Dancer. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.

Piano Solo - Level 2 - Digital Download SKU: A0.887255 Composed by Charles-Louis Hanon. Arranged by Martin Woodward. Instructional. Score. 37 pages. Martin Woodward #6513221. Published by Martin Woodward (A0.887255). Hanon Piano / Keyboard Exercises 1 - 30Condensed and Simplified for Beginners Easy ReadingIn this short book you will find condensed and simplified versions of the Hanon piano finger exercises 1 - 30 as well as the major, harmonic minor and melodic minor scales in every key (two octaves). What is Hanon? The ‘Hanon Virtuoso Pianist’ is a collection of piano finger exercises designed to give equal strength, agility and flexibility to all five fingers of both hands. Written by Charles-Louis Hanon sometime in the 1800s, these exercises without doubt have become one of the most widely used techniques by today’s pianists. In my opinion these are the best finger exercises available. One really great thing about these exercises is that they are applicable to both absolute beginners and advanced players alike, particularly as the reading ability required is minimal. Whatever your ability, these exercises will help improve your technique and finger strength. Having been written well over 100 years ago, the original work is now in the public domain and therefore digital copies can be acquired free of charge on the internet. However, most of these are very poor quality and the instructions are mainly in French or Russian - neither of which work too well for me! For the full version I personally recommend the ‘Alfred’ Edition edited by Allan Small which is clear and has instructions in English. So why do I need this book? The whole point is to make it easy to read and to reduce page turns - less is more! In the full version the first 30 exercises take up fifty pages whereas here there are three exercises per page for the first 20, then two per page for the next 10, reducing the fifty pages to just twelve. I initially produced this for my own use only but figured that others may like to take advantage of what I’ve done. Does this mean that the print is just smaller? No, not at all. If you are familiar with these exercises you will know that they are repeated patterns which ascend and descend for two octaves diatonically. To condense and simplify them and consequently eliminate an enormous amount of page turns I have shown: the all-important fingering on the first pattern (as per the original)then the repeated second patternthen ‘changeover’ patterns between ascending and descending - which are sometimes slightly differentthen finally the last pattern of each exercise which again is often very slightly different. I have also written them two octaves apart (for easy reading) and only shown them for one octave instead of two. In practice they should be played one octave apart and ultimately be practiced for two octaves. You can print out any or all the pages as required (the link for the pdf printable version is given at the end of the book).Please see: https://learn-keyboard.co.uk/hanon.html

Woodwind Ensemble Flute - Level 5 - Digital Download SKU: A0.910427 Composed by Johann Sebastian Bach. Arranged by David Heywood. Baroque. 33 pages. David Heywood #5210509. Published by David Heywood (A0.910427). So there are fugues, and then there are great fugues, and then there is the Gigue Fugue by J.S. Bach. Whereas many of the fugues of this period plod or even drag along at times and are not that fun to play, the light 12/8 dance like nature of this work is playful, energizing, and a challenge to perform. Set for Flute Quintet or Flute Choir (Three C Flutes, Alto, and Bass), the music bounces and dances in a way that is sheer magic in a live hall, and fits together like a beautiful clock that will both delight and impress your audience. It is three minutes of pure exhilaration!

Guitar - Level 2 - Digital Download SKU: A0.920296 By George Ezra. By George Barnett and Joel Pott. Arranged by Jedidiah Rillera. Folk. Guitar Tab. 5 pages. Jedidiah Rillera #5362003. Published by Jedidiah Rillera (A0.920296). Whereas the original recording is in F, this fingerpicking arrangement of George Ezra's hit is transposed to an easy guitar key.  It makes use of basic open chords and the melody fits nicely around the chord shapes without any difficult stretches.

Flute Duet Flute - Level 1 - Digital Download SKU: A0.1449836 Composed by Taki Rentaro. Arranged by Nozomi Kanda. 20th Century,Folk,Multicultural,Traditional,World. Score. 4 pages. Kanda Nozomi Music #1029601. Published by Kanda Nozomi Music (A0.1449836). K?j? no Tsuki (????, lit. The Moon over the Ruined Castle) is a Japanese song written in the Meiji period.Japanese pianist and composer Rentar? Taki composed the music as a music lesson song without instrumental accompaniment in 1901. The music of the song was inspired by the ruins of Oka Castle whereas the lyrics, written by Bansui Doi, were inspired by the ruins of Aoba Castle and Aizuwakamatsu Castle.This duo is writen for the shinobue (Japanese bamboo flutes) and it is possible to play with normal flutes or other instruments. The score consists the normal notation and the shinobue's notation. 

