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Euphonium,Piano - Level 4 - Digital Download SKU: A0.796705 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Gary D. Belshaw (ASCAP). Rock. Score and part. 16 pages. DR GARY D BELSHAW #3663719. Published by DR GARY D BELSHAW (A0.796705). 2018 Holiday Contest Entry.What could be more in the holiday spirit than this Coldplay song about someone who can't believe she's gone? Get yourself into the true holiday spirit, celebrating those Christmas lights. Bring this music to any holiday social or civic event, recital, or concert. Explore the whole range of the instrument, and of the season. Good breath control and solid articulation will help folks stay with you. Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us.
Christmas Lights
Euphonium, Piano (duo)
Coldplay
$6.99 5.97 € Euphonium, Piano (duo) PDF SheetMusicPlus

Bass Clarinet,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.796699 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Gary D. Belshaw (ASCAP). Rock. Score and individual part. 16 pages. DR GARY D BELSHAW #3663553. Published by DR GARY D BELSHAW (A0.796699). 2018 Holiday Contest Entry.What could be more in the holiday spirit than this Coldplay song about someone who can't believe she's gone? Get yourself into the true holiday spirit, celebrating those Christmas lights. Bring this music to any holiday social or civic event, recital, or concert. Explore the whole range of the instrument, and of the season. Good breath control and solid articulation will help folks stay with you. Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us.
Christmas Lights
Clarinette Basse, Piano
Coldplay
$6.99 5.97 € Clarinette Basse, Piano PDF SheetMusicPlus

French Horn,Piano - Level 4 - Digital Download SKU: A0.796703 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Gary D. Belshaw (ASCAP). Rock. Score and part. 15 pages. DR GARY D BELSHAW #3663563. Published by DR GARY D BELSHAW (A0.796703). 2018 Holiday Contest Entry.What could be more in the holiday spirit than this Coldplay song about someone who can't believe she's gone? Get yourself into the true holiday spirit, celebrating those Christmas lights. Bring this music to any holiday social or civic event, recital, or concert. Explore the whole range of the instrument, and of the season. Good breath control and solid articulation will help folks stay with you. Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us.
Christmas Lights
Cor et Piano
Coldplay
$6.99 5.97 € Cor et Piano PDF SheetMusicPlus

Tenor Saxophone Solo - Level 4 - Digital Download SKU: A0.796694 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Gary D. Belshaw (ASCAP). Rock. Individual part. 16 pages. DR GARY D BELSHAW #3638325. Published by DR GARY D BELSHAW (A0.796694). 2018 Holiday Contest Entry.What could be more in the holiday spirit than this Coldplay song about someone who can't believe she's gone? Get yourself into the true holiday spirit, celebrating those Christmas lights. Bring this music to any holiday social or civic event, recital, or concert. Explore the whole range of the instrument, and of the season. Good breath control and solid articulation will help folks stay with you. Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us
Christmas Lights
Saxophone Tenor
Coldplay
$6.99 5.97 € Saxophone Tenor PDF SheetMusicPlus

Piano,Trumpet - Level 4 - Digital Download SKU: A0.796702 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Gary D. Belshaw (ASCAP). Rock. Score and part. 15 pages. DR GARY D BELSHAW #3663559. Published by DR GARY D BELSHAW (A0.796702). 2018 Holiday Contest Entry.What could be more in the holiday spirit than this Coldplay song about someone who can't believe she's gone? Get yourself into the true holiday spirit, celebrating those Christmas lights. Bring this music to any holiday social or civic event, recital, or concert. Explore the whole range of the instrument, and of the season. Good breath control and solid articulation will help folks stay with you. Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us.
Christmas Lights
Trompette, Piano
Coldplay
$6.99 5.97 € Trompette, Piano PDF SheetMusicPlus

Bassoon,Piano - Level 4 - Digital Download SKU: A0.796700 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Gary D. Belshaw (ASCAP). Rock. Score and part. 16 pages. DR GARY D BELSHAW #3663555. Published by DR GARY D BELSHAW (A0.796700). 2018 Holiday Contest Entry.What could be more in the holiday spirit than this Coldplay song about someone who can't believe she's gone? Get yourself into the true holiday spirit, celebrating those Christmas lights. Bring this music to any holiday social or civic event, recital, or concert. Explore the whole range of the instrument, and of the season. Good breath control and solid articulation will help folks stay with you. Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us.
Christmas Lights
Basson, Piano (duo)
Coldplay
$6.99 5.97 € Basson, Piano (duo) PDF SheetMusicPlus

Flute,Piano - Level 4 - Digital Download SKU: A0.796697 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Gary D. Belshaw (ASCAP). Rock. Score and part. 16 pages. DR GARY D BELSHAW #3663549. Published by DR GARY D BELSHAW (A0.796697). 2018 Holiday Contest Entry.What could be more in the holiday spirit than this Coldplay song about someone who can't believe she's gone? Get yourself into the true holiday spirit, celebrating those Christmas lights. Bring this music to any holiday social or civic event, recital, or concert. Explore the whole range of the instrument, and of the season. Good breath control and solid articulation will help folks stay with you. Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us.
Christmas Lights
Flûte traversière et Piano
Coldplay
$6.99 5.97 € Flûte traversière et Piano PDF SheetMusicPlus

Oboe,Piano - Level 4 - Digital Download SKU: A0.796698 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Gary D. Belshaw (ASCAP). Rock. Score and part. 16 pages. DR GARY D BELSHAW #3663551. Published by DR GARY D BELSHAW (A0.796698). 2018 Holiday Contest Entry.What could be more in the holiday spirit than this Coldplay song about someone who can't believe she's gone? Get yourself into the true holiday spirit, celebrating those Christmas lights. Bring this music to any holiday social or civic event, recital, or concert. Explore the whole range of the instrument, and of the season. Good breath control and solid articulation will help folks stay with you. Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us.
Christmas Lights
Hautbois, Piano (duo)
Coldplay
$6.99 5.97 € Hautbois, Piano (duo) PDF SheetMusicPlus

