Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Easter, Lent. 114 pages. Published by Afghan Press Music for the Harp

B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1080679 Composed by Alex Lewis and Eddie Lewis. Classical,Multicultural,World. Score and part. 9 pages. Tiger Music #684898. Published by Tiger Music (A0.1080679). Southwest Sunrise Trumpet Solo Eddie Lewis and Alex Lewis MTR P111 4137 Southwest Sunrise is a trumpet solo for beginner trumpet students that has a more complicated piano part. I often get requests for music for students of different skill levels. And in fact, that’s what of my strengths as a writer, is that I can blend parts across skill levels that way. In this case, Alex and I were striving for something that would be interesting for the pianist, but not overly challenging for the beginner trumpet student. The Process The inspiration for this piece came to me on a morning walk in Chandler, Arizona. Chandler is a suburb of Phoenix. I was walking east, into the rising sun. It was a very simple melody. It was a very simple blues melody that I immediately recognized as something that would work in our series for beginner trumpet students. This was during a time when my son, Alex, and I were already collaborating on some other projects. For this piece, I gave Alex the melody and gave him a general description of what I was hearing. Then I gave him his space to create what sounded good to him. The next stage was me editing some of his creativity. At this point we went back and forth on a few issues until we agreed on the final results. SKILL LEVEL The skill level for Southwest Sunrise is Trumpet Pioneer (we don’t have skill levels for piano parts yet on this website). Trumpet Pioner is the first of seven levels in our system. These are absolute beginners who have only been playing the trumpet for a few months. Our Trumpet Pioneer level limits the range to C in the staff. We also limit rhythms to nothing smaller than quarter-notes, and key signatures are limited to one flat or sharp. Practice Recommendations While it is obvious and I don’t normally list it as a point in this practice recommendations, but the rhythms are very different between the trumpet part and the trumpet part. So it is even MORE important to spend time listening to the composition long before you begin practicing it. As I said, this is a good habit for working on all performance pieces. There is research that proves that students learn their music best when they recognize their mistakes soonest. When you listen to the music repeatedly before you practice, it goes a long way towards helping you recognize your mistakes. This is one of the most important reasons for listening, but there are others that I won’t go into here. Assuming the pianist is far more advanced than the trumpeter, the pianist should assume a patient, educational role.

Piano,Vocal,Voice - Advanced Intermediate - Digital Download SKU: A0.502406 Composed by Misha Stefanuk. Broadway,Contemporary,Folk,Musical/Show. Score. 123 pages. Published by Misha Stefanuk (A0.502406). An American Story: George Gershwin is a brief, jazz-infused opera in one act on the subject of George Gershwin, one of America's greatest and most influential composers. Although fictional, most of the opera's story is based upon biographical facts and direct quotes from George Gershwin's interviews and other sources.In this show, the audience is given a brief glimpse at the music and style of 1920s, when George and his brother, the champion lyricist, Ira Gershwin, were first starting to experience great success the world over. Their Broadway shows were in high demand, and many of them were made into lucrative Hollywood movies. Their shows are still often performed today.An American Story opens with a scene in which George and Ira are working through a piece they have written and are discussing their successes of the past year, including George's appearance on the cover of Time magazine. The operagoes on to introduce two female characters including Kay Swift, who was a significant composer at the time, as well and a strong influence upon George.Gertrude Lawrence, the British singer for whom George and Ira Gershwin wrote the musical Oh, Kay! also appears later in the opera, when she rehearses with George.An American Story: George Gershwin is The New Opera's second work dedicated to popularizing the life stories of historical and cultural figures, following Wolfy, an opera focusing on the life of Wolfgang Amadeus Mozart. This helps further The New Opera's mission to cultivate a growing interest in artistic and musical subjects for audiences of all ages and social levels and extend our enthusiasm for outstanding achievement in the arts.Complete You tube playlist can be found here https://www.youtube.com/playlist?list=PLUIlJVpmilpf_2ikBsnqhccqxAa4Gyy2x

