Small Ensemble Viola - Level 4 - Digital Download SKU: A0.592547 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Musical/Show,Wedding. Score and parts. 44 pages. Last Resort Music Publishing #201338. Published by Last Resort Music Publishing (A0.592547). Volume 7 - Irish Music, Fiddle Tunes & Traditional Pop Favorites 50722 Part 2 - Viola Ain't We Got Fun, Alexander's Ragtime Band, Irish Reels, When Irish Eyes Are Smiling and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The Keyboard/Guitar part encompasses both Parts 2 and 3. Arrangements for String Trio, Wind Trio, Piano Trio, Mixed Trio & more Interchangeable Parts for Strings or Winds ~ Optional Keyboard/Guitar Part Simply choose the instrumentation that you need and play! The parts available for this volume are listed here! 50711 Part 1 Flute or Oboe or Violin 50713 Part 1 Clarinet in Bb 50721 Part 2 Flute or Oboe or Violin 50722 Part 2 Viola 50723 Part 2 Clarinet in Bb 50731 Part 3 Cello or Bassoon 50740 Keyboard or Guitar 50799 Score (Parts 1-3 in C) Table of Contents Ain't We Got Fun (Whiting, Kahn & Egan) Alexander's Ragtime Band (Irving Berlin) Arkansas Traveler (American Fiddle Tune) Band Played On, The (Ward & Palmer) Believe Me, If All Those Endearing Young Charms (Moore) Bill Cheatham (American Fiddle Tune) Blackberry Blossom (American Fiddle Tune) By the Light of the Silvery Moon (Edwards & Madden) Chicken Reel (American Fiddle Tune) Coleraine (Irish Jig) Devile's Dream (American Fiddle Tune) Drowsy Maggie (Irish Reel) Dusty Miller (American Fiddle Tune) Fisher's Hornpipe (American Fiddle Tune) Flowers of Edinburgh (Irish Reel) For Me and My Gal (Meyer, Leslie & Goetz) Garry Owen (Irish Jig) Give My Regards to Broadway from Little Johnny Jones (Cohan) Glow Worm from The Girl Behind the Counter (Cohan) Good Old Summertime, In the (Lincke & Robinson) Irish Washerwoman, The (Irish Jig) Kerry Dance, The (Molloy) Kesh Jig (Irish Jig) Let Me Call You Sweetheart (Friedman & Whitson) Londonderry Air (Traditional Irish Melody) Nola (Arndt) Old Joe Clark (American Fiddle Tune) Si Bheag, Si Mhor (Irish Air) Soldier's Joy (American Fiddle Tune) Swallowtail Jig (Irish Jig) Sweetie Mine from Sinbad (Jolson, Mitchell & Hess) Toot, Toot, Tootsie from Bombo (Kahn, Erdman & Russo) Toyland from Babes in Toyland (Herbert & MacDonough) Wearing of the Green, The (Irish Air) When Irish Eyes Are Smiling (Ball, Olcott & Graf) Published by lastresortmusic.com.