Piano,Tuba - Level 4 - Digital Download SKU: A0.796706 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Gary D. Belshaw (ASCAP). Rock. Score and part. 16 pages. DR GARY D BELSHAW #3663721. Published by DR GARY D BELSHAW (A0.796706). 2018 Holiday Contest Entry.What could be more in the holiday spirit than this Coldplay song about someone who can't believe she's gone? Get yourself into the true holiday spirit, celebrating those Christmas lights. Bring this music to any holiday social or civic event, recital, or concert. Explore the whole range of the instrument, and of the season. Good breath control and solid articulation will help folks stay with you. Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us.
Christmas Lights
Tuba et Piano
Coldplay
$6.99 5.97 € Tuba et Piano PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.984181 By Billy Joel. By Billy Joel. Arranged by Deb Jones. Pop,Rock. Octavo. 8 pages. Deb Jones #4745375. Published by Deb Jones (A0.984181). Lullabye (Goodnight My Angel)     This absolutely gorgeous song was written by Billy Joel in response, I believe, to his young daughter asking him what happens when people die and, as he didn’t believe in the afterlife, he was trying to avoid answering her.   As I was listening to recordings of this song, a second voice emerged for me, possibly someone who has passed on, calmly lulling the child to sleep whilst her father is trying to distract her from her questions. This was indeed the interpretation felt by people I played my original arrangement to who found it very moving.   This arrangement is for full SATB choir     I hope you enjoy it.     Formats available   Duet with cello and smattering of SSA choir Duet with cello and smattering of Male Voice Choir   Full choir versions SATB SSAA TTBB    
Lullabye (Goodnight, My Angel)
Chorale SATB
Billy Joel
$1.99 1.7 € Chorale SATB PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.565128 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Easter,Praise & Worship,Sacred. Score. 11 pages. Sharon Wilson #3454047. Published by Sharon Wilson (A0.565128). This Scripture song based on Psalm 30 verses 4-5 is formatted as a vocal solo (or unison choir) with piano accompaniment (3 staff piano-vocal score). The purchase price includes a 5-page combined score plus a 2-page solo part for VOICE and a 3-page accompaniment score for the PIANO. The lyrics were adapted from the World English Bible (WEB). This verse seems to express the sadness then joy that Jesus’ disciples experienced on the weekend of His crucifixion. Friday was filled with weeping and sorrow as Jesus was nailed to the cross and died, yet Sunday morning, Jesus rose from the dead and though they didn’t believe at first, their hearts were filled with joy as they came to understand that Jesus really was alive! We too can sing praises to the Lord and have joy in the morning because of Jesus’ resurrection. Lyrics:Sing praises to the Lord all you saints of His.Give thanks to His Holy name.His anger is but for a moment;His favor is for a lifetime.Weeping may last for the night,But joy comes in the morning.Weeping may last for the night,But joy comes in the morning.Weeping may last for the night,But joy comes in the morning.Joy Comes in the morning.Sing praises to the Lord;Sing praises to His name.Give thanks to the Lord all you saints.Sing praises to the Lord;Sing praises to His name,For joy comes in the morning.Joy comes in the morning.Yes, joy comes in the morning.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
Joy Comes in the Morning (Psalm 30)
Piano, Voix
Sharon Wilson
$4.99 4.27 € Piano, Voix PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.41 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1038298 Composed by Ethan R. Ray. A Cappella,Classical. Octavo. 5 pages. Ethan R. Ray #643236. Published by Ethan R. Ray (A0.1038298). A meditative, introspective, and pensive a cappella SATB written primarily for college choirs. The piece foregoes complexities and flourishes and focuses on simplicity and melody. Text: Believe when you’re gone I don’t feel my soul When you are not here And when you leave me on some shore I think of how I’ll always love you And in ways I will grieve I will cry heaven If the beauty of the day is enough to break your heart Then come back angel See that your meadows give way to the sun I’ll always love you And in ways I won’t know You may grieve me too You may grieve me in heaven.
Cry Heaven
Chorale SATB

$1.99 1.7 € Chorale SATB PDF SheetMusicPlus

Guitar - Level 2 - Digital Download SKU: A0.1213599 By Matt Redman. By Jonas Myrin and Matt Redman. Arranged by Kyle Pudenz. Christian,Praise & Worship,Religious,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #810792. Published by ViolinVagabond Music (A0.1213599). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. Indeed, I got called in to sub on a solo violin wedding gig on less than 24 hours' notice, and found this song right at the top of the list. Having not played or listened to it in... a while, I decided to display some semblance of due dilligence and write out a version that would work in the range of a solo instrumental violin. Then, and don't ask me where this sudden magnanimous streak came from, I decided to spin up the same chart with lyrics and chord diagrams just in case I ever needed to play it with a vocalist.Out of the goodness of my heart, ALL of the above is available to you for the low low price of (insert current minimum price for SMP chart). While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a church service I have questions.It's nothing spectacular, but here's what I can promise you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to worship songs wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
10,000 Reasons (bless The Lord)
Matt Redman
$3.99 3.41 € PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages.  Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try?  Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind.  We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness.    The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions.  I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness.  There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition.  I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less.  Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes.  And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time.  Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over.  And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural.  From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own.   This is ...a bridge a-way, exits within.
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Guitare

$11.99 10.25 € Guitare PDF SheetMusicPlus


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