Tenor Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784828 Composed by McCorkle, Dennis F. Broadway,Jewish,Musical/Show,Pop,World. 27 pages. DF McCorkle Music and eBook Publications #11747. Published by DF McCorkle Music and eBook Publications (A0.784828). ACT TWO: Song 2. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 5:5 - In Hebron he reigned over Judah seven years and six months; and in Jerusalem he reigned thirty and three years over all Israel and Judah.] As the cheers of the people in the hall resound, NATHAN the prophet and DAVID’S mentor goes out on the pouch and sees Jerusalem shining in the distance [In Peace, Jerusalem – Nathan, David and Ensemble]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.

Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.750374 Composed by Eddie Lewis. Multicultural,World. Score and parts. 35 pages. Tiger Music #6635933. Published by Tiger Music (A0.750374). Pura Alegria Brass Sextet and Keyboard 3 Trumpets, 3 Trombones and Keyboard Composed for the Stirling High School Brass Ensemble, in East London, South Africa MBR 3430 By Eddie Lewis Spice up your brass program with this Latin tinged composition for three trumpets, three trombones and keyboard. Pura Alegria is one of Eddie Lewis’ en clave compositions, where every rhythm from every phrase in the piece is derived from the clave. The clave is a rhythm from west Africa that came to the tropical islands with the slaves. From there, hundreds of years later, the rhythm became the underlying groove for a number of modern Latin dance music styles. Eddie Lewis was exposed to the clave rhythms during a period of twenty years when he was making his living primarily as a salsa trumpet player. While Eddie’s compositions are not salsa, his writing has been forever influenced by that music and the people. And that influence is not limited to only the rhythms. We are only emphasizing the rhythms here because of the prominence of the clave in Pura Alegria. Stirling High School, East London, South Africa Eddie composed Pura Alegria for the students in the brass ensemble at Stirling High School in East London, South Africa. The students prepared it as part of a presentation and Eddie was honored to contribute something for them to work on and perform. The request came from Eddie’s good friend, Leonard Brandt. Leonard is a professional trumpet player in South Africa and also teaches applied brass at the high school. When Eddie was in South Africa for the jazz festival in Grahamstown (2016), Leonard arranged a personal performance of Pura Alegria for him in one of the empty classrooms. The composition was a smashing success and the students and the audience all enjoyed it! Skill Level When Eddie does a commission, he goes to great lengths to map out the skills of the individual players. Often times, his method’s skill levels don’t apply. Please keep in mind that skill levels in published music are not about how good the students are. Students will always have mixed skill sets. That’s part of what it means to be human. We are good at some things and bad at others. So the skills of the individual parts in Pura Alegria are varied, not only from part to part, but from skill to skill. That said, the highest note in the first trumpet part is written high C, and the rhythms are syncopated (because of the clave influence). We would put most of that first part in our Trumpet Pro skill level. The highest note in the second part is written A above the staff. The highest note in the third trumpet part is top line F. Practice Recommendations Pay special attention to the articulations, which can feel a little awkward, but really make the piece. Sometimes the eighth-notes are long and the quarter-notes are short. Other times the quarter-notes are long and the eighth-notes are short. Also be careful with the dynamics. There will be a tendency to play the entire piece too loud. Because it feels like that kind of piece. However, if you play it that way, it will ruin some of the compositional effects. This is especially true for the keyboard. If you are performing with a keyboard, not an acoustic piano, then what’s the amplification that it doesn’t bury the rest of the ensemble. You cannot have the keyboard set to the same volume as you would for a full jazz ensemble class. Other than that, have fun with this piece. The name, Pura Alegria, in English means Pure Joy! The rhythms are delightful and the melodies are infectious.

