Piano Solo - Level 3 - Digital Download SKU: A0.1033187 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Esther Vineyard. Film/TV. Score. 2 pages. Esther Vineyard #6142579. Published by Esther Vineyard (A0.1033187). This is a unique interpretation of Pachelbel's Canon in D. The piece starts in D Major and ends in d minor. It ends with the famous intro and outro from Lady Ga Ga's Bad Romance..

Piano Solo - Level 3 - Digital Download SKU: A0.565770 By Sharon Wilson. By William J. Kirkpatrick. Arranged by Sharon Wilson. Advent,Christian,Christmas,Romantic Period,Sacred. Score. 2 pages. Sharon Wilson #6130121. Published by Sharon Wilson (A0.565770). Designed for those times when a short, musical interlude is needed, here is a 2-page, LARGE PRINT piano solo arrangement of the familiar Christmas tune CRADLE SONG by William J. Kirkpatrick. This gentle, lullaby is straight-forward and easy to sight read by the intermediate pianist making it a favorite selection for impromptu performances, especially as a fill-in when quiet, contemplative music is needed. An optional repeat is provided in case a longer musical selection is needed.This arrangement is one of the 7 songs in these two collections:Christmas Meditations (A Collection of LARGE PRINT, Two-page Carols) Christmas Meditations (A Collection of One-Page Carols) Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic

Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspiredâ€� images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€�The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lushâ€� and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€�, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hiddenâ€� from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only.  The parts are available on rental from the publisher

Cello,Piano - Level 3 - Digital Download SKU: A0.1111118 Composed by Johann Sebastian Bach. Arranged by Carlo Alfredo Piatti. Baroque,Chamber,Instructional,Religious. Score and part. 26 pages. Artistic Score Engraving di Galvagno Michele #713394. Published by Artistic Score Engraving di Galvagno Michele (A0.1111118). The first cello Suite by Johann Sebastian Bach is, possibly, the most well-known and played piece of the cello repertoire. Many composers have felt the need to add a piano accompaniment to these already perfect gems, often resulting in dull harmonisation exercises. This is not the case with Carlo Alfredo Piatti’s accompaniment, where many choices are clearly personal and original. This editions includes a full score and a solo part with Piatti’s fingering and bowing suggestions, while the Critical Notes explain Piatti’s source management.

Viola Solo - Level 2 - Digital Download SKU: A0.999997 Composed by Leonard Trommel. Christmas,Concert,Standards. Individual part. 4 pages. AUXESIS PRESS #6139309. Published by AUXESIS PRESS (A0.999997). A fun set of variations for viola soloThe solo version for cello or viola is identical to the second part from the trio version, which is also available. It is intended for players that can play in first position. It explores several basic techniques, such as pizzicato (including left hand pizzicato), finding the octave harmonic and returning to the first position, regularly retaking the bow, and slow, legato playing.

3, 4, or 5 octaves handbells - Level 2 - Digital Download SKU: C7.CGB355 Composed by Martha Lynn Thompson and Natalie Sleeth. Advent, Christmas. With 3 octaves handchimes, Solo Inst. Score. 8 pages. Chorister's Guild - Digital #CGB355. Published by Chorister's Guild - Digital (C7.CGB355). UPC: 749193009543.3, 4 or 5 octaves with optional Bb2.Advent or General.Level 4.Everlasting Light is based on two contrasting hymns dealing with light. CONDITOR ALME SIDERUM is one of the oldest Christian hymns, whose simplicity and rhythmical flow reflect the freedom of speech. Written seven centuries later, WIE SCHON LEUCHTET is at the other end of the spectrum: measured, straight forward and fanfare-like. The introduction intersperses dramatic .ashes of light and the resulting shimmer (via the echo technique) with phrases of the chant. The chant is treated in its entirety at measure 19, and then antiphonally at measure 27 with its inversion (light reflected). The German chorale is heard at measure 40, and again in augmentation at measure 62 layered over the chant, each phrase of which is echoed (reflected) an octave lower. The piece ends with a return to the opening .ashes of light, this time the shimmering sixteenth-notes being more pronounced.

Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.

