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Piano Solo - Level 5 - Digital Download SKU: A0.995184 Composed by Anthony Bannach. 20th Century,Contemporary. Score. 16 pages. Anthony Bannach Music #5794481. Published by Anthony Bannach Music (A0.995184). I hope everyone has been doing well during this crazy time.  Originally I wrote these preludes as parts of composing exercises for Alan Belkin's book Music Composition: Craft and Art.  They sat around for a bit until during the quarantine when I took a look at them again.  I realized that these pieces had a lot of character to them, and they were quite distinct in nature.  The first movement is a simple ternary form piece which begins and ends in the key of g minor and has a very neo-romantic tonal space. The B section is a brisk, more straight-forward tonal texture, but has a fun little twist sequencing up near the end of the section.  The second movement was composed with the B vs Bb dichotomy functioning as a germinating cell for the rest of the movement's material. More impressionistic and mysterious than the other two movements, it also lacks a more traditional formal structure, instead relying on the development of motivic cells to make the movement cohere together in a logical way. The third movement is also a modified ternary movement, but with the A sections being played at different speeds, and the second A ending having an outro section attached.  The B section is also more like a sonata form developmental section (without the required tonic-dominant modulatory feature). This movement is not only tonally very colorful, but also dynamic in regards to tempo, slowing and quickening often, giving the piece a continual sense of renewed spirit.  Rather than just release the preludes as seperate pieces,  I found that when played in a certain sequence, they represent a progression of mental and spiritual being that many people have, including myself, been going through during this time.  As such, I made them into a suite.  If it brings you a little bit of joy or excitement during this time (and after this is over), that's all that I can hope for. 
3 Preludes for a Quarantine for Solo Piano
Piano seul

$10.00 8.62 € Piano seul PDF SheetMusicPlus

Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.909610 Composed by Henry Purcell. Arranged by Christopher A. Sforza. Baroque,Opera,Standards. Score and parts. 7 pages. Christopher A. Sforza #5304961. Published by Christopher A. Sforza (A0.909610). When I am Laid in Earth often referred to as Dido's Lament is a famous aria from Henry Purcell's opera Dido and Aeneas.  This arrangement for two violins and piano incorporates a freshly realized accompaniment as well as some countermelody material in the second violin.  The piece can be performed in a number of ways; solo with piano, duo with piano, or unaccompanied violin duet.Included are the piano and duet scores.
Dido's Lament, for two violins and piano
Violon et Piano

$2.25 1.94 € Violon et Piano PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1401158 By Coleman Hawkins. By Leo Robin and Lewis E. Gensler. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #984346. Published by DAVID LEE GINGRAS (A0.1401158). Love Is Just Around the Corner is a popular song with music by Lewis E. Gensler and lyrics by Leo Robin, published in 1934. Although it was sung by Bing Crosby in the film Here is My Heart, which was released on December 28, 1934, Cliff Edwards (AKA Ukulele Ike) released a recording on October 19 of that year on the Perfect and Banner labels. The song has become a standard, recorded by other many artists over the decades. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We added what we think are some pretty cool left-hand fills that we hope you will like! It's a pretty song and not too hard to play!
Love Is Just Around The Corner
Piano, Voix
Coleman Hawkins
$4.99 4.3 € Piano, Voix PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1031266 Composed by Bradley .S. Parker. Christian,Christmas,Contemporary,Sacred. Octavo. 4 pages. Bradley .S. Parker #3360733. Published by Bradley .S. Parker (A0.1031266). A contemporary setting of 'IN THE BLEAK MIDWINTER' by Christina Rossetti. The work was written for Bath Spa University's Chamber Choir. It was first performed on the 4th December 2014, as part of a Carol Service in Bath Abbey, England. In the bleak midwinter, frosty wind made moanEarth stood hard as iron, water like a stone;Snow had fallen, snow on snow, snow on snow, In the bleak midwinter, long ago. Our God, Heaven cannot hold him, nor earth sustain;Heaven and Earth shall flee away when He comes to reign. In the bleak midwinter a stable place sufficedThe Lord God Almighty, Jesus Christ. What can I give him poor as I am?If I were a shepherd I would bring a lamb;If I were a wise man I would do my partYet what I can I give him, give my heart. Christina Rossetti (1830-1894)approx.  3.18.
IN THE BLEAK MIDWINTER
Chorale SATB

$3.99 3.44 € Chorale SATB PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.1028006 Composed by Becca Schack. 20th Century,Contemporary,Jazz. Score and parts. 123 pages. Ingenue Music #3140879. Published by Ingenue Music (A0.1028006). Commissioned by the International School Of Luxembourg (ISL). Premiered in Luxembourg, in December 2010, conducted by Dimosthenis Dimitrakoulakos.Program Notes:This piece is named for Yemanya (pronounced Yeh-MAHN-jah or Yeh-MAHN-jee), the Brazilian/African nurturing mother goddess of the ocean. She's known as a protector, supplier, and one who grants wishes. Every December 31st, Brazilians celebrate Yemanya by casting white flowers and miniature boats into the sea. If Yemanya grants your wish, her waves will swallow the boat and if she denies the wish the boat will wash up on shore. Yemanya teaches us to dive in at the very moment of golden opportunity, to enjoy the rhythms of life, and to allow all doubts to be washed away. The fluid, oceanic themes of the instruments represent the flow of the water and magic of Yemanya. The piece starts off with a soft wind chime accompanied by gong/tam-tam. Then the vibraphone enters mysteriously as the main theme that drives the whole piece as it subtly changes. The double bass creates a rhythmic pulse beneath the other sections. The gentle melodies in the flute dance around jazzy articulations in the trumpets and saxophones. There's an interplay of Afro-Cuban beats in the marimba and a bossa nova rhythm between the temple blocks and xylophone. Throughout the piece I have tried to capture the water's motion and the ever-changing face of the sea. As the vibraphone returns to the original melody, we are reminded of Yemanya's eternal beauty and peaceful nature.
Yemanya (for Symphonic Band)
Orchestre d'harmonie

$60.00 51.7 € Orchestre d'harmonie PDF SheetMusicPlus

String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.913984 Composed by Arthur Breur. 20th Century,Contemporary. Score and parts. 15 pages. Floating Home Music #4819957. Published by Floating Home Music (A0.913984). Glacier Bay for String Trio. An audio impression of the experience of being in Glacier Bay. This is the premier performance of Glacier Bay by String Trio Black Diamonds - just one day after Arthur Breur composed the piece and provided the trio with the score and parts. They performed the piece in the atrium of the Norwegian Sun on July 3, 2016. With gratitude to Captain Richard Svardmark and the entire crew of the Norwegian Sun. Arthur Breur composed Glacier Bay in a single day on the Cruise Ship Norwegian Sun as it toured Glacier Bay, Alaska. Waking very early that day, Arthur was greeted with foggy, gray, mysterious views in an eerie northern twilight, and the mood set him immediately to composing. As he often does, he started by constructing the ten letters of the name Glacier Bay into musical notes. He divided these ten notes into three similar musical motifs, first three notes [G-E-A], then four notes [C-B-E-D], then three notes again [B-A-D]. These motifs open the piece, in a section that represents the eerie, misty, wet, half-lit morning. Then-expressing wonder and excitement upon seeing the beauty and majesty of Alaska’s glaciers-the motifs are connected with moving lines of notes that turn the original disconnected motifs into a flowing, uplifting melody. Between stops at the enormous bay’s different glaciers, the ship moved slowly through foggy vistas. The middle section of the piece represents this with a more dissonant, nervous sound. (Listen carefully for the sound of the ship’s fog horn-which really is a low F-sharp!-played by the cello.) But after passing through the fog, there was another awe-inspiring glacier, and so the music returns to the uplifting, flowing melody once again. Glacier Bay for String Trio Composed for the String Trio Black Diamonds: - Tamara Sieviieva - Mykyta Denysov - Anastasia Gorokhova  *** Upon waking to a mysterious foggy morning on the Norwegian Sun cruise ship in Glacier Bay, Alaska, I was almost immediately possessed by my Muse. (That’s the only way I can describe it; every moment that I was not composing-even WHILE looking at the beautiful, awe-inspiring glaciers! - I was hearing the melody in my head and aching to compose.)  *** Duration: 5m Composer: Arthur Breur Instruments: Violin, Cello, String Trio, String Trio (vn-vn-vc) Format: Score, Set of Parts Genres: 21st Century, Contemporary Classical, Post-Romantic, Neo-Classical Level: Intermediate https://www.floatinghomemusic.com
Glacier Bay - String Trio (vn-vn-vc)
Trio à Cordes: violon, alto, violoncelle

$20.00 17.23 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus






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