Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.774748 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 7 pages. Sandra Milliken #4888947. Published by Sandra Milliken (A0.774748). Christmas in Australia is the theme song from the animated, made-for-TV movie Blinky Bill’s White Christmas, a spin-off from the Blinky Bill children’s books (by Australian writer Dorothy Wall) and the Adventures of Blinky Bill TV series. The telemovie first aired on Australia’s Seven Network on Christmas Eve of 2005. In the movie the song was sung by Christine Anu, who also reprised it at Sydney’s 2007 Carols in the Domain. Weather-wise, Christmastime in Australia is very different from that in the Northern Hemisphere. Instead of cold, snow and spending time indoors, there’s lots of sunshine, lots of colour everywhere and lots to do in the great outdoors. This delightful song – Christmas in Australia – highlights the fact that, whilst these differences do exist, the true meaning of Christmas, the reasons for rejoicing, the coming together of friends and family, the excitement of children, the decorating, and the caring and sharing are the same the world over. For on this little world of ours, we’re all one family. So, come and join us as we sing, around the Christmas tree. Christmas in Australia deserves a place in the best of Australian Christmas songs. Unfortunately, it is not as widely known and performed as it should be; perhaps because the music has not been readily available. Hopefully these new arrangements for choirs and soloists may go some way towards redressing that situation. This arrangement is available in six versions – SATB, SSA and 2-Part for choirs; Low, medium and high voice for soloists/unison choirs.

Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.774745 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 7 pages. Sandra Milliken #4888935. Published by Sandra Milliken (A0.774745). Christmas in Australia is the theme song from the animated, made-for-TV movie Blinky Bill’s White Christmas, a spin-off from the Blinky Bill children’s books (by Australian writer Dorothy Wall) and the Adventures of Blinky Bill TV series. The telemovie first aired on Australia’s Seven Network on Christmas Eve of 2005. In the movie the song was sung by Christine Anu, who also reprised it at Sydney’s 2007 Carols in the Domain. Weather-wise, Christmastime in Australia is very different from that in the Northern Hemisphere. Instead of cold, snow and spending time indoors, there’s lots of sunshine, lots of colour everywhere and lots to do in the great outdoors. This delightful song – Christmas in Australia – highlights the fact that, whilst these differences do exist, the true meaning of Christmas, the reasons for rejoicing, the coming together of friends and family, the excitement of children, the decorating, and the caring and sharing are the same the world over. For on this little world of ours, we’re all one family. So, come and join us as we sing, around the Christmas tree. Christmas in Australia deserves a place in the best of Australian Christmas songs. Unfortunately, it is not as widely known and performed as it should be; perhaps because the music has not been readily available. Hopefully these new arrangements for choirs and soloists may go some way towards redressing that situation. This arrangement is available in six versions – SATB, SSA and 2-Part for choirs; Low, medium and high voice for soloists/unison choirs.

Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.774746 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 7 pages. Sandra Milliken #4888943. Published by Sandra Milliken (A0.774746). Christmas in Australia is the theme song from the animated, made-for-TV movie Blinky Bill’s White Christmas, a spin-off from the Blinky Bill children’s books (by Australian writer Dorothy Wall) and the Adventures of Blinky Bill TV series. The telemovie first aired on Australia’s Seven Network on Christmas Eve of 2005. In the movie the song was sung by Christine Anu, who also reprised it at Sydney’s 2007 Carols in the Domain. Weather-wise, Christmastime in Australia is very different from that in the Northern Hemisphere. Instead of cold, snow and spending time indoors, there’s lots of sunshine, lots of colour everywhere and lots to do in the great outdoors. This delightful song – Christmas in Australia – highlights the fact that, whilst these differences do exist, the true meaning of Christmas, the reasons for rejoicing, the coming together of friends and family, the excitement of children, the decorating, and the caring and sharing are the same the world over. For on this little world of ours, we’re all one family. So, come and join us as we sing, around the Christmas tree. Christmas in Australia deserves a place in the best of Australian Christmas songs. Unfortunately, it is not as widely known and performed as it should be; perhaps because the music has not been readily available. Hopefully these new arrangements for choirs and soloists may go some way towards redressing that situation. This arrangement is available in six versions – SATB, SSA and 2-Part for choirs; Low, medium and high voice for soloists/unison choirs.

Choral Choir (SA) - Level 2 - Digital Download SKU: A0.774741 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 8 pages. Sandra Milliken #4887191. Published by Sandra Milliken (A0.774741). Christmas in Australia is the theme song from the animated, made-for-TV movie Blinky Bill’s White Christmas, a spin-off from the Blinky Bill children’s books (by Australian writer Dorothy Wall) and the Adventures of Blinky Bill TV series. The telemovie first aired on Australia’s Seven Network on Christmas Eve of 2005. In the movie the song was sung by Christine Anu, who also reprised it at Sydney’s 2007 Carols in the Domain.Weather-wise, Christmastime in Australia is very different from that in the Northern Hemisphere. Instead of cold, snow and spending time indoors, there’s lots of sunshine, lots of colour everywhere and lots to do in the great outdoors. This delightful song – Christmas in Australia – highlights the fact that, whilst these differences do exist, the true meaning of Christmas, the reasons for rejoicing, the coming together of friends and family, the excitement of children, the decorating, and the caring and sharing are the same the world over. For on this little world of ours, we’re all one family. So, come and join us as we sing, around the Christmas tree. Christmas in Australia deserves a place in the best of Australian Christmas songs. Unfortunately, it is not as widely known and performed as it should be; perhaps because the music has not been readily available. Hopefully these new arrangements for choirs and soloists may go some way towards redressing that situation. This arrangement is available in six versions – SATB, SSA and 2-Part for choirs; Low, medium and high voice for soloists/unison choirs.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.774744 Composed by Guy Gross and John Palmer. Arranged by Sandra Milliken. Contemporary. Octavo. 11 pages. Sandra Milliken #4887201. Published by Sandra Milliken (A0.774744). Christmas in Australia is the theme song from the animated, made-for-TV movie Blinky Bill’s White Christmas, a spin-off from the Blinky Bill children’s books (by Australian writer Dorothy Wall) and the Adventures of Blinky Bill TV series. The telemovie first aired on Australia’s Seven Network on Christmas Eve of 2005. In the movie the song was sung by Christine Anu, who also reprised it at Sydney’s 2007 Carols in the Domain. Weather-wise, Christmastime in Australia is very different from that in the Northern Hemisphere. Instead of cold, snow and spending time indoors, there’s lots of sunshine, lots of colour everywhere and lots to do in the great outdoors. This delightful song – Christmas in Australia – highlights the fact that, whilst these differences do exist, the true meaning of Christmas, the reasons for rejoicing, the coming together of friends and family, the excitement of children, the decorating, and the caring and sharing are the same the world over. For on this little world of ours, we’re all one family. So, come and join us as we sing, around the Christmas tree. Christmas in Australia deserves a place in the best of Australian Christmas songs. Unfortunately, it is not as widely known and performed as it should be; perhaps because the music has not been readily available. Hopefully these new arrangements for choirs and soloists may go some way towards redressing that situation. This arrangement is available in six versions – SATB, SSA and 2-Part for choirs; Low, medium and high voice for soloists/unison choirs.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1466392 By Laura Dreyfuss Michael Park & Jennifer Laura. By Benj Pasek and Justin Paul. Arranged by Andrew M. Wallace. 21st Century,Broadway,Contemporary,Contest,Festival,Musical/Show,Singer/Songwriter. Score. 12 pages. Andrew M. Wallace #1044973. Published by Andrew M. Wallace (A0.1466392). Immerse yourself in the poignant beauty of Requiem from Dear Evan Hansen, in this soul-stirring arrangement crafted for a quartet of treble voices. This rendition captures the emotional depth of the original, delivering a mesmerizing performance that resonates with both performers and audiences alike. Ideal for solo/ensemble!Key Features: Quartet Arrangement: Tailored for treble quartet voices, our arrangement of Requiem skillfully weaves together harmonies that amplify the song's emotional impact, showcasing the ensemble's collective vocal range and expression. Emotional Performance: Requiem unfolds with its heartfelt lyrics and haunting melodies, creating a powerful narrative that touches on themes of loss, remembrance, and hope. The arrangement's evocative harmonies and gentle dynamics create an intimate atmosphere that connects deeply with listeners. Soloist Highlight: Featuring opportunities for a soloist to shine, our arrangement allows for poignant interpretations of the song's poignant lyrics. Whether as a standalone feature or woven within the quartet, the soloist adds a personal touch to the song's narrative, enhancing its emotive resonance.

Piano Solo - Level 4 - Digital Download SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp.             Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.

