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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1515048 Composed by Hector Berlioz. Arranged by Chris Gorman. Classical,Romantic Period. Brass Band. 105 pages. Chris Gorman #1089546. Published by Chris Gorman (A0.1515048). The Symphonie fantastique is a piece of programme music that tells the story of a gifted artist who, in the depths of hopelessness and despair because of his unrequited love for a woman, has poisoned himself with opium. The piece tells the story of the artist's drug-fuelled hallucinations, beginning with a ball and a scene in a field and ending with a march to the scaffold and a satanic dream. Having grown sure that his love is unappreciated, the artist poisons himself with opium. The dose of the narcotic, too small to kill him, plunges him into a sleep accompanied by the most horrible visions. He dreams that he has killed the one he loved, that he is condemned, that he is being led to execution, and that he is witnessing his own guillotining. The procession advances to the sounds of a march sometimes dark and fierce, sometimes brilliant and solemn, in which a muffled sound of heavy footsteps follows without transition the loudest outbursts. At the end of the march, the first four bars of the idée fixe reappear like a last thought of love interrupted by the fatal blow. This arrangement follows closely to the original Orchestral score and is an ideal addition to the Brass Band Library.
Symphonie Fantastique

$45.00 38.38 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Alto Flute - Level 2 - Digital Download SKU: A0.1270939 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 13 pages. Jmsgu3 #863314. Published by jmsgu3 (A0.1270939). INSTRUMENTATION: 2 Concert Flutes, 1 Alto FluteSources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Flute Trio
Trio de Flûtes: 3 flûtes

$24.95 21.28 € Trio de Flûtes: 3 flûtes PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 2 - Digital Download SKU: A0.1270954 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #863338. Published by jmsgu3 (A0.1270954). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Bass Clarinet Trio
3 Clarinettes (trio)

$24.95 21.28 € 3 Clarinettes (trio) PDF SheetMusicPlus

String Trio Cello - Level 1 - Digital Download SKU: A0.1270178 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862608. Published by jmsgu3 (A0.1270178). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century.  It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage. The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Cello Trio
Trio à Cordes: 3 violoncelles

$24.95 21.28 € Trio à Cordes: 3 violoncelles PDF SheetMusicPlus

Baritone Horn TC - Level 2 - Digital Download SKU: A0.1270558 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862930. Published by jmsgu3 (A0.1270558). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Baritone Horn Trio

$24.95 21.28 € PDF SheetMusicPlus

Trombone - Level 2 - Digital Download SKU: A0.1270948 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #863333. Published by jmsgu3 (A0.1270948). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Trombone Trio
3 Trombones (trio)

$24.95 21.28 € 3 Trombones (trio) PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - Digital Download SKU: A0.1270529 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862904. Published by jmsgu3 (A0.1270529). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Clarinet Trio
3 Clarinettes (trio)

$24.95 21.28 € 3 Clarinettes (trio) PDF SheetMusicPlus

Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.999345 Composed by Dennis A. Westgate. Contemporary,Graduation,Musical/Show,World. Octavo. 134 pages. Tyne Music #5866269. Published by Tyne Music (A0.999345). PLATFORM NINE : One of my full length ‘feel good’ family plays in the TYNE ONSTAGE series of original musicals. With Drama, Comedy and Song & Dance routines, they offer a new source of material to any Producer, Director or Teacher in the Performing Arts looking for original stories with great songs, covering a wide range of musical styles. Platform Nine is a 1 set musical and could be performed in any area, indoor or outdoor, with a minimal set-build. This is an ‘all-singing and dancing’ 2 hour+ show requiring very good dancers & singers.Each album title includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/platform-nineP.S. Sorry, but there are no band parts or orchestral scores as the costs involved would have made these musicals too expensive. So the price is reflective of this and leaves each of the numbers open to interpretation by your M.D. or Arranger I’ve uploaded a rough demo clip of * seven of the songs. SONG TITLES 1)   Four in the Morning 2)   Those Early Morning Blues * 3)   Engine Driver * 4)   Take a Train * 5)   Platform Nine * 6)   Start All Over Again * 7)   Wanna Bet! 8)   The Big Race 9)     Sigh me a Sigh10)   Why?11)   Lonely Words *12)   A Woman Is! *13)   The Palais de Danse14)   The Locomotion Rock15)   A Face in the Crowd16)   Take a Train (reprise)
PLATFORM NINE an original stage musical
Chorale SATB

$87.00 74.21 € Chorale SATB PDF SheetMusicPlus

Horn,Trombone - Level 2 - Digital Download SKU: A0.1270186 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862614. Published by jmsgu3 (A0.1270186). INSTRUMENTATION: HORN and 2 TROMBONESSources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Brass Trio

$24.95 21.28 € PDF SheetMusicPlus

Euphonium - Level 2 - Digital Download SKU: A0.1270355 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862762. Published by jmsgu3 (A0.1270355). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage. The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Euphonium Trio

$24.95 21.28 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - Digital Download SKU: A0.1270343 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862753. Published by jmsgu3 (A0.1270343). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
Solage: Calextone qui fut dame for Bassoon Trio
3 Bassons