Carillon,Instrumental Solo - Level 5 - Digital Download SKU: A0.1301689 By Duke Ellington and his Orchestra. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by Michael Gancz. 20th Century,Broadway,Film/TV,Jazz,Latin,Musical/Show. Individual part. 8 pages. Michael Gancz #891301. Published by Michael Gancz (A0.1301689). Caravan is one of Duke Ellington's (1899-1974) most famous compositions—although he didn't actually write it. That credit goes to Puerto Rican trombonist Juan Tizol (1900-1984), a member of the Ellington's big band from 1929 to 1944. Tizol composed the theme in 1936 and promptly sold the rights to lyricist Irving Mills for only $25. The song became an instant hit—jazz critic Ted Gioia expllains that it fit perfectly with the musical exoticism that patrons were demanding at [Ellington's] regular gig at the Cotton Club in Harlem. Indeed, much jazz from this era, especially Ellington's, was steeped in Orientalist aesthetics. Although we hear it now as a self-contained musical phenomenon, we must acknowledge this music's problematics even as we continue to celebrate its progressive and revolutionary qualities. Part of my interest in this piece is in its capacity as a vessel in which I can explore my own multiform identity as an expatriate of the Middle East, a carillonist, and a lover of jazz. This arrangement reflects what might happen when these three perspectives collide. Ellington recorded Caravan more than 100 times, and the names of its additional interpreters reads as a history of jazz itself: Thelonious Monk, Art Blakey, Nat King Cole, Dizzy Gillespie, Wynton Marsalis and dozens more all brought their own spin to the tune. What makes it particularly special, though, is its appeal to listeners outside the jazz fandom. The 2014 film Whiplash introduced mass audiences to the song's unique atmosphere and to the genius of the Duke and his sidemen, thanks to an outstanding big band arrangement by John Wasson. My setting of the tune for the carillon recalls both Duke and Tizol's original version and this more recently popular edition.In this arrangement, I hope to highlight the carillon's capacity as a percussion instrument, and to use this as a bridge into the world of jazz. A successful interpretation will focus on groove, stratification of voices, and balance. Try to keep the pedals light!Michael Gancz2023Sources:Gioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. pp. 58–59.

Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - Digital Download SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and parts. 43 pages. Monica Bergo #3238977. Published by Monica Bergo (A0.976861). 2017 Holiday Contest EntryNEMESIS I enter the room of my consciousness That incredible disorder I rummage through the drawers Where I keep sufferings And the ineradicable memories Dust that knows of regret Spider webs cover my time, I recompose pieces of life But I'm here for you Fleeting shadow   And my face reflects, Inside you My nemesis, my alter ego You reflect me and then Are a dark ghost The imperfect and the unsaid I will let you be what you are, My soul, black and rending. If you destroy my image It does not matter Finally that door remains open   And opening the border between dream and reality I stumble among people at my funeral Who cry, who laugh, It is my Carnival I look at them from above, a spectral profile   Rush down into the void that I have inside Nobody hugs me, I touch the silence, Slow-motion of a movie without more viewers, Close the curtain of the world outside and ... and ...   The snow falls , how cold it is For this actress without identity I escape from the frost of my uncertainties But there is no refuge save me from she Who is heat, but to hurt Is my animal instinct   I'm alone in this storm But certainly I do not regret Your mood swings, your sterile love Even without, I will survive   My nemesis now dominates Be careful! If she comes for you She destroys you, crushes you, is cruel and savage, And then she will laugh in your face   And sitting here on the bank of my river I'm waiting for you to pass this way Naked and without arrogance I'll never get enough This dance that gives me joy   And in the darkness I move safe and stealthy  (what are you?) I'm not afraid of anything and I feel wicked  (you are lost now)   Souls dancing to the beat of their sins  (you like us) In this limbo I disown my past days  (and so will you be...)   Wind and storm I'm not just this, The rumble of thunder I don't understand any longer which side I’m on And it goes against the wind and sharpens my torment I'm hungry for the Sun Nemesis cannot dominate me   My nemesis is here, Is stronger than ever And I know that she is reaching for me And it’s she who does not know Ever to stop halfway, Is Lady of Vice and Deception She seizes me , she exhausts me because She does not accept the peace that I have inside She has no balance, Makes me waver, And frustrates what I have achieved   Tell me that you'll disappear As a dream in the morning light And will be, within me, A memory clouded by time   I leave the room of my consciousness To make order is impossible Strange this drawer, not only sufferings But something relentless Nemesis, it is no longer your time By now your fire is spent And I will be born again to enchantment By words and music Food for the soul ...   Monica Bergo

