EUROPE
91 articles
USA
154 articles
DIGITAL
363 articles (ŕ imprimer)
Partitions Digitales
Partitions à imprimer
363 partitions trouvées

1 16 31 ....361

Piano Trio,String Ensemble - Digital Download

SKU: A0.1004152

Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152).

Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness.  Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it.  This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal.  .

The Sundials

$7.00 6.63 € PDF SheetMusicPlus

C Instrument - Level 2 - Digital Download

SKU: A0.1504272

By Oasis. By Noel Gallagher. Arranged by B. McCormick. Pop,Rock. Lead Sheet / Fake Book. 5 pages. B. McCormick #1079731. Published by B. McCormick (A0.1504272).

Wonderwall by Oasis - Lead Sheet Arrangement

Experience the timeless classic “Wonderwall” by Oasis with this meticulously arranged lead sheet. Originally released in 1995 as part of the album “(What’s the Story) Morning Glory?”, “Wonderwall” quickly became a global hit, reaching the top ten in multiple countries and earning numerous accolades. The song, written by Noel Gallagher, is often interpreted as a heartfelt message about an imaginary friend who offers salvation.

About the Band:

Oasis, formed in Manchester in 1991, is one of the most iconic bands of the Britpop era. Led by the Gallagher brothers, Noel and Liam, the band achieved massive success with their debut album “Definitely Maybe” and continued to dominate the charts with (What’s the Story) Morning Glory?3. Known for their distinctive sound and charismatic performances, Oasis has left an indelible mark on the music industry.

Arrangement Highlights:

  1. Lead Sheet Format: Melody with lyrics and chords.
  2. Additional Information: Suggested strum patterns and strumming changes.
  3. Ending Instrumental: Notated for complete performance.
  4. Guitar Chord Sheet: Includes chord diagrams and strum patterns using arrows for easy reference.
  5. Capo Usage: Contains both key chords and capo chords for versatility.
  6. Page Layout: Lead sheet (3 pages) and chord sheet (2 pages) designed to minimize page turns.

Ideal For:

  • Learners and Teachers: Comprehensive information in a condensed format.
  • Gigging Acts: Suitable for both paper and electronic viewing.
 

Wonderwall
Instruments en Do
Oasis
$3.99 3.78 € Instruments en Do PDF SheetMusicPlus

Large Ensemble B-Flat Clarinet,Flute,Piano,String Synthesizer,Tenor Saxophone,Trombone,Tuba - Level 3 - Digital Download

SKU: A0.992316

By Sam Smith. By James Napier and Sam Smith. Arranged by Hilary Daglish. Pop,R & B. Score and parts. 16 pages. Hilary Daglish #3619441. Published by Hilary Daglish (A0.992316).

This is an arrangement for 3 flutes, piano, keyboard using Strings as the voice and small minor parts of tuba, tenor saxophone, B flat clarinet and trombone. These minor parts could be played on a keyboard using the given instruments as the voice. I have attached 2 pages for the minor parts . 1 for the actual instruments and 1 for the instruments on a keyboard.
The flute is the main solo instrument with harmony played on 2 more flutes. However you could play it on any treble clef C instrument. It is of intermediate level and ideal for schools and school age people to enjoy. 

Writing's On The Wall from the film SPECTRE
Sam Smith
$12.99 12.3 € PDF SheetMusicPlus

Organ - Level 4 - Digital Download

SKU: A0.1136887

By Sam Smith. By James Napier and Sam Smith. Arranged by Jonathan Selimovic (a.k.a. Jonny Music). Contemporary,Film/TV,Pop. Score. 6 pages. Jonny Music #736874. Published by Jonny Music (A0.1136887).

Writing's On The Wall by Sam Smith, the theme song for the 2015 James Bond film, Spectre, arranged for the King of Instruments (Organ). Duration: 4:27 This score is mainly suitable for full-sized 61-key manual and 32-note pedal Pipe, Grand, Drawbar (Hammond) and Theatre Organs, and is optimized for Concert performances (Paper size: 9 in x 12 in). Arranger Contact Info and Social Media YouTube: https://goo.gl/vu9ifu Facebook: https://goo.gl/dBz3Tw Twitter: https://goo.gl/2PxpzV Instagram: https://goo.gl/q1dqJF Website: https://goo.gl/zyYa8t.

