Small Ensemble - Level 4 - Digital Download SKU: A0.869210 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 39 pages. Thomas Oboe Lee #2016283. Published by Thomas Oboe Lee (A0.869210). Instrumentation: 3333-4331-timp-2perc-cel-hp-strings Program Notes: When Charles Ansbacher, music director of the Boston Landmarks Orchestra, commissioned me to write Pluto as a grand finale for The Planets by Gustav Holst, I immediately thought of Pluto, the Disney character; but common sense took over when I sat down to work. So instead of Disney’s faithful dog, I gravitated to the Pluto of Roman mythology. After a long battle with the Titans, the three brothers, Zeus, Poseidon and Pluto, divided the world among themselves. Zeus had the sky; Poseidon, the sea; and Pluto, the Underworld. According to mythology, the spirits of the dead, whether good or bad, enter the Underworld. Cerberus, a vicious three-headed beast, stands guard at the entrance - preventing the living from entering the world of the dead. The movement begins with a fanfare: Cerberus at the gates of the Underworld. Then a grand waltz materializes in the bass: Pluto dances!! As the waltz fades away, a lyrical tune emerges: Persephone, the wife of Pluto, appears. The work ends with a reprise of the opening fanfare, slightly altered.

Concert Band - Level 2 - Digital Download SKU: A0.1476050 Composed by Kieran Brennan and Paul Brennan. Arranged by John Ivor Holland. 20th Century,Film/TV,Multicultural,New Age,World. 38 pages. John Ivor Holland #1053600. Published by John Ivor Holland (A0.1476050). Theme from Harry's Game is a 1982 song by Clannad commissioned as the theme for 'Harry's Game', a Yorkshire Television miniseries adapted from a 1975 novel set in The Troubles in Northern Ireland. It was released as a single in October 1982 and became a surprise hit, reaching number 5 in the UK Singles Chart the following month and number 2 in the Irish Singles Chart. The song is to date the only British hit single ever to have been sung entirely in Irish. The chorus Fol lol the doh fol the day, Fol the doh fol the day, is ancient Irish mouth-music, known as Portaireacht, which is common in traditional music. The song won an Ivor Novello award, and launched Clannad's global career. It has since appeared in several Hollywood movies, most notably 'Patriot Games', in which an IRA member, played by Patrick Bergin, is seen watching the music video for the song on his television. Available for concert bands worldwide for the first time, this haunting piece would provide a contrasting interlude in a programme of film and television music and features passages for cor anglais, which are cued for smaller ensembles.

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.971647 Composed by Jeffrey Hoover. 20th Century,Contemporary,World. 200 pages. Musicart Publications #4330117. Published by Musicart Publications (A0.971647). A New Tattoo: Scottish Landscape.  Score and parts available for immediate download and use - 199 pages. 12 min. 30 sec. For five flutes (picc, 3 fl, alto fl) expandable to large flute choir with optional string bass and small percussion.   A tattoo is an exciting performance of pipe and drum bands. In recent years tattoos have come to include other entertainments as well. In five movements, A New Tattoo: Scottish Landscape shares a range of Scottish life – from a contemporary Tattoo to rich stories captured in lyrical ballads, the skirl and sound of bagpipes, dancing, and celebrations.  A New Tattoo was commissioned by Lee Glendening Koss for The Silvertones of Maplewood Community Music, Maplewood, New Jersey.Required: piccolo, 3 flutes, alto flute. Full choir: 2 picc, G treble flute, Eb flute, flutes 1 - 5 (5th flute may double on percussion), 6th flute as alto 1 substitute for rehearsals, 2 alto flutes, bass flute, contrabass flute, string bass, small percussion.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.

2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1182892 By AJR. By Adam Metzger, Jack Metzger, and Ryan Metzger. Arranged by JRN Piano Duo. Contemporary,Pop,Singer/Songwriter. Score. 29 pages. JRN Piano Duo #782641. Published by JRN Piano Duo (A0.1182892). The popular song 'World's Smallest Violin' by AJR arranged and performed by the JRN Piano Duo on two digital pianos (with the help of some digital equipment). You will need a way to loop other instruments and percussion while playing and you need to be able to change your instruments while playing. In the video, a Maschine Mikro MK2 is used. The score includes a compact condensed score and a full orchestral score. Both conatin the same information but differently presented.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1177890 By AJR. By Adam Metzger, Jack Metzger, and Ryan Metzger. Arranged by Denise Flatness. Contemporary,Pop,Wedding. Score and parts. 17 pages. Denise Flatness #777854. Published by Denise Flatness (A0.1177890). This is a fun string quartet arrangement of AJR's World's Smallest Violin featuring, you guessed it, the first violin! This quirky upbeat song is sure to grab the attention of your listeners at any gathering! The tempos in the coda are written as a reference. Take the liberty to play the end section and slowly or quickly as you'd like! Visit dflatstrings.com for more string arrangements.