Instrumental Duet,Percussion,Violin - Level 5 - Digital Download SKU: A0.1248663 By Evelyn Glennie. By Eugene Astapov. 21st Century,Chamber,Classical,Contemporary. 26 pages. EAMUSIC #843160. Published by EAMUSIC (A0.1248663). Composing Tiny Shattered Pieces was a truly immersive musical journey due to the sheer amount of time it took to write it and how much time I spent thinking about this piece. Since the work was commissioned before the start of the 2020 pandemic, but rescheduled for a premiere 2 years later – I could write, re-write and re-think this piece from start to finish multiple times. In the end there was enough material for a 30-minute composition, but so much of it was so different due to the different moods one would go through during a pandemic, that compiling it into 5 separate short musical statements was the most natural conclusion.     The music embarks on a journey of discovery, love, destruction, reconciliation, suffering, and by the end of it – war. Naturally at the end of a 2-year period a person evolves and goes through a myriad of different experiences, but few artists or composers experienced the world going through a tectonic shift from the early 2000s until now, therefore I felt it necessary to touch upon many different topics through the language of this work, including the personal and the universal. Each of the movements is a complete statement but together the movements form a larger pyramid-like structure, completing each other’s thoughts, propelling them and eventually bringing them to conclusion.      It should be noted that by the time I was reaching the end of the compositional process – a major war started with Russia invading Ukraine. Being a Ukrainian-born composer, the issue affected me deeply and sipped into the music by the end of the 4th movement. This is where the pyramid reaches its peak and should be appropriately shaped by the musicians.     The piece is approximately 10 minutes in duration and is to be performed with utmost freedom, gusto and conviction. The performers must not shy away from making the sounds crunch together, piercing through the hall, but at the same time the more quiet, gentle parts should be appropriately shaped and bring much needed comfort. The work is about contrasts, outbursts of emotions, quiet sobbing, rage and solitude.  The piece is approximately 12 minutes long. It was commissioned by Dame Evelyn Glennie in cooperation with Calgary's Land's End Ensemble.

Piano Solo - Digital Download SKU: A0.976872 Composed by Monica Bergo. Children,Contemporary,Halloween. Score. 8 pages. Monica Bergo #3240587. Published by Monica Bergo (A0.976872). 2017 Holiday Contest Entry♫ *'¯` * • .¸¸. ♫ ♫ Witches *'¯` * • .¸¸. ♫   It seemed a day so, like many others,   I wake up and commitments   already there are pressing   who asks, who call,   they have all need   leave me alone   want my dream   Today, I'm sorry,   but is not the day   from these chains I feel disconnected   and run happy   in the thick of the wood   I reach my nest   my hidden place   I never afraid in the woods at night   With they  I find again  the right atmosphere   and there, around the fire   there is my family   the only, the true   that resembles me the most   And in my reflection   are barefoot and shabby   but just so , I feel myself   and while we wait   something to happen   dolls in hand   we look for a prey   if in the Middle Ages  they had burned us   stronger and bad   now we are back   Between 1000 potions   between powders and concoctions   we here manufacture  the strange mixtures   And dance around the fire   Of us,  cares little to you   we are ugly, we are ungainly   we are dirty and unkempt   and turned, turned around,   there is a place in the world   where it does not matter   the look and appearance.   And while we intone the  chants  to the moon   a strange mantra to bring good luck   I feel observed   because there hidden   he's , he followed me in the thick of  wood   I stop petrified   and now I'm afraid   because he knows nothing of my dark half   and I see the contempt   I can see it in his face   and I have a heavy heart   tears soaked-....   What I could say   I would tell him do not go   while time seems to stop   a moment seems eternal....   But who cares   half woman   half witch   If really you're interested   maybe you love me the same....   and I look at you  go away   in my eyes nostalgy   and a tear goes   I think of what will not be   strange actress consumed   identity lost   I try wherever my part   always change my fate.   And watch you disappear   something inside me dies   I would like an elixir of love   it gives you back &n.