Guitar - Level 3 - Digital Download SKU: A0.1473190 By Tom Salvatori. By Felix Bartholdy Mendelssohn. Arranged by Tom Salvatori. 19th Century,Classical,Romantic Period. Full Performance. Duration 193. Salvatori Productions, Inc. #1050816. Published by Salvatori Productions, Inc. (A0.1473190). A note about this Guitar Arrangement - This piece presents a reimagined excerpt from Felix Mendelssohn's Violin Concerto #1 in E minor, 2nd Movement. My goal in the arrangement was to stay strongly reverent to the original form and structure of the composition, but to present it in a manner that I anticipate even Mendelssohn himself would have never expected to hear his work...as a solo nylon string guitar lullaby. My hope is that you will enjoy listening to it in it's new form, and that it will help bring Felix Mendelssohn's composing work newly to the ears of folks who may not be inclined to attend Classical Symphony concerts. - Tom Salvatori, Guitar Arranger.

Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1268814 By András Csáki and Balázs Rumy. By David Warin Solomons. 20th Century,21st Century,Blues,Contemporary. Full Performance. Duration 416. David Warin Solomons #861345. Published by David Warin Solomons (A0.1268814). This is a instrumental duo based on a song that I composed just before my umpteenth appearance at the New Troubadour Club at Follies Wine Bar Manchester back in 1991.Writer's block was threatening to take over, so I wrote about writer's block, in a sort of mock blues style...The original words are:Woke up Sunday mornin' and notes went spinnin' round. (rpt)What can I sing for the New Troubadours - Troubadours?Woke up wake up woke up wake up.What can I sing for the New Troubadours?Oh! I just godda sing the Blues the New Troubadour Blues'cos there's nothing they like better than the Blues.I got those New Troubadour Blues.'cos there's not a single chord these Blues refuse;not a single note I cannot choose.Then it was Monday evenin' with no more words in mind;notes they still kept spinnin'but no cause could they find.What can I sing for the New Troubadours?So, here's a sad Blues with a walkin' bass.it'll walk all over you,leavin' muddy footprintsSo here's a sad Blues, Blues, BluesSo here is a walkin' bass.oh! why am I walkin'with a muddy walkin' basswaitin' for words to come?Blues Blues Blues Blues Blues Blueswaitin' for words to comeOh those sad BluesI got those New Troubadour Blues.New Troubadour Blues 'cos there's not a single chord these Blues refuse!It is performed here byBalázs Rumy clarinetAndrás Csáki guitar.

Voice Duet Voice - Level 1 - Digital Download SKU: A0.836594 Composed by Charles E. & Maria A. Davis. Pop,Sacred,Standards,Wedding. 8 pages. Charles E. & Maria A. Davis #2998903. Published by Charles E. & Maria A. Davis (A0.836594). This song, written in contemporary style, celebrates the joy of being sealed together as a couple in the House of the Lord, and a prayer that this marriage will continue in love forever.  This song is written as a duet for a man and woman, and may be used at home, church, wedding receptions, or in public performance.   This song is also available in Spanish.  Solo versions for men and women are also available.

Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn,Oboe - Level 3 - Digital Download SKU: A0.1470131 By Jules Benedict. By Jules Benedict. Arranged by Andrew Lamb. 19th Century,Romantic Period. 19 pages. Andrew Lamb #1047879. Published by Andrew Lamb (A0.1470131). ? A Night Song by Jules Benedict - Double-Reed Quartet ?This beautiful adaptation of A Night Song by Jules Benedict is scored for Double-Reed Quartet, providing a rich and harmonious ensemble experience.Instrumentation: ? Part 1: Oboe ? Part 2: Oboe ? Part 3: English Horn ? Part 4: Bassoon Level of Difficulty: MediumPotential Uses: Perfect for concerts and recitals, this arrangement showcases the lyrical and expressive qualities of the double-reed family.Sir Julius Benedict, also known as Jules Benedict, was a German-born composer and conductor who spent most of his career in England. His contributions to music include notable operas such as 'The Gipsy's Warning' and 'The Lily of Killarney'. Born on November 27, 1804, in Stuttgart, Germany, he studied with Hummel and Weber, and later moved to England where he became a prominent figure in the classical music scene.Please like and subscribe for more videos and music arrangements. ?