Piano,Violin - Level 4 - Digital Download SKU: A0.948808 Composed by Serghei Rachmaninov. Arranged by Adrian F. Pipas. 20th Century. 7 pages. Adrian F. Pipas #6642575. Published by Adrian F. Pipas (A0.948808). ЗдеÑ�ÑŒ хорошо (Zdes' khorosho, How nice is here) was written in April 1902, in a sweet moment in the composer's life: he had overcome a creative block and had just married his cousin Natalia Sarina. Zdes' khorosho is n. 7 from Twelve Romances, op. 21, a beautiful song that talks about the bond between man, nature and God. It’s also a love song; One of the things I like the most is the balance between contemplation and passion that Rachmaninov accomplishes. The poem, by the Countess Glafira Adolfovna Einerling, a contemporary writer of the composer who wrote under the pseudonym of Galina, simply describes a sunset. I don't know if the landscape portrayed is similar to what Rachmaninov could see from his home but no doubt he felt it part of his own; he even changed the beginning of the poem so he said that the nice place was here. Zdes' khorosho is a song full of lyricism, seemingly simple but demanding for the singer (please pay attention to the pianissimo at the last verse, which seems to arise from nowhere), with an exquisite accompaniment. Some scholars think that the true essence of Rachmaninov is found in songs like that, rather than in his athletic piano concerts.In 1963, the Russian composer Vladimir Michailovich Jurowski (father and grandfather of conductors) orchestrated ten songs by Rachmaninov, including Zdes' khorosho, and there is a later orchestration of this song by Michael Rot. You know that I usually find it difficult to renounce the original piano versions, especially when the composer didn't orchestrated them, but I recommend you to listen to Anna Netrebko singing this song with the Mariinsky Theatre Orchestra conducted by Valery Gergiev.You might wonder why I don't share this version here, there are two reasons: first, I can’t do without that beautiful piano; two, I chose my version months ago (something that lately happens quite often). I said before that Zdes' khorosho is between contemplation and passion; Most of singers enhance the most contemplative perspective, that's the case of the lovely performance by Anna Netrebko. Others sing the most passionate version, like the one we’re listening today. Its tempo is faster than usual, it lasts about a minute and a half; maybe it would surprise you if you're used to slower versions. I hope you enjoy this song as much as me; I think this performance by Nicolai Gedda and Gerald Moore, recorded live in 1966, is wonderful.Source: Liederabend.cathttps://www.liederabend.cat/en/bloc/entrades/400-how-nice-it-is-here

Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Colin Kirkpatrick. Spiritual, Sacred, Easter, Recital. Score, Solo Part. 7 pages. Published by Colin Kirkpatrick Publications

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.878295 By Henry Mancini. By Henry Mancini. Arranged by Peter Farnbank. Jazz. Score. 5 pages. Peter H Farnbank #2857273. Published by Peter H Farnbank (A0.878295). This arrangement is particularly suited to young and mature players alike who just enjoy piano the piano. It is accessible to a beginner as to a more advanced player wishing to improvise upon the skeleton musical lines provided in the score. As part of the Farnbank Easy Piano Collection this piece despite its minimalism can provide enough material for an enthusiatic learner to develop their performance from a strictly single-notes-per-hand format to an improvisory one. As a unique feature in this collection small notes in the score may be omitted from the early stages of learning the peice. This should not lose too much effect. but as teh student becomes more confident s/he may add more and more fo the small notes at will to enrich the experience of further learning and performance.Other opportunities are possible whereby the piece may be performed with other instruments (chord symbols are given) and/or maybe sung to with several voices following notes given in the piano score, such that each performance may be a different from any other. In this sese this piece as in the collection is suitable for musical soirées. (Please see page 3 for suggestions.)

Instrumental Duet Instrumental Duet - Level 4 - Digital Download SKU: A0.592062 Composed by Various. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Multicultural,Musical/Show,Wedding,World. Score and parts. 48 pages. Last Resort Music Publishing #201334. Published by Last Resort Music Publishing (A0.592062). Volume 3 - Gilbert & Sullivan, Irish Music & Rags This versatile series is designed to be played by two different instruments! Each duet book is published in score form (both parts on the same page) so that the players can play from the same part. All duets are arranged specifically for the listed instrumentation. 46103 Volume 3 Table of Contents H.M.S. Pinafore (Gilbert and Sullivan) I'm Called Little Buttercup (Gilbert and Sullivan) Never Mind The Why and Wherefore (Gilbert and Sullivan) The Mikado (Gilbert and Sullivan) As Some Day It May Happen (Gilbert and Sullivan) Willow, Tit-Willow ( Gilbert and Sullivan) Patience (Gilbert and Sullivan) A Magnet Hung In a Hardware Shop (Gilbert and Sullivan) The Pirates of Penzance (Gilbert and Sullivan) I Am The Very Model of Modern Major-General (Gilbert and Sullivan) Poor Wandering One (Gilbert and Sullivan) Si Bheag, Si Mhor (Irish Air) The Wearing of the Green (Irish Air) Coleraine (Irish Jig) Garry Owen (Irish Jig) The Irish Washerwoman (Irish Jig) Kesh Jig (Irish Jig) Swallowtail Jig (Irish Jig) The Easy Winners (Joplin) The Entertainer (Joplin) Maple Leaf Rag (Joplin) Pine Apple Rag (Joplin) The Strenuous Life (Joplin) The Kerry Dance (James Lyman Molloy).