Piano Solo - Digital Download SKU: A0.1012708 Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5742971. Published by Moni Bergo (A0.1012708). Music and song composed by me♫ *'¯` * • .¸¸. ♫ ♫ Witches *'¯` * • .¸¸. ♫   It seemed a day so, like many others,   I wake up and commitments   already there are pressing   who asks, who call,   they have all need   leave me alone   want my dream   Today, I'm sorry,   but is not the day   from these chains I feel disconnected   and run happy   in the thick of the wood   I reach my nest   my hidden place   I never afraid in the woods at night   With they  I find again  the right atmosphere   and there, around the fire   there is my family   the only, the true   that resembles me the most   And in my reflection   are barefoot and shabby   but just so , I feel myself   and while we wait   something to happen   dolls in hand   we look for a prey   if in the Middle Ages  they had burned us   stronger and bad   now we are back   Between 1000 potions   between powders and concoctions   we here manufacture  the strange mixtures   And dance around the fire   Of us,  cares little to you   we are ugly, we are ungainly   we are dirty and unkempt   and turned, turned around,   there is a place in the world   where it does not matter   the look and appearance.   And while we intone the  chants  to the moon   a strange mantra to bring good luck   I feel observed   because there hidden   he's , he followed me in the thick of  wood   I stop petrified   and now I'm afraid   because he knows nothing of my dark half   and I see the contempt   I can see it in his face   and I have a heavy heart   tears soaked-....   What I could say   I would tell him do not go   while time seems to stop   a moment seems eternal....   But who cares   half woman   half witch   If really you're interested   maybe you love me the same....   and I look at you  go away   in my eyes nostalgy   and a tear goes   I think of what will not be   strange actress consumed   identity lost   I try wherever my part   always change my fate.   And watch you disappear   something inside me dies   I would like an elixir of love   it gives you back  

Piano Solo - Digital Download SKU: A0.1015926 Composed by Jeremy Norris. 20th Century,Contemporary. Score. 25 pages. Jeremy Norris #5017481. Published by Jeremy Norris (A0.1015926). Whereas many composers have written piano works inspired by children and the way children perceive the world around them, Childhood memories goes a step further by evoking these sentiments remembered by an adult many years later. As the adult reflects on the bright and carefree days of his or her childhood, inevitably, these reflections become colored by hitherto extraneous, un-childlike sentiments such as nostalgia and a pervading sadness brought on by the realization that those days are now lost forever. In Childhood memories, the recollections of moments and events in the child’s life are presented almost chronologically, beginning with the energetic pedaling of Bike ride and ending with the bittersweet festivity of Happy birthday! Thus, as the child grows and his or her understanding of reality becomes more acute, so the psychological and technical aspects of each individual piece’s musical language become more complex.Style: Post-Romantic; excellent pieces for concert performance and exam purposes. Technical difficulty: medium to difficult. Duration: 12 minutes circa.