Concert Band - Level 2 - Digital Download SKU: A0.522188 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Christmas,Praise & Worship. Score and parts. 190 pages. Colin Kirkpatrick Publications #6403623. Published by Colin Kirkpatrick Publications (A0.522188). This essential collection may be all you ever need for your wind instruments at Christmas. It's a bargain price too! These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. The publication consists of a four-staff score in concert pitch together with fifteen separate parts in various transpositions plus a simplified optional keyboard part. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. These four-part arrangements use flexible instrumentation so that you can exercise considerable control over the instrumental voicing or use them for non-standard ensembles. You can also create interesting instrumental tone color by omitting groups of instruments. If the ensemble is large enough you could omit brass instruments in the quieter sections, or use a solo trumpet against a woodwind background. There are endless possibilities.The complete set includes: Part 1 in B flat, E flat and C; Part 2 in B flat, E flat and C; Part 3 in B flat, E flat, F and C and Part 4 in B flat, E flat and C. Parts 1 and 2 in C have been printed an octave higher than the pitch shown in the score because invariably the parts lie too low for flute or oboe. For elementary players, a Part 1 in C (low) is included at concert (score) pitch. Parts 3 and 4 in C are in the bass clef. The arrangements could be played by virtually any combination of conventional wind band instruments. Using the optional keyboard part they could also be used as solos, duets or trios. The scores and all the parts are contained in a single 190-page PDF file. Please note that these arrangements are not necessarily compatible with other Kirkpatrick arrangements published by Glyn Joseph Editions. The collection incuers the following favorite carols: Angels We Have Heard On High (Gloria); Lo, How a Rose E’er blooming (Es ist ein Ros entsprungen); O Come, O Come Emmanuel (Veni Emmanuel); The First Noel; Ding Dong! Merrily on High (Bransle de l’Officiel); O Come All Ye Faithful (Adeste Fidelis); Hark! The Herald Angels Sing (Mendelssohn); Go Tell It on the Mountain; O Little Town of Bethlehem (St. Louis); O Holy Night (Cantique de Noël); Silent Night (Stille Nacht); Away in a Manger (Mueller); Joy to the World (Antioch); O Christmas Tree (Tannenbaum); We Three Kings (Kings of Orient); I Heard the Bells on Christmas Day (Waltham); What Child is This? (Greensleeves); God Rest You Merry, Gentlemen; Good King Wenceslas (Tempus Adest Floridum) and We Wish You a Merry Christmas.

String Ensemble,String Quintet - Digital Download SKU: A0.795605 By Lady Gaga. By Nadir Khayat and Stefani Germanotta. Arranged by Dr. Tianna Heppner. Pop,Rock,Wedding. Score and parts. 22 pages. Heppner Music Publishing #5744877. Published by Heppner Music Publishing (A0.795605). You and your group will love this ballad version of LG's Bad RomancePlease note - bowings are intentionally omitted to give freedom to the performers. Arranged by a string player, for string players!

Piano and voice - Digital Download SKU: LV.11116 Composed by Ernest Leslie. Firefighters, Food, Leisure. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11116). Coffee, Cheese and Crackers. A Fireman's Song. Words by John L. Parker. Music by Ernest Leslie. Published [n.d.] by G.D. Russell & Company, 126 Tremont, Opp. Park St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Firefighters, Food, Leisure. First line reads When to a fire we've had a run, and got back tired and dusty.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano and voice - Digital Download SKU: LV.11636 Composed by Walter A. Phillips. Flowers, Courtship, Love, Firefighters, Floods, Rescues, Fathers & children. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11636). Only a Fireman's Girl. Descriptive Song & Chorus. Words by Morris Abell. Music by Walter A. Phillips. Published 1897 by Howley, Haviland & Co., 4 East 20th Street in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Flowers, Courtship, Love, Firefighters, Floods, Rescues, Fathers & children. First line reads The headlight shone bright thro' the darkness, as the train thunders on o'er the rail.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.