Instrumental Duet Flute,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.1110211 Composed by Various. Arranged by Daniel Kelley. 20th Century,Broadway,Classical,Musical/Show,Ragtime,Romantic Period. Score and parts. 48 pages. Last Resort Music Publishing #712546. Published by Last Resort Music Publishing (A0.1110211). 46503 Volume 3 - Gilbert & Sullivan, Irish Music & Rags This versatile series is designed to be played by two different instruments! Each duet book is published in score form (both parts on the same page) so that the players can play from the same part. All duets are arranged specifically for the listed instrumentation. Playable by Two Violins, Two Flutes, Two Oboes, Violin & Flute, Violin & Oboe, + Flute & Oboe! 46503 Volume 3 Table of Contents H.M.S. Pinafore (Gilbert and Sullivan) I'm Called Little Buttercup (Gilbert and Sullivan) Never Mind The Why and Wherefore (Gilbert and Sullivan) The Mikado (Gilbert and Sullivan) As Some Day It May Happen (Gilbert and Sullivan) Willow, Tit-Willow ( Gilbert and Sullivan) Patience (Gilbert and Sullivan) A Magnet Hung In a Hardware Shop (Gilbert and Sullivan) The Pirates of Penzance (Gilbert and Sullivan) I Am The Very Model of Modern Major-General (Gilbert and Sullivan) Poor Wandering One (Gilbert and Sullivan) Si Bheag, Si Mhor (Irish Air) The Wearing of the Green (Irish Air) Coleraine (Irish Jig) Garry Owen (Irish Jig) The Irish Washerwoman (Irish Jig) Kesh Jig (Irish Jig) Swallowtail Jig (Irish Jig) The Easy Winners (Joplin) The Entertainer (Joplin) Maple Leaf Rag (Joplin) Pine Apple Rag (Joplin) The Strenuous Life (Joplin) The Kerry Dance (James Lyman Molloy).

Instrumental Duet B-Flat Clarinet,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.1109787 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Musical/Show,Ragtime,Wedding. Score and parts. 48 pages. Last Resort Music Publishing #712152. Published by Last Resort Music Publishing (A0.1109787). Volume 3 - Gilbert & Sullivan, Irish Music & Rags Playable by Flute & Clarinet or Oboe & Clarinet or Violin & Clarinet This versatile series is designed to be played by two different instruments! Each duet book is published in score form (both parts on the same page) so that the players can play from the same part. All duets are arranged specifically for the listed instrumentation. 46203 Volume 3 Table of Contents H.M.S. Pinafore (Gilbert and Sullivan) I'm Called Little Buttercup (Gilbert and Sullivan) Never Mind The Why and Wherefore (Gilbert and Sullivan) The Mikado (Gilbert and Sullivan) As Some Day It May Happen (Gilbert and Sullivan) Willow, Tit-Willow ( Gilbert and Sullivan) Patience (Gilbert and Sullivan) A Magnet Hung In a Hardware Shop (Gilbert and Sullivan) The Pirates of Penzance (Gilbert and Sullivan) I Am The Very Model of Modern Major-General (Gilbert and Sullivan) Poor Wandering One (Gilbert and Sullivan) Si Bheag, Si Mhor (Irish Air) The Wearing of the Green (Irish Air) Coleraine (Irish Jig) Garry Owen (Irish Jig) The Irish Washerwoman (Irish Jig) Kesh Jig (Irish Jig) Swallowtail Jig (Irish Jig) The Easy Winners (Joplin) The Entertainer (Joplin) Maple Leaf Rag (Joplin) Pine Apple Rag (Joplin) The Strenuous Life (Joplin) The Kerry Dance (James Lyman Molloy) All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com.

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1216206 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Ruben Federizon. Broadway,Musical/Show. Octavo. 13 pages. A Major Music Publishing #812782. Published by A Major Music Publishing (A0.1216206). A unique choral arrangement of Jerome Kern's popular song wherein the piano shines equally with the choir.  It does not follow the traditional practice of having the piano play the introduction; rather the choir sings the introduction a-cappella and the piano proceeds playing the refrain melody of the song song while the choir accompanies the piano.  The choir then follows with the usual verse/refrain form of a standard song, with the piano closing the song with a gentle reminder of the strain of the verse.  Check out the YouTube audio/video of the music score:  https://youtu.be/Hv9u9jz-N8g.