Alto Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,� the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged� with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim� accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “ß� with “ss� in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.� and “dim.� markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Small Ensemble Celtic Harp,Folk Harp - Digital Download SKU: A0.1035548 By Stephanie Bennett. By English Folk Song. Arranged by Stephanie Bennett. Children,Film/TV,Folk. Score and parts. 15 pages. Harpworld Music Co. #640768. Published by Harpworld Music Co. (A0.1035548). This beloved English folk song has been known in many versions since the 17th century. It gained even more popularity upon being featured in Walt Disney films “So Dear to My Heart� in 1948 and “Cinderella� in 2015. All parts may be played on Lever (Celtic) harp or Pedal harp. This arrangement may be played as an easy solo by only harp 1 (omit the measures of rest at the beginning and end), but is especially charming with the addition of the intermediate harp 2 part. For example, a teacher may play the harp 2 part to accompany harp 1, making a lovely recital piece for a beginning student. The harp 1 part includes lyrics so that it may (optionally) be sung by the harp 1 player. The optional harp 3 part is even easier than harp 1, and may be played by another beginning student. Cello or bassoon may be substituted for harp 3.

Small Ensemble Bassoon,Clarinet,Double Bass,Euphonium,Flute,Horn,Oboe,Saxophone,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.770514 Composed by Ennio Morricone. Arranged by Ivan Marini. 20th Century,Contemporary,Film/TV,Instructional. Score and parts. 23 pages. Www.dalsegno.eu #6056653. Published by www.dalsegno.eu (A0.770514). A world-famous soundtrack theme, now for EVERY soloist and your Casual Wind Trio or Ensemble!Easy and flexible arrangement for Solo and accompanying Trio. Key: concert Ab. Setting:- SOLO: in Concert Pitch (both Treble Clef and Bass Clef), in Bb, in F, in Eb.- Part 1 for: Flute, Oboe, Clarinet, Soprano Sax, Alto Sax, Trumpet, Eb Horn/Mellophone...- Part 2 for: English Horn, Clarinet, Alto Clarinet, Bassoon, Alto Sax, Tenor Sax, Trumpet, Eb/F Horn/Mellophone, Trombone/Euphonium BC and TC...- Part 3 for: Bassoon, Bass Clarinet, Baritone Sax, Trombone/Euphonium BC and TC, Bass Trombone, C/Bb/Eb Tuba, String Bass...The Solo part is suitable for almost every Wind instrument, but also for Violin, Cello, Accordion, Soprano voice... The accompaniment is playable by almost every trio and is suitable for larger and/or mixed ensembles too.Really useful for instrumental classes, to build a repertoire, for concerts, recitals, even as attractive encore.Fits in almost every program, for smaller or larger venues. Put every soloist under the spotlights!Complete set with C score (concert pitch) and 17 transposed and carefully adapted parts.Other transpositions or custom settings available at simply request.Duration: ca. 4 minutes, 23 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1165786 By AJR. By Adam Metzger, Jack Metzger, and Ryan Metzger. Arranged by Jessica Fritz. A Cappella,Comedy,Pop. Octavo. 15 pages. Jessica Fritz #766156. Published by Jessica Fritz (A0.1165786). SATB A capella version of this TikTok hit. Your choir will love the use of kazoos!

Instrumental Duet Instrumental Duet,Mandolin,Violin - Level 3 - Digital Download SKU: A0.971649 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and parts. 13 pages. Musicart Publications #4367746. Published by Musicart Publications (A0.971649). Inner Rhythm (six small paintings) for solo mandolin or violin is inspired by a series of six pastel chalk paintings of the same title by the composer. (Duration, 9 min. 45 sec. in performance) With Inner Rhythm, the music parallels the visual gestures and textures seen in the paintings. The pitches of the melodies are related to the visual color of the paintings. In a similar way that the eye tracks or views the paintings, the music of Inner Rhythm is heard in time. The development of the music follows an organic development, the melody moving like the gestures in the paintings. Images of the paintings are available directly from the composer to project during the performance if desired.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer.   One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.        

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1231751 By AJR. By Adam Metzger, Jack Metzger, and Ryan Metzger. Arranged by Jack Emily. 21st Century,Contemporary,Rock. Score. 4 pages. Jack E. #827454. Published by Jack E. (A0.1231751). Here is a link to the music on Musicnotes:

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1296287 By Blink 182. By Mark Hoppus, Tom DeLonge, and Travis Barker. Arranged by Greg Birdwell. Pop,Rock. 12 pages. Greg Birdwell #886531. Published by Greg Birdwell (A0.1296287). All the Small Things is a pop-punk song by the American rock band Blink-182. Released in 1999, the song is known for its catchy melody and playful lyrics, which humorously depict the ups and downs of romantic relationships. It became one of the band's signature songs and is considered a staple of the late 1990s pop-punk era.This quartet arrangement allows for the interpretation of the song's memorable melodies and harmonies within the context of classical instrumentation, creating a unique and entertaining musical experience that blends the worlds of rock and chamber music.