$24.95 21.28 € 3 Bassons PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.1182001 Composed by Louise Farrenc. Arranged by Robert Debbaut. 19th Century,Romantic Period. 38 pages. ROBERT DEBBAUT #781763. Published by ROBERT DEBBAUT (A0.1182001). Louise Farrenc (1804-1875) was the only woman to hold a professorship at a European Conservatory (Paris) in the 19th Century.  They would only allow her to teach piano, not composition, because she was undeniably a virtuoso pianist.  During her lifetime she mainly composed for piano, but also wrote works for the orchestra, including three symphonies, and a great deal of mixed chamber music.  She wrote no works for wind band of any kind, yet she lived in a golden age of especially French band music.  As such, I felt a new generation of music students should hear the music of this incredibly talented composer who had the misfortunate of being born female in the 19th Century.  This work is certainly characteristic of the Romantic Era and would make a lovely concert overture.  the main sub ject of her variations is Martin Luther's A Mighty Fortress is Our God.  If you purchase this score (and like it), please write to me at debbaut@gmail.com, subject Farrenc and I will send you a copy of the wav file as well as a link to her original piano work (I;'ve not taken too many liberties).  If you still like it, parts may be had for $100 via Venmo or personal check.  Write to debbaut@gmail.com, subject Farrenc..
Souvenirs des Huguenots - Score Only
Orchestre d'harmonie

$9.99 8.52 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.1403054 Composed by Rachel Portman. Arranged by John Ivor Holland. 21st Century,Film/TV,Wedding. 77 pages. John Ivor Holland #986254. Published by John Ivor Holland (A0.1403054). 'Mona Lisa Smile' is a 2003 American drama film directed by Mike Newell and starring Julia Roberts, Kirsten Dunst, Julia Stiles, and Maggie Gyllenhaal. The title is a reference to the Mona Lisa, the famous painting by Leonardo da Vinci, and to the song of the same name, originally performed by Nat King Cole, which was covered by Seal for the movie. Julia Roberts received a record $25 million for her performance, the highest ever earned by an actress at that time. Rachel Portman's score for the film is in a similar vein to her others for 'The Cider House Rules' and 'Chocolat', but the lovely flute theme in this suite works nicely for concert band and the combination of piano and vibraphone (originally harp) lend a pulsating texture throughout. Perfect for a quiet moment in a concert of film music and, of course, important music by a woman composer in a crowded market of male writers. Arranged as part of an ongoing project to bring more music by women into the worldwide concert band repertoire.
Suite
Orchestre d'harmonie

$59.99 51.17 € Orchestre d'harmonie PDF SheetMusicPlus

Choral Choir (Unison) - Level 4 - Digital Download SKU: A0.1200061 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Paul W. Allen. Historic,Instructional,Jazz,Standards. Octavo. 10 pages. Allen/Myer Musicals #798871. Published by Allen/Myer Musicals (A0.1200061). This marvelous 1941 song was originally recorded as a big band/swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie Sun ValleySerenade.  It was the first song to receive a gold record, presented by RCA Victor in 1942, for sales of 1.2 million copies.  The song was an extended production number, and became the No. 1 song across the United States on December 7, 1941, and remained at No. 1 for nine weeks on the Billboard Best Sellers chart.  It opens up with the band, sounding like a train rolling out of the station, complete with the trumpets and trombones imitating a train whistle, before the instrumental portion comes in playing two parts of the main melody.  This is followed by the vocal introduction of four lines before the main part of the song is heard.  The main song opens with a dialog between a passenger and a shoeshine boy.  The singer describes the train's route, originating from Pennsylvania Station in New York and running through Baltimore to North Carolina before reaching Chattanooga. He mentions a woman he knew from an earlier time in his life, who will be waiting for him at the station and with whom he plans to settle down for good. After the entire song is sung, the band plays two parts of the main melody as an instrumental, with the instruments imitating the WHOO WHOO of the train as the song ends.  This is a very intriguing adaptation, with or without voice.  The price indicated allows you to purchase one (1) copy of the vocal version.
Chattanooga Choo Choo
Chorale Unison
Floyd Cramer
$1.99 1.7 € Chorale Unison PDF SheetMusicPlus

Instrumental Solo - Level 4 - Digital Download SKU: A0.1200054 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Paul W. Allen. Historic,Instructional,Jazz,Standards. Individual part. 28 pages. Allen/Myer Musicals #798864. Published by Allen/Myer Musicals (A0.1200054). This marvelous 1941 song was originally recorded as a big band/swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie Sun ValleySerenade.  It was the first song to receive a gold record, presented by RCA Victor in 1942, for sales of 1.2 million copies.  The song was an extended production number, and became the No. 1 song across the United States on December 7, 1941, and remained at No. 1 for nine weeks on the Billboard Best Sellers chart.  It opens up with the band, sounding like a train rolling out of the station, complete with the trumpets and trombones imitating a train whistle, before the instrumental portion comes in playing two parts of the main melody.  This is followed by the vocal introduction of four lines before the main part of the song is heard.  The main song opens with a dialog between a passenger and a shoeshine boy.  The singer describes the train's route, originating from Pennsylvania Station in New York and running through Baltimore to North Carolina before reaching Chattanooga. He mentions a woman he knew from an earlier time in his life, who will be waiting for him at the station and with whom he plans to settle down for good. After the entire song is sung, the band plays two parts of the main melody as an instrumental, with the instruments imitating the WHOO WHOO of the train as the song ends.  This is a very intriguing adaptation, with or without voice.  The price indicated allows you to purchase ten (10) copies of the handbell version.
Chattanooga Choo Choo
Floyd Cramer
$49.99 42.64 € PDF SheetMusicPlus






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