Small Ensemble - Level 4 - Digital Download SKU: A0.592549 Composed by Various. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Musical/Show,Pop,Wedding. Score and parts. 44 pages. Last Resort Music Publishing #201339. Published by Last Resort Music Publishing (A0.592549). Volume 7 - Irish Music, Fiddle Tunes & Traditional Pop Favorites 50731 Part 3 - Cello or Bassoon Ain't We Got Fun, Alexander's Ragtime Band, Irish Reels, When Irish Eyes Are Smiling and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The Keyboard/Guitar part encompasses both Parts 2 and 3. Arrangements for String Trio, Wind Trio, Piano Trio, Mixed Trio & more Interchangeable Parts for Strings or Winds ~ Optional Keyboard/Guitar Part Simply choose the instrumentation that you need and play! The parts available for this volume are listed here! 50711 Part 1 Flute or Oboe or Violin 50713 Part 1 Clarinet in Bb 50721 Part 2 Flute or Oboe or Violin 50722 Part 2 Viola 50723 Part 2 Clarinet in Bb 50731 Part 3 Cello or Bassoon 50740 Keyboard or Guitar 50799 Score (Parts 1-3 in C) Table of Contents Ain't We Got Fun (Whiting, Kahn & Egan) Alexander's Ragtime Band (Irving Berlin) Arkansas Traveler (American Fiddle Tune) Band Played On, The (Ward & Palmer) Believe Me, If All Those Endearing Young Charms (Moore) Bill Cheatham (American Fiddle Tune) Blackberry Blossom (American Fiddle Tune) By the Light of the Silvery Moon (Edwards & Madden) Chicken Reel (American Fiddle Tune) Coleraine (Irish Jig) Devile's Dream (American Fiddle Tune) Drowsy Maggie (Irish Reel) Dusty Miller (American Fiddle Tune) Fisher's Hornpipe (American Fiddle Tune) Flowers of Edinburgh (Irish Reel) For Me and My Gal (Meyer, Leslie & Goetz) Garry Owen (Irish Jig) Give My Regards to Broadway from Little Johnny Jones (Cohan) Glow Worm from The Girl Behind the Counter (Cohan) Good Old Summertime, In the (Lincke & Robinson) Irish Washerwoman, The (Irish Jig) Kerry Dance, The (Molloy) Kesh Jig (Irish Jig) Let Me Call You Sweetheart (Friedman & Whitson) Londonderry Air (Traditional Irish Melody) Nola (Arndt) Old Joe Clark (American Fiddle Tune) Si Bheag, Si Mhor (Irish Air) Soldier's Joy (American Fiddle Tune) Swallowtail Jig (Irish Jig) Sweetie Mine from Sinbad (Jolson, Mitchell & Hess) Toot, Toot, Tootsie from Bombo (Kahn, Erdman & Russo) Toyland from Babes in Toyland (Herbert & MacDonough) Wearing of the Green, The (Irish Air) When Irish Eyes Are Smiling (Ball, Olcott & Graf) Published by lastresortmusic.com.

Small Ensemble - Level 4 - Digital Download SKU: A0.592550 By Daniel Kelley. By Daniel Kelley. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Musical/Show,Pop,Wedding. Score and parts. 93 pages. Last Resort Music Publishing #201340. Published by Last Resort Music Publishing (A0.592550). Volume 7 - Irish Music, Fiddle Tunes & Traditional Pop Favorites 50740 Keyboard or Guitar Ain't We Got Fun, Alexander's Ragtime Band, Irish Reels, When Irish Eyes Are Smiling and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The Keyboard/Guitar part encompasses both Parts 2 and 3. Arrangements for String Trio, Wind Trio, Piano Trio, Mixed Trio & more Interchangeable Parts for Strings or Winds ~ Optional Keyboard/Guitar Part Simply choose the instrumentation that you need and play! The parts available for this volume are listed here! 50711 Part 1 Flute or Oboe or Violin 50713 Part 1 Clarinet in Bb 50721 Part 2 Flute or Oboe or Violin 50722 Part 2 Viola 50723 Part 2 Clarinet in Bb 50731 Part 3 Cello or Bassoon 50740 Keyboard or Guitar 50799 Score (Parts 1-3 in C) Table of Contents Ain't We Got Fun (Whiting, Kahn & Egan) Alexander's Ragtime Band (Irving Berlin) Arkansas Traveler (American Fiddle Tune) Band Played On, The (Ward & Palmer) Believe Me, If All Those Endearing Young Charms (Moore) Bill Cheatham (American Fiddle Tune) Blackberry Blossom (American Fiddle Tune) By the Light of the Silvery Moon (Edwards & Madden) Chicken Reel (American Fiddle Tune) Coleraine (Irish Jig) Devile's Dream (American Fiddle Tune) Drowsy Maggie (Irish Reel) Dusty Miller (American Fiddle Tune) Fisher's Hornpipe (American Fiddle Tune) Flowers of Edinburgh (Irish Reel) For Me and My Gal (Meyer, Leslie & Goetz) Garry Owen (Irish Jig) Give My Regards to Broadway from Little Johnny Jones (Cohan) Glow Worm from The Girl Behind the Counter (Cohan) Good Old Summertime, In the (Lincke & Robinson) Irish Washerwoman, The (Irish Jig) Kerry Dance, The (Molloy) Kesh Jig (Irish Jig) Let Me Call You Sweetheart (Friedman & Whitson) Londonderry Air (Traditional Irish Melody) Nola (Arndt) Old Joe Clark (American Fiddle Tune) Si Bheag, Si Mhor (Irish Air) Soldier's Joy (American Fiddle Tune) Swallowtail Jig (Irish Jig) Sweetie Mine from Sinbad (Jolson, Mitchell & Hess) Toot, Toot, Tootsie from Bombo (Kahn, Erdman & Russo) Toyland from Babes in Toyland (Herbert & MacDonough) Wearing of the Green, The (Irish Air) When Irish Eyes Are Smiling (Ball, Olcott & Graf) Published by lastresortmusic.com.

Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â?� and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?�It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..

Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …� and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.�It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..

Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …� and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.�It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..

Jazz Combo - Level 5 - Digital Download SKU: A0.1486861 Composed by Dastan Duisenbayev. Jazz,Latin. 16 pages. DUISENGROOVE #1063931. Published by DUISENGROOVE (A0.1486861). This is my first original composition, written in late summer 2023. Would you believe me if I told you I wrote this in a single day? Probably not! XD. I was experimenting with chords, and everything just sort of clicked. Then came the melody.  I called it Contrast, because, in my honest opinion, I used both bright sounding and dark sounding chords in jazz. This package includes the score, the parts: both transposed (Eb and Bb) and concert pitch, and the audio demo of how it should sound. So if you're interested in buying and playing this piece of music, by all means, go for it!If you want to listen to the live performance, you can go by the YouTube link that I provided below. The audio isn't the best, but you'll be able to hear enough.

Percussion Ensemble - Level 4 - Digital Download SKU: A0.1086633 Composed by Joe W. Moore III. 20th Century,Contemporary,Latin,Multicultural,World. Score and parts. 82 pages. JWMIII Compositions #690841. Published by JWMIII Compositions (A0.1086633). Ojo (evil eye) was written in 2018 for the UTRGV Percussion ensemble. The inspiration for the piece comes from Latin American folklore “mal de ojo� which is essentially staring or looking on someone with envy or praising them without touching them. It is believed that your spirit will haunt the person you’ve looked at with a desire to touch but didn’t. This is the goal of the piece; to keep the audience engaged throughout the work with quick passages, rhythmic variety, and timbre changes, giving the performers ojo because there is no other option but to watch and listen intently.

Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By Fre�de�ric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy.  Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.

Concert Band - Level 2 - Digital Download SKU: A0.1469368 Composed by James Pierpont. Arranged by Lorenzo Bocci. Christmas. 57 pages. Lorenzo Bocci #1047389. Published by Lorenzo Bocci (A0.1469368). JINGLE BELLSfor Concert Band (with Fanfare Band parts) - Grade 2 - Digital Download - More Christmas SongsComposed by James Pierpont. Arranged by Lorenzo Bocci. Christmas. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 1'46''. Published by Lorenzo Bocci.Instrumentation:Full Score, Piccolo, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Xilophone, Timpani, Drum Set, Sleigh Bells, Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Jingle Bells is one of the most commonly sung songs in the world. It was written in 1850 by James Lord Pierpont at Simpson Tavern in Medford, Massachusetts. It was published under the title The One Horse Open Sleigh in September 1857. It has been claimed that it was originally written to be sung by a Sunday school choir for Thanksgiving, or as a drinking song. Although it has no original connection to Christmas, it became associated with winter and Christmas music in the 1860s and 1870s, and it was featured in a variety of parlor song and college anthologies in the 1880s. It was first recorded in 1889 on an Edison cylinder; this recording, believed to be the first Christmas record, is lost, but an 1898 recording - also from Edison Records - survives.Subscribe to my YouTube Channel to stay updated on new releases.