Piano Solo - Level 4 - Digital Download SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp.             Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 ---  11 minutes.  Sonata Hymnica No. 3 ---  9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings #4898807. Published by James Siddons Music and Writings (A0.972650). Two Views of Scott Joplin is an exploration of a personal and artistic crisis that Scott Joplin, the King of Ragtime, went through between 1904 and 1906. This crisis was precipitated by the untimely death of Freddie Alexander in September 1904, to whom Joplin had been married only ten weeks. Knowledge of this marriage was lost to history for almost a century until the Joplin scholar Edward A. Berlin discovered the newspaper obituary, which is quoted in the bass solo in Part II, The Obituary of Freddie Alexander.           Apparently, Scott Joplin, already inspired by the progressive ideals of Booker T. Washington, saw a path to social and artistic betterment through his love of Freddie, a daughter of a refined family. During this period, Joplin used the title rag less often in his piano-solo works, and nurtured an interest in opera (he had long been active in vaudeville as well as ragtime piano). He seems to have lost his sense of direction in 1905 and 1906, until led by his publisher John Stark to move to New York City in 1907. Once there, apparently growing out of his grief, Joplin studied with an Italian opera singer and composer, composed his folk opera Treemonisha, and composed Wall Street Rag and his other late masterpieces for piano. Joplin died in April 1917 following two years of debilitating illness.           Joplin left almost no personal writings, such as letters or diaries. To create an impression of autobiography, Two Views of Scott Joplin consists mostly of words and music written by Scott Joplin, and piano music composed by two close associates, the composer-pianists Louis Chauvin and Scott Hayden. These words come from Treemonisha, from Joplin’s little-remembered vaudeville and parlor songs, and also from text in his sheet-music---copyright notices, publishers’ addresses, titles and subtitles of rags, performance directions. In most cases, selected lyrics are extracted from songs and paired with piano-solo themes. These ingredients are combined in creative ways to express the biographical narrative. Instrumental themes are re-cast as necessary to express their newly-attached lyrics. But in no place can any of the music in Two Views of Scott Joplin be considered an arrangement of a given, intact composition, nor a medley of tunes, nor a theatrical revue. The character development and dialogue found in Scott Joplin’s Struggle with Destiny (Part II, No. 3) is my own biographical interpretation of Joplin, based on known evidence and on his music.The score contains extensive Performance Notes for performing this 16-minute work as a choral work or as a short opera scene.

Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.

Violin Solo - Level 2 - Digital Download SKU: A0.1200894 By Morgan Wallen. By Ashley Glenn Gorley, Jacob Kasher, Jacob Kasher Hindlin, John Byron, and Ryan Vojtesak. Arranged by Leo Silva. Country,Folk,Pop. 2 pages. MP Sheet Music #799554. Published by MP Sheet Music (A0.1200894). Last Night is a song written by John Byron, Ashley Gorley, Jacob Kasher Hindlin, and Ryan Vojtseak, and performed by American country music singer Morgan Wallen. It is the third single from his 2023 album One Thing at a Time.The song peaked at number one on Billboard Hot Country Songs in February 2023 before reaching the top of the Billboard Hot 100 in March 2023, making it Wallen's first number-one single on the latter chart. The song is about a couple having their last night together. The song peaked at number one on the Billboard Hot Country Songs charts dated February 13, 2023, ascending from a debut position of number seven one week prior. The same week, his prior singles Thought You Should Know and You Proof claimed the number two and three positions, while I Wrote the Book was at number ten.Following the release of One Thing at a Time, Last Night ascended from number five to one on the Billboard Hot 100  becoming Wallen's first number one on the chart. The song achieved 47.5 million streams, 18,000 digital downloads sold, and a 10.8 million airplay audience. The same week, Wallen occupied 36 places on the Hot 100, the most of any artist, as well as five of the top 10 on the Hot 100. It was also the first country song by a solo male to top the Hot 100 in over 42 years, following I Love a Rainy Night by Eddie Rabbitt (1980), and the first country song to top the chart since All Too Well (Taylor's Version) by Taylor Swift in November 2021.

Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.1200871 By Morgan Wallen. By Ashley Glenn Gorley, Jacob Kasher, Jacob Kasher Hindlin, John Byron, and Ryan Vojtesak. Arranged by Leo Silva. Country,Folk,Pop. Individual part. 2 pages. MP Sheet Music #799529. Published by MP Sheet Music (A0.1200871). Last Night is a song written by John Byron, Ashley Gorley, Jacob Kasher Hindlin, and Ryan Vojtseak, and performed by American country music singer Morgan Wallen. It is the third single from his 2023 album One Thing at a Time.The song peaked at number one on Billboard Hot Country Songs in February 2023 before reaching the top of the Billboard Hot 100 in March 2023, making it Wallen's first number-one single on the latter chart. The song is about a couple having their last night together. The song peaked at number one on the Billboard Hot Country Songs charts dated February 13, 2023, ascending from a debut position of number seven one week prior. The same week, his prior singles Thought You Should Know and You Proof claimed the number two and three positions, while I Wrote the Book was at number ten.Following the release of One Thing at a Time, Last Night ascended from number five to one on the Billboard Hot 100  becoming Wallen's first number one on the chart. The song achieved 47.5 million streams, 18,000 digital downloads sold, and a 10.8 million airplay audience. The same week, Wallen occupied 36 places on the Hot 100, the most of any artist, as well as five of the top 10 on the Hot 100. It was also the first country song by a solo male to top the Hot 100 in over 42 years, following I Love a Rainy Night by Eddie Rabbitt (1980), and the first country song to top the chart since All Too Well (Taylor's Version) by Taylor Swift in November 2021.

Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.1200880 By Morgan Wallen. By Ashley Glenn Gorley, Jacob Kasher, Jacob Kasher Hindlin, John Byron, and Ryan Vojtesak. Arranged by Leo Silva. Country,Folk,Pop. Individual part. 2 pages. MP Sheet Music #799539. Published by MP Sheet Music (A0.1200880). Last Night is a song written by John Byron, Ashley Gorley, Jacob Kasher Hindlin, and Ryan Vojtseak, and performed by American country music singer Morgan Wallen. It is the third single from his 2023 album One Thing at a Time.The song peaked at number one on Billboard Hot Country Songs in February 2023 before reaching the top of the Billboard Hot 100 in March 2023, making it Wallen's first number-one single on the latter chart. The song is about a couple having their last night together. The song peaked at number one on the Billboard Hot Country Songs charts dated February 13, 2023, ascending from a debut position of number seven one week prior. The same week, his prior singles Thought You Should Know and You Proof claimed the number two and three positions, while I Wrote the Book was at number ten.Following the release of One Thing at a Time, Last Night ascended from number five to one on the Billboard Hot 100  becoming Wallen's first number one on the chart. The song achieved 47.5 million streams, 18,000 digital downloads sold, and a 10.8 million airplay audience. The same week, Wallen occupied 36 places on the Hot 100, the most of any artist, as well as five of the top 10 on the Hot 100. It was also the first country song by a solo male to top the Hot 100 in over 42 years, following I Love a Rainy Night by Eddie Rabbitt (1980), and the first country song to top the chart since All Too Well (Taylor's Version) by Taylor Swift in November 2021.

Violin Solo - Level 2 - Digital Download SKU: A0.1200867 By Morgan Wallen. By Ashley Glenn Gorley, Jacob Kasher, Jacob Kasher Hindlin, John Byron, and Ryan Vojtesak. Arranged by Leo Silva. Country,Folk,Pop. 2 pages. MP Sheet Music #799524. Published by MP Sheet Music (A0.1200867). Last Night is a song written by John Byron, Ashley Gorley, Jacob Kasher Hindlin, and Ryan Vojtseak, and performed by American country music singer Morgan Wallen. It is the third single from his 2023 album One Thing at a Time.The song peaked at number one on Billboard Hot Country Songs in February 2023 before reaching the top of the Billboard Hot 100 in March 2023, making it Wallen's first number-one single on the latter chart. The song is about a couple having their last night together. The song peaked at number one on the Billboard Hot Country Songs charts dated February 13, 2023, ascending from a debut position of number seven one week prior. The same week, his prior singles Thought You Should Know and You Proof claimed the number two and three positions, while I Wrote the Book was at number ten.Following the release of One Thing at a Time, Last Night ascended from number five to one on the Billboard Hot 100  becoming Wallen's first number one on the chart. The song achieved 47.5 million streams, 18,000 digital downloads sold, and a 10.8 million airplay audience. The same week, Wallen occupied 36 places on the Hot 100, the most of any artist, as well as five of the top 10 on the Hot 100. It was also the first country song by a solo male to top the Hot 100 in over 42 years, following I Love a Rainy Night by Eddie Rabbitt (1980), and the first country song to top the chart since All Too Well (Taylor's Version) by Taylor Swift in November 2021.