Writing's On The Wall
Orgue
Sam Smith
$8.99 8.51 € Orgue PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.1286698

Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 146 pages. James Nathaniel Holland #877732. Published by James Nathaniel Holland (A0.1286698).

INDIVIDUAL INSTRUMENTS PARTS 2 of 2 (Harp and Strings).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  

Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. 

The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.

Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper” wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  

Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB Chorus

Scored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, strings

Duration:  2 hours
Full Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.

The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 2 of 2 (Harp and Strings)
Orchestre ŕ Cordes

$24.65 23.34 € Orchestre ŕ Cordes PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.1286761

Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 224 pages. James Nathaniel Holland #877785. Published by James Nathaniel Holland (A0.1286761).

INDIVIDUAL INSTRUMENTS PART 1 of 2 (Woodwinds, Brass, Percussion).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  

Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. 

The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.

Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper” wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  

Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB Chorus

Scored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, strings

Duration:  2 hours
Full Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.

The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 1 of 2 (WW, Brass, Perc.)
Orchestre

$30.95 29.3 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.1284590

Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James Nathaniel Holland #875765. Published by James Nathaniel Holland (A0.1284590).

FULL SCORE (Concert Pitch).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  

Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. 

The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.

Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper” wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  

Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB Chorus

Scored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, strings

Duration:  2 hours
Full Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.

The Oath of Silence, An Opera in Four Acts, Full Orchestral Score (Concert Pitch) - Score Only
Orchestre

$34.50 32.66 € Orchestre PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 5 - Digital Download

SKU: A0.1284659

Composed by James Nathaniel Holland. 21st Century,Contemporary,Opera. Score. 143 pages. James Nathaniel Holland #875835. Published by James Nathaniel Holland (A0.1284659).

PIANO VOCAL SCORE.  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  

Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. 

The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.

Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper” wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  

Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB Chorus

Scored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, strings

Duration:  2 hours
Full Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.

The Oath of Silence, An Opera in Four Acts, Piano Vocal Score
Piano, Voix et Guitare

$17.50 16.57 € Piano, Voix et Guitare PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download

SKU: A0.869301

Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431227. Published by Thomas Oboe Lee (A0.869301).

Program note.
Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music.

Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!!

I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice.

La Serenissima is in six movements.

I. Introduction, allegro …
II. Largo …
III. Presto …
IV. Allegretto …
V. Adagio …
VI. Molto Allegro … TRIO

Enjoy!!!!

Audio link.   Copy and paste the URL link into your browser.

https://thomasoboelee.bandcamp.com/album/la-serenissima-2013

Video link: https://youtu.be/wc9FVAejUww

La Serenissima (2013) for ten wind instruments
Quintette ŕ Vent: flűte, Hautbois, basson, clarinette, Cor

$9.99 9.46 € Quintette ŕ Vent: flűte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Sampler - Level 4 - Digital Download

SKU: A0.1354408

By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 261. David Warin Solomons #939127. Published by David Warin Solomons (A0.1354408).

Instrumental version of my improvisation on Louis MacNeiceis Bagpipe Music

The original poem is: 

It's no go the merry-go-round, it's no go the rickshaw,
All we want is a limousine and a ticket for the peepshow.
Their knickers are made of crĂŞpe-de-chine, their shoes are made of python,
Their halls are lined with tiger rugs and their walls with heads of bison.

John MacDonald found a corpse, put it under the sofa,
Waited till it came to life and hit it with a poker,
Sold its eyes for souvenirs, sold its blood for whiskey,
Kept its bones for dumb-bells to use when he was fifty.

It's no go the Yogi-Man, it's no go Blavatsky,
All we want is a bank balance and a bit of skirt in a taxi.

Annie MacDougall went to milk, caught her foot in the heather,
Woke to hear a dance record playing of Old Vienna.
It's no go your maidenheads, it's no go your culture,
All we want is a Dunlop tyre and the devil mend the puncture.

