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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1129659 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 20th Century,Blues,Jazz,Religious,Spiritual. Octavo. 14 pages. Kevin G. Pace #730069. Published by Kevin G. Pace (A0.1129659). A fun, jazzy, energetic choral composition telling the story of Ebed-Melech and how he saved the prophet Jeremiah. Music by Kevin G. Pace. Text by Kathryn W. Hales. Text: The Good Book says that Moses Was buried by the hand of God; And those bitten by fiery serpents Were healed by lookin’ at a rod. Elijah was taken up to heaven By a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire. “Can’t you hear me, Lord?” Jeremiah is a’cryin’, “Wilt Thou deliver me? For I am surely dyin’.” The Lord touched the heart On one Ethiopian And says to Ebed-Melech, “Go and save my son.” That black man, he did hearken And went straight up to the king, “What you’ve done to Jeremiah Is a very wicked thing.” “Can’t you see his misery? Can’t you hear him cryin’? Let me deliver him, O King, For he is surely dyin’.” Then Zedekiah repented, Said, “Go get Jeremiah Out of that old dungeon Out of the pit of mire. Take thirty strong men with you Do not delay or wait, Bring the prophet up again Before it is too late.” Ebed went to the pit, Called down into the dark, “I’s a comin’ to save you, Now, oh man, take heart. The king has relented, But before we start, Put old rags beneath your arms, So the ropes won’t leave a mark. Poor Jeremiah was so weak, He’d almost lost all hope, The men did gently lift him up ‘Cause he couldn’t climb the rope. He was kept in prison, But now he had some food, Until the Babylonians came To seize the multitude. ‘Twas an Ethiopian that saved him, A servant to Judah’s King, Blessed be the name of Ebed-Melek For doin’ such brave things. The Lord uses many people From every tribe and race To be an instrument in His hands, An implement of His grace. “Repent all House of Judah,” Jeremiah kept on a’cryin’, “Turn unto the Lord again, Otherwise you’all be dyin’. His words come down through the years To the people of today, “Repent and turn back to the Lord, And walk His chosen Way.”.
Savin' Jeremiah - SATB Choir
Chorale SATB
a chariot of fire, But the prophet Jeremiah Was cast into a pit of mire “Can’t you hear me, Lord?” Jeremiah is a’cryin’, “Wilt Thou deliver me? For I am surely dyin’
$1.99 1.9 € Chorale SATB PDF SheetMusicPlus

Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1249014 Composed by Amy Morales. Children,Christian. Score. 3 pages. Amy J Morales #843488. Published by Amy J Morales (A0.1249014). A super fun kids song to help them remember to never grumble of complain. Things don't always go exactly our wayIt can be tempting for us to say that,Life's not fair and I don't want to share.But here's for you in all you do.Don't grumble, don't mumble,Stop and take a minute to be grateful and thankfulFor what God has given.Quit your whining and cryingTurn it into smiling and be joyful and hopefulBut whatever you do, don't grumble!Think of all the things that you've been given.Fam'ly, friends, a home, a life worth living.Everyday's a gift, so keep on sharingChrist through you in all you do. Don't grumble, don't mumble,Stop and take a minute to be grateful and thankfulFor what God has given.Quit your whining and cryingTurn it into smiling and be joyful and hopefulBut whatever you do, don't grumble!Don't ever grumble!
Don’t Grumble
Piano, Voix

$1.99 1.9 € Piano, Voix PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.8 € Chorale TTBB PDF SheetMusicPlus

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
Civility
Voix Soprano, Piano