Woodwind Ensemble Alto Flute,Bass Flute,Piccolo,Soprano Flute - Level 3 - Digital Download SKU: A0.1076268 By Cyndi Lauper. By Billy Steinberg and Tom Kelly. Arranged by Ray-Michael Kauffman and a do Ray me flute studio production Ray-Michael Kauffman. 20th Century,Contemporary,Holiday,Pop,Rock. 42 pages. As do Ray meflute studio production #680423. Published by as do Ray meflute studio production (A0.1076268). Https://youtu.be/CCylcZgNDO0 True Colors , arranged for flute choir . ensemble by me , Ray-Michael Kauffman. Composed by B. Steinberg & T. Kelly, & this song was nominated 2 times for a Grammy , recorded by Cyndi Lauper. Also performed by Phil Collins, and Eva Cassidy and many more. This arrangement is part of the Compositions that Care which means all money raised goes directly to charity, in this case LGBTQ+ community, such as housing for youth whom may be thrown out of their housing or had to run away, for hate crime victims/ survivors, shelter, medical treatment and supplies and any other need . This arrangement is very special and personal for me, because I am a Hate Crime victim /survivor as well. Even in today's society , where about 20% or less of Hate Crime Victims even report attacks or even serious physical harm. The laws have been changing slowly in the last 10 years , taking away penalties and sentencing from this heinous crimes. Legislators and law makers have diminishing what defines hate crimes, if hate crimes deserve additional sentencing, taking away laws that would ensure and help to protect this minority population most vulnerable to being victims. And not just in the USA, but around the world LGBTQ+ persons , are being attacked , imprisoned, and even murdered everyday . IIn the USA, Even where as victims like myself are seriously harmed , and in the hospital , requiring surgery, permanently maimed , broken bones, etc. most criminal perpetrators get minimal sentencing , even probation . And as in my case, these criminals had have multiple other serious convictions of physical harm to others and even serious gun charges. Please make your voice heard, help protect yourself, or your family, friends, and loved ones by contacting law makers local and federal to let them know this is not ok, and laws need to be changed to protect every person . Thank you for watching. To purchase this charitable composition, please Visit: SheetMusicPlus.com , also check out my website @ doRaymeflute.com.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1426058 Composed by Folk. Arranged by Phil Beaman. Folk,Jazz,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Phil Beaman #1006860. Published by Phil Beaman (A0.1426058). The West Indian version of the Our Father (Lord's Prayer) has made its way, in numerous forms and arrangements, into many hymnals around the world.  My arrangement is derived from the way my own choir sang it at a church here in the West Indies.  I created an accompaniment in the local strum style with rhythmic triads in the RH and a walking bass line in the LH.  I have arranged it all into a very spirited and rhythmic prayer for Vocal Solo.  published on this site in 3 one octave ranges:- high voice, F to F- medium voice, middle C to C- low voice, low A to A1:30 minutes2 pages; (N.B.  Do not print the 2 pages front and back; it is designed to be a flat open 2 pages and each line goes across both pages before moving to the next stanza.  Don't worry, it is obvious when you see it.)recording is a male medium voice.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1426057 Composed by Folk. Arranged by Phil Beaman. Folk,Jazz,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Phil Beaman #1006858. Published by Phil Beaman (A0.1426057). The West Indian version of the Our Father (Lord's Prayer) has made its way, in numerous forms and arrangements, into many hymnals around the world.  My arrangement is derived from the way my own choir sang it at a church here in the West Indies.  I created an accompaniment in the local strum style with rhythmic triads in the RH and a walking bass line in the LH.  I have arranged it all into a very spirited and rhythmic prayer for Vocal Solo.  published on this site in 3 one octave ranges:- high voice, F to F- medium voice, middle C to C- low voice, low A to A1:30 minutes2 pages; (N.B.  Do not print the 2 pages front and back; it is designed to be a flat open 2 pages and each line goes across both pages before moving to the next stanza.  Don't worry, it is obvious when you see it.)recording is a male medium voice.

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1426056 Composed by Folk. Arranged by Phil Beaman. Folk,Jazz,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Phil Beaman #1006855. Published by Phil Beaman (A0.1426056). The West Indian version of the Our Father (Lord's Prayer) has made its way, in numerous forms and arrangements, into many hymnals around the world.  My arrangement is derived from the way my own choir sang it at a church here in the West Indies.  I created an accompaniment in the local strum style with rhythmic triads in the RH and a walking bass line in the LH.  I have arranged it all into a very spirited and rhythmic prayer for Vocal Solo.  published on this site in 3 one octave ranges:- high voice, F to F- medium voice, middle C to C- low voice, low A to A1:30 minutes2 pages; (N.B.  Do not print the 2 pages front and back; it is designed to be a flat open 2 pages and each line goes across both pages before moving to the next stanza.  Don't worry, it is obvious when you see it.)recording is a male medium voice.