The Laird o' Phelps spent Hogmanay declaring he was sober,
Counted his feet to prove the fact and found he had one foot over.
Mrs Carmichael had her fifth, looked at the job with repulsion,
Said to the midwife 'Take it away; I'm through with overproduction'.

It's no go the gossip column, it's no go the Ceilidh,
All we want is a mother's help and a sugar-stick for the baby.
Willie Murray cut his thumb, couldn't count the damage,
Took the hide of an Ayrshire cow and used it for a bandage.
His brother caught three hundred cran when the seas were lavish,
Threw the bleeders back in the sea and went upon the parish.

It's no go the Herring Board, it's no go the Bible,
All we want is a packet of fags when our hands are idle.

It's no go the picture palace, it's no go the stadium,
It's no go the country cot with a pot of pink geraniums,
It's no go the Government grants, it's no go the elections,
Sit on your arse for fifty years and hang your hat on a pension.

It's no go my honey love, it's no go my poppet;
Work your hands from day to day, the winds will blow the profit.
The glass is falling hour by hour, the glass will fall for ever,
But if you break the bloody glass you won't hold up the weather.

Bagpipe music - instrumental improvisation based on the poem by Louis MacNeice (mp3)
David Warin Solomons
$5.50 5.21 € PDF SheetMusicPlus

C Instrument - Level 4 - Digital Download

SKU: A0.518265

Composed by Oliver George Wallace and Paul Englishby. Arranged by John Fries. 20th Century,Film/TV,Patriotic,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #128979. Published by John Fries (A0.518265).

TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER! Der Fuehrer's Face (originally titled A Nightmare in Nutziland or Donald Duck in Nutziland is a 1943 American animated anti-Nazi propaganda short film produced by Walt Disney Productions. The cartoon, which features Donald Duck in a nightmare setting working at a factory in Nazi Germany, was made in an effort to sell war bonds and is an example of American propaganda during World War II. Der Fuehrer's Face won the Oscar for Best Animated Short Film at the 15th Academy Awards. A German oom-pah band — composed of Axis powers leaders Joseph Goebbels on the trombone, Heinrich Himmler on the snare drum, Hideki Tojo on the sousaphone, Hermann Goering on the piccolo and Benito Mussolini on the bass drum — marches noisily at four o'clock in the morning through a small town where the trees, windmills, fence posts, and even the clouds are shaped like swastikas while singing the virtues of the Nazi doctrine.

Der Fuhrer's Face
Instruments en Do

$3.99 3.78 € Instruments en Do PDF SheetMusicPlus

Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download

SKU: A0.1163847

Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 46 pages. Socrates Arvanitakis #764199. Published by Socrates Arvanitakis (A0.1163847).

This is the twenty-ninth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all  volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view.
Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.

Volume 29 (Songs 757-783)

Sally Brown
Sally Gray
Samuel Hooser’s Hymn
Sandy
Santiana
Scarborough Fair 1
Scarborough Fair 2 (singing together version)
Scraping Up Sand In The Bottom Of The Sea
Searching for Lambs
Seasons of the Year (the)
Second Britford Carol
See Amid the Winter’s Snow
Seeds of Love (the)
Servant of Rosemary Lane (the)
Servingman and the Husbandman (the)
Seven Virgins (the)
Seventeen Come Sunday
Shaker March No 20
Shaker Solemn Song 2 (A)
Shaker Solemn Song 12
Shaker Turning Shuffle Tune No. 5
She’s like the Swallow
Sheepcrook and Black Dog
Sheep-shearing Song
Shepherd and his dog (the)
Shepherd’s Song (the)
Shepherds Arise.

Folk Songs For Classical Guitar - Volume 29 (Songs 757-783)

$25.00 23.67 € PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.818257

By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257).

Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,” and a song used by both North and South, “Johnny Comes Marching Home.” ♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter” in 1861 for the Minstrel stage. “Abraham’s Daughter” pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns” “Listen to the Mockingbird” and “Where, Oh Where Has My Little Dog Gone?” ♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.

Abraham’s Daughter: March from the Civil War
Orchestre d'harmonie
Stephen R Dalrymple
$19.00 17.99 € Orchestre d'harmonie PDF SheetMusicPlus


1 16 31 ....361




Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale