Drum Set,Drums - Level 3 - Digital Download SKU: A0.1326276 By Frank Turner. By Frank Turner. Arranged by Will Beavis. Folk,Pop,Rock. Score. 3 pages. Will Beavis #914474. Published by Will Beavis (A0.1326276). Download the drum score for The Way I Tend To Be by Frank Turner, from his 2013 album: Tape Deck Heart. This is a detailed transcription of Nigel Powell's recorded drum parts.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.500704 By Vampire Weekend. By Ezra Koenig and Rostam Batmanglij. Arranged by G. M. Morley. A Cappella,Contemporary. Octavo. 10 pages. G. M. Morley #5044269. Published by G. M. Morley (A0.500704). This fun little love song comes from Vampire Weekend's fourth album, Father of the Bride, released in early 2019. The original is a duet featuring the female vocals of Danielle Haim.Writer, Ezra Koenig has said of the song I always wanted to do a song that was insanely simple, that was just listing things that go together... It's probably the most wholesome Vampire Weekend song.Although the simplicity of the original song remains, there are some challenging arpeggio's and runs for soprano and alto parts in the latter half of the piece.This version is suitable for weddings and pop or community choir performances.If you would like to contact me about this arrangement or would like to request something specific, please message me via my page: https://www.facebook.com/GMMorleyMusic/ If you perform this piece, I'd love to hear from you.

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1014742 Composed by Ian Brendon Scott, Mark Jackson, and Sarah McLaughlin. Arranged by Douglas Brunner. A Cappella. Octavo. 13 pages. Douglas Brunner #5775761. Published by Douglas Brunner (A0.1014742). For Women's A Cappella Ensemble. Bishop Briggs' The Way I Do for Solo, SSAAA, VP. Intermediate level.

Harp - Level 2 - Digital Download SKU: A0.928320 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5955365. Published by Karen Peterson (A0.928320). This tune was published by Daniel Dow in the 1770s and was probably composed by Roderick Morison (~1656-1713). My double-strung harp arrangement in the dorian mode has rolled, echoed chords, highlighting the depth of sound we can get from having two sets of strings. The accompaniment hand traverses the entire range of the harp, often overlapping the melody hand.Range and key: D dorian (all naturals). 24x2 strings. C below middle C through E.Lever changes: None.Good for: Performance, memorials, therapeutic settings.Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Rolled accompaniment chords often contain the same note as the melody, creating a rolled echo. Some chords that aren’t rolled have doubled notes in both hands, creating depth. The repetition of LH patterns makes this a great piece to learn overlapping hands with.Characteristics: Neither hand needs to place more than an octave spread. There are some four-note chords (always LH 1-3-5-8). The RH has almost no chords. Few of the chords are inversions. There are very few sixteenth notes; no more than three played together with one hand. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has a few cross-overs/unders.Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in Rorie Dall's Sister's Lament: www.EnjoyTheHarp.com/s/rorie-dalls-sisters-lament-notes-enjoy-the-harp.pdfNotation: Chord symbols are provided. Treble clef is used for both staves, with 8vb for the low notes. Length: 4 pages. 60 measures, plus 12 if you take the repeat. 4 minutes.Page turns: If you are printing, double-side pages 2 and 3 so that there is only one page turn. The RH can be used on all notes of page 2’s last measure, so that the LH can turn the page. If you are using single pages on a tablet, you can do something similar at the end of page 3. Page 1’s turn is manageable. Contact me after purchase if you’d like a version that fits on two pages: EnjoyTheHarp@gmail.comPerformance notes and history at www.EnjoyTheHarp.com/rorie-dalls-sisters-lament

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.940837 Composed by 11th century trope. Arranged by Michael D. McClish. Christian,Christmas,Praise & Worship,Sacred. Octavo. 7 pages. Michael D. McClish #6656833. Published by Michael D. McClish (A0.940837). This is a beautiful rendition of the familiar chant, keeping the intent of early chant and choral sound, but within a more contemporary harmonic palette.  It begins simply and ends in a very uplifting, positive manner, with several transpositions along the way.  However, the feeling of plainchant is always present in each variation as they evolve.  This is the first of what I hope to be a collection of hymn arrangements for choir that follow the Christian Church Year, this one being Advent season.  Of course it can be sung anytime that fits the situation, but I used the United Methodist Hymnal suggestion for an Advent hymn.  The piano simulates bells and chimes, and the voices sometimes do also.  A very uplifting arrangement, while not so difficult as to discourage choirs.  It employs the concept of canon and contemporary harmonies.  I hope you and your choir or choral organization enjoy it as much as I enjoyed writing it.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1113306 Composed by Colin G Dance. Christian,Religious. Octavo. 12 pages. Dance is With Music #715245. Published by Dance is With Music (A0.1113306). This is the original choral version of this work – with piano accompaniment. I think it’s a very effective work, but sadly the Musical Director of the choir for whom it was written thought ‘the parts were too high’ and it was never performed. She may have been right about the alto part, but it was the way she said it after I presented her with 40 copies for her choir. Guess what? I didn’t write another thing for them, and no, I’m not telling you which choir it was, but they are from Exmouth in Devon and they were formed in 1997.

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.1011990 By Billy Joel. By Billy Joel. Arranged by Saige Barlow. Pop,Rock. Octavo. 10 pages. Saige Barlow #3514863. Published by Saige Barlow (A0.1011990). This is a very popular hit from Billy Joel, and I thought it would be fun to write an arrangement whether you're using it for a choir or a small ensemble. The mezzo-soprano part was assigned the descant due to where my computer placed the parts, and I have a note about that, so I understand that is not correct and I apologize if you're picky about that like me. Anyway, I think it sounds really catchy. It's arranged in the key of F major, which is slightly higher to better fit the alto line. If you would like, you could use the alto line as a solo part and give the altos the bottom note of the soprano note. Anyways, I hope you enjoy this arrangement. It was really fun to arrange, and I imagine it is really fun to perform. :).

Piano and voice; ukulele - Digital Download SKU: LV.8981 Composed by Harry Akst. Portraits. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8981). First, Last and Always (I Love You). Ballad Fox Trot. Lyric by Benny Davis. Music by Harry Akst. Published 1923 by Jerome H. Remick & Co. in New York. Composition of strophic with chorus with piano and voice; ukulele instrumentation. Subject headings for this piece include Portraits. First line reads Where there's love there's happiness they say.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano Solo - Level 3 - Digital Download SKU: A0.1024388 Composed by Stephen Lebsanft. 20th Century,Contemporary. Score. 9 pages. Stephen Lebsanft #5794087. Published by Stephen Lebsanft (A0.1024388). Child’s Play is a representative work that captures the moods and sensations of a child’s backyard adventures through the perspective of their mind’s eye. As a young boy, I revelled in creating grand stories and playing them out in my backyard. I felt so invested in them that they almost seemed real and I endeavour to capture this commitment to my imagination in Child’s Play. The simple semiquaver ostinato present throughout most of the work represents the innocence of being young. It’s lilting nature lead’s the listener to reminisce on the carefree nature of life at that age. In contrast to this, the stirring harmonies evoke feelings of drama and grandeur that depict the sagas that my imagination conjured. In keeping with the representative nature of the work, the sporadic changes in dynamics symbolize being constantly swept away to different imaginary lands as we all know young boys can rarely stay focused on a single idea for very long. With reference to the pedalling, I have very deliberately written the change to occur between notes where specified. This creates a lucid harmonic rhythm throughout the entire piece and a constant undertone of the mysterious enigma that is a child’s mind.

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys.  This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional. Octavo. 6 pages. James Nathaniel Holland #5991761. Published by James Nathaniel Holland (A0.730509). A hymn to home and the Hoosier state of Indiana from the 1920s musical, A Lucky Star, words and music by American composer (and Indiana native) James Nathaniel Holland.  Arranged for four part a capella men's chorus with reduced piano for easy rehearsal.  Tenor 1 and 2, Baritone, Bass choir.Lyrics:When I think of my home,There's no other place I see,Than that land with its broad rolling hills,And it's mist that creeps up,Every blue, warm summer night.That is home, no matter where, that's home to me.Seasons Spring, Summer, Fall, even Winter sings so brightlyWith your hills and your green fields of corn.In that way do not change, But keep faith as time passes,That to each and all that Hoosier State's sweet home. (The Hoosier State's my home!)Here's to you, Indiana,Though we change, my Indiana,You will always be that home sweet home to me! (My Indiana home.)Duration: 3:22 minutes.

Jazz Combo - Level 4 - Digital Download SKU: A0.914431 By Horace Silver. By Horace Silver. Arranged by Bryan Starkweather. Jazz. Score and parts. 47 pages. Bryan Starkweather #5033477. Published by Bryan Starkweather (A0.914431). Nica's Dream for little big band. Originally written as a vocal chart, this was premiered at Barbara B Mann performing arts hall in 2017 by the Florida Southwestern State College Jazz Combo. Written for Alto, Tenor, Bari, Trumpet, Trombone, and Rhythm Secion, the Alto takes over as the feature instrument here instead of the vocal. There are some tricky segues making this a perfect college or all state/all county piece. Chords are included on piano and bass part.For comments, questions, corrections, or special requests, please email me at bryan32483@gmail.com for any and all info, or visit https://www.facebook.com/Canvas-Music-Productions-134274459972325/ I love hearing from my customers! I'm always happy to help in any way I can, including modifying a piece to suit your needs.

Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.730202 Composed by James Nathaniel Holland. Contemporary. 13 pages. James Nathaniel Holland #36425. Published by James Nathaniel Holland (A0.730202). Shakespeare wrote poignant sonnets about time and love. Two of these masterpieces are set to music by 21st Century American composer James Nathaniel Holland: the famous Shall I Compare Thee to a Summer's Day (Sonnet 18) and How Heavy Do I Journey on the Way (Sonnet 50). Rare and musically accesible art songs in English and by a living composer for singers looking for something new to present in concert or competitions. Sound clip presented here is of Sonnet 18, an arragement with synthesizer, but this arrangement is for piano and voice. Composer's Website: http://lacoronadelossantos.net/jamesnathanielholland.html.

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.870889 By Ingrid Michaelson. By Ingrid Michaelson. Arranged by Charles Gunsaullus. Contemporary. Score and parts. 10 pages. Charles Gunsaullus #6135519. Published by Charles Gunsaullus (A0.870889). Here's a cute and fun song by the terrific singer/songwriter Ingrid Michaelson.  It's fairly straightforward and could easily be played by an intermediate level ensemble.  With repeat, it runs just over 2 minutes.

Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.943024 Composed by Lewis A. Kocher. Christian,Easter,Sacred. Score and parts. 3 pages. Lewis A. Kocher #4410815. Published by Lewis A. Kocher (A0.943024). I wrote this piece at the request of a pastor friend of mine who was lamenting the fact that there were too few hymns concerning the subject of forgiveness.At little more than 1 ½ minutes long, this song could work perfectly for a short prelude or postlude during Good Friday, Easter, or at any service during the year.An advantage to this piece is its flexibility in performance and thus in its performance length. As a slow ballad it is of course longer than the 1:40 shown above. And as fast Praise music, it will probably be closer to 1:30 depending upon the performance. And this flexibility is also its beauty: It can suit a variety of moods from reflective to enthusiastic.Wishing you God’s blessing always!