$4.75 4.53 € Voix Soprano, Piano PDF SheetMusicPlus

SATB choir - Intermediate - Digital Download SKU: LX.65-1887S An Advent Celebration for Choir,Cong,Narrator,Org. Composed by Gilbert M. Martin. Choral Cantatas. Advent. Cant. 40 pages. Sacred Music Press #e65/1887S. Published by Sacred Music Press (LX.65-1887S). UPC: 000308044850. Text: K Thomas Greene.The Sacred Music Press proudly offers this distinguished cantata for the contemplative days before Christmas. Old testament prophecies are found in familiar congregational carols, including Come, Thou Long-Expected Jesus Hark, The Glad Sound; Hail to the Lord's Anointed; and Lift Up Your Heads. Unique and inventive choral anthems include the contemplative Once He Came In Blessing, the majestic There's A Voice In The Wilderness Crying, an engaging setting of O Come O Come Emmanuel, and the uplifting finale, The King Shall Come. The discerning and insightful narration by the Reverend K. Thomas Greene highlights the events leading up to that first Christmas in Bethlehem. The individual anthems may be performed separately on the Sundays in Advent and later combined for a full presentation.
The King Shall Come
Chorale SATB

$8.95 8.53 € Chorale SATB PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.1379251 Composed by Jonathan L Nelson. Contest,Festival. 60 pages. Jonathan Nelson #963931. Published by Jonathan Nelson (A0.1379251). - When we have episodes of tremendous sadness and loss of interest in things that we’ve loved for a lifetime – sometimes it’s a silent cry for HELP!- When we have unexplained anger, anxiety, and irritability may not be “anger issues” - sometimes it may be a cry for HELP!- When we feel as if we don’t have the energy to make it through the day, and thinking, “I am worthless, nothing in my life is going to get better” - sometimes it may be a cry for HELP!- When we just want to be alone and we actually work hard to avoid people - sometimes this may be a cry for HELP!- When we are the most creative and productive - sometimes we may be crying out for HELP!
HELP!
Orchestre d'harmonie

$65.00 61.96 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 1 - Digital Download SKU: A0.1504098 Composed by Jonathan L Nelson. Contemporary,Contest,Festival. 60 pages. Jonathan Nelson #1079553. Published by Jonathan Nelson (A0.1504098). When we have episodes of tremendous sadness and loss of interest in things that we’ve loved for a lifetime – sometimes it’s a silent cry for HELP!- When we have unexplained anger, anxiety, and irritability may not be “anger issues” - sometimes it may be a cry for HELP!- When we feel as if we don’t have the energy to make it through the day, and thinking, “I am worthless, nothing in my life is going to get better” - sometimes it may be a cry for HELP!- When we just want to be alone and we actually work hard to avoid people - sometimes this may be a cry for HELP!- When we are the most creative and productive - sometimes we may be crying out for HELP!
HELP!
Orchestre d'harmonie

$65.00 61.96 € Orchestre d'harmonie PDF SheetMusicPlus

Strings Flute - Level 4 - Digital Download SKU: A0.1431980 By Jeremiah Bornfield. By David Warin Solomons. Arranged by Colin Bayliss. Classical,Contemporary. Full Performance. Duration 184. David Warin Solomons #1012458. Published by David Warin Solomons (A0.1431980). This realisation by Jeremiah Bornfield is based on Colin Bayliss'  chamber orchestra arrangement of my composition.(The original version was for recorder orchestra)The music is inspired by a poem of e e cummings:anyone lived in a pretty how town(with up so floating many bells down)spring summer autumn winterhe sang his didn’t he danced his did.women and men (both little and small)cared for anyone not at allthey sowed their isn’t they reaped their samesun moon stars rainchildren guessed (but only a fewand down they forgot as up they grewautumn winter spring summer)that noone loved him more by morewhen by now and tree by leafshe laughed his joy she cried his griefbird by snow and stir by stillanyone’s any was all to hersomeones married their everyoneslaughed their cryings and did their dance(sleep wake hope and then) they said their nevers they slept their dreamstars rain sun moon(and only the snow can begin to explainhow children are apt to forget to rememberwith up so floating many bells down)one day anyone died i guess(and noone stooped to kiss his face)busy folk buried them side by sidelittle by little and was by wasall by all and deep by deepand more by more they dream their sleepnoone and anyone earth by aprilwish by spirit and if by yes.women and men (both dong and ding)summer autumn winter springreaped their sowing and went their camesun moon stars rain
Pretty how town for chamber orchestra (mp3)
Jeremiah Bornfield
$5.00 4.77 € PDF SheetMusicPlus

Recorder - Level 4 - Digital Download SKU: A0.1431988 By Manchester recorder orchestra. By David Warin Solomons. Classical,Contemporary. Full Performance. Duration 188. David Warin Solomons #1012466. Published by David Warin Solomons (A0.1431988). Work for recorder orchestra written for and performed by Manchester Recorder Orchestra in February 2015.The music is inspired by a poem of e e cummings:anyone lived in a pretty how town(with up so floating many bells down)spring summer autumn winterhe sang his didn’t he danced his did.women and men (both little and small)cared for anyone not at allthey sowed their isn’t they reaped their samesun moon stars rainchildren guessed (but only a fewand down they forgot as up they grewautumn winter spring summer)that noone loved him more by morewhen by now and tree by leafshe laughed his joy she cried his griefbird by snow and stir by stillanyone’s any was all to hersomeones married their everyoneslaughed their cryings and did their dance(sleep wake hope and then) they said their nevers they slept their dreamstars rain sun moon(and only the snow can begin to explainhow children are apt to forget to rememberwith up so floating many bells down)one day anyone died i guess(and noone stooped to kiss his face)busy folk buried them side by sidelittle by little and was by wasall by all and deep by deepand more by more they dream their sleepnoone and anyone earth by aprilwish by spirit and if by yes.women and men (both dong and ding)summer autumn winter springreaped their sowing and went their camesun moon stars rain
Pretty how town for recorder orchestra (mp3)
Manchester recorder orchestra
$4.00 3.81 € PDF SheetMusicPlus

Choral SATB choir with optional children's choir (or vocal soloist) - Digital Download SKU: H1.C5495DP Arranged by Joel Raney. Piano with Optional Children's Choir (or Soloist). General Worship, Spiritual. Octavo. 12 pages. Hope Publishing - Digital #C5495DP. Published by Hope Publishing - Digital (H1.C5495DP). Psalms 22:19 - Psalms 31:2 - Psalms 38:22 - Psalms 40:13 - Psalms 55:1 - Psalms 69:18 - Psalms 70:1 - Psalms 141:1 - Psalms 95:1 - 1 John 5:14 - 1 John 5:15 - Romans 8:26.African-American Spiritual For mixed voices with optional children's choir, this Joel Raney setting begins with the simple statement, someone's prayin', Lord, come by here. African rhythms take over with someone's shoutin' followed by a lush 4-part treatment of someone's cryin'. CaribbeanA rhythms flavor the someone's singin' verse developing into an exciting gospel, hand-clapping high point before settling back to a final prayerful statement of kum ba yah. The rhythm packet contains parts for: keyboard, acoustic guitar and percussion (triangle, wind chimes, shaker, conga).
Kum Bah Yah
Chorale SATB

$3.25 3.1 € Chorale SATB PDF SheetMusicPlus

Rhythm Parts - Digital Download SKU: H1.C5495RDP Arranged by Joel Raney. Piano with Optional Children's Choir (or Soloist). General Worship, Spiritual. Rhythm Parts. 9 pages. Hope Publishing - Digital #C5495RDP. Published by Hope Publishing - Digital (H1.C5495RDP). Psalms 22:19 - Psalms 31:2 - Psalms 38:22 - Psalms 40:13 - Psalms 55:1 - Psalms 69:18 - Psalms 70:1 - Psalms 141:1 - Psalms 95:1 - 1 John 5:14 - 1 John 5:15 - Romans 8:26.African-American Spiritual For mixed voices with optional children's choir, this Joel Raney setting begins with the simple statement, someone's prayin', Lord, come by here. African rhythms take over with someone's shoutin' followed by a lush 4-part treatment of someone's cryin'. CaribbeanA rhythms flavor the someone's singin' verse developing into an exciting gospel, hand-clapping high point before settling back to a final prayerful statement of kum ba yah. The rhythm packet contains parts for: keyboard, acoustic guitar and percussion (triangle, wind chimes, shaker, conga).
Kum Bah Yah

$34.95 33.31 € PDF SheetMusicPlus






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