Piano Solo - Level 3 - Digital Download SKU: A0.1415388 By O.C. Smith. By Bobby Russell. Arranged by Timothy Stapay. Country,Film/TV,Pop,Singer/Songwriter,Standards. Score. 5 pages. Timothy Stapay #997124. Published by Timothy Stapay (A0.1415388). Here is a timeless country classic arranged for piano solo.  A song the whole family will love to sing.Little Green Apples is a classic country song that was recorded by Glen Campbell in 1968.  It was written by Bobby Russell and became a major hit, reaching the top 40 charts in both the United States and the United Kingdom. The song’s popularity has endured over the years, and it remains a beloved classic in the country music genre. Bobby Gentry sang this song in a wonderful duet with Glenn on his T.V. show.[Verse 1]Well, I wake up in the mornin' with my hair down in my eyesAnd she says, HiAnd I hurry to the breakfast table while the kids are goin' off to school, GoodbyeAnd she reaches out and takes my handAnd squeezes it and says, How you feelin', Hon?And I look across at smilin' lips that warms my heartAnd I see my mornin' sun[Pre-Chorus]And if that's not lovin' meThen all I've got to say[Chorus]God didn't make the little green applesAnd it don't rain in Indianapolis in the summertimeThere's no such thing as Dr. SuessDisneyland and Mother Goose, no nursery rhymeGod didn't make the little green applesAnd it don't rain in Indianapolis in the summertimeAnd when my self is feelin' lowI think about your face aglow and ease my mind[Verse 2]Sometimes I call him up knowin' he's busyAnd ask if he could get away and meet meMaybe grab a bite to eatAnd he drops what he's doin' and hurries down to meet meAnd I'm always lateHe sits waitin' patiently and smiles when he first sees me'Cause he's made that way [Pre-Chorus]And if that's not lovin' meThen all I've got to say[Chorus]God didn't make the little green applesAnd it don't snow in Indianapolis when the winter comeThere's no such thing as make-believePuppy dogs and autumn leaves, no BB gunGod didn't make the little green applesAnd it don't rain in Indianapolis in the summertimeAnd when my self is feelin' lowI think about your face aglow and ease my mind

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1471485 Composed by Gabriel Fauré, Gabriel Faure. Arranged by Rob Bushnell. 19th Century,Classical,Religious,Romantic Period,Sacred. Brass Band. 79 pages. Rob Bushnell #1049258. Published by Rob Bushnell (A0.1471485). Composed between 1887 and 1890, Gabriel Fauré’s Requiem is not only one of his best-known works but one of the most popular piece of choral music in the Classical repertoire, coming 23rd in the Classic FM’s Hall of Fame 2024. Believed to be a tribute to his father (who died in 1885), Fauré himself said “My Requiem wasn't written for anything – for pleasure, if I may call it that!” It started life as a five-movement work but was later expanded to be the final seven-movement work we know today. The first version (which Fauré called “un petit Requiem”) was first performed on 16 January 1888, with Fauré conducting, a second version premiered on 21 January 1893 before the final version (reworked for full orchestra) was played on 12 July 1900; the Requiem was performed at the composer’s own funeral in 1924.The Libera Me, or Deliver Me, was actually written in 1877 and is the sixth part of the Requiem.Fauré once said of the work, “Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest. Upon interview, he also said, “It has been said that my Requiem does not express the fear of death and someone has called it a lullaby of death. But it is thus that I see death: as a happy deliverance, an aspiration towards happiness above, rather than as a painful experience. The music of Gounod has been criticised for its inclination towards human tenderness. But his nature predisposed him to feel this way: religious emotion took this form inside him. Is it not necessary to accept the artist's nature? As to my Requiem, perhaps I have also instinctively sought to escape from what is thought right and proper, after all the years of accompanying burial services on the organ! I know it all by heart. I wanted to write something different.”This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=fXwFNoBHCf0.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1101942 Composed by Frederic Chopin. Arranged by RUSSELL T. KING. 19th Century,Contest,Festival,Romantic Period. 16 pages. EMK Music #705334. Published by EMK Music (A0.1101942). Chopin believed Opus 10 No 3 to be the most beautiful melody he ever composed. This adaptation has had a change of time signature to match the more modern interpretation and a change of key signature to make it more saxophone friendly. Much of the pianistic gymnastics have been smoothed out. The players should make great use of Rubato and it is suggested listening to Lang Lang's performance on youtube (www.youtube.com/watch/?v=8yjnLmv1hHU) to capture the style and ambience intended in this arrangement.

Flute Quartet,Woodwind Ensemble - Digital Download SKU: A0.1101941 Composed by Frederic Chopin. Arranged by RUSSELL T. KING. 19th Century,Contest,Festival,Romantic Period. 16 pages. EMK Music #705333. Published by EMK Music (A0.1101941). Chopin believed Opus 10 No 3 to be the most beautiful melody he ever composed. This adaptation has had a change of time signature to match the more modern interpretation and a change of key signature to make it more flute friendly. Much of the pianistic gymnastics have been smoothed out. The players should make great use of Rubato and it is suggested listening to Lang Lang's performance on youtube (www.youtube.com/watch/?v=8yjnLmv1hHU) to capture the style and ambience